Just when I thought the season was over for another year, I found another sizeable Classic Car Show to go to, and which was more or less on, well not my door step, but that of my mother. So that gave me the possibility of visiting her overnight on the Saturday and then heading off to this event at the Three Counties Showground in Malvern on the Sunday. It is one of a series of events held around the country organised by Classic Car Shows all of which seem to follow a similar format, of having lines of cars on show and an arena into which display cars are invited, based on a particular theme, where they are “judged”. The winner of each class is then invited back for an overall winner to be selected late in the day. It’s all highly subjective, but does mean that proud owners get the chance to tell everyone a little about their car and it provides additional interest beyond just looking at lines of cars. Though when the quality and variety are as good as they were at this event, that is not exactly a hardship. This event was also blessed with some glorious autumn sunshine, which doubtless encouraged lots of people to bring their classic along with the result that there was plenty to look at and I ended up staying pretty much all day. Here is what I saw:

AC

Original Cobra cars are few and far between, but there have been countless replica and recreation as well as continuation cars and this is one of those. It is a Dax Tojeiro. Dax is one of the most recognised producers of replica Cobras. The company, based in North Weald, Essex, began building fibreglass mouldings for cars in 1968. In 1975 the AC Ace’s designer, John Tojeiro, became a director of the company and that’s when the Cobra replica became known as the Dax Tojeiro. Dax is still going, under the current stewardship of John Kox, who took control in 2017. The Tojeiro is still part of its catalogue, albeit it’s now called the Dax 427. The cars are built on a steel ladder frame chassis, and these days with bonded and riveted front and rear sections to add stiffness. The basic setup of the front and rear axles, suspension and brakes is based around donor items from the Jaguar XJ40, but with bespoke geometry, Spax adjustable coil overs, front anti-roll bar and steering rack.

ALVIS

The Alvis Three Litre, TC 21 was produced between 1953 and 1955. An updated version of the Three Litre TA 21, it was available as a 4-door saloon and, in its later TC 21/100 form, also as a 2-door drophead coupé. The TC 21 was available as four-door saloon but, unlike its TA 21 predecessor, no drophead version was offered. The bodies were made for Alvis by Mulliners (Birmingham). A sunshine roof remained standard as did “separately adjustable front seats; heater and air-conditioning unit; Trico windscreen washers” drawing the comment from Autocar “In detail fittings . . . this car leaves little to be desired”. Later TC 21s have chromium-plated window frames. The 2,993 cc engine was upgraded to produce 100 bhp by modifying the cylinder head and fitting twin SU carburettors. Suspension was the same as the TA 21, independent at the front using coil springs with leaf springs at the rear. The 11 in (279 mm) drum brakes using a Lockheed system were also retained. However this update found few buyers during a very difficult year for the British Motor Industry and though it remained in the catalogue and continued to be advertised it was in practice replaced by the Grey Lady. The TC.21/100 or Grey Lady announced 20 October 1953 came with a guarantee of a speed of 100 mph resulting from an improved exhaust system and an engine compression ratio raised from 7:1 to 8:1 to take advantage of the availability of better petrol. The final drive ratio was raised from 4.09:1 to 3.77:1. A paired front fog lamp and matching driving lamp became a standard fitting. The bonnet gained air scoops and wire wheels were fitted to try to enliven the car’s image. A heater was fitted as standard but a radio remained an expensive option. Four door saloon and drophead coupé versions were offered. Nevertheless, just 18 months later the Times’ Motoring Correspondent tested and reported on the Grey Lady under the headline “Few Concessions to Fashion Trends”. His opening gambit was that this Alvis was now one of the few British cars that did not look American and, he said, there was little concession to the cult of streamlining beyond the two air scoops in the bonnet. He wrote that spacious internal headroom and wire wheels completed that picture. It was noted the instruments were not in front of the driver but in the centre of the dashboard (instrument panel) and so the speedometer was apt to be masked by the driver’s left hand. However the front seats were comfortable and rear seat passengers received padding on the wheel arches surmounted by armrests. Leather upholstery, pile carpets and walnut facings for the dashboard and lower parts of the window frames completed the traditional picture. He did however say that “the driver who is sensitive to the “feel” of his car will enjoy every moment of his motoring irrespective of the traffic” and reported the car’s behaviour on corners was extremely stable though potholes like those caused by recessed manhole covers proved very heavy going for the springing. A Graber-bodied coupe on a TC 21/100 chassis was exhibited at the London Motor Show in October 1955. The similar TC 108G entered limited production the following year.

ATKINSON

First of a series of beautifully preserved lorries was this 1971 Atkinson Gardner 180. Atkinson & Co. was founded in the Frenchwood district of Preston, the cotton town and administrative capital of Lancashire, by two of five brothers, Edward Atkinson (1880–1932) and Henry Birch Atkinson (1882–1921) with assistance from their brother-in-law George Hunt (1870–1950). The real and effective beginning of the company was in 1907, when the partners decided to capitalise on the need for local engineers to make temporary or permanent repairs to the increasing number of ‘pullcars’ and private motor vehicles on the road. By 1912, the organisation had moved to premises in Kendal Street and the number of employees had grown to twenty. In the same year a second, smaller repair centre was opened in Freemason’s Row, Liverpool, to cater for the enormous volume of steam traffic using the docks. Very soon the company made something of a name for itself in the north of England as quality repairers, and the growing number of operators brought new business from far and wide. With the outbreak of World War I in 1914, demand for internal road transport grew considerably, the nation finding itself desperately throttled by the inadequacy of the railways to offer a complete transport network. Some method of local delivery and collection was needed to supplement the services of the railway companies, and with most of the existing steam wagon manufacturers turning their resources over to munitions production, demand increased further. The Atkinsons, shrewd observers at any time, decided to experiment by making a wagon of their own design, and in 1916, the first Atkinson six-ton four-wheel steam wagon was produced in Kendal Street and became an instant success. The market enjoyed a short boom period following the Armistice and the Atkinsons, realising the potential, purchased a five-acre site of land near their homes in Frenchwood, on which they intended to erect a new and enlarged factory, solely designed for the production of steam wagons. Together with the field they also bought the 17th century Frenchwood House, with the intention of using it partly as their offices and partly as their personal quarters. By 1918 the Atkinsons had built up a competent team of engineers and salesmen as well as an enthusiastic and loyal labour force, and were producing wagons competitive in both price and performance. Henry Atkinson died suddenly in 1921 and consequently the company fell into the hands of his brother Edward. At this time, new ideas and designs were constantly being tried out while production rose to a peak of some three wagons per week, and the total labour force rose to well over a hundred and fifty. Edward Atkinson had a glorified view of steam and did not acknowledge the warnings when sales began to slow down in the mid-1920s. Leyland Motors sold their steam remnants to Atkinson in 1926, followed by Mann in 1929. There seems to have been various family rivalries at the time and the firm was undoubtedly in difficulties when Edward Atkinson decided to seek help from mine engineers and Pagefield lorry makers, Walker Brothers of Wigan. Under a new arrangement, Walkers manufactured Uniflow engines for Atkinsons, but by this time very few orders were forthcoming. Edward Atkinson had cancer and was unable to pay any dividends on the preference shares and finally abandoned wagon production in 1929 after a grand total of about 545 Atkinsons had been built. The final years were made possible by a cancellation fee from Manchester Co-op Society, which had ordered a hundred wagons. The Frenchwood and Freemason’s Row factories closed with the end of the steamers, though the Kendal Street factory remained for repairing and servicing existing wagons. Edward Atkinson died in 1932 and a year later the firm he co-founded was acquired by London garage owner W. G. Allen, whose father had started Nightingale Garage. Allen was chairman of Atkinson Lorries (1933) Ltd and H. B. Fielding was managing director. Allen had effectively run the firm since 1931, and remained in charge until his death in 1949. The formula established in the 1933 reorganisation served the company well and became the basis of most production at Walton-le-Dale (the new factory opened in 1948) thereafter. The production philosophy was similar to that of Seddon, ERF, Rutland (Motor Traction) and other competitors aiming for value-for-money lorry sales, viz: the assembly of tried and tested proprietary components. A bought-in chassis frame to Atkinson design was generally powered by a Gardner engine, driving through a David Brown Ltd. gearbox to Kirkstall Forge Engineering rear axles. During World War II, Gardner engines were reserved for military applications, excepting the Guy Arab bus; Atkinson lorries sanctioned by the Ministry of Production for sale to civilian hauliers for the duration were fitted with the AEC ‘7.7 litre’ unit (which actually displaced 7.58 litres). Nationalisation of the road haulage industry in 1948 affected Atkinson as many of their customers were private sector general hauliers who were nationalised, but British Road Services bought rigid-eight Atkinson Lorries alongside similar products made by state-owned Bristol Commercial Vehicles. During the 1950s hauliers began to ask for more powerful engines – at the time, Gardner only offered engines for road-vehicle applications with a maximum output of 120 bhp. In response, in the early 1950s Atkinson trial-fitted a Daimler 650 cubic inch engine rated at 150 bhp in a rigid-eight (8-wheel, non-articulated) chassis. Later, Rolls-Royce and Cummins engines were offered alongside Gardner units; Gardner responded with a 150 bhp unit in 1957, and 180 and 240 bhp units in 1966 and 1970, respectively. In 1958, following a change in Construction & Use Regulations, Atkinson offered a glass-fibre clad cab (which became known as the Mk I cab) as a replacement for the previous coachbuilt hardwood and metal cab on standard production models; it featured twin fixed wrap-around windscreens rather than the traditional flat opening glasses but retained the traditional exposed Withnell-tube type radiator. The initial offering was a single headlight model, followed in 1963 by the ‘Deluxe’ twin headlight model which quickly became an Atkinson characteristic. As orders for the twin headlight model increased, the single headlight version was dropped as an option. From the 1950s many Atkinsons had carried the ‘Knight of the Road’ trademark device on the upper offside corner of the radiator grille, and in the 1960s models were sold under the trade names Silver Knight (tractor unit), Gold Knight (rigid tipper or tanker) and Black Knight (rigid freight chassis), as well as the ‘Weightmaster’ range of lightweight chassis. A small number of left-hand-drive Atkinsons were built for export to mainland Europe in the late 1960s, with pressed-steel cabs bought from Krupp after that company had ceased commercial vehicle production. Most were sold eventually in the U.K., via Comberhill Commercials of Wakefield. A different design of glass-fibre cab, launched in prototype form at the 1966 Commercial Motor Show, and named View-Line, had a deep single-piece main windscreen with wrap-around quarter glasses. The prototype had three separate chrome radiator grilles, but lacked the character of the exposed radiator models. Thereafter, although the Krupp Cabs, introduced in 1969, and View-Line cabs had concealed radiators, they carried a fibreglass replica of the Atkinson radiator outline with the ‘Big A’ device centred upon it. Both were available until 1970 but ceased prior to both the launch of the new model range in October 1970, and the merger with Seddon. Notable Atkinsons of the era were a fleet of 6×6 gritters built in 1962–73 on the orders of various U.K. highway authorities for use on the motorway network. These had Cummins NH engines installed, rather than the more popular Gardner power units, due ostensibly to the use of steel in their construction, which didn’t suffer salt corrosion to the same degree as the alloy-constructed Gardners. Early examples had AEC engines. From 1968 the standard Mk I glass-fibre clad cab was revised, with stronger ash framing, larger dimensions and wider, deeper windscreens. The traditional Withnell-tubed, exposed radiator was replaced with the more imposing concealed version, which was fitted behind a glass-fibre shrouded metal grille – again carrying the Knight’s Head, circular A logo and additional adornments in the form of engine manufacturer plates. This cab featured on the final Atkinson haulage models, announced at the Commercial Motor Show at Earls Court in October 1970, the naming of which originated from an idea by Frank Whalley, the company publicity officer at the time. The most famous of the range were two-axle tractor units carrying the name ‘Borderer’. Three-axle rear-steer tractor units carried the name ‘Leader’, and were designed to meet eagerly anticipated increases in permitted gross weights (although no increases were actually forthcoming until May 1983). Three-axle haulage chassis carried the name ‘Searcher’. Four-axle chassis carried the name ‘Defender’. Three-axle heavy haulage tractor units carried the name ‘Venturer’. The two-axle haulage chassis were never given an official name, but were originally planned to carry the name ‘Raider’; however factory grille plates were never produced for this model, and company literature never referred to the proposed name. It was at this time that the famous ‘Knight of the Road’ badging was dropped. When the exhibits were being prepared for the Commercial Motor Show at Earls Court in October 1970, they were fitted with four separate badges on the radiator grille: the ‘Big A’, the Knight’s head, the new model name and the engine manufacturer’s badge. The late Frank Whalley recounted that, when Managing Director Peter M Yates saw them, he said that they looked “like fairground lorries” and directed Frank to terminate the use of the Knight badge forthwith. This was also consistent with ending the use of the ‘Knight’ names for the model range. There is one vehicle which assumed a name of its very own after it was modified by one of its owners – John Killingbeck. The vehicle in question is MVD432L, which was originally a T3446C ‘Borderer’ and survives in preservation. After acquisition by Killingbeck, it was stretched into a 6×2 ‘Chinese Six’ tractor and fitted with an uprated Gardner 6LXB engine to enable it to meet the legal requirement for 6 bhp/ton after 1973, whereupon the well-known Atkinson enthusiast and archivist, Michael Deuchars, named it ‘Buccaneer’. A replica grille plate was made in a similar fashion to those on factory vehicles and was saved by an enthusiast prior to the closure of the company.

AUDI

Still well-regarded over 40 years since its launch is the Quattro, a legend which transformed rallying and brought the idea of four wheel drive as a performance benefit to the market. The idea for a high-performance four-wheel-drive car was proposed by Audi’s chassis engineer, Jörg Bensinger, in 1977, when he found that the Volkswagen Iltis could outperform any other vehicle in snow, no matter how powerful. Bensinger’s idea was to start developing an Audi 80 variant in co-operation with Walter Treser, Director of Pre-Development.. Following an unveiling on 1st March 1980, Audi released the original Quattro to European customers in late 1980, with the car featuring Audi’s quattro permanent four-wheel drive system (hence its name), and the first to mate four-wheel drive with a turbocharged engine. The original engine was the 2,144 cc  in-line-5-cylinder 10 valve SOHC, with a turbocharger and intercooler. It produced 197 bhp propelling the Quattro from 0 to 100 km/h in 7.1 seconds, and reaching a top speed of over 220 km/h (137 mph). The engine was eventually modified to a 2,226 cc  inline-5 10 valve, still producing 197 bhp, but with peak torque lower in the rev-range. In 1989, it was then changed to a 2,226 cc inline-5 20v DOHC setup producing 217 bhp, now with a top speed of 230 km/h (143 mph) Audi Quattros are referred to among owners and enthusiasts by their engine codes, to differentiate between the earlier and later versions: the earliest  2144 cc 10v being the “WR” engine, the 2226 cc 10v being the “MB” engine, and the later 20v being the “RR” engine. Hence, Quattro models may be referred to as either the WR Quattro, MB Quattro, and RR or “20v” Quattro, respectively. Quattro car production was 11,452 vehicles over the period 1980–1991, and through this 11 year production span, despite some touch-ups, there were no major changes in the visual design of the vehicle. For the 1983 model year, the dash was switched from an analogue instrument cluster, to a green digital LCD electronic instrument cluster. This was later changed in 1988 to an orange LCD electronic instrument cluster. The interior was redesigned in 1984, and featured a whole new dash layout, new steering wheel design, and new centre console design, the switches around the instrument panel were also redesigned at this time. In 1985 the dash changed slightly with harder foam and lost a diagonal stripe, the dash switches were varied slightly and the diff lock pull knob gave way to a two-position turning knob with volt and oil temp digital readouts. External styling received very little modification during its production run. Originally, the car had a flat fronted grille featuring four separate headlamp lenses, one for each of the low and high beam units. This was altered for the 1983 model year, and replaced with combined units featuring a single lens, but housing twin reflectors. This was changed again, for the 1985 model year, in what has become known as the ‘facelift model’ and included such alterations as a new sloping front grille, headlights, and trim and badging changes. Max speed was 124 mph. The RR 20v Quattro also featured a new three spoke steering wheel design, leather covering for door arm rests, gloveboxes, centre console and door pockets. There was also a full length leather-wrapped centre console running all the way to the rear seats. The 20v was also the first Ur-Q to have “quattro” script interior with partial leather seats. The floor on the drivers side had a bulge due to dual catalytic exhaust setup. The different models may be distinguished by the emblems on their boot lids: the WR had a vinyl ‘quattro’ decal or a brushed aluminium effect plastic emblem, the MB had chrome plated ‘audi’, ‘audi rings’ and ‘quattro’ emblems, whilst the RR had only chrome plated ‘audi rings’. The rear suspension was altered early on with geometry changes and removal of the rear anti-roll bar to reduce a tendency for lift-off oversteer. For the 1984 facelift, the wheel size went from 6×15-inch with 205/60-15 tyres to 8×15-inch wheels with 215/50-15 tyres. At the same time the suspension was lowered 20 mm with slightly stiffer springs for improved handling. For 1987, the Torsen centre differential was used for the first time, replacing the manual centre differential lock. The last original Audi Quattro was produced on 17 May 1991, more than two years after the first models of the new Audi Coupe range (based on the 1986 Audi 80) had been produced.

The Audi Coupé (B2, Typ 81/85) was produced from 1980 to 1988, as a less expensive version of its turbocharged, permanent four-wheel drive Audi Quattro without turbocharger(s) or four wheel drive. Later, quattro was added as an option (Typ 85). Typ 81 was the internal model code for front-wheel drive Audi Coupés. The Coupé, first displayed at the Paris Salon 1980, featured a similar body shape to the Quattro, but without the knife-edged fender flares of the more expensive car. Mechanically, the biggest changes from the Quattro to the Coupé were the use of a naturally aspirated 1.9-litre carburettor petrol engine, 2.0-litre, 2.1-, 2.2-, or 2.3-litre fuel injected inline five-cylinder engine and a front-wheel drive drivetrain. Some lesser Coupés were also fitted with a 1.8-litre inline four-cylinder engine, injected or carburetted, and for the very first year of production a 1.6-litre “YN” 75 PS engine was available. The short-lived 1.6 was the only Coupé not to be fitted with a black rear spoiler. The Coupé was available as just plain “Coupé” or GL (four-cylinders only), “Coupé GT”, and “Coupé quattro” (without the GT tag). From 1986 until the end of production in late 1988, the Coupé GT was also available with the 110–112 PS 1.8-litre PV/DZ inline-four best known from the Golf GTi. For the last model year, the new 2,309 cc “NG” five cylinder was available, offering 136 PS at 5,600 rpm. This engine became available during 1987 for the last of the Audi Coupés sold in the US, where it produced 130 hp at 5,700 rpm as opposed to the 110 hp at 5,500 rpm available from the 2.2-litre five which had been used since the facelift for model year 1985. The Coupé had originally gone on sale in the US late in model year 1981 with the 100 hp 2,144 cc five-cylinder also used in the 5000 (Audi 100). The updated Coupé, introduced after the German industrial holidays in the autumn of 1984, was given new, slightly sloped radiator grille and headlights, a large wrap-around bumper with integrated spotlights and turn signals, plastic sill covers, and the large rear spoiler from the Audi Quattro. These changes brought the drag coefficient down to 0.36. A new dashboard was also introduced, as was a new interior. GL and standard versions were cancelled for model year 1987 and all FWD Coupés were from then referred to as “Coupé GT”. For the 1986 model year, the Coupés (as with all Audis) were available with more catalysed engine options. Also, the entire B2 range (Audi 80/90/Coupé) received stainless steel exhausts (for European markets at least). Also in September 1984, Audi made available the option of the quattro permanent four-wheel drive system to produce the Audi Coupé quattro, a model which was rarer than the turbocharged Quattro model. While most common with the 2.2-litre engine (also 2.3 for the last year, introduced 1987 for the US), in some markets the 1.8-litre four-cylinder models (90 and 112 PS engines) were also available with four-wheel drive. The Coupé and Coupé quattro models appear almost identical from the outside except for a few minor “quattro” specifics. While the GT had “COUPE GT” on the rear side windows, the CQ had the “quattro” decal as used on the Ur-Quattro. Similarly at the rear, the badging was “GT” and “quattro” respectively. The quattro versions also used the Ur-Quattro rear windscreen with “quattro” written into the heater elements (very obviously so on a cold and frosty morning), and the front grille was also adorned with the “quattro” badge from the Ur-Q. Inside, the cabin was identical except that the centre console received a differential lock switch, and LED bargraph displays in place of the GT’s three analogue-style gauges. Some Coupé quattros were distinguished by a body-coloured rear spoiler. Mechanically, the Coupé quattro depended on a combination of components from the GT and the Audi 80 quattro. The quattro permanent four-wheel drive drivetrain was almost identical to that used on the Ur-Quattro – the main differences being the use of the Coupé GT front struts, smaller 256 mm (10 in) diameter front brake disks, and lower ratios in the gearbox and rear differential. The damper and spring rates were also different from the Ur-Q. It was thus largely identical to the Audi 90 quattro and the North American Audi 4000 quattro. Wheels were 6.0Jx14″, with steel or aluminium alloy rims dependent on the market. 7.0Jx15″ Ronals, almost identical to the Ur-Quattro wheels, were also available. The CQ/90Q/4000Q also received their own exhaust manifold and downpipe. From September 1980 to September 1987, 174,687 Typ 81 Coupés were built. Quattro production ran from late 1984 to 1988, and was in the total region of 8,000 cars.

The third generation Audi 100 launched in September 1982 with aerodynamic styling, contrasting the boxy styling of its predecessor, and offering a much improved drag coefficient, 0.30 on base model. The aerodynamic C3 bodywork featured pin-mounted flush windows, offering a key reduction in aerodynamic drag. Altogether, the aerodynamic body increased the fuel efficiency and top speed versus other cars of similar engine size. The C3 introduced Audi’s proprietary restraint system, marketed as procon-ten. Two-door models were no longer offered, and the Audi 100 Avant was now positioned as a station wagon rather than a hatchback – the Avant designation would be used for all Audi station wagons from that point forward. The Avant featured an available extra folding third row seat — not available in conjunction with ABS-brakes as the brake control unit sat in the same space. The 200, launched in 1983 continued as the upmarket variant with several versions of the 2.2 L turbo 5-cylinder available in different markets over its life ranging in power outputs from 165 PS MC engine, through the 200 PS versions to the final 220 PS 20-valve 3B engine available from 1991. The 1983 Audi 200 Turbo had a top speed of 139 mph (224 km/h). The MC turbo engine was available in the 100 as well for some markets. In January 1988 the Audi 100 received a minor facelift, including flush fitting door handles. The 1991 200 20V featured flared (vs. flat) front and rounded rear wheel arches to accommodate wider wheel and tyre combinations to be fitted to 20V models. U.S. magazine articles of the period reported 0-60 times of the 20-valve Audi 200 under 7 seconds, with 1/4 mile times in the mid to upper 15 second mark. The Audi 100 also featured a 2.5 L straight-five direct injection turbo-diesel (TDI) model with 120 PS introduced in January 1990 (engine code 1T). This was the first model to wear the TDI label. It had a brief career in the C3, being replaced in December of that year when the C4 arrived.

AUSTIN

There were several examples of the popular Seven here, and they were each very different. Herbert Austin’s masterpiece which did much to put Britain on wheels in the 1920s was first seen  in 1922, as a four seat open tourer. Nicknamed Chummy, the first 100 featured a 696cc four cylinder engine, which was quickly upgraded to the 747cc unit that remained until the end of production some 17 years later. The first cars had an upright edge to the doors and a sloping windscreen, but from 1924, the screen became upright and there was a sloping edge to the doors, as well as a slightly longer body. Stronger brakes came along in 1926, along with a slightly taller nickel-plated radiator grille, conventional coil ignition, a more spacious body and wider doors. An even longer and wider body arrived in 1930, as well as a stronger crankshaft and improvements to the brakes which coupled front and rear systems together so they both worked by the footbrake. In 1931 the body was restyled , with a thin ribbon-style radiator and by 1932 there was a four speed gearbox to replace the earlier three-speeder. 1933 saw the introduction of the Ruby, a car that looked more modern with its cowled radiator. There were also Pearl and Opal versions. Development continued, so in 1937 there was a move to crankshaft shell bearings in place of the white metal previously used, and the Big Seven appeared. The last Seven was made in 1939, by which time 290,000 had been produced. Aside from saloons and tourers, there had been vans and sports derivatives like the Le Mans, the supercharged Ulster and the rather cheaper Nippy. Around 11,000 Sevens survive today.

Dating from 1935, this is a 16/6 Hertford Saloon, part of a vast array of different versions offered by Austin. The Austin Sixteen Light Six is a British car that was made by Austin from 1927. Announced in October 1927, the first deliveries were planned for March 1928. To distinguish the car from the smaller engined models in the range a plated Austin Six script was fixed to the radiator grille. The Austin Sixteen was introduced as a medium saloon sitting within Austin’s range above the Seven and Twelve models but still much smaller than the 3.6 Litre Twenty. The six-cylinder engine was new but had similarities to the engine fitted to the Twenty with its timing chain at the rear of the block. The design was up to date with the gearbox mounted in-unit with the engine and semi elliptic springs all round for the suspension. Triplex safety glass was fitted to all front screens from March 1929. A wide range of body types was available at first but was simplified over the years. The coupés went first in 1930 followed by the Weymann type fabric saloons in 1931. In August 1933 various improvements were announced for 1934 models. The gearbox gained synchromesh on 3rd and 4th gears and an alternative larger (2511 cc) 18 hp engine was made available at no extra charge. An early automatic gearbox was available between 1934 and 1936 but few sold. A longer 120 in (3,000 mm) wheelbase chassis became an option. Of this version 5742 16s and 2630 18s were made. The Hayes self-selector transmission: “This provides a drive which is automatic in variation of ratio within limits, easily set by a finger and thumb lever on the top of the steering wheel. The actual transmission is through steel rollers which transmit the drive between curved steel races, the ratio being altered by rocking the rollers to different driving positions to engage with differing diameters of the driving and driven races. There are no gears—except for reverse—and a wide variation in ratios is available automatically. The driving rollers are rocked or precessed to give varying ratios by hydraulic means and the driver by his little lever can modify the performance as road conditions require. Subject to the control setting, the automatic functioning ensures a constant engine speed whatever the tractive resistance met with on the road, the transmission varying its ratio to balance the resistance as it increases or decreases. The engine speed by creating oil pressure in the hydraulic control system, tends to precess the rollers to give a high ratio drive. This is counterbalanced by the reaction of the tractive resistance, which tends to give a low ratio precession. A valve worked by the movement of the forward and reverse lever which engages the drive —in the ordinary way and is centrally placed like the ordinary speed lever—releases the pressure in the hydraulic control unit when the lever is in its neutral and reverse positions, so that the drive is always at low ratio for starting from rest or reversing. “The finger and thumb control lever works in a small quadrant which is marked at the top “Traffic” then “High” and at the bottom “Low” and finally “Cold” with spaces in between. Variations of this lever govern engine speeds. The forward, neutral and reverse positions for the central hand lever are stepped. To start the car from rest a driver presses out his clutch, moves his hand lever forward, and lets in the clutch in the ordinary way with slight acceleration. Thereafter the whole of the drive is done with the accelerator pedal, the accelerator allowing the engine to run up and keep constant maximum speed governed by the control lever on the top of the steering wheel by which engine braking power can also be regulated. When the accelerator is pressed after being released the effect is rather similar to that with a free wheel in use, in that the engine picks up to the speed that is suitable to the drive. The engine is available as a brake, and greater power of this kind can be had by moving the control lever down towards low”. Further upgrades were made in 1935. The body range was simplified and now had only the 5 and 7 seat saloons. Externally the most obvious change was to the radiator surround which was painted body colour rather than chrome plated, and a small external boot was added to the rear which contained the spare wheel. Synchromesh was added to second gear. The larger engine was modified to have only four rather than eight main bearings. In 1937, the last year this car was made, the smaller engined Sixteen was dropped and pressed steel road wheels replaced the previously fitted wire wheels. Between 1935 and 1937 12,731 were produced.

Launched initially as a four-seat convertible, the A90 Atlantic made its début at the 1948 Earls Court Motor Show in London, with production models built between spring 1949 and late 1950, the range was later augmented when a two-door coupé, marketed as the A90 Atlantic Sports Saloon, followed a year later. It had been previewed at the 1949 Motor Show and was in production at Longbridge between 1950 and 1952. The Atlantic was one of the first post-war cars engineered from scratch by Austin, and was said to be styled from a thumbnail sketch by Leonard Lord, then Chairman of Austin, though in truth the styling was more likely the work of resident Italian Austin stylist Dick Burzi. The car was almost certainly influenced by a 1946 Pininfarina-bodied Alfa Romeo cabriolet, which just happened to end up at the Longbridge factory in mid-1947, a few months before the light blue 16 hp sports prototype made its first appearance in the experimental department and on nearby roads around the factory. A rare edition was a coachbuilt estate car, regularly seen in the 1950s used by a convent in Leith, Scotland. The car had a lifting rear door, and sported then unusual curved perspex roof panels. With the then Government edict of “Export or die” and steel allocated only to those who generated much needed dollar revenue, the Atlantic was designed specifically to appeal to North American tastes (certain aspects look like a 1949 Mercury and the bonnet brightwork looks similar to the Pontiac Chieftains of this era). The car featured up-to-the-minute detailing, with a wrap around windscreen, composed of a flat glass centre section with, tiny curved end panels. The front wings (fenders) sported twin ‘Flying A’ hood ornaments and swept down to a rounded tail, with spats enclosing the rear wheels. A centrally mounted third, main beam, headlight was built into the letter-box style air intake grille, and the then unheard of luxury of hydraulically powered windows and hood (convertible top), “flashing indicators” rather than trafficators, (for the United States market at least) and the option of EKCO or HMV Autocrat radios. The range-topping Austin was offered in a variety of “jewelescent” colours with names like ‘seafoam green’ and ‘desert gold’ but few of these brave new metallics were sold in the UK market. The convertible, a three window, drophead coupe had a simple fabric top, without rear quarter lights, which butted up to the rear of a rather thick windscreen header rail. The fixed head, five window, Sports Saloon, could be had with its roof painted or covered in fabric. This gave it the popular ‘drophead or cabriolet’ look; all the style with no leaks. Many photographs of this car are wrongly titled, due to observers confusing the fabric covered hardtop for a convertible. As its final party trick, the centre section of the three piece, wrap-around, rear window, could be lowered into the boot, for added ventilation by a remote winder above the front windscreen. Few people in the car’s native Britain would have ever seen anything like the futuristically-styled Atlantic before, and certainly not from a conservative mainstream manufacturer like Austin. The radical Atlantic suffered, however, from the dramatically new Jaguar XK120, also launched at the 1948 Motor Show. Out of a total production run of 7,981, 3,597 were exported, 350 of which were to the US. This low level of sales in the US was despite a huge focus by Austin, including a successful attempt at breaking 63 stock car records at the Indianapolis Motor Speedway in April 1949 by Alan Hess, Charles Goodacre and Dennis Buckley) and a US$1000 price reduction in 1949, the four-cylinder 2.7-litre couldn’t compare in power output to native V8 engines — although, for its time, performance was strong. A few were also used in civilian versions of the Austin Champ. The car did see more success in former British Colonies, Europe, Scandinavia and Australasia.

The Morris Minor was already well established when rival Austin launched their competitor, the A30 Saloon of 1952. That was also the year that Austin and Morris merged to become the British Motor Corporation, so suddenly the two cars that had been conceived to compete against each other were stablemates. Except BMC did not work like that. Separate dealer chains remained in place, as they would do for a further 30 years, and whilst this may sound inefficient now, it has to be noted that brand loyalty was such that there were plenty of people would only consider an Austin say, and not a Morris, or vice versa. The A30 was smaller than the Minor and at £507, at launch, it was also £60 cheaper. The body structure was designed by T.K. Garrett, who had been an aeronautical engineer before joining Austin. It was of fully stressed monocoque chassis-less construction, which made it lighter and stiffer than most contemporary vehicles, the first Austin to be made in this way. Inside there were individual seats at the front and a bench at the rear covered in PVC with an option of leather facings on the seats. Evidence of economy was seen in only having a single windscreen wiper, central combined stop/tail/numberplate lamp and a sun visor in front of the driver only. A passenger-side wiper and sun visor, and a heater were available as optional extras. Even so, it sold well, and 223,264 examples were built. The A30 was replaced by the Austin A35 in 1956 with the new name reflecting the larger and more powerful 34 hp A-Series engine, which gave the car a slightly higher top speed and better acceleration, though much of this came as a result of different gearbox ratios. The A30 had the first three ratios close together then a big gap to top, whereas in the A35, the ratios were better spaced and gave a higher speed in third gear. That top speed was 72 mph and 0 – 60 acceleration times are just over 30 seconds, so this remains a very slow car by modern standards. The A35 was very similar in appearance to the A30, and is best recognised by its larger rear window aperture and a painted front grille, with chrome horse-shoe surround, instead of the chrome grille featured on the A30. The semaphore trafficators were replaced with present-day front- and rear-mounted flashing light indicators. A slightly easier to operate remote-control gear-change was provided. Like the A30, the A35 was offered as a two- or four-door saloon or two-door “Countryman” estate and also as a van. The latter model continued in production through to 1968. A rare coupe utility (pickup) version was also produced in 1956, with just 477 sold. Drawings were made for a sports tourer, but no prototype was actually built. The A35 passenger cars were replaced by the new body shape A40 Farina models in 1959 but the estate car version continued until 1962 and van until 1968. These days they are popular as an affordable classic. Their simple mechanicals, good availability of some parts (not bodywork, though) and pert looks give them widespread appeal. There was a van model here as well as the regular saloons.

Rather different was the Metropolitan, one of which was on show here. Designed in the U.S. and patterned from a concept car, the NXI (Nash Experimental International), that was built by Detroit-based independent designer William J. Flajole for Nash-Kelvinator, this was designed as the second car in a two car family, for “Mom taking the kids to school or shopping or for Dad to drive to the railroad station to ride to work”. This  “commuter/shopping car” bore a resemblance to the big Nash models of the era, but the scale was tiny as the Met’s wheelbase was shorter than a Volkswagen Beetle’s. The NXI design study had incorporated many innovative features, and attempted to make use of interchangeable front and rear components (the symmetrical door skins were the only interchangeable items that made it into production). Although more complex, the new vehicle also incorporated Nash’s advanced single-unit monocoque construction. It had been displayed at a number of “surviews” (survey/previews), commencing on 4 January 1950 at the Waldorf-Astoria Hotel, New York, to gauge the reaction of the American motoring public to a car of this size, the results of which convinced Nash that there was indeed a market for such a car, if it could be built at a competitive price. A series of prototypes followed that incorporated many of the improvements requested, including roll-up glass side windows, a more powerful engine, and a column-mounted gearlever with bench seat (rather than bucket-type seats with floor change of the concept car). The model was named NKI (for Nash-Kelvinator International), and it featured revised styling incorporating a hood blister and rear wheel cutouts. Nash was positioning this new product for the emerging postwar market for “personal use” autos, and also saw it as a means of Nash to overseas markets. However, Mason and Nash management calculated that it would not be viable to build such a car from scratch in the U.S. because the tooling costs would have been prohibitive. The only cost-effective option was to build overseas using existing mechanical components (engine, transmission, rear end, suspension, brakes, electrical), leaving only the tooling cost for body panels and other unique components. Nash Motors negotiated with several European companies, and on October 5, 1952, announced that they had selected the Austin Motor Company (by then part of BMC) and Fisher & Ludlow (which also became part of BMC in September 1953, later operating under the name Pressed Steel Fisher), both based in Birmingham and vicinity. Fisher & Ludlow would produce the bodywork, while the mechanicals would be provided, as well as final assembly undertaken, by the Austin Motor Company. This was the first time an American-designed car, to be exclusively marketed in North America, had been entirely built in Europe. It became a captive import – a foreign-built vehicle sold and serviced by Nash (and later by American Motors) through its dealer distribution system. It is believed that the first pre-production prototype was completed by Austin on December 2, 1952. In all, five pre-production prototypes were built by Austin Motors and tested prior to the start of production. The total tooling cost amounted to US$1,018,475.94, which was a fraction of the tooling cost for a totally U.S.-built vehicle. The styling for all Nash vehicles at that time was an amalgam of designs from Pininfarina of Italy and the in-house Nash design team. The different models from Ambassador down to the Metropolitan utilised very similar design features (fully enclosed front wheels, notched “pillow” style door pressing, bar style grille etc.). Whilst Nash used the fact that styling was by Pininfarina in their advertising for their larger models, Pininfarina refused to allow his name to be associated with the Metropolitan as he felt it would damage his reputation with other Italian car companies to be linked to such a small car. The new Metropolitan was made in two body designs: convertible and hardtop. All came with several standard features that were optional on most cars of the era. Among these factory-installed benefits for customers were a map light, electric wipers, a cigar lighter, and even a “continental-type” rear-mounted spare tyre with cover. To give a “luxury” image to the interior, “Bedford cord” upholstery trimmed with leather was used (similar to larger Nash vehicles). An AM radio, “Weather Eye” heater, and whitewall tyres were offered as optional extras for the U.S. market. (It is unlikely that a Metropolitan could have been purchased without a heater and radio, as all vehicles left the factory with both items fitted.) The cars were small, with an 85 in wheelbase, an overall length of just 149.5 in and a gross weight of only 1,785 lb for the Convertible and 1,825 lb for the Hardtop, thus making the Metropolitan smaller than the Volkswagen Beetle. Power came from an OHV 1,200 cc straight-4 Austin ‘A40′ series engine as used in the Austin A40 Devon/Dorset) driving the rear wheels through a three-speed manual transmission. The new model was initially to be called the “NKI Custom”, but the name was changed to “Metropolitan” just two months before its public release. New chrome nameplates with the “Metropolitan” name were made to fit into the same holes as the “NKI Custom” script on the passenger side front fender. Nash dealers had to rebadge the early cars that came with the “NKI Custom” name, but some factory manuals had already been prepared and distributed to service departments with the NKI name. Initial reviews of the Metropolitan were mixed. However, owners of the cars reported that the “Metropolitan is a good thing in a small package”. Automotive industry veteran and the largest publisher of automotive books at the time, Floyd Clymer, took several Metropolitans through his tests. He “abused” a 1954 Metropolitan convertible and “got the surprise of my life” with its “performance was far better than I expected”, that he “felt very safe in the car”, and that “it may well be that Nash has started a new trend in American motoring. Perhaps the public is now getting ready to accept a small car”. Clymer also took a 1957 Metropolitan hardtop through a gruelling 2,912 mi road test that even took him 14,100 ft up Pikes Peak. He summed up his experience that “I can not praise the Metropolitan too highly. It is a fascinating little car to drive, its performance is far better than one would expect, and the ride is likewise more than expected”. It was not all good, of course, with Motor Trend magazine describing the backseat as “a joke”. Performance, whilst pedestrian by today’s standards, with a 0 to 60 mph time over 19.3 seconds and a top speed in excess of 70 mph was far better that of the rival VW, but at 60 mph, a common American cruising speed at the time, the Metropolitan was revving at 4300 rpm, which shortened engine life, whereas the Volkswagen could travel at the same speed at only 3000 rpm. Road & Track ’​s testers also said that the car had “more than its share of roll and wallow on corners” and there was “little seat-of-the-pants security when the rear end takes its time getting back in line.” The lack of any form of opening for the boot also attracted plenty of complaints.  Production at Austin’s Longbridge factory started in October 1953. The initial order was for 10,000 units, with an option to increase the order if sales were sufficient.  The first examples badged as Nash went on sale on March 19, 1954 in the U.S. and Canada. Autocar said that “at a production rate of less than 400 cars a week … it was hardly going to be a runaway best seller.” In surveys, Americans had affirmed a desire for economy cars, but in practice they bought the Metropolitan in relatively small numbers. Although Nash merged with Hudson in 1954, and marketed the car as a Hudson Metropolitan in 1955, “demand never took off from the original level”, primarily because the Metropolitan was slow by North American standards. In the first month of sales, 862 Metropolitans were sold in U.S. and Canada, while in the first six months a total of 7,042 were sold. A further order was placed with Austin. After the first 10,000 cars were built, the engine was changed to a B-Series, but still of 1,200 cc, as used in the Austin A40 Cambridge. Other modifications that were incorporated at this time were a new gearbox, and hydraulic actuation for the clutch. The change to a new engine and gearbox added 50 lb to the weight. November 1955 saw the start of Metropolitan Series III (NK3) production. A redesign at this time saw the Metropolitan’s B-Series engine increased in capacity to 1,498 cc, as used in the Austin A50 Cambridge. Polished stainless steel sweep-spears on the body sides allowed a new two-tone finish to be incorporated, which had the cosmetic effect of lowering, slimming and lengthening the car. The grille was also redesigned, and the bonnet had its non-functional hood scoop removed. American Motors changed the designation to “Metropolitan 1500” to differentiate it from the earlier 1,200 cc models. The interior was also changed to incorporate a “houndstooth” check material for the seats trimmed with white vinyl. The dashboard was also now painted black, rather than the body color as was the case for Series I and II Metropolitans. In September 1957, AMC announced that it was dropping the Nash and Hudson brand names. The Metropolitan was subsequently marketed under the “Metropolitan” name only, and sold through Rambler dealers. January 1959 saw the start of Metropolitan Series IV (NK4) production. This major redesign saw the addition of an external bootlid, at last. By this time, the engine had been upgraded by increasing the compression ratio from 7.2:1 to 8.3:1 giving an output of 55 bhp, as used in the Austin A55 Cambridge). The additional features added 15 lb (6.8 kg) to the weight.  Sales rose to 22,209 units in 1959, the Metropolitan’s best-selling year, promoting it to second place behind Volkswagen in sales of cars imported to the U.S. American Motors’ advertising made much of this ranking, while omitting mention that the Volkswagen outsold the Metropolitan by 5½ to 1. Production ceased in April 1961, though sales of the existing inventory continued until March 1962. Approximately 95,000 Metropolitans were sold in the United States and Canada, making it one of the top-selling cars to be imported into those countries at the time, and its sales in 1959 helped to spur the introduction of the Big Three’s (General Motors, Ford, and Chrysler) new compact models. In October 1956, Austin obtained permission from American Motors to sell the Metropolitans in overseas countries where AMC did not have a presence. The early brochures for the Austin Metropolitans used a reversed photograph to show an apparently right hand drive (RHD) car parked in an English country town because only left hand drive vehicles were available at the time the photos were taken. From December 1956, production of Austin Metropolitans began, and from April 2, 1957, approximately 9,400 additional units were sold in overseas markets that included the United Kingdom. List prices for the UK Series III models were £713 17s 0d for the Hardtop and £725 2s 0d for the Convertible. An estimated 1,200 Metropolitans were sold in the UK in four years, though some have claimed far more than this were sold here. Markedly American, the styling was considered outlandish compared with the more sober British-styled models in the British Motor Corporation lineup. Only Series III and Series IV Metropolitans were produced for sale in the UK.  UK Series III sales ran from April 1957 to February 1959. Series IV models, were sold from September 1960 to February 1961. The Metropolitan was not available for UK sales between February 1959 and September 1960, since all production during that time was for US & Canadian dealers. When sales in the UK resumed they were sold through Austin dealers at listed prices of £707 6s 8d for the Hardtop and £732 2s 6d for the Convertible. Austin was dropped from the name, which now became simply “Metropolitan”, and the cars carried no Austin badges although they had Austin Company chassis plates. Despite this the car remained known, by trade and public alike, as the Austin Metropolitan. In May 1960, Car Mart Ltd. (a large Austin dealership in London) presented Princess Margaret with a specially prepared Metropolitan finished in black with gold trim and gold leather interior as a wedding present. It was stolen in London in February 1961.

By the mid 1950s, the BMC organisation was well established, and it dominated the UK market with a 39% share. Plans were made for a complete new range of cars that would encompass all the marques: Austin, Morris, MG, Riley and Wolseley. Italian stylist Pininfarina was commissioned to design them. The first model to appear was the A40 which was launched in October 1958 at the London Motor Show. Although it is frequently referred to as the A40 Farina, it was only ever badged as the A40. It was only ever sold with Austin badging. At a time when Turin auto-design studios were, for the most part, consulted only by builders of expensive “exotic” cars, Austin  made much of the car’s Italian styling, with both “Pinin” Farina and his son Sergio being present at the car’s UK launch. As would become apparent in later years, the car was something of a scaled-down version of the forthcoming Austin Cambridge and Morris Oxford, but without an extended boot. The A40 Farina was intended to replace the Austin A35, from which it inherited much of its running gear, and was a capacious thoroughly modern small car, with a brand new distinctive “two box” shape and generous headroom in the back seat. It was a saloon, the lower rear panel dropped like a then conventional bootlid, the rear window remaining fixed. The Countryman hatchback appeared exactly a year later in October 1959, and differed from the saloon in that the rear window was marginally smaller, to allow for a frame that could be lifted up, with its own support, while the lower panel was now flush with the floor and its hinges had been strengthened It was effectively  a very small estate car with a horizontally split tailgate having a top-hinged upper door and bottom-hinged lower door. October 1959 also saw the standardisation on both cars of self-cancelling indicators and the provision of a centre interior light and, in early summer 1960, a flat lid was added over the spare wheel in the rear luggage compartment. At launch the car shared the 948 cc A-Series straight-4 used in other Austins including its A35 predecessor. The suspension was independent at the front using coil springs with a live axle and semi elliptic leaf springs at the rear. The drum brakes were a hybrid (hydromech) arrangement, hydraulically operated at the front but cable actuated at the rear. The front drums at 8 in were slightly larger than the 7 in rears. Cam and peg steering was fitted. Individual seats were fitted in the front, with a bench at the rear that could fold down to increase luggage capacity. The trim material was a vinyl treated fabric. Options included a heater, radio, windscreen washers and white-wall tyres. The gearchange lever was floor-mounted with the handbrake between the seats. The door windows were not opened by conventional winders, but pulled up and down using finger grips; a window lock position was on the door handle. An A40 Farina Mark II was introduced in 1961. It had a 3.5 in longer wheelbase to increase the space for passengers in the back seats, and the front grille and dashboard were redesigned. The Mark II had more power  – (37 hp – and an SU replaced the previous Zenith carburettor but was otherwise similar mechanically. An anti-roll bar was fitted at the front. The 948 cc engine was replaced in the autumn of 1962 by a larger 1098 cc version with an output of 48 bhp. The A40 shared this engine with the Morris Minor, which was also rear-wheel drive – both models retaining the traditional north-south engine layout – and also with the recently introduced front-wheel drive, transverse-engined Morris 1100. An improved gearbox was fitted to the A40 at the same time. Further changes were minimal. However, in 1964 a new fascia with imitation wood veneer covering was fitted, the brakes also became fully hydraulic, replacing the semi cable operated rear system that the Mark I had inherited from the A35. Nevertheless, the introduction at the end of 1962 of the similarly sized Morris 1100, followed by an Austin-badged counterpart a year later, left the A40 looking cramped on the inside and outclassed in terms of road holding and ride; sales of the A40 Mark II progressed at a slower rate than had been achieved by the Mark I It remained in production until 1967.

Follow on to the A55 Cambridge was another car called A55 Cambridge, but whereas the first had been unique to Austin in its design, the A55 Cambridge Series 2 was one of the range of cars produced by BMC which came to be known as the “Farina” saloons. The concept goes back to the the mid 1950s, by which time the BMC organisation was well established, and it dominated the UK market with a 39% share. Plans were made for a complete new range of cars that would encompass all the marques: Austin, Morris, MG, Riley and Wolseley. Italian stylist Pininfarina was commissioned to design them. The first model to appear was the A40, launched early in 1958. Whilst that car was only ever sold with Austin badges, the next of Pininfarina’s designs to appear would go on to be sold with each of the 5 marque’s badges attached. These upper-medium sized family cars were released over a period of months, starting in late 1958 with the Wolseley 15/60. This was followed by the A55 Cambridge Mark II, the Morris Oxford Series V, the MG Magnette Series III and the Riley 4/68. The same basic body style was applied to all, with just trim differences, and in the case of the MG and Riley, more powerful engines thanks to a twin carburettor set up under the bonnet, introducing the world to the concept of “badge engineering”. Whilst the styling was something of an amalgam of Italian glamour and a touch of Americana, with prominent tail fins, under the skin the cars were very conventional. Whilst some may have been disappointed that BMC had not been more adventurous, this was an era when home car maintenance was an established part of the suburban landscape, so simplicity was not completely unwelcome. The familiar 1.5-litre B-Series engine, four-speed manual and straightforward rear-wheel drive gave it solid appeal to many middle-class buyers, especially those horrified by the black magic of the newly launched front-drive Mini. All 5 cars were four-door saloons, with estate versions of the Austin and Morris being added to the range a few months later. A facelift was applied to them all in late 1961, when the tail fins were toned down and an enlarged 1622cc B Series engine found its way under the bonnet, with more power, new names came in for the Wolseley which became the 16/60 and the Austin which adopted the A60 Cambridge name.

Once the backbone of British Gas,  BT and Royal Mail, the Maestro van is now rarer than getting your post before 2.00pm. The more comfortable 700L is now banished to the annals of history – just like the Second Class mail they were famous for carrying! However, soon after the car version was launched, the Maestro van came onto the scene offering the improved A+ engine minus its electronic carburettor and  transmission came via a Volkswagen sourced four- speed gearbox. Shortly after, the van came with 2.0-litre diesel power from the Austin Rover MDi/Perkins Prima engine offering unheard of fuel economy and performance, at the expense of noise! A Post Office worker once said that driving a diesel Maestro van was akin to climbing into a wheelie bin whilst two friends brayed the sides with hammers. Others have said that the noisiest vans ever were the aforementioned Maestro and the Leyland Daf 200 Sherpa – both were alarmingly noisy, both were nippy and both had the same power unit. After the mid-1980’s facelift, the Maestro also came with the 1.6-litre S-Series engine with optional five- speed box and the 700 became a higher capacity vehicle offering a 700kg payload from the original 500kg. The L also had more standard kit included in the price with features such as better sound insulation, a five-speed box, cloth trim, a cigar lighter, floor carpet and head restraints. Some features differed from its hatchback sister: the headlamps were recessed tungsten units from the Metro City rather than the larger halogen items you would find on the car, its rear suspension comprised of a dead beam with leaf springs rather than struts and the front bumper was a simple rolled steel item with replaceable plastic end caps rather than the ‘E-Zee Crack’ styled plastic bumper as fitted to all but the basic Maestro car. There was a decent floor pan underneath which had a robust chassis under the load bay area that seemed more resistant to rusting than the cars’ but, unlike the Ital and Marina van before it, the 500 and 700 vans were never offered as a utility pick up. Most of the public services used the Maestro van – British Telecom, British Rail, the Royal Mail and the Gas Board were all loyal users of the Maestro van, but one wonders if they were bought purely on cost with a massive discount from Austin Rover rather than on merit alone as the private customer and business user tended to opt for a Bedford Astravan or Ford Escort. Sadly, as with many other Austin Rover products, issues of quality became known with these otherwise decent vans.  Clutches on the 1.3-litre models were simply not up to the job of the day to day rigours of business life, nor was the starter motor or most of the vehicle electrics. I knew a chap with BR who was an on-call Signal Engineer and would often be hammering up and down the East Coast mainline in his 1.3 Maestro – he told me that you only had to drive over a pothole or rut in the ground at anything slightly more than a snail’s pace and you could either wreck the front damper or render a front wheel bearing unserviceable.  He once sarcastically told me: ‘The time and money spent on the vans was more than the trains.’ The petrol-engined vans were not really manly enough for the job, but the 2.0-litre diesels had uprated hubs, springs, wheels and the slick shifting T5AR gearbox – which morphed into the PG1.

AUSTIN-HEALEY

Known officially as the Sprite, it was announced to the press in Monte Carlo by the British Motor Corporation on 20 May 1958, just before that year’s Monaco Grand Prix. It was intended to be a low-cost model that “a chap could keep in his bike shed”, yet be the successor to the sporting versions of the pre-war Austin Seven. The Sprite was designed by the Donald Healey Motor Company, with production being undertaken at the MG factory at Abingdon. It first went on sale at a price of £669, using a tuned version of the Austin A-Series engine and as many other components from existing cars as possible to keep costs down. It was produced for a little over 3 years before being replaced by a Mark 2 version, which was then joined by a badge-engineered MG version, the Midget, reviving a model name used by MG from the late 1920s through to the mid 1950s. Enthusiasts often refer to Sprites and the later Midgets collectively as “Spridgets.” The first Sprite quickly became affectionately known as the “frogeye” in the UK and the “bugeye” in the US, because its headlights were prominently mounted on top of the bonnet, inboard of the front wings. The car’s designers had intended that the headlights could be retracted, with the lenses facing skyward when not in use; a similar arrangement was used many years later on the Porsche 928. But cost cutting by BMC led to the flip-up mechanism being deleted, therefore the headlights were simply fixed in a permanently upright position, giving the car its most distinctive feature. The body was styled by Gerry Coker, with subsequent alterations by Les Ireland following Coker’s emigration to the US in 1957. The car’s distinctive frontal styling bore a strong resemblance to the defunct American 1951 Crosley Super Sport.  The problem of providing a rigid structure to an open-topped sports car was resolved by Barry Bilbie, Healey’s chassis designer, who adapted the idea provided by the Jaguar D-type, with rear suspension forces routed through the bodyshell’s floor pan. The Sprite’s chassis design was the world’s first volume-production sports car to use unitary construction, where the sheet metal body panels (apart from the bonnet) take many of the structural stresses. The original metal gauge (thickness of steel) of the rear structure specified by Bilbie was reduced by the Austin Design Office during prototype build, however during testing at MIRA (Motor Industry Research Association) distortion and deformation of the rear structure occurred and the original specification was reinstated. The two front chassis legs projecting forward from the passenger compartment mean the shell is not a full monocoque. The front sheet-metal assembly, including the bonnet (hood) and wings, was a one-piece unit, hinged from the back, that swung up to allow access to the engine compartment. The 43 bhp, 948 cc OHV engine (coded 9CC) was derived from the Austin A35 and Morris Minor 1000 models, also BMC products, but upgraded with twin 11⁄8 inch SU carburettors which gave it 43 hp at 5200 rpm and 52 lb/ft at 3300 rpm. When tested by “The Motor” magazine  in 1958. It had a top speed of 82.9 mph and could accelerate from 0-60 mph in 20.5 seconds. Fuel consumption of 43 mpg was recorded. The rack and pinion steering was derived from the Morris Minor 1000 and the front suspension from the Austin A35. The front suspension was a coil spring and wishbone arrangement, with the arm of the Armstrong lever shock absorber serving as the top suspension link. The rear axle was both located and sprung by quarter-elliptic leaf springs, again with lever-arm shock absorbers and top links. There were no exterior door handles; the driver and passenger were required to reach inside to open the door. There was also no boot lid, owing to the need to retain as much structural integrity as possible, and access to the spare wheel and luggage compartment was achieved by tilting the seat-backs forward and reaching under the rear deck, a process likened to potholing by many owners, but which resulted in a large space available to store soft baggage. The BMC Competition Department entered Austin Healey Sprites in major international races and rallies, their first major success coming when John Sprinzel and Willy Cave won their class on the 1958 Alpine Rally. Private competitors also competed with much success in Sprites. Because of its affordability and practicality, the Austin Healey Sprite was developed into a formidable competition car, assuming many variants by John Sprinzel, Speedwell and WSM. The Sebring Sprite became the most iconic of the racing breed of Austin Healey Sprites. Many owners use their Austin Healey Sprites in competition today, fifty years after its introduction. 48,987 “frogeye” Sprites were made and the car remains popular to this day.

BEDFORD

The CA was a distinctive pug-nosed light commercial vehicle produced between 1952 and 1969, manufactured in short-wheelbase and long-wheelbase forms, each form available in either a 10–12 cwt or a 15 cwt version. Generally it was supplied as a light delivery van with sliding doors, but it was also available as a chassis with cowl upon which specialist bodywork could be added.  The Bedford Dormobile was a Campervan conversion based on the Bedford CA van. In its day, the vehicle was ubiquitous; the Ford Transit of its time. These vehicles are now rare.

The Bedford CF was a range of full-size panel vans produced by Bedford. The van was introduced in 1969 to replace the CA model, and was sized to compete directly with the Ford Transit, which had entered production four years earlier. Its design was similar to its American counterpart, the Chevrolet Van (1971–1995). Bedford was a General Motors subsidiary, and in some markets outside the United Kingdom and Ireland the CF was sold through Opel dealers as the Opel Bedford Blitz from 1973 on when the original Opel Blitz was phased out. In other markets such as in Norway the CF retained its original name. The CF was notable for being the last vehicle solely designed by Vauxhall when it was discontinued in 1986 (the last Vauxhall passenger car had been the HC Viva which had ceased production in 1979); with all Vauxhall cars by that point being essentially rebranded Opels. The Bedford brand continued on certain badge engineered light vans from Isuzu and Suzuki, before being retired in 1991 in favour of Vauxhall or Opel. Introduced in November 1969 to replace the 17-year-old Bedford CA, the CF van variants soon became some of the most popular light commercial vehicles on British roads. The CF could be specified with a sliding door in the side panel directly behind the passenger door, and it was generally with this layout that the van was also commonly used as a base vehicle for a caravanette. The engine was the well-proven Slant Four engine which had been introduced for the Vauxhall FD Victor models in 1967. Apart from an increased engine capacity from 1,598 cc to 1,759 cc and from 1,975 cc to 2,279 cc in 1972, the power units remained unchanged. A four-cylinder 1,760 cc Perkins diesel engine could be specified for an extra £130 (1969), while a larger 2,523 cc version was used for heavier versions. These units were rated at 50 and 61 PS DIN. In 1976, a 2,064 cc overhead valve (OHV) diesel engine from Opel replaced the outdated Perkins units. In Australasian markets, the CF could be optioned with Holden six-cylinder units, in 2,850 cc and 3,310 cc forms. This was as an answer to the rival Ford Transit range, which in Australia used six-cylinder engines from the Ford Falcon. The Bedford used the same basic suspension lay-out as the Vauxhall Victor, though married to greater wheel arch clearances and calibrated for greater weight carrying capacity. The front independent suspension featured a double wishbone layout with coil springs and telescopic shock absorbers, while the rear wheels were suspended by a combination involving a live axle and traditional long single-leaf springs. Several different manual transmissions were used: the Vauxhall three-speed, four-speed, Bedford four-speed, ZF four-speed, ZF five-speed, and the General Motors automatic. The Laycock type of overdrive was available to order or on the later Vauxhall four-speed models. There were three CF1 body styles. A standard panel van which was intended to rival the Ford Transit; the special van body (essentially a self-contained cab with a general-purpose chassis onto which a wide range of custom-built bodies or beds could be built), and the Dormobile (caravanette). Bedford vans were very popular as ice cream vans and food trucks, with some of them still being used. The CF series 1 facelift was introduced in 1980, introducing the 2,260 cc Opel 23D diesel engine with 61 hp. Units exported to Germany (Bedford Blitz) received a smaller, 1,998 cc diesel, producing 60 PS. This engine was also installed in many other export markets where tax categories suited engines with less than two litres of displacement, such as the Benelux countries and Finland. The 1.8 and 2.3 litre petrol units remained the same. The restyled front end was engineered so that by removing 8 bolts the whole front panel could be completely removed, providing easy access to the engine so it could be removed from the front instead of from underneath like on the CF1. The CF1 “facelift” is often confused with being a CF2 because it’s difficult to tell them apart from the exterior. The easiest visual check is that the CF facelift will have the same old metallic door handles and mirrors as the CF1 while on the CF2 have new plastic ones. In 1984 the CF was renamed CF2 and basically only received mechanical upgrades. The diesel engines remained the 2.3 (with the 2.0 available in continental Europe) but the old Vauxhall slant fours were replaced by a 1,979 cc, 78 bhp version of the Opel CIH four cylinder. In 1985 the CF2 was sold side by side in UK with the Bedford Midi – a smaller, badge engineered version of the Isuzu Fargo which was locally built at the newly established IBC Vehicles venture with Isuzu.  By then the CF’s replacement was put on hold and then ultimately dropped when Bedford decided that rebadging other GM owned brands was much cheaper. The last CF2s were sold in the UK in 1987 and marked the end of original Bedford designed vehicles.

The Bedford HA was a car derived van introduced in 1964 by Bedford, based on the Vauxhall Viva (HA) family car. It was also known as the Bedford Beagle in estate form and Bedford Roma in small campervan form. The Beagle was an officially sanctioned conversion based on the 8 cwt van, carried out by Martin Walter of Folkestone, Kent. The Beagle received rear side windows and a fold-down rear seat; leaving 28 inches (710 mm) of luggage space with the seat in use. The Bedford HA was extremely popular with utility companies in the United Kingdom, particularly the Royal Mail, British Rail, electricity boards, the GPO (later British Telecom (BT)), and British Gas. Many other firms such as British European Airways and Meals on Wheels services had large fleets as well. It was the inspiration for Postman Pat’s original van. It was originally available in 6 cwt and heavier duty 8 cwt models (payloads of 670 or 900 lb; 300 or 410 kg), with the chassis codes HAE and HAV respectively. Gross vehicle weights were 2,400 and 2,615 lb (1,090 and 1,185 kg) respectively. The 8 cwt had a heavier rear axle, bigger tyres, and a sixth leaf in the rear springs. The 8 cwt was generally better equipped, offering a number of chromed trim parts (bumpers, mirrors, etcetera) and slightly plusher interior fittings. By 1971 the 6 cwt had been downgraded further yet, and now only came with a driver’s seat as standard. A fold-down rear seat was available as an option. The Bedford Roma, a three berth campervan with a cloth extending roof, was produced from October 1967 until 1973. By the late seventies, the denominations had been changed to HA 110 and HA 130 respectively, with payload ratings of 371 and 546 kg (818 and 1,204 lb). In September 1964, for the 1965 model year, the Viva and HA Van received minor changes such as a quicker steering rack, new door trim, and a modified choke control. In Australia, the Bedford HA was sold as the “Bedford Handi-Van” from 1964 until 1970. The early 1,057 cc version had a lower compression ratio than the Viva saloon (7.3:1 rather than the usual 8.5:1), producing 47.8 hp gross, or 40.3 hp net, both at 5,200 rpm. In 1967, the HA received the engine of the changed Viva. This 1,159 cc was essentially the same as the earlier powerplant; although net power was down to a claimed 32.2 hp at 4,600 rpm. It ran on the lowest rated fuel and was fitted with a 17 mm (0.67 in)-bore carburettor for even higher fuel mileage. The later models powered by the 1,256 cc engine offered 48 hp gross at 5,400 rpm, or 39 hp net at 4,600 rpm. By 1977 only net horsepower ratings were offered, with power up to 42.5 bhp at 4,800 rpm. As for all three generations of HAs, the compression ratio remained 7.3 to 1. For the lighter duty HA 110 there was also an ‘Economy’ version, with a CD carburettor (constant depression), a redesigned manifold, and a different camshaft. This version offered up to 30% lower fuel consumption, although power did drop to 24.4 bhp at 3,800 rpm. The HA continued on in production for twenty years, until 1983, when it was supplanted by the short lived Vauxhall Chevette based Bedford Chevanne which was in turn replaced by the Opel-based Bedford Astravan / Bedford Astramax. Despite the fact that the Vauxhall Viva upon which it was based had gone through two further model generations, the bodywork of the HA van stayed the same until its eventual discontinuation in 1983, although it did receive some of the technical upgrades from the newer HB and HC Vivas. The 1,159 cc engine arrived in 1967, followed by a 1,256 cc in 1972. A pickup was also made by Martin Walter (Dormobile) – who also made the Beagle conversion – and by Walker Bodies of Watford. Made in very small numbers (believed to be around 60 in total) only a handful of these survive today: they were originally sold to companies and private buyers directly through Vauxhall/Bedford dealerships. Production ended in September 1983, with 689,512 produced.

BMW

The Isetta is far more significant than many show-goers would realise, as without these cars, the modern BMW company simply would not exist. However, the car originated with the Italian firm of Iso SpA, and it is two of those models which were to be seen here. In the early 1950s the company was building refrigerators, motor scooters and small three-wheeled trucks. Iso’s owner, Renzo Rivolta, decided he would like to build a small car for mass distribution. By 1952 the engineers Ermenegildo Preti and Pierluigi Raggi had designed a small car that used the motorcycle engine of the Iso Moto 200 and named it Isetta—an Italian diminutive meaning little ISO. The Isetta caused a sensation when it was introduced to the motoring press in Turin in November 1953, it was unlike anything seen before. Small (only 7.5 ft long by 4.5 ft wide) and egg-shaped, with bubble-type windows, the entire front end of the car hinged outwards to allow entry. In the event of a crash, the driver and passenger were to exit through the canvas sunroof. The steering wheel and instrument panel swung out with the single door, as this made access to the single bench seat simpler. The seat provided reasonable comfort for two occupants, and perhaps a small child. Behind the seat was a large parcel shelf with a spare wheel located below. A heater was optional, and ventilation was provided by opening the fabric sunroof. Power came from a 236 cc 9.5 hp split-single two-stroke motorcycle engine.  The engine was started by a combination generator-starter known as Dynastart. A manual gearbox provided four forward speeds and reverse. A chain drive connected the gearbox to a solid rear axle with a pair of closely spaced 25 cm (10 in) rear wheels. The first prototypes had one wheel at the rear, but having a single rear wheel made the car prone to roll-overs, so the rear wheel layout was changed to two wheels set 19 in apart from each other. This narrow track eliminated the need for a differential. The front axle was a modified version of a Dubonnet independent front suspension. The Isetta took over 30 seconds to reach 50 km/h (31 mph) from rest. Top speed was only about 75 km/h (47 mph). The fuel tank held only 13 litres. However, the Isetta would get somewhere between 50 and 70 mpg depending on how it was driven. In 1954, Iso entered several Isettas in the legendary Mille Miglia where they took the top three spots in the economy classification. Over a distance of 1,600 km (1,000 mi) the drivers achieved an average speed of over 70 km/h (43 mph). In view of its maximum speed, which was just 15 km/h (9 mph) higher, this was an almost incredible figure. However, despite its initial success, the Isetta was beginning to slip in popularity at home. This was mainly due to renewed competition from Fiat with its 500C model. Renzo Rivolta wanted to concentrate on his new Iso Rivolta sports car, and was extremely interested in doing licensing deals. Plants in Spain and Belgium were already assembling Isettas and Autocarros using Italian made Iso components. BMW began talking with Rivolta in mid-1954 and bought not just a license but the complete Isetta body tooling as well. Rivolta did not stop with licensing the Isetta to BMW. He negotiated similar deals with companies in France and Brazil. After constructing some 1,000 units, production of the Italian built cars ceased in 1955, although Iso continued to build the Isetta in Spain until 1958. In addition to the Turismo, Iso in Spain also built the Autocarro, a commercial version with full-width rear axle. The Autocarro was offered in several body styles, a flatbed pickup, enclosed truck, a tilt-bed, or even a fire engine, although some of these might not have been sold. The Autocarro was an extremely popular type of vehicle in Italy, and numerous manufacturers produced some variant of the type. Iso had previously produced a motorcycle-type Isocarro. The Iso Autocarro was larger than most, with its four-wheel layout, conventional rear axle with differential and leaf springs, and a large tubular frame. It could carry a 500 kg load. It is thought that more than 4,000 Autocarros were built.

BSA

The BSA Scout is a small open two-seater front-wheel drive car, manufactured and sold by subsidiaries of The Birmingham Small Arms Company Limited, launched at the beginning of April 1935. On account of its front-wheel drive and low centre of gravity it was said to be remarkably stable taking corners in safety which would be impossible with a normal design. This new addition to the range of small open cars for young motorists was intended to further embellish BSA’s reputation for sound design, robust construction and complete reliability. At the front of the car was the engine, clutch, gearbox and a short stiff propeller shaft to the worm and spur driven differential and front wheel brake. All these mechanicals were (flexibly) mounted as one unit positioned in a reverse to the usual order, the differential at the very front of the car. The car’s four-cylinder, 9 (RAC) HP 1,075 cc engine and transmission had powered thousands of BSA three-wheelers over the previous five years. The gearbox was centrally controlled by a lever in the facia providing three forward speeds and reverse The propeller shafts from the differential to each wheel had flexible fabric joints and enclosed universal joints. The multi-plate clutch had two light alloy discs with cork inserts and ran in oil. The conventionally designed chassis was made of channel section side members suitably braced by cross members. Suspension was by eight quarter-elliptic springs in front—four to each wheel giving independent front springing. Rear suspension was by ordinary half-elliptical springs to a beam axle. The single brake for the front wheels was a part of the differential unit. The rear brakes were on each wheel. Electrical equipment was six-volt and a five lamp set supplied with dip and switch control to the head lights was included. The tyre size is 4+1⁄2 by 18 inches (110 mm × 460 mm). The pneumatic cushioned upholstery was leather and the frame of the body of ash panelled in aluminium.] An open two-seater it had attractive and sporting lines yet with enough leg and elbow room. During 1936 an open four-seater sports tourer body also became available at £169.10.0. and a two-seater coupé complete with recessed traffic indicators, sunshine roof and other closed car fittings: £185. These bodies became known as series 3. A new two-seater drophead coupé was announced in August 1939 (similar to the car which won the coachwork award in the Welsh Rally. The price was to be £195

BUICK

The Riviera was radically redesigned for the 1971 model year with flowing and dramatic “boat-tail” styling. Designed under Bill Mitchell’s direction, it was penned by Jerry Hirshberg, future head of design for Nissan, mating the two-piece vee-butted fastback rear window, inspired by the 1963 Corvette Sting Ray coupe, to the Riviera’s platform. The design was originally intended for the smaller A-body or its related G-body, as shown by a full scale clay model of an A-body based boat-tail Riviera recently revealed. Given the late stage of the 1968-72 A/G platform evolution and accretive cost to add another version to it, GM Management decreed that the next Riviera use the full sized GM B platform body—expanded for 1971 by 3 in (76 mm) in wheelbase and more than 120 lb (54 kg) heavier— which produced controversial looks, making for a sharp departure from those of the Toronado and Eldorado. (Collectible Automobile ran an article about 1971–76 full-sized Buicks in which one sketch design for their 2-door coupes which was rejected resembled the 1971–73 Riviera). This generation introduced a much more visual representation of the “sweepspear”, with a more faithful representation to the version that appeared on 1950s Buicks in both the side molding and beltline. Large, round wheel openings were intended to convey more of a sporty air. The only engine available was Buick’s own 455 ci V8 engine producing 315 bhp, with 330 bhp with the Gran Sport (GS) package. The 455 engine had a lower compression ratio to meet EPA emissions requirements, together with the shift from SAE gross to SAE net ratings this reduced claimed power to 255 bhp , with 265 bhp in the Gran Sport. Performance remained reasonably brisk, with a 0–60 mph time of 8.1 seconds for the GS, but the Riviera’s sporty image was rapidly fading. One noteworthy advance was Buick’s Max Trac limited-slip differential. The 1971 Riviera also features GM’s “Full-Flo” ventilation system and two large deck lid louvers are prominent on the trunk lid. Despite these features, Riviera sales for 1971 dropped to 33,810, the lowest to date. The 1972 Riviera received a new, egg-crate grille, more substantial front bumpers to prepare for the new 5-mph impact legislation, restyled taillight trim, and the louvers were removed from the trunk lid. The 1972 Riviera also featured a redesigned ventilation system, and the 455 engine switched to net power ratings, 225 bhp or 250 bhp in the Gran Sport, although the actual drop in net power was only 5 bhp. Sales remained stagnant at 33,728, a drop of 82 from the prior year. For 1973, the Riviera underwent a number of changes. The front bumper was redesigned to be thicker and featured bumper guards as standard in order to meet 1974 impact-bumper standards, the grille was switched back to horizontal slats, and the front lamps were moved from the bumper and were now integrated into the headlights, wrapping around the corners of the car. Sluggish sales of the third generation Riviera led GM to believe that the boattail deck lid was too radical for most customers’ tastes, so in 1973 it was blunted and made slightly shorter. The taillights, meanwhile, were moved down from the sheet metal and into the bumper, and the rear license plate location was moved from the left side of the bumper to the centre. The 250 bhp engine became standard, with 260 bhp with the Stage One package. This also included a limited-slip differential and a chrome-plated air cleaner. The “Gran Sport” package was still available as a separate option package consisting of a ride-and-handling package that included a rear stabilizer bar, JR78-15 whitewall steel-belted radial tyres, a specially tuned “radial roadability” suspension, additional sound insulation and special “Gran Sport” badging. The design changes however only led to a marginal increase in sales, with 34,080 being produced for the model year. A fourth generation Riviera debuted for 1974.

CADILLAC

As it had been since De Ville became a separate series, De Ville denoted Cadillac’s mainstream model, falling between the Calais (which had replaced the Series 62) and the Sixty Special and Eldorado. The De Ville was redesigned for 1965 but rode on the same 129.5-inch (3,290 mm) wheelbase. Tailfins were canted slightly downward, and sharp, distinct body lines replaced the rounded look. Also new were a straight rear bumper and vertical lamp clusters. The headlight pairs switched from horizontal to vertical, thus permitting a wider grille. Curved frameless side windows appeared, and convertibles acquired tempered glass backlights. New standard features included lamps for luggage, glove and rear passenger compartments and front and rear safety belts. Power was still supplied by the 340 horsepower 429 cu in (7,030 cc) V8, which would be replaced by the 472 cu in (7,730 cc) for 1968. Cadillac dropped the X-frame and used a new perimeter frame. Pillared sedans appeared on the De Ville series for the first time, while six-window hardtop sedans were dropped. A padded vinyl roof was a $121 extra-cost option on the hardtop model. All four DeVille models had small “Tiffany-like” script nameplates on the ends of their rear fenders just above the chrome side moulding. In 1966, changes included a somewhat coarser mesh for the radiator grille insert, which was now divided by a thick, bright metal horizontal centre bar housing rectangular parking lamps at the outer ends. Separate rectangular cornering lamps replaced the integral grille extension designs. There was generally less chrome on all Cadillac models this year. De Ville scripts were still above the rear tip of the horizontal body rub moldings. Cadillac crests and V-shaped moldings, front and rear, were identifiers. Cadillac “firsts” this season included variable ratio steering and optional front seats with carbon cloth heating pads built into the cushions and seatbacks. Comfort and convenience innovations were headrests, reclining seats and an AM/FM stereo system. Automatic level control was available. Engineering improvements made to the perimeter frame increased ride and handling ease. Newly designed piston and oil rings and a new engine mounting system and patented quiet exhaust were used. The 1967 De Villes were extensively restyled. Prominent styling features were given a powerful frontal appearance with forward-leaning front end, long, sculptured body lines, and redefined rear fenders that had more than just a hint of tail fins in them. The full-width, forward-thrusted “eggcrate” grille was flanked by dual stacked headlights for the third consecutive year. The squarer cornered grille insert had blades that seemed to emphasize its vertical members and it appeared both above the bumper and through a horizontal slot cut into it. Rectangular parking lamps were built into the outer edges of the grille. Rear end styling revisions were highlighted by metal divided tail lamps and a painted lower bumper section. Coupe de Villes got a new roofline, inspired by the Florentine show car created for the 1964 New York World’s Fair, that gave rear seat passengers added privacy. As on that show car, the quarter window glass retracted rearward into a sail panel. Minor trim variations and slightly richer interiors separated De Ville from Calais. Tiffany style chrome signature scripts were again found above the body side molding on the rear fenders. New standard DeVille features included non-glare rear-view mirror, electric clock, Automatic Climate Controls, padded dashboard, Hazard Warning system, outboard seatbelt retractors and rear cigarette lighters in all styles. A slide-out fuse box and safety front seat back lock for two-door models were additional Cadillac advances for the 1967 model year. Technical improvements included a revised engine valve train, different carburetor, Mylar printed circuit instrument panel, re-tuned body mounts, and a new engine fan with clutch for quieter operation. A GM-designed Energy Absorbing steering column and safety wheel became standard for all models. In 1968, grilles had an insert with finer mesh and step down outer section which held the rectangular parking lights just a little higher than before. Rear end styling was modestly altered with the deck lid having more of a rake. The most obvious change was an 8.5-inch (220 mm) longer hood designed to accommodate recessed windshield wiper-washers, which now came with three speeds standard. Of 20 exterior paint color combinations, 14 were totally new. On the inside enriched appointments included moulded inner door panels with illuminated reflectors and a selection of 147 upholstery combinations, 76 in cloth, 67 in leather and four in vinyl. New standard features included a Light Group, a Mirror Group, a trip odometer and an ignition key warning buzzer. The DeVille also gained a new 472 cu in (7,730 cc) V8 engine rated at 375 hp (SAE gross). 1968 was also the last year for the “stacked” dual headlights, which were replaced with side-by-side dual headlights in 1969. This was also the last year for vent windows. Side marker lights in the rear bumper as well as front fender were also added. Side mirror changed from a round to rectangular shape. Also of note front disc brakes were available starting in 1968. Cars built after January 1, 1968 got front shoulder belts per Federal safety standards. In 1969, DeVille was restyled in the Eldorado image. An Eldorado-like front fender treatment evolved and helped to emphasize a stronger horizontal design line. Rear quarters were extended to give the car a longer look. There was an all new grille with dual horizontal headlamps positioned in the outboard step down areas of the grille. The hood was again extended, a total of 2.5 inches (64 mm) to add the impression of extra length. The roofline was squarer and the rear deck and bumper more sculptured. A new ventilation system eliminated the need for vent windows, which provided a longer sleeker look and improved visibility. New standard features included front and rear (except on convertibles) centre seat armrests. The ignition switch was moved from the instrument panel to the steering column, and included a steering wheel and transmission lock, one year ahead of a mandated Federal standard. In 1970, a facelift included a grille with 13 vertical blades set against a delicately cross-hatched rectangular opening. The bright metal headlamp surrounds were bordered with body colour to give it a more refined look. Narrow vertical “vee” tail lights were seen again, but now had additional smaller V-shaped bottom lenses pointing downward below the bumper. Wheel discs and winged crest fender tip emblems were new. Exterior distinctions came from a De Ville script above the rear end of the belt moulding and from the use of long rectangular back up light lenses set into the lower bumper as opposed to the smaller square lens used on the Calais. A new feature was a body colour border around the edge of the vinyl top covering, when this option was ordered. The 1970 model year was both the last year that De Ville offered a convertible body style and for pillared sedans until hardtops were permanently dropped in 1977. A total of 181,719 De Villes were sold for that model year, accounting for 76% of all Cadillacs.

CHEVROLET

This is a 1938 Chevrolet Master Coupe. The Chevrolet Master and Master Deluxe are American passenger vehicles manufactured by Chevrolet between 1933 and 1942 to replace the 1933 Master Eagle. It was the more expensive model in the Chevrolet range at this time, with the Standard Mercury providing an affordable product between 1933 and 1937. Starting with this generation, all GM cars shared a corporate appearance as a result of the Art and Color Section headed by Harley Earl. From 1940 a more expensive version based on the Master Deluxe was launched called the Special Deluxe. The updated corporate appearance introduced a concealed radiator behind a façade with a grille. This was the last Chevrolet that was exported to Japan in knock down kits and assembled at the company’s factory in Osaka, Japan before the factory was appropriated by the Imperial Japanese Government. When Toyota decided to develop their own sedan called the Toyota AA, a locally manufactured Master was disassembled and examined to determine how Toyota should engineer their own cars.  In May 1925 the Chevrolet Export Boxing plant at Bloomfield, New Jersey was repurposed from a previous owner where Knock-down kits for Chevrolet, Pontiac, Oldsmobile, Buick and Cadillac passenger cars, and both Chevrolet and G. M. C. truck parts are crated and shipped by railroad to the docks at Weehawken, New Jersey for overseas GM assembly factories. The Master name was used on a number of different versions, and the Series name changed each year. A four door open top convertible was no longer offered starting in 1933. The 1933 Series CA began production as the “Eagle”, but was renamed “Master” midway through the model year when the 1933 Standard model (Series CC) was introduced. Several changes were made to the Eagle when the name was changed to Master. The easiest to distinguishing feature is the post between the front door wing windows and the roll down windows: on the Eagle the chrome divider between these two windows goes down as the window goes down, whereas on the Master this divider remains fixed and does not go down with the window. The 1934 (Series DA) Master offered an increased wheelbase of 112 in (2,844.8 mm). This increased the difference with the cheaper Standard wheelbase to 5 in (127.0 mm). Powered by an upgraded version of the 206 cu in (3,380 cc) “Stovebolt” six-cylinder engine, now producing 80 hp. The independent front suspension was something GM called “Knee-Action” using trailing arms and coil springs. For 1935 (Series EA and ED), the Master underwent a redesign, utilising a new “Turret Top” construction method. This consisted of steel used entirely in the body construction to include the roof and wood was no longer used in bodywork or chassis construction. In 1936 (Series FA and FD), all Chevrolet took on an upgraded streamlined appearance as Chevrolet sought to take on a new and modern appearance called Art Deco, and the bodies were shared with the Pontiac Deluxe. In 1937 (Series GA and GB), the Master now replaced the lower priced Standard Six, while the higher equipment Master Deluxe edged the range upwards. While external differentiation was limited to trim and equipment, the Master Deluxe introduced independent front suspension while the Master retained a beam front axle on leaf springs. In 1938 (series HA and HB), the Master (HB) and Master Deluxe (HA) sold well, with 162,430 and 302,728 respectively. The Master returned for 1939. The Master Deluxe was now the JA, while the base model was renamed the Master 85 (JB). A station wagon was first offered, though its construction had been contracted to Mid States Body Corp For 1940 (series KA and KB), the Master continued to be available in Master 85 (KB) as well as the more upscale “Master Deluxe” model (KA). The even better equipped “Special Deluxe” also appeared for the 1940 model year.

The Chevrolet Special Deluxe Series AH Fleetline was an automobile produced by US automaker Chevrolet from 1941 to 1952. From 1946 to 1948 it was a sub-series of the Chevrolet Fleetmaster rather than a series of the Special Deluxe and, from 1949 to 1951, it was a sub-series of both the Chevrolet Special and the Chevrolet Deluxe. In its final year it was offered only as a sub-series of the latter. The Fleetline was introduced late in the 1941 model year as a four-door sedan only. In 1942, a fastback two-door “Aerosedan” was also offered while the sedan was renamed “Sport Master”. In 1947, the Fleetline made up 71.26% of Chevrolet’s sales. For the years’ 1949 through 1952 models, the fastback was the only one offered, and Chevrolet dropped the Fleetline for 1953. Production was indefinitely delayed in 1942 due to World War II, after 110,000 had been made, though several thousand Chevrolet coupes and sedans were produced during the war years for military staff use. In 1945, production for civilians resumed. The original series was produced through 1948. A redesigned Fleetline with reduced body contour and integrated rear fenders was offered for the 1949 through 1952 model years. It was referred to as a “fastback” because of its distinct sloping roof which extends through to the trunk lid. The Fleetline during the 1949 to 1950 years also has a lower look than a sedan, with the windshield being one inch shorter in height than a standard contemporary sedan. The 1949 to 1951 models were made in both four-door and two-door models, with only the lower portion of the doors being interchangeable with a sedan door. The Fleetline series is currently highly collectable. Many are made into street rods, with the common Chevrolet 350 small block V8 and the 350 or 400 turbo transmission being used. In the 1941 and 1942 model years, the 216 cid inline-six “Blue Flame” engine was the only one offered. It produced 90 bhp at 3,300 rpm, and in 1950 higher compression bumped it up to 92 bhp. Also in 1950, a 235.5 cid single-barrel carb six-cylinder engine with 105 bhp was added. A Fleetline of this vintage could easily exceed 80 miles per hour without overdrive. In very early models, the transmission was a manual synchromesh three-speed, with vacuum-assisted shift, in which the “three-on-the-tree” shifter was able to be moved between gears by the slightest pressure on the lever. Third gear was direct, meaning the input and output are equal speeds. From 1950 through the 1952 final year of its production, an automatic transmission was offered, which was quite sluggish. Overdrive was a rare option. Connection to the third member rear-end was via an enclosed “torque tube” driveshaft. The brakes were hydraulic with all-wheel drums. In 1951, the brakes got larger. The master cylinder was located below the floor connected on the frame rail, beneath the driver. Shock absorbers were of the lever type for the early years only. The windshield for all years was of a split, flat-glass type. The exterior sported smooth curves, chrome and stainless trim. In the earlier models the rear bumper had an optional centre bumper guard that had to be ratcheted out of the way so the trunk cover could be lifted. Front and rear bumpers had optional chrome “tips”, a dress-up item that bolted to the ends of the stock bumper. Not a Chevrolet option but a popular after market feature was a large external sunshade that protected the driver from glare off of the metal dash board. The 1949 to 1952 models were completely different from the earlier years’ with the fleetline “fastback” shape being quite distinct from a normal sedan shape. The fastback appearance was shared with all General Motors products from 1942 until 1949, where the appearance is called a “Club Coupe” or “Sedanette” depending on the brand. The interior had cloth bench seats and a metal dash sometimes with a simulated burle woodgrain. The radio was a simple mono vacuum tube type radio with integrated speaker. An ash tray was located in the right side of the dash, close to the clock Depending upon the year there were both choke and throttle cables on the dash. On the right side was the choke lever. In the earlier years the clock was integrated into the glove compartment door and was of a manual-wind seven-day type. In the 1949 and 1950 models the clock was next to the glove box and with the redesigned dash board, the clock was on the top of the dash, in a centre pod. Also, this revised dash had two round pods for the speedometer and the other gauges while the 1949 and 1950 models had one large round pod directly in front of the steering wheel on the dash.

The Chevrolet Bel Air is a full-size car produced by Chevrolet for the 1950–1975 model years. Initially, only the two-door hardtops in the Chevrolet model range were designated with the Bel Air name from 1950 to 1952. With the 1953 model year, the Bel Air name was changed from a designation for a unique body shape to a premium level of trim applied across a number of body styles. The Bel Air continued with various other trim level designations, and it had gone from a mid-level trim car to a budget fleet sedan when U.S. production ceased in 1975. The Bel Air received a major redesign for the 1959 model year. The most visual new change was the flat, wing shaped tailfins. The car was built on a 119 in (3,000 mm) wheelbase and was 211 in (5,400 mm) long-which was 11 in (280 mm) longer than the 1957 model. This made Chevrolet the longest car in the low-priced range, whereas two years before it had been the shortest. In addition, the car was 3 in (76 mm) wider outside and had 5 in (130 mm) more width inside than it did in 1958, through the reduction of door thickness. The “X” frame from 1958 was continued, but enlarged and strengthened to support the new body. The Bel Air, which had been the top line series since 1953, was now the middle range. Wagons were still classed by themselves, but had model numbers matching the car series. Parkwood 6-passenger and Kingswood 9-passenger wagons had Bel Air’s model number, and as such were the middle range wagons. Under the hood, little change took place. A variety of speed options, such as fuel injection, special cams and lowered compression, gave horsepower ratings up to 315. Bel Air production was 447,100. The new Impala line surpassed Bel Air production by 20,000 units. A parking brake warning light was optional. Little change was made for 1960. The new models were refinements of the 1959 style with a much more restrained front end, the return of the double cone tail lights of 1958 rather than the startling “cat’s eyes” of 1959. Under the hood, things remained constant. Fuel injection was no longer available, but with the 348 cubic inch engine, a horsepower rating of 335 at 5800 rpm was now achieved. This involved the use of three double-barrel carburettors, a special cam and an 11.25:1 compression ratio, all sold as a package. Body style offerings followed 1959, with hardtops and sedans available. The convertible was reserved for the Impala series. The Bel Air Sport Sedan continued to use a rear window overhang and a huge wraparound rear window. Bel Airs (and Biscaynes) had two tail lights per side; the Impalas had three tail lights per side—a situation that would persist for most years through 1975. Many of the same options and accessories that were available on the Impala were also available on the Bel Air. The Bel Airs had more interior and exterior brightwork than the Biscayne.

The second-generation C/K was introduced for the 1967 model year. Designated the “Action Line” generation by General Motors, the C/K largely carried over its drop-center ladder frame and its coil-sprung rear axle, but the body was redesigned from the ground up to improve its capability as a multi-purpose vehicle. Alongside a utilitarian vehicle intended for work or farm use, the C/K was also offered with optional features carried over from Chevrolet sedans, including automatic transmissions, AM/FM radio, carpet, and two-tone paint. While the Action Line would not undergo a definitive model revision through its production, the series underwent gradual changes on a biannual basis. The drivetrain line underwent multiple revisions, as a large-block V8 was offered for the first time in 1968. After 1969, GM switched entirely to Chevrolet-produced engines for C/K pickup trucks. This generation marks the debut of the Chevrolet Cheyenne and GMC Sierra nameplates; introduced in 1971 and 1972, respectively, General Motors still uses both nameplates for full-size pickups in current production. The Action-Line pickup also served as the basis of ancestors of modern full-size SUVs, including the Chevrolet K5 Blazer, an open-body off-road vehicle, and the Chevrolet Suburban truck-based station wagon. For 1973, GM replaced the Action Line trucks with the long-running Rounded Line series; the Action Line trucks are the final C/K trucks offered solely with a two-door cab.

CHRYSLER

This massive “land yacht” is a 1975 Chrysler Imperial. Imperial was the Chrysler Corporation’s luxury automobile brand from 1955 to 1975, and again from 1981 to 1983. The Imperial name had been used since 1926, as a Chrysler luxury model, the Chrysler Imperial. However, in 1955, the company spun off Imperial into its own make and division to better compete with its North American rivals, Lincoln and Cadillac. Imperial would see new or modified body styles introduced every two to three years, all with V8 engines and automatic transmissions, as well as technologies that would filter down to Chrysler Corporation’s other models. With future sales forecasts likely to remain low, Chrysler had planned on discontinuing the Imperial at the end of the 1973 model year. While image and appearance were an important part of luxury car appeal, without sales Chrysler could not afford to build an Imperial with a unique bodyshell. Yet without one, it would be difficult to compete with rivals Cadillac and Lincoln. For 1974, the Crown Coupe nameplate returned as the most expensive model to compete with the Cadillac Eldorado and the Continental Mark IV with a list price of $7,856. A front-end design envisioned for the next Imperial penned by Chrysler/Imperial exterior studio senior stylist Chet Limbaugh came to the attention of Elwood Engel. It featured a “waterfall” grille with thin vertical chrome bars separated by a body-coluored band running through the centre, which started on top of the nose and flowed down. Engel showed the design to Chrysler president John Riccardo and convinced him to use it on an Imperial. To save money the 1974 model would use the same body panels as the Chrysler New Yorker except for the front end clip and trunk lid. This meant that for the first time as a separate marque, the Imperial would share the same wheelbase as a production Chrysler. With the full effects of the 1973 oil crisis being solidly felt, a bad year for both the U.S. economy and its auto industry was in store for 1974 – cruel timing for Chrysler’s 50th anniversary year. The 1974 Imperial was the first regular American passenger car to offer 4-wheel disc brakes since the 1949–1954 Chrysler Imperials, the 1950–1952 Crosleys and the 1965-on Chevrolet Corvettes. The “by Chrysler” script was removed from the car for 1974. The Imperial’s electronic ignition system was a U.S. market first, as was the optional car alarm. In addition to the two regular LeBaron models, a 50th Anniversary 2-door LeBaron Crown Coupe was also produced. Finished in Golden Fawn, only 57 were built. While total sales were down from 1973, Chrysler was pleased with the 14,483 Imperials produced, given the poor economy in 1974 and a retail price of $7,230 for the sedan. A bolder waterfall grille appeared in 1975, one of the few changes for the model year. The front bumper received slots to aid in engine cooling, and a few other detail improvements were made. This was to be the last model year of the independent Imperial marque, with only 8,830 1975 models sold. The last Imperial, a black LeBaron hardtop, rolled out of the factory on 12 June 1975.However, only the name disappeared, as the same basic car was offered rather more cheaply, less some of the Imperial’s features, as the Chrysler New Yorker Brougham for model years 1976 through 1978. With divisional cost-savings having forced the Imperial to share basically everything but some trim and badging with the Chrysler New Yorker (and the same platform as all Chryslers and full-sized Dodges and Plymouths), justifying the price differential over a high-end New Yorker had proven increasingly hard for prospective customers to do, given that the four-door hardtop was listed at $9,046. Compounding this the costs of maintaining and marketing a separate poorly selling marque became too high for the limited return, even at the expense of sacrificing Chrysler’s most prestigious automobile.

CITROEN

1934 saw the introduction of the Citroen’s revolutionary and mould-shattering front-wheel-drive semi-monocoque Citroën Traction Avant. The Traction endured a troubled and prolonged birth process, however, and was part of an ambitious investment programme which involved, also in 1934, the bankruptcy of the business, and its acquisition by Citroën’s principal creditor. The patron himself died in 1935. In this troubled situation, availability of the larger Rosalies (although re-engined with a turned-around version of the new Traction’s OHV four-cylinder engines) continued till 1938: it is only through the distorting prism of subsequent events that its reputation has been diminished when set against the technical brilliance of its successor. There were three examples of the Traction Avant here. Produced for over 20 years, many different versions were made during that time, all with the same styling outline, but with power outputs ranging from 7 to 15CV, and different wheelbases, as well as some with Coupe and Convertible body styles. There was even one model with a large opening tailgate, the Commerciale.

It is hard to imagine just how revolutionary this car must have seemed when it was unveiled at the Paris Show in 1955. 18 years in secret development as the successor to the Traction Avant, the DS 19 stole the show, and within 15 minutes of opening, 743 orders were taken. By the end of the first day, that number had risen to 12,000. Contemporary journalists said the DS pushed the envelope in the ride vs. handling compromise possible in a motor vehicle. To a France still deep in reconstruction after the devastation of World War II, and also building its identity in the post-colonial world, the DS was a symbol of French ingenuity. It also posited the nation’s relevance in the Space Age, during the global race for technology of the Cold War. Structuralist philosopher Roland Barthes, in an essay about the car, said that it looked as if it had “fallen from the sky”. An American advertisement summarised this selling point: “It takes a special person to drive a special car”. Because they were owned by the technologically aggressive tyre manufacturer Michelin, Citroën had designed their cars around the technically superior radial tyre since 1948, and the DS was no exception. The car featured a novel hydropneumatic suspension including an automatic levelling system and variable ground clearance, developed in-house by Paul Magès. This suspension allowed the DS to travel quickly on the poor road surfaces common in France. In addition, the vehicle had power steering and a semi-automatic transmission (the transmission required no clutch pedal, but gears still had to be shifted by hand  though the shift lever controlled a powered hydraulic shift mechanism in place of a mechanical linkage, and a fibreglass roof which lowered the centre of gravity and so reduced weight transfer. Inboard front brakes (as well as independent suspension) reduced unsprung weight. Different front and rear track widths and tyre sizes reduced the unequal tyre loading, which is well known to promote understeer, typical of front-engined and front-wheel drive cars. As with all French cars, the DS design was affected by the tax horsepower system, which effectively mandated very small engines. Unlike the Traction Avant predecessor, there was no top-of-range model with a powerful six-cylinder engine. Citroën had planned an air-cooled flat-6 engine for the car, but did not have the funds to put the prototype engine into production.  The 1955 DS19 was 65% more expensive than the car it replaced, the Citroën Traction Avant. This did impact potential sales in a country still recovering economically from World War II, so a cheaper submodel, the Citroën ID, was introduced in 1957. The ID shared the DS’s body but was less powerful and luxurious. Although it shared the engine capacity of the DS engine (at this stage 1,911 cc), the ID provided a maximum power output of only 69 hp compared to the 75 hp claimed for the DS19. Power outputs were further differentiated in 1961 when the DS19 acquired a Weber-32 twin bodied carburettor, and the increasing availability of higher octane fuel enabled the manufacturer to increase the compression ratio from 7.5:1 to 8.5:1.  A new DS19 now came with a promised 83 hp of power. The ID19 was also more traditional mechanically: it had no power steering and had conventional transmission and clutch instead of the DS’s hydraulically controlled set-up. Initially the basic ID19 was sold on the French market with a price saving of more than 25% against the DS, although the differential was reduced at the end of 1961 when the manufacturer quietly withdrew the entry level ID19 “Normale” from sale. An estate version was introduced in 1958. It was known by various names in different markets: Break in France, Safari and Estate in the UK, Wagon in the US, and Citroën Australia used the terms Safari and Station-Wagon. It had a steel roof to support the standard roof rack. ‘Familiales’ had a rear seat mounted further back in the cabin, with three folding seats between the front and rear squabs. The standard Break had two side-facing seats in the main load area at the back. During the 20 year production life, improvements were made on an ongoing basis. In September 1962, the DS was restyled with a more aerodynamically efficient nose, better ventilation and other improvements. It retained the open two headlamp appearance, but was available with an optional set of driving lights mounted on the front bumpers. A more luxurious Pallas trim came in for 1965  Named after the Greek goddess Pallas, this included comfort features such as better noise insulation, a more luxurious (and optional leather) upholstery and external trim embellishments. The cars were complex, and not always totally reliable, One of the issues that emerged during long term use was addressed with a change which came in for 1967. The original hydropneumatic system used a vegetable oil liquide hydraulique végétal (LHV), similar to that used in other cars at the time, but later switched to a synthetic fluid liquide hydraulique synthétique (LHS). Both of these had the disadvantage that they are hygroscopic, as is the case with most brake fluids. Disuse allows water to enter the hydraulic components causing deterioration and expensive maintenance work. The difficulty with hygroscopic hydraulic fluid was exacerbated in the DS/ID due to the extreme rise and fall in the fluid level in the reservoir, which went from nearly full to nearly empty when the suspension extended to maximum height and the six accumulators in the system filled with fluid. With every “inhalation” of fresh moisture- (and dust-) laden air, the fluid absorbed more water. For the 1967 model year, Citroën introduced a new mineral oil-based fluid liquide hydraulique minéral (LHM). This fluid was much less harsh on the system. LHM remained in use within Citroën until the Xantia was discontinued in 2001. LHM required completely different materials for the seals. Using either fluid in the incorrect system would completely destroy the hydraulic seals very quickly. To help avoid this problem, Citroën added a bright green dye to the LHM fluid and also painted all hydraulic elements bright green. The former LHS parts were painted black. All models, including the Safari and ID, were upgraded at the same time. The hydraulic fluid changed to the technically superior LHM (Liquide Hydraulique Minéral) in all markets except the US and Canada, where the change did not take place until January 1969, due to local regulations. Rarest and most collectable of all DS variants, a convertible was offered from 1958 until 1973. The Cabriolet d’Usine (factory convertible) were built by French carrossier Henri Chapron, for the Citroën dealer network. It was an expensive car, so only 1,365 were sold. These DS convertibles used a special frame which was reinforced on the sidemembers and rear suspension swingarm bearing box, similar to, but not identical to the Break/Safari frame.

Despite the fact that  2,315,739 BXs were built during its 12-year production run, and the car sold well, these are getting increasingly scarce, even in France. The rather angular hatchback was designed by Marcello Gandini of Bertone, based on his unused design for the British 1977 Reliant FW11 concept and his 1979 Volvo Tundra concept car. It was the second car to benefit from the merger of Peugeot and Citroën in 1976, the first being the Citroën Visa launched in 1978. The BX shared its platform with the more conventional 405 that appeared in 1987, except the rear suspension which is from a Peugeot 305 Break. Among the features that set the car apart from the competition was the traditional Citroën hydropneumatic self-levelling suspension, extensive use of plastic body panels (bonnet, tailgate, bumpers), and front and rear disc brakes. The BX dispensed with the air cooled, flat four engine which powered the GS, and replaced it with the new PSA group XY, TU and XU series of petrol engines in 1360 cc, 1580 cc and, from 1984, 1905 cc displacements. In some countries, a weaker, 80 PS version of the 1580cc engine was badged as the BX15E instead of BX16. A 1124 cc engine, in the 11TE, very unusual in a car of this size, was also available in countries where car tax was a direct function of engine capacity, such as Ireland, Italy, Portugal and Greece. The 11TE model was seen by foreign motoring press as slow and uncomfortable. It was fitted to the cars made from 1988 to 1993 and produced 55 hp. The 1.1 and 1.4 models used the PSA X engine (known widely as the “Douvrin” or “Suitcase Engine”), the product of an earlier Peugeot/Renault joint venture, and already fitted in the Peugeot 104 and Renault 14. The 1.6 version was the first car to use the all-new short-stroke XU-series engine. It was produced in a new engine plant at Trémery built specifically for this purpose, and was later introduced in a larger 1.9-litre version and saw long service in a variety of Peugeots and Citroëns.  The XUD diesel engine version was launched in November 1983. The diesel and turbo diesel models were to become the most successful variants, they were especially popular as estates and became the best selling diesel car in Britain in the late 1980s. Despite being launched on the continent in the autumn of 1982, it wasn’t launched onto the British market until August 1983, initially only with 1.4 and 1.6 petrol engines, although further engine options and the estate model would arrive later, and it would go onto become one of the most popular foreign-built cars here during the second half of the 1980s. A year after the launch of the hatchback model, an estate version was made available. In 1984 power steering became optional, welcome particularly in the diesel models. In the late 1980s, a four-wheel drive system and turbodiesel engines were introduced. In 1986 the MK2 BX was launched. The interior and dashboard was redesigned to be more conventional-looking than the original, which used Citroën’s idiosyncratic “satellite” switchgear, and “bathroom scale” speedometer. These were replaced with more conventional stalks for light and wipers and analogue instruments. The earlier GT (and Sport) models already had a “normal” speedometer and tachometer. The exterior was also slightly updated, with new more rounded bumpers, flared wheelarches to accept wider tyres, new and improved mirrors and the front indicators replaced with larger clear ones which fitted flush with the headlights. The elderly Douvrin engine was replaced by the newer TU-series engine on the 1.4 litre models, although it continued to be installed in the tiny BX11 until 1992. 1988 saw the launch of the BX Turbo Diesel, which was praised by the motoring press. The BX diesel was already a strong seller, but the Turbo model brought new levels of refinement and performance to the diesel market, which brought an end to the common notion that diesel cars were slow and noisy. Diesel Car magazine said of the BX “We can think of no other car currently on sale in the UK that comes anywhere near approaching the BX Turbo’s combination of performance, accommodation and economy”. In 1989, the BX range had further minor revisions and specification improvements made to it, including smoked rear lamp units, new wheeltrims and interior fabrics. Winning many Towcar of the Year awards, the BX was renowned as a tow car (as was its larger sister, the CX), especially the diesel models, due to their power and economy combined with the self levelling suspension. The biggest problem of the BX was its variable build quality, compared to its competition. In 1983, one quarter of the production needed “touchups” before they could be shipped, though later models were more solid. The last BX was sold around 1994.

DAIMLER

This is a 1951 DS18 Consort. The Daimler DB18 is an automobile produced from 1939 until 1953. It is a 2½-litre version of the preceding 2.2-litre New Fifteen introduced in 1937. From 1949, the DB18 was revised to become the Daimler Consort. Using the engine developed for the Daimler Scout Car, it was offered to customers from 1939 as a six-cylinder chassis on which Daimler and various British coach builders offered a range of bodies including drop-head coupes. The model was introduced immediately before the Second World War, during which the company concentrated on the manufacture of military vehicles. To contemporaries the model was generally known as the Daimler 2½-litre until Daimler adopted the North American habit of giving their cars names (although not on any badgework), and an all-steel export version of the car was introduced in October 1948 at the London Motor Show, “principally for export” and branded as the Daimler Consort. The updates included the integration of the firewall into the body rather than it being part of the chassis, a move from rod operated mechanical brakes to a Girling-Bendix hydraulic front and rod operated rear system, incorporating the head lights into the front guards, and providing a badge plate behind the front bumper with a curved radiator grille replacing the flat one. The car used a 2,522 cc in-line six-cylinder, pushrod OHV engine fed by a single SU carburettor. Throughout its life, 70 bhp was claimed, though a change in the gearing in 1950 was marked by an increase in maximum speed from 76 mph (122 km/h) to 82 mph (132 km/h) for the saloon, while the acceleration time from 0 – 50 mph (80 km/h) improved from 17.9 to 16.9 seconds. By the standards of the time the car was brisker than it looked. The car was supplied with the Daimler Fluid Flywheel coupled to a 4-speed Wilson Pre-selector gearbox. The independent front suspension used coil springs, while the back axle was suspended using a traditional semi-elliptical set-up. The chassis was “underslung” at the rear with the main chassis members passing below the rear axle. In mid-1950 the restricted ground clearance was improved by the adoption of a conventional hypoid bevel drive to the rear axle replacing the traditional Daimler underslung worm drive which had hampered sales outside Britain. Although offered originally as a chassis only model, post-war the most common version was a four-door saloon which Daimler themselves produced. The interior was fitted out with traditional “good taste” using mat leather and polished wood fillets. By the early 1950s, this coachwork was beginning to look unfashionably upright and “severe yet dignified”. In 1939, Winston Churchill commissioned Carlton Carriage Co to build a drophead coupe on a DB18 chassis, chassis No.49531. He used it during election campaigns in the later 1940s. Approximately 1,000 DB18s and 25 DB18 Special Sports were produced to 1940. In addition 3,355 DB18s, 608 DB18 Sports Specials and 4,250 DB18 Consorts were built in the post-war years.

The SP250 “Dart” was quite unlike any previous Daimler model, the marque having a history of producing a series of luxurious saloon and open topped models. But by the mid 1950s, the once proud Coventry marque was in trouble, with a range of cars which were expensive and just not selling. New models were seen as a potential way of changing things around, so shortly after being appointed Managing Director of BSA’s Automotive Division in 1956, Edward Turner was asked to design a saloon car powered by a new V8 engine. The engine drawings were finalised by March 1958 but the saloon prototype, project number DN250, was not available for examination by the committee formed in 1958 to report on the feasibility of the V8 cars. The committee’s evaluation centred on the prototypes being tested at the time, which were for the SP250 sports car project. according to the feasibility study conducted by the committee, the SP250 would generate a profit of more than £700,000 based on a projection of 1,500 cars being sold in the first year of production and 3,000 cars per year for the second and third years of production. Two-thirds of the sales of the car were expected to be in the United States.  The study also determined that the body should be made from fibreglass, with shorter time to the beginning of production, tooling costs of £16,000 as opposed to £120,000 for steel bodies, and lower cost to change the styling. That meant that the car was able to be launched at the 1959 New York Show, christened the Daimler Dart. Chrysler, whose Dodge division owned the trademark for the “Dart” model name, ordered Daimler to change the name under threat of legal action. With little time to come up with a new name, Daimler used the project number, SP250, as the model number. The car certainly looked quite unlike previous Daimlers, but whether that was a good thing is less clear as the SP250 won “The Ugliest Car” via vote at that 1959 show. That was not the only problem with the car, either. The original version, later called the A-spec, could reach a speed of 120 mph, but the chassis, a “14-gauge ladder frame with cruciform bracing” based on the Triumph TR3, flexed so much that doors occasionally came open, marring its reputation. The car featured the smaller of the two hemi-head V8 engines which Edward Turner had designed. 2547cc in capacity, it was a V8, iron block, OHV unit, with a single central camshaft operated valves through short pushrods with double heavy-duty valve springs, aluminium alloy hemispherical cylinder heads, and twin SU carburettors which meant it put out 140 bhp.The manual gearbox, the first of the type used by Daimler since they started using the pre-selector type across their range in the 1930s,, was reverse-engineered from the Standard gearbox used in the Triumph TR3A. Early examples of the car were not particularly reliable.  Sales were slow, initially, and Daimlers problems were compounded when, not long after they had been acquired by Jaguar, an in-house rival in the form of the E Type arrived on the scene. New bosses at Jaguar did not kill off the SP250, though, but they were immediately concerned about the chassis flex. They brought out the B-spec. version with extra outriggers on the chassis and a strengthening hoop between the A-posts. There were also other detail improvements, including an adjustable steering column. Bumpers had originally been an optional extra. With the basic specification not including full bumpers, the A-spec. cars have two short, chromium-plated ‘whiskers’ on the body on either side of the front grille and two short, vertical bumpers, or “overriders” at the rear, which were not included if the rear bumper was optioned. B-spec. and the later C-spec. cars do not have the ‘whiskers’ that A-spec. have and some do not have the optional front bumper, so there is very little front protection for these cars. A planned Coupe version of the car, the DP250 never got beyond the prototype phase, and Ogle Design’s proposal for a Coupe version was not taken up, the styling for that concept ending up forming the Reliant Scimitar GT. The SP250 ended production in 1964. Just  2,654 SP250s were produced in five years of production, far short of the projection of 3,000 per year by the second year of production. Jaguar did built a prototype replacement under project number SP252 with a neater body style but decided not to proceed with production, as they figured that the cost to build the SP252 would have been greater than that of Jaguar’s popular and more expensive E-Type, thereby creating internal competition from a product with no practical profit margin and with uncertain market acceptance. These days, surviving SP250s are viewed rather more positively than they were when new, and a certain Quentin Willson.

Launched late in 1962, the Daimler V8 Saloon was essentially a rebadged Jaguar Mark 2 fitted with Daimler’s 2.5-litre 142 bhp V8 engine and drive-train, a Daimler fluted grille and rear number plate surround, distinctive wheel trims, badges, and interior details including a split-bench front seat from the Jaguar Mark 1 and a black enamel steering wheel. Special interior and exterior colours were specified. Most cars were fitted with power-assisted steering but it was optional. Automatic transmission was standard; manual, with or without overdrive, became an option in 1967. The 2.5 V8 was the first Jaguar designed car to have the Daimler badge. A casual observer, though not its driver, might mistake it for a Jaguar Mark 2. The Daimler’s stance on the road was noticeably different from a Mark 2. In April 1964 the Borg-Warner Type 35 automatic transmission was replaced by a D1/D2 type, also by Borg-Warner. A manual transmission, with or without an overdrive unit usable with the top gear, became available on British 2.5 V8 saloon in February 1967 and on export versions the following month. Cars optioned with the overdrive had the original 4.55:1 final drive ratio. In October 1967, there was a minor face-lift and re-labelling of the car to V8-250. It differed only in relatively small details: “slimline” bumpers and over-riders (shared with the Jaguar 240/340 relabelled at the same time), negative-earth electrical system, an alternator instead of a dynamo and twin air cleaners, one for each carburettor. Other new features included padding over the instrument panel, padded door cappings and ventilated leather upholstery, reclinable split-bench front seats and a heated rear window. Power steering and overdrive were optional extras. Jaguar replaced its range of saloons—the 240, the 340, the 420, and the 420G—with the XJ6 at the end of 1968. The company launched the XJ6-based Daimler Sovereign the following year to replace the Daimler saloons—the 240-based V8-250 and the 420-based Sovereign. Henceforth all new Daimlers would be re-badged Jaguars with no engineering links to the pre-1960 Daimlers.

DODGE

The A100 is a range of compact vans and trucks manufactured and marketed from 1964 to 1970 by Chrysler Corporation under the Dodge marque in the United States and the Fargo marque in Canada. The A100 competed with the Ford Econoline and Chevrolet Van and Chevy Corvair Greenbrier, as well as the Volkswagen Type 2. The range included a pickup truck and van, both with a “forward control” design. Placing the driver on top of the front axle with the engine between the front seats, just behind the front wheels makes it a “cab over” vehicle. The unibody vehicles used a short 90 in (2,286 mm) wheelbase. An A108 was also available from 1967 to 1970, with a longer 108 in (2,743 mm) wheelbase. The A108 was popular with camper conversion companies. A substantially modified, Hemi-powered A100 wheelstanding exhibition pickup called the “Little Red Wagon” driven by Bill “Maverick” Golden was a popular drag strip attraction from the 1960s to the early 2000s.

Representing the “muscle car” era of the late 1960s and early 1970s, was this Charger R/T. The Charger had first been seen in mid 1966, as Dodge’s answer to the Rambler Marlin and Ford Mustang. Based on the Coronet, there was huge demand for personal two door sporty cars like this, and sales were strong. That led to Dodge introducing a new version in 1968, when the entire B-body lineup in the range was redesigned. The Charger moved further away from the Coronet models thanks to its new styling, which featured a double-diamond coke bottle profile with curves around the front bumpers and rear quarter panels. The rear end featured a “kick up” spoiler appearance, inspired by Group 7 racing vehicles. On the roof, a “flying buttress” was added to give the rear window area a look similar to that of the 1966-67 Pontiac GTO. The Charger retained its full-width hidden headlight grille, but a vacuum operated cover replaced the electric motor rotating headlights. The previous full-width taillights were replaced with dual circular units at the direction of Styling Vice President, Elwood P. Engel. Dual scallops were added to the doors and hood. Inside, the interior was new with a conventional fixed rear seat replacing the folding bucket seat design. The conventional boot area included a vinyl mat, rather than the previous model’s carpeted cargo area. The centre console in the front remained, but there was no centre armrest. The tachometer was now optional instead of standard and the electroluminescent gauges disappeared in favour of a conventional design. The standard engine was the 318 cu in, 5.2 litre 2-bbl V8, until it was replaced in mid-year with a 225 cu in 3.7 litre slant-six. The 383-2 and 383-4 remained unchanged. A new high-performance package was added, the R/T (“Road/Track” with no ‘and’ between Road and Track). The R/T came standard with the previous year’s 440 “Magnum” and the 426 Hemi was optional. In 1968, the Chrysler Corporation began an ad campaign featuring a cartoon bee with an engine on its back featuring models called the “Scat Pack”. The Coronet R/T, Super Bee, Dart GTS, and Charger R/T received bumble-bee stripes (two thin stripes framing two thick stripes). The stripes were standard on the R/Ts and came in red, white, or black, but could be deleted at no extra cost. The 1968 model year Charger sales increased to 96,100, including over 17,000 Charger R/Ts. The car was little changed for model years 1969 and 1970 before an all new third generation car premiered for 1971.

A redesign of the D series for the 1972 model year introduced a more rounded look. This redesign, which lasted until 1980 with minor changes, included new features such as an independent front suspension and pocketed taillights (the distinctive reverse-on-top lights were recessed to .25 in (6.4 mm) to avoid damage in loading docks and confined spaces). Styling cues, such as the scalloped hood and rounded fenderwells, were similar to the rounded, smooth look of the 1971 Plymouth Satellite. These trucks were built with a considerable amount of galvanized steel to resist rust and corrosion, making them very durable. Dodge pioneered the extended-cab pickup with the introduction of the Club Cab with the 1973 models. Available with either a 6.5 ft (2.0 m) or 8 ft (2.4 m) Sweptline bed, the Club Cab was a two-door cab with small rear windows which had more space behind the seats than the standard cab, but was not as long as the four-door crew cab. Inward-facing jump seats were available, providing room for five passengers. 1974 saw the introduction of the 440 cu in engine as an option for the light trucks, as well as a “Dyna-Trac” dual-rear-wheel option on D300 pickups with a 10,000 lb (4,500 kg) GVWR. The 1972 D series was made famous in the television show Emergency!, where a D300 chassis cab was the featured paramedic rescue squad vehicle for all seven seasons. Notable models produced during this era were the 1978–1979 Li’l Red Express, the Warlock, the Macho Power Wagon, the Macho Power Wagon Top Hand, Macho Power Wagon Palomino, and the Adventurer. The Warlock, as part of Dodge’s “adult toys” line from the late 1970s, is a short wheelbase truck produced in limited production in 1976 and regular production from 1977 to 1979. Warlocks came in black, red, green, and blue; however, other colours could be special-ordered. Its main draw was being a factory customized truck, also known as a “trick truck”, and was designed to appeal to young 4×4 buyers. The Warlock featured custom gold wheels, wide tyres, bucket seats, and a Utiline bed with oak racks. Optional equipment included five-spoke wheels, bucket seats, tinted glass, chrome rear bumper, and power steering. All had black interiors, with gold accents on the dash and the doors, and a “tuff” steering wheel. The exterior was accented by gold pin striping around the wheel wells and the body lines. The pin striping continued inside onto the doors, dashboard, and instrument panel. On the 1976 Model, Dodge was printed in gold on the tailgate, while Warlock was printed in gold on the tailgate through 1978; the 1979 model instead had “Warlock II” printed. The colours of the Dodge Macho Power Wagon Palomino were the same as a Palomino horse (all Li’l Red Express trucks were Adventurers, but not vice versa). The Li’l Red Express was not available for sale in California, Florida, Maryland, Oregon, or Washington state, and did not meet special noise standards in certain locations. Because of this, the Midnite Express was born. The Midnite Express was not a factory option like the Li’l Red Express; it was a dealer installed package. Dealers that could not sell the Li’l Red Express used high-optioned Warlocks, repainted them metallic black, and ordered all of the Li’l Red Express parts through their parts department. The Midnite Express was available for the 1978 model year only. This truck was equipped much like the Li’l Red Express with exhaust stacks, wheels, and gold pinstriping. The Midnite Express was painted black instead of red and featured a “Midnite Express Truck” decal on the door. Most Midnite Express trucks were powered by the 440 engine, instead of the 360 like the Li’l Red Express. All of these trucks were considered “lifestyle” pickups and were marketed to an audience that wanted specialty, personal-use trucks. The 1978 models also saw the introduction of the first diesel-powered Dodge pickup truck. Available as an economy choice in light-duty trucks and B-series vans was Mitsubishi’s 6DR5 4.0 L inline six-cylinder naturally-aspirated diesel, rated at 105 hp at 3500 rpm, and ~230 N·m (~169 lb·ft) at 2200 rpm. The diesel used standard Dodge manual and automatic transmissions via a custom adapter plate which had the LA V8 bolt pattern. This rare factory option, VIN code H, was the result of the 1973 oil crisis and the collaboration of Chrysler and Mitsubishi. The engine, while being trustworthy and having far better economy than any other engine in the Dodge lineup at the time, suffered from low power output and was considered to be underpowered by American standards, despite having been previously used in the Japanese 3.5-ton cab-over Mitsubishi T44 Jupiter Truck and in industrial applications. Because of the low sales, it was phased out quickly, and as a result, it became practically a single-year specialty. Thousands of D-series trucks entered military service as the M880 series CUCV. This final generation received a facelift in October 1980 when the D series was rebadged as the Dodge Ram pickup around when Lee Iacocca took charge of the ailing Chrysler Corporation. Such things including an embossed “DODGE RAM” name on the tailgate along with other obvious changes like the grille and hood, the taillights, and the entire interior. More subtle was the addition of a “shoulder” line reminiscent of the GM competition. Beginning in 1982, even more corrosion-resistant steel was used in the construction of the trucks. This body style continued until 1993 and many of these vehicles are still on the road. Many body panels are interchangeable for all models from 1971 to 1993, so it is not uncommon to see a “hybrid” with, as an example, a 1978 grille mounted with a 1974 hood and a 1991 cab. Sometimes the bed is swapped with a moving truck style box for models like these. In most jurisdictions, the year is dictated by the year of the truck’s chassis regardless of the body which has been bolted to it. Also kept was the narrow Utiline bed that dated back to the 1940s; this was dropped in 1985. Throttle-body injection was introduced in 1988. A narrower range of engines was offered: the base power plant was the 225 cu in (3.7 L) slant-6, now with top-fed hydraulic tappets, and the 318 cu in (5.2 L) and 360 cu in (5.9 L) LA-series V8s. The slant-6 was supplanted by the 3.9 L (237 cu in) V6 for 1988; in 1992 it and the V8s became Magnum engines. The 6BT 5.9 L (360 cu in) 12-Valve Cummins B-series diesel engine became an option in 1989. Sales were good during the Sweptline era and into the late 1970s. A combination of stagnant styling that was nearly two decades old plus brand loyalty primarily to Chevrolet and Ford during the 1980s and 1990s reduced sales volume for the first-generation Dodge Ram. A wholly new Dodge Ram was released for the 1994 model year.

The retro- inspired Challenger has been on sale in the US for well over a decade now, but has never been available in the UK as a brand new car, its maker fearing that the combination of size and the availability of tax-unfavourable petrol engines would make sales appeal quite small. A few have been imported privately, though, so you do see them here from time to time.

ERF

FAIRTHORPE

Fairthorpe cars were made in Chalfont St Peter, Buckinghamshire, England between 1954 and 1961, from 1961 to 1973 in Denham, Buckinghamshire. The first cars were lightweight two-seat models powered by motorcycle engines and with glassfibre bodies. The 1954 Atom was powered by a rear-mounted, two-stroke, air-cooled motor cycle engine driving the rear wheels through a three-speed Albion motor cycle gearbox and chain to the back axle. A choice of 250 cc or 350 cc BSA single cylinder and 322 cc Anzani twin-cylinder engines was offered. The body was mounted on a backbone chassis and had all independent suspension by coil springs and hydraulic brakes. 44 were made. The Atomota replaced the Atom in 1957 and was a complete re-design with front-mounted engine and new chassis. The engine was a twin cylinder, 646 cc BSA overhead-valve unit from the BSA Golden Flash model. It was coupled to a Standard 10 gearbox and drove the rear wheels via a propeller shaft and hypoid bevel gear. The suspension used coil springs all round with trailing wishbones at the rear. The number made is uncertain and the last car seems to have been made in 1960. In 1956 a new larger car, the open 2-seat Electron appeared using a 1098 cc overhead-cam Coventry Climax engine. The front suspension was independent using coil springs and drum brakes were used all round. The engine was expensive for the company to buy resulting in a high price of £1050 (complete) or £734 (kit); only around 20-30 are thought to have been made. A reduced price version the Electron Minor followed in 1957 using the Standard SC engine, transmission and rear axle from the Standard Ten. In 1963 the car received a larger version of the SC engine from the Triumph Spitfire and front disc brakes came from the same source in 1966. A hardtop was available as an option. With various specification changes the cars went from a Mark I to a Mark VI which had a Triumph GT6 chassis. It was the mainstay of production until 1973 with about 700 being built. There was also a closed 2+2 version with Triumph Herald mechanicals called the Electrina but only about 20 were produced. The cars were available fully assembled or in kit form. Production peaked at about 20 cars a month. The Zeta was introduced in 1959, powered by a modified six-cylinder Ford Zephyr engine of 2553 cc. It was offered in a choice of three stages of tune, with up to six carburettors and a BRM cylinder head, priced at £1,198, £1,281 and £1,407 respectively; the basic kit was available for £740. Very few, probably five, were made. A new version of the Zeta, the Rockette, was introduced in 1962. Sporting a slightly modified glass-fibre body shell and using a Triumph Vitesse 1600 cc engine and Triumph independent front suspension. It was priced at £997, or £625 in kit form. Approximately 25 were made up to 1967.

FERRARI

The 308 GTB came first and was launched at the Paris Motor Show in 1975 as a direct replacement for the Dino 246. Designed by Pininfarina with sweeping curves and aggressive lines, the 308 has gone on to become one of the most recognised Ferraris of all time. Fitted with a 2.9 litre DOHC V8 engine fed by four Webber 40DCNF Carburettors, the power output of 255bhp was sufficient to propel the 308 from 0 to 60mph in 6.5 seconds and on to a top speed of 159 mph. Tougher emissions standards in the 1980s challenged Ferrari more than many other marques. In 1980, fuel injection was adopted for the first time on the 308 GTB and GTS models, and power dropped quite noticeably fro 240 bhp to 214bhp. Two years later, at the 1982 Paris Motor Show, Ferrari launched the 308 quattrovalvole, in GTB and GTS form. The main change from the 308 GTBi/GTSi it succeeded were the 4-valves per cylinder—hence its name, which pushed output back up to 240 hp restoring some of the performance lost to the emission control equipment. The new model could be recognised by the addition of a slim louvred panel in the front lid to aid radiator exhaust air exit, power operated mirrors carrying a small enamel Ferrari badge, a redesigned radiator grille with rectangular driving lights on each side, and rectangular (in place of round) side repeaters. The interior also received some minor updates, such as a satin black three spoke steering wheel with triangular centre; cloth seat centres became available as an option to the standard full leather. Available included metallic paint, a deep front spoiler, air conditioning, wider wheels, 16-inch Speedline wheels with Pirelli P7 tyres, and a satin black roof aerofoil (standard on Japanese market models). Apart from the 32-valve cylinder heads, the V8 engine was essentially of the same design as that used in the 308 GTSi model. The gear and final drive ratios were altered to suit the revised characteristics of the four valves per cylinder engine. One other significant benefit of the QV four valve heads was the replacement of the non-QV models sodium valves which have been known to fail at the joint between the head and the stem. Bosch K-Jetronic fuel injection and Marelli Digiplex electronic ignition were carried over from the GTBi/GTSi. The car was produced in this form until the launch of the 328 models in the autumn of 1985 which had larger 3.2 litre engines and a number of styling changes. 308 GTB models are becoming increasingly sought after, with prices rising steadily and quite steeply.

FIAT

Known as project 110, the brief for the Nuova 500 was to create a micro-car that would not only carry on the tradition of the earlier Topolino, but which would also take sales away from the ever popular Lambretta and Vespa scooters of the day. It clearly needed to be smaller than the 600 which had been released with a conventional 4 cylinder engine. Not an easy task, but development started in 1953 and by August 1954, two designs were ready to be shown to Fiat management. They selected one, and serious development began. At first the car was referred to as the 400, as it was going to have a 400cc engine, but it was soon realised that this was just too small, so a larger 500cc air-cooled engine was developed. It was signed off in January 1956, with production starting in March 1957 in advance of a June launch. Fiat’s marketing department got busy, with hundreds of the new car taking to the streets of Turin, each with a pretty girl standing through the open sunroof that was a feature of all the early cars. The press loved it. 50 units were shipped to Britain, where the car made its debut at Brands Hatch, and again the reception was enthusiastic. But the orders just did not come in. Fiat went for a hasty rethink, relaunching the car at the Turin Show later that year. power was increased from 13 to 15 bhp, and the poverty spec was lessened a little, with headlight bezels, brightwork on the side and chrrome hubcaps, a Nuova500 badge on the engine cover, winding side windows (the launch cars just had opening quarterlights) and the option of a heater fan. It was enough to get sales moving. The original car was still offered, at a lower price, called the Economy. In the first year of production, 28,452 Fiat 500s were made. Over the next 19 years, the car changed little in overall appearance, but there were a number of updates with more power and equipment added. A 500 Sport was launched in August 1958, with a more powerful version of the 499cc engine. It lost the soft top, having a ridged steel roof, to increase strength of the body. It was only available in grey with a red side flash. The first major changes came in 1960 with the 500D. This looks very similar to the Nuova, but with two key differences. One is the engine size: the D features an uprated 499 cc engine producing 17 bhp as standard, an engine which would be used right through until the end of the L in 1973; and the other is the roof: the standard D roof does not fold back as far as the roof on the Nuova, though it was also available as the “Transformable” with the same roof as the Nuova. The D still featured “suicide doors”. There were larger rear light clusters, more space in the front boot thanks to a redesign of the fuel tank and new indicators under the headlights. A year later, Fiat added a light on the rear-view mirrors and a windscreen washer, but the car still lacked a fuel gauge. Sales increased from 20,900 in 1960 to 87.000 in 1961, 132,000 in 1962 and by 1964, the last year of production, they hit 194,000 units. The D was replaced in 1965 by the 500F, which finally moved the door hinges from back to the front, owing to changes in Italian safety laws. There was a deeper windscreen and thinner door pillars, which increased the height of the car by 10mm, improving visibility for the driver. The 500F ran through to 1975, from 1968 alongside the more luxurious 500L which was added to the range in 1968. The L is easy to tell apart, with its bumper overriders. The final updates created the 500R, which incorporated many changes from the 126 under the skin of the classic shape, and in this form production continued alongside the newer 126 until 1976

The first 124 Spider made its debut at the Turin Show in 1966, and continued in production until the mid 1980s, bearing its desginer, Pininfarina’s badges in later years when it remained popular in the American market. Early cars had 1400 and 1600cc engines, and these were gradually enlarged first 1800cc and then 2 litre, with fuel injection being added for more power and emissions compliance during the 1970s. Fiat spotted the potential of the car for more than just boulevard cruising, though, so in November 1972 they announced the Fiat Abarth 124 Rally, an overtly sporting version. Its main purpose was to receive FIA homologation in the special grand touring cars (Group 4) racing class, and replace the 1.6-litre Fiat Sport Spider rally car which had been campaigned. At the time, the 124 had already won the 1972 European Rally Championship at the hands of Raffaele Pinto and Gino Macaluso. The 124 Rally was added to the Sport Spider range, which included the 1600 and 1800 models; the first 500 examples produced were earmarked for the domestic Italian market. Amongst the most notable modifications over the standard spider there were independent rear suspension, engine upgrades, lightweight body panels, and a fixed hard top. In place of the usual rear solid axle, there was a Chapman-type McPherson strut independent suspension, supplemented by a longitudinal torque arm. At the front a radius rod on each side was added to the standard double wishbones. The Abarth-tuned type 132 AC 4.000 1.8-litre, twin-cam engine was brought from the standard 118 to 128 PS DIN by replacing the standard twin-choke carburettor with double vertical twin-choke Weber 44 IDF ones, and by fitting an Abarth exhaust with a dual exit exhaust The 9.8:1 compression ratio was left unchanged. The transmission was the all-synchronised 5-speed optional on the other Sport Spider models, and brakes were discs on all four corners. Despite the 20 kg (44 lb) 4-point roll bar fitted, kerb weight was 938 kg (2,068 lb), roughly 25 kg (55 lb) less than the regular 1.8-litre Sport Spider. The bonnet, boot lid and the fixed hard top were fibreglass, painted matt black, the rear window was perspex and the doors aluminium. Front and rear bumpers were deleted and replaced by simple rubber bumperettes. A single matte black wing mirror was fitted. Matte black wheel arch extensions housed 185/70 VR 13 Pirelli CN 36 tyres on 5.5 J × 13″ 4-spoke alloy wheels. Inside, the centre console, rear occasional seats, and glovebox lid were eliminated; while new features were anodised aluminium dashboard trim, a small three-spoke leather-covered Abarth steering wheel, and Recaro corduroy-and-leather bucket seats as an extra-cost option. The car carried Fiat badging front and rear, Abarth badges and “Fiat Abarth” scripts on the front wings, and Abarth wheel centre caps. Only three paint colours were available: Corsa red, white, and light blue.  Seen here was an early AS series car.

Developed as the Tipo 175, the Coupe was introduced at the Brussels Motor Show in 1993. It is perhaps best remembered for its distinctive, angular design, with unique scalloped side panels. The body was designed by Chris Bangle from Centro Stile Fiat, while the interior was designed by Pininfarina, and the car media headlines in auto magazines during 1992 after several spy shots were taken revealing the car on test. On its launch in 1993, the Coupé was available with a four-cylinder, 2.0 litre 16V engine, in both turbo (190 PS) and normally aspirated (139 PS) versions. Both engines were later versions of Fiat’s twin-cam design and inherited from the Lancia Delta Integrale. 1996 brought in a 1.8 lire 131 PS 16V engine (not available in the UK), along with a 2.0-litre 5-cylinder 20V (147 PS), and a 5-cylinder 2.0-litre 20V turbo (220 PS). The turbocharged 16 and 20 valve versions were equipped with a very efficient Viscodrive limited-slip differential to counter the understeer that plagues most powerful front wheel drive cars. Additionally, the coupe featured independent suspension all round: at the front MacPherson struts and lower wishbones anchored to an auxiliary crossbeam, offset coil springs and anti-roll bar; at the rear, trailing arms mounted on an auxiliary subframe, coil springs and an anti-roll bar. The car was well received at launch, and the 5 cylinder engines just made it even better, with sales increasing slightly for a couple of years, but then they started to drop off, as Coupe models in general fell from favour. 1998 saw the release of the Limited Edition which featured red Brembo brake calipers at the front and standard red calipers at the back, a body kit, push-button start, six-speed gearbox, strut brace to make the chassis more rigid and Recaro seats with red leather inserts which offered better support than the standard 20VT seats. The LE was produced in Black, Red, Vinci Grey (metallic), Crono Grey and Steel Grey (metallic). The bodywork of the LE also benefited from titanium coloured insert around the light bezels and the wing mirrors. Each Limited Edition (‘LE’) Coupé was manufactured with a badge located by the rear-view mirror which contained that car’s unique number (it is rumored that Michael Schumacher was the original owner of LE No. 0001, however when the question was raised to him personally he confirmed he had owned one, but a red one, while LE No. 0001 is a Crono Grey one). Originally a spokesman from Fiat stated only approximately 300 Limited Editions would be built. The final number  was much higher, perhaps as many as 1400. This angered many of the owners of the original 300 cars and almost certainly impacted residual values. The original number however was quoted by a Fiat UK spokesman, so probably that number only applied to the UK market. The numbered plaque on every Coupe features enough space for 4 numbers. In 1998 the 2.0-litre 5-cylinder 20V got a Variable Inlet System which brought the power to 154 PS. The 2.0-litre 5-cylinder 20V Turbo received a 6-speed gearbox and a large, satin gloss push starter button. In addition, the sills of the Turbo version were colour matched with the body paintwork. Fiat also released the 2.0 litre  5 cylinder Turbo ‘Plus’. This model came with an option kit that made it virtually identical to the LE, except for minor interior design changes and without the unique identification badge of the LE. In 2000 Fiat released another special version of the Fiat Coupé. Featuring the 1.8-litre engine, it was only available throughout mainland Europe and marketed as an elegant and affordable edition. Fiat also made changes throughout the rest of the range: new seats, side skirts and wheels for the 2.0-litre 20V model, ‘Plus’ edition wheels on turbo models and Fiat manufactured seats on the ‘Plus’ that were virtually identical to the original Plus Recaro seats with the addition of extra airbags. The 2.0-litre 20V Turbo model is capable of accelerating from 0–100 km/h (0 to 62 mph) in 6.5 seconds and 6.3 seconds for the 20v Turbo Plus, with a top speed of 240 km/h (149 mph) or 250 km/h (155 mph) with later 6-speed gearbox. When production finally stopped in September 2000, a total number of 72,762 units had been produced. There are still well over 1000 units in the UK, so this is a Fiat which has proved durable as well as good to drive, and to look at.

FORD

Ford replaced their large cars in 1956, with new models using the same names as their predecessors, Consul, Zephyr and Zodiac. The styling was all new and with a decidedly American theme to it. As before, the Consul had a 4 cylinder engine, now of 1700cc capacity and the Zephyr and Zodiac had in-line 6 cylinder units These were enlarged to 2,553 cc with power output correspondingly raised to 86 bhp The wheelbase was increased by 3 inches to 107 inches and the width increased to 69 inches. The weight distribution and turning circle were also improved. Top speed increased to 88 mph and the fuel consumption was also improved at 28 mpg. Following a styling revision in 1959, the models are now referred to as “Highline” or  “Lowline”, depending on the year of manufacture — the difference being 1.75 in being cut from the height of the roof panel. The “Highline” variant, the earlier car,  featured a hemispherical instrument cluster, whereas the “Lowline” had a more rectangular panel. A two-door convertible version was offered with power-operated hood. Because of the structural weaknesses inherent in the construction of convertibles, few convertibles are known to survive, and these are particularly highly prized these days.

Well known now, thanks to a starring role in the Harry Potter films is the Anglia 105E, a model that Ford launched in October 1959.  It was a basic car, even in the better selling De Luxe version, so it was not surprising that Ford introduced a more powerful and luxurious model from 1962, the 123E Anglia Super. It had a larger 1198 cc engine and other refinements. Towards the end of the run Ford experimented with two colours of metallic paint on the Anglia, “Blue Mink” and “Venetian Gold”. 250 were made in the Blue and 500 were made in the Gold. Anglia saloons were provided with various levels of trim. The base model was the Standard, and this sported no chromework, painted rear light surrounds, steel slatted grille and limited interior trim. The deluxe had a chrome side strip, chrome rear lights, glovebox lid, sun visor and full width chrome radiator grille while the top of the range, also seen here, was the Super, which had twin chrome side strips, contrasting coloured roof and side flash, plusher interior trim, together with the 1198 cc engine and a gearbox with synchromesh on first gear.  Production concluded at the end of 1967 when the car was replaced by the Escort.

The Consul Capri was a two-door coupé version of the Classic saloon. The Capri Project was code named “Sunbird” and took design elements from the Ford Thunderbird and the Ford Galaxie Sunliner. It was instigated by Sir Horace Denne, Ford’s Sales Export Director. He wanted a “co-respondent’s” car to add glamour to the product line. It was designed by Charles Thompson who worked under Colin Neale and had sweeping lines, a large boot space and a pillarless coupé roof. On its September 1961 announcement, the Consul Capri was available for export only, but went on sale to the domestic British market in January 1962. The bodies were sub-assembled by Pressed Steel Company, with only final assembly of the drivetrain taking place at Dagenham and from February 1963 at Halewood. It was intended as part of the Ford Classic range of cars but the body was complex and expensive to produce. With new production methods, time demands from Dearborn and a need to match opposition manufacturers in price, the Ford Classic and Consul Capri were almost doomed from the start. The Consul Capri was fitted with a variety of Ford Classic De-Luxe features, including four headlights, variable speed wipers, 9.5 in (241 mm) front disc brakes, dimming dashboard lights and a cigar lighter. The four-speed transmission was available with either a column or floor change. It was proclaimed as “The First Personal car from Ford of Great Britain”. Initially fitted with a 1340 cc three-main-bearing engine (model 109E), the early cars were considered underpowered and suffered from premature crankshaft failure. Engine capacity was increased in August 1962 to 1498 cc (model 116E) and this engine with its new five-bearing crankshaft was an improvement. The first 200 Capris were left-hand-drive cars for export including Europe and North America. In Germany, at the 1961 Frankfurt Auto show, Ford sold 88 Capris. In February 1963 a GT version (also 116E) was announced. The new GT engine, developed by Cosworth, featured a raised compression ratio to 9:1, a modified head with larger exhaust valves, an aluminium inlet manifold, a four branch exhaust manifold and, most noticeably, a twin-choke Weber carburettor – this being the first use of this make on a British production car. The same engine was announced for use in the Ford Cortina in April 1963. The Consul Capri was the first Ford to use “GT” as a model derivative worldwide. Overall the car was very expensive to produce and in the latter part of its production was running alongside the very popular Ford Cortina. Sales were disappointing and the Consul Capri was removed from sale after two and a half years with 19,421 sold, of which 2002 were GT models. 1007 cars were sold in 1964, the last year of production, 412 of them being GTs. The Consul Capri was discontinued in July 1964. The Consul Capri (335) is one of the rarest cars from Ford of Great Britain.

In early 1962 Ford replaced the existing Consul/Zephyr/ Zodiac range with a dramatically restyled model although the new cars did share some of the mechanical components, as well as the basic chassis design, with the Mark II models. At the bottom of the range, the Consul name disappeared, to be replaced by Zephyr 4. Once again, the range was topped by the Zodiac, which  was an upmarket version of the Zephyr 6, but differed considerably from that model with its limousine-type rear doors, sharper roofline with a much narrower C-pillar, a revised rear end, a unique grille with four headlights instead of two, exclusive bumper bars, plusher seating, and up-market upholstery, dashboard and interior fittings. A choice of individual or bench front seat was available trimmed in leather or cloth. The front doors and bonnet panels were shared with the Zephyr 6. The Executive version had extra luxury fittings again. The 2553 cc single-carburettor six-cylinder engine was improved internally to increase the power output to 109 bhp and a new four-speed all synchromesh transmission with column change was fitted. The brakes, servo assisted, use discs at the front and drum at the rear. On test with The Motor magazine in 1962, the Zodiac Mark 3  had a top speed of 100.7 mph and could accelerate from 0-60 mph in 13.4 seconds and it delivered a touring fuel consumption of 22.6 mpg. The test car cost £1070 including taxes on the UK market. Mark 3 models were produced for 4 years before being replaced by the Mark IV in January 1966.

There was a Mark IV here, too. In 1961, Ford began a complete redesign on the Zephyr, under the title of “Project Panda”. As the car used the new V-series engines, the then traditional long bonnet concept created a problem until design engineer Harley Copp required that the car was both larger and had more internal space, and came up with the idea of placing the spare wheel ahead of the radiator on an angle. The result was a vehicle of similar dimensions to the North American Ford Fairlane. The Mk IV range was launched, not at an October motorshow, but in early 1966 with new V-format engines, the 4 having a 1,996 cc V4 and the 6 a 2,495 cc V6 unit. The independent suspension was aided by servo-assisted disc brakes on all wheels. Criticism of the handling of early examples in the UK led to the fitting as standard of radial-ply tyres on the larger-engined version in place of the more conventional (in the UK at that time) cross-ply tyres with which all versions were shod at the 1966 launch, and the retro-fitting of radial-ply tyres to early examples addressed the tendency of the rear wheels to slide uncontrollably in wet weather, justifying in the process Ford’s investment in a new and relatively sophisticated rear suspension arrangement for the Mark IVs. Even after that a contemporary nevertheless opined that the ride involved a certain amount of ‘float’, and reported that the nose-heavy handling called for a ‘strong driver’, a problem which the more expensive Zodiac and Executive versions mitigated through the fitting as a standard feature of power assisted steering. Cost constraints precluded adding power assisted steering for the Zephyr, but during its production run the steering ratio was lowered which reduced the strength needed to change direction by increasing the number of turns between locks from 5.5 to an even higher 6.4. Another production modification for the 4-cylinder Zephyr involved redesigning the valve gear in order to eliminate the need on the early Mk IVs for frequent tappet adjustments. The size of the bonnet was emphasised by square cut styling of the wings. A practical use was found for some of the extra space in front of the driver: the spare wheel was stored, ahead of the engine, under the bonnet, freeing up space at the other end of the car for more luggage. Although large, the car, at least in its Zephyr form, was not particularly luxurious. Individual front seats were available at extra cost, but the standard front bench-seat was described by one commentator who ran the car on a long-term test as being intended for people no taller than 5 ft 8 in who have the right leg 3 inches shorter than the left. An estate version of the Zephyr Mark IV was announced just in time for the London Motor Show in October 1966, though deliveries commenced only in January 1967. As with the earlier Zephyrs, volumes did not justify tooling up for estate production at the Dagenham plant, and the cars were instead built by E.D. Abbott Ltd of Farnham, based on part finished saloons received from Ford. The Mark IV Zephyr estates (like their more expensive Zodiac siblings) came with black vinyl-covered roof, a fashionable distinguishing feature of upmarket vehicles at the time: retention unchanged of the saloon’s rear light clusters attracted criticism, however, because of the way it narrowed the rear hatch opening at floor level when compared to the arrangements on the cheaper Ford Cortina estates. Many Mark IVs met their end on the banger racing circuit and they are the least common of the four generations of the Zephyr/Zodiac these days.

The Mark I Ford Escort was introduced in the UK at the end of 1967, making its show debut at Brussels Motor Show in January 1968, replacing the successful, long-running Anglia. The car was presented in continental Europe as a product of Ford’s European operation. Escort production commenced at the Halewood plant in England during the closing months of 1967, and for left hand drive markets during September 1968 at the Ford plant in Genk. Initially the continental Escorts differed slightly from the UK built ones under the skin. The front suspension and steering gear were differently configured and the brakes were fitted with dual hydraulic circuits; also the wheels fitted on the Genk-built Escorts had wider rims. At the beginning of 1970, continental European production transferred to a new plant on the edge of Saarlouis, West Germany. The Escort was a commercial success in several parts of western Europe, but nowhere more than in the UK, where the national best seller of the 1960s, BMC’s Austin/Morris 1100 was beginning to show its age while Ford’s own Cortina had grown, both in dimensions and in price, beyond the market niche at which it had originally been pitched. In June 1974, six years into the car’s UK introduction, Ford announced the completion of the two millionth Ford Escort, a milestone hitherto unmatched by any Ford model outside the US. It was also stated that 60% of the two million Escorts had been built in Britain. In West Germany cars were built at a slower rate of around 150,000 cars per year, slumping to 78,604 in 1974 which was the last year for the Escort Mark I. Many of the German built Escorts were exported, notably to Benelux and Italy; from the West German domestic market perspective the car was cramped and uncomfortable when compared with the well-established and comparably priced Opel Kadett, and it was technically primitive when set against the successful imported Fiat 128 and Renault 12. Subsequent generations of the Escort made up some of the ground foregone by the original model, but in Europe’s largest auto-market the Escort sales volumes always came in well behind those of the General Motors Kadett and its Astra successor. The Escort had conventional rear-wheel drive and a four-speed manual gearbox, or three-speed automatic transmission. The suspension consisted of MacPherson strut front suspension and a simple live axle mounted on leaf springs. The Escort was the first small Ford to use rack-and-pinion steering. The Mark I featured contemporary styling cues in tune with its time: a subtle Detroit-inspired “Coke bottle” waistline and the “dogbone” shaped front grille – arguably the car’s main stylistic feature. Similar Coke bottle styling featured in the larger Cortina Mark III (also built in West Germany as the Taunus) launched in 1970. Initially, the Escort was sold as a two-door saloon (with circular front headlights and rubber flooring on the “De Luxe” model). The “Super” model featured rectangular headlights, carpets, a cigar lighter and a water temperature gauge. A two-door estate was introduced at the end of March 1968 which, with the back seat folded down, provided a 40% increase in maximum load space over the old Anglia 105E estate, according to the manufacturer. The estate featured the same engine options as the saloon, but it also included a larger, 7 1⁄2-inch-diameter clutch, stiffer rear springs and in most configurations slightly larger brake drums or discs than the saloon. A panel van appeared in April 1968 and the 4-door saloon (a bodystyle the Anglia was never available in for UK market) in 1969. Underneath the bonnet was the Kent Crossflow engine in 1.1 and 1.3 litre versions. A 940 cc engine was also available in some export markets such as Italy and France. This tiny engine remained popular in Italy, where it was carried over for the Escort Mark II, but in France it was discontinued during 1972. There was a 1300GT performance version, with a tuned 1.3 L Crossflow (OHV) engine with a Weber carburettor and uprated suspension. This version featured additional instrumentation with a tachometer, battery charge indicator, and oil pressure gauge. The same tuned 1.3 L engine was also used in a variation sold as the Escort Sport, that used the flared front wings from the AVO range of cars, but featured trim from the more basic models. Later, an “executive” version of the Escort was produced known as the “1300E”. This featured the same 13″ road wheels and flared wings of the Sport, but was trimmed in an upmarket, for that time, fashion with wood trim on the dashboard and door cappings. A higher performance version for rallies and racing was available, the Escort Twin Cam, built for Group 2 international rallying. It had an engine with a Lotus-made eight-valve twin camshaft head fitted to the 1.5 L non-crossflow block, which had a bigger bore than usual to give a capacity of 1,557 cc. This engine had originally been developed for the Lotus Elan. Production of the Twin Cam, which was originally produced at Halewood, was phased out as the Cosworth-engined RS1600 (RS denoting Rallye Sport) production began. The most famous edition of the Twin Cam was raced on behalf of Ford by Alan Mann Racing in the British Saloon Car Championship in 1968 and 1969, sporting a full Formula 2 Ford FVC 16-valve engine producing over 200 hp. The Escort, driven by Australian driver Frank Gardner went on to comfortably win the 1968 championship. The Mark I Escorts became successful as a rally car, and they eventually went on to become one of the most successful rally cars of all time. The Ford works team was practically unbeatable in the late 1960s / early 1970s, and arguably the Escort’s greatest victory was in the 1970 London to Mexico World Cup Rally, co-driven by Finnish legend Hannu Mikkola and Swedish co-driver Gunnar Palm. This gave rise to the Escort Mexico (1598cc “crossflow”-engined) special edition road versions in honour of the rally car. Introduced in November 1970, 10,352 Mexico Mark I’s were built. In addition to the Mexico, the RS1600 was developed with 1,601 cc Cosworth BDA which used a Crossflow block with a 16-valve Cosworth cylinder head, named for “Belt Drive A Series”. Both the Mexico and RS1600 were built at Ford’s Advanced Vehicle Operations (AVO) facility located at the Aveley Plant in South Essex. As well as higher performance engines and sports suspension, these models featured strengthened bodyshells utilising seam welding in places of spot welding, making them more suitable for competition. After updating the factory team cars with a larger 1701 cc Cosworth BDB engine in 1972 and then with fuel injected BDC, Ford also produced an RS2000 model as an alternative to the somewhat temperamental RS1600, featuring a 2.0 litre Pinto (OHC) engine. This also clocked up some rally and racing victories; and pre-empted the hot hatch market as a desirable but affordable performance road car. Like the Mexico and RS1600, this car was produced at the Aveley plant.

Production of the Capri began on 14 December 1968 in Ford’s Dagenham plant in the UK and on 16 December 1968 at the Cologne plant in West Germany, before its unveiling in January 1969 at the Brussels Motor Show, and sales starting the following month. The intention was to reproduce in Europe the success Ford had had with the North American Ford Mustang; to produce a European pony car. It was mechanically based on the Cortina and built in Europe at the Dagenham and Halewood plants in the United Kingdom, the Genk plant in Belgium, and the Saarlouis and Cologne plants in Germany. The car was named Colt during its development stage, but Ford was unable to use the name, as it was trademarked by Mitsubishi. Although a fastback coupé, Ford wanted the Capri Mk I to be affordable for a broad spectrum of potential buyers. To help achieve that, it was available with a variety of engines. The British and German factories produced different line-ups. The continental model used the Ford Taunus V4 engine in 1.3, 1.5 and 1.7 litre displacements, while the British versions were powered by the Ford Kent straight-four in 1.3 and 1.6 litre forms. The Ford Essex V4 engine 2.0 litre (British built) and Cologne V6 2.0 litre (German built) served as initial range-toppers. At the end of the year, new sports versions were added: the 2300 GT in Germany, using a double-barrel carburettor with 125 PS, and in September 1969 the 3000 GT in the UK, with the Essex V6, capable of 138 hp. Under the new body, the running gear was very similar to the 1966 Cortina. The rear suspension employed a live axle supported on leaf springs with short radius rods. MacPherson struts were featured at the front in combination with rack and pinion steering which employed a steering column that would collapse in response to a collision. The initial reception of the car was broadly favourable.The range continued to be broadened, with another 3.0 variant, the Capri 3000E introduced from the British plant in March 1970, offering “more luxurious interior trim”. Sales in other global markets got underway with the Capri reaching Australia in May 1969 and in April 1970 it was released in the North American and South African markets. These versions all used the underpowered Kent 1.6 engine although a Pinto straight-four 2.0 litre replaced it in some markets in 1971. The Capri proved highly successful, with 400,000 cars sold in its first two years. Ford revised it in 1972. It received new and more comfortable suspension, enlarged tail-lights and new seats. Larger headlamps with separate indicators were also fitted, with quad headlamps now featured on the 3000GXL model. The Kent engines were replaced by the Ford Pinto engine and the previously UK-only 3000 GT joined the German line-up. In the UK the 2.0 litre V4 remained in use. In 1973, the Capri saw the highest sales total it would ever attain, at 233,000 vehicles: the 1,000,000th Capri, an RS 2600, was completed on 29 August. A replacement model, the Capri II was launched in February 1974.

In the late 1960s, Ford set about developing the third-generation Cortina, the Mark III, which would be produced in higher volumes than before, following the recent merger of Ford of Britain and Ford of Germany into the modern-day Ford of Europe. The car marked the convergence of the German Taunus and British Cortina platforms with only minor differences between the two, hence the car’s internal name TC1, standing for Taunus-Cortina. It was also the last European car engineered by Harley Copp as Vice President Engineering and head of Brentwood, before he returned to Detroit. Ford UK originally wanted to call it something other than Cortina, but the name stuck. Although the Mark III looked significantly larger than the boxier Mark II Cortina, it was actually the same overall length, but 4 inches wider. Within the overall length, a wheelbase lengthened by more than 3 inches (76 mm) also contributed to the slightly more spacious interior. The Mark III Cortina was inspired by the contemporary “coke bottle” design language which had emanated from Detroit – the car sported similar fluted bonnet and beltline design elements to the North American Mercury Montego and Ford LTD of the same era. It replaced both the Mark II Cortina and the larger, more expensive Ford Corsair, offering more trim levels and the option of larger engines than the Mark II Cortina. The Mark III’s continental European sister car – the Taunus TC – was subtly different in appearance, with longer front indicators, different door skins and rear wing pressings that toned down the drooping beltline in order to lose the “coke-bottle” appearance of the Cortina. The MacPherson strut front suspension was replaced with more conventional double A-arm suspension which gave the Mark III a much softer ride on the road’ but did give the larger engines distinct understeer. Trim levels for the Mark III Cortina were Base, L, XL , GT and GXL. The early Mark III Cortinas came with the same 1,300 and 1,600 cc engines as the Mark II Cortinas, except for the 1,600 cc GXL. These engines are known as the Kent, crossflow engine or OHV engine. There was also the introduction of the 2000 cc engine, the single overhead cam engine, now known as the pinto engine. SOHC. The OHV Kent unit was fitted with a single choke carburettor and was used for the early models up to GT trim, the SOHC twin choke carburettor Pinto unit was used for the GT and GXL models. The GXL was also offered in 1,600 in the later Cortina Mark IIIs. In left-hand drive markets, the 1,600 cc OHC was replaced by a twin-carb OHV (Kent) unit not offered in the home market, in order to distinguish it from the competing Taunus which only came with the OHC Pinto engine. 2.0 litre variants used a larger version of the 1,600 cc Pinto unit and were available in all trim levels except base. Base, L and XL versions were available as a five-door estate. Although no longer than its predecessor, the Mark III was a heavier car, reflecting a trend towards improving secondary safety by making car bodies more substantial. Weight was also increased by the stout cross-member incorporated into the new simplified front suspension set-up, and by the inclusion of far more sound deadening material which insulated the cabin from engine and exhaust noise, making the car usefully quieter than its predecessor, though on many cars the benefit was diminished by high levels of wind noise apparently resulting from poor door fit around the windows. Four-speed manual transmissions were by now almost universally offered in the UK for this class of car, and contemporary road tests commented on the rather large gap between second and third gear, and the resulting temptation to slip the clutch when accelerating through the gears in the smaller-engined cars: it was presumably in tacit acknowledgment of the car’s marginal power-to-weight ratio that Ford no longer offered the automatic transmission option with the smallest 1,298 cc-engined Cortina. Four headlights and Rostyle wheels marked out the GT and GXL versions, while the GXL also had bodyside rub strips, a vinyl roof and a brushed aluminium and black boot lid panel on the GXLs, while the GTs had a black painted section of the boot with a chrome trim at either site sloping dashboard with deeply recessed dials and all coil suspension all round. In general styling and technical make up, many observed that the Mark III Cortina aped the Vauxhall Victor FD of 1967. The Cortina went on sale on 23 October 1970, but sales got off to a particularly slow start because of production difficulties that culminated with a ten-week strike at Ford’s plant between April and June 1971, which was at the time reported to have cost production of 100,000 vehicles, equivalent to almost a quarter of the output for a full year. During 1971 the spring rates and damper settings were altered along with the front suspension bushes which reduced the bounciness of the ride and low speed ride harshness which had generated press criticism at the time of the Cortina Mark III’s launch. Volumes recovered, and with the ageing Austin/Morris 1100/1300 now losing out to various newer models, the Cortina was Britain’s top selling car in 1972, closely followed by the Escort. It remained the UK’s top selling car until 1976 when it overtaken by the Mk2 Escort. In late 1973 the Cortina Mark III was given a facelift. The main difference was the dashboard and clocks, no longer did it slope away from the driver’s line of sight. But shared the same dash and clocks as the later Mark IV and Mark V Cortinas, upgraded trim levels and revised grilles, rectangular headlights for the XL, GT and the new 2000E (the “E” standing for executive), which replaced the GXL. The 1.3 litre Kent engine was carried over but now, 1.6 litre models all used the more modern 1.6 litre SOHC engine. Whilst the TD Cortina still had double A-arm suspension with coils at the front and a four-link system at the rear, handling was improved. The 2000E reverted to the classy treatment offered by the 1600E and later Mark IV/V Ghia models instead of the faux wood-grain trim offered by the GXL. The 2000E was also available as an estate version. The cars were replaced by the Mark IV in the autumn of 1976.

From inception, Ford in the UK and Ford in Germany produced their own ranges of cars, and in markets where both were sold, they competed against each other. It was only with the Consul and Granada that were launched in the spring of 1972 that they finally arrived at a single model range that would be offered to customers. But even then, there were differences between the UK-market Dagenham built and European market Cologne built cars, with the British Pinto 2 litre and Essex 3 litre V6 engines under the bonnet of UK market cars and the 1.7 and 2 litre V4 engines that had been used in the high end Taunus models continuing in the continental cars. A two door model that was added to the range in March 1973 was never offered to British customers, but was developed as there was still a significant market for large saloons with just two doors in Germany (the Mark 2 Granada was offered with 2 doors as well), and there was a Coupe. This one did eventually come to the UK, in 1974, when it was launched as the top of the range 3.0 Ghia model, with just about every conceivable item of equipment included as standard, and the first Ford to bear the Ghia badging that would be systematically applied to every range in the next couple of years. A Saloon version with Ghia badging followed later in the year, and this sold more strongly, so the Ghia Coupe was never a big seller, and is quite rare now.

The squarer-styled Mark II Escort appeared in January 1975. The first production models had rolled off the production lines on 2 December 1974. Unlike the first Escort (which was developed by Ford of Britain), the second generation was developed jointly between the UK and Ford of Germany. Codenamed “Brenda” during its development, it used the same mechanical components as the Mark I. The 940 cc engine was still offered in Italy where the smaller engine attracted tax advantages, but in the other larger European markets in Europe it was unavailable. The estate and van versions used the same panelwork as the Mark I, but with the Mark II front end and interior. The car used a revised underbody, which had been introduced as a running change during the last six months production of the Mark I. Rear suspension still sat on leaf springs though some contemporaries such as the Hillman Avenger had moved on to coil springs. The car came in for criticism for its lack of oddments space, with a glove compartment only available on higher end models, and its stalk-mounted horn. The “L” and “GL” models (2-door, 4-door, estate) were in the mainstream private sector, the “Sport”, “RS Mexico”, and “RS2000” in the performance market, the “Ghia” (2-door, 4-door) for a hitherto untapped small car luxury market, and “base / Popular” models for the bottom end. Panel-van versions catered to the commercial sector. The 1598 cc  engine in the 1975 1.6 Ghia produced 84 hp with 92 lb/ft torque and weighed 955 kg (2105 lb). A cosmetic update was given in 1978 with L models gaining the square headlights (previously exclusive to the GL and Ghia variants) and there was an upgrade in interior and exterior specification for some models. Underneath a wider front track was given. In 1979 and 1980 three special edition Escorts were launched: the Linnet, Harrier and Goldcrest. Production ended in Britain in August 1980, other countries following soon after.

Ford introduced a new Granada in 1977 and it was produced until April 1985 following a mild facelift which paid attention to drivetrain noise, vibration, and harshness in 1982. It was a development of the previous car, the main differences being the use of the “Cologne” V6 engine in 2.0, 2.3, and 2.8 ltire forms replacing the older “Essex” unit (which had never been offered in the Cologne-built Granadas), and the introduction of features such as air conditioning and, for the top-priced 2.8-litre versions, fuel-injection. In mainland Europe, a 1.7 litre V4 was originally available. By the time of its introduction, UK Granada production had been quietly abandoned “for some time”; UK market Granada IIs were imported from Germany. A relatively small number of vehicles were also produced with an Indenor four-cylinder diesel engine in 1.9-, 2.1- and 2.5-litre capacities. Most of these went to taxi operators, and few survive. The smallest 1.9 was quite underpowered and was soon replaced by the somewhat more powerful 2.1, which was presented as the “Granada GLD” in March 1979 at Geneva. By 1982, this was replaced by the more capable 2.5. Fuel-injected 2.8 models were originally offered with an ‘S’ pack or GL trim. In 1979, both versions were replaced by the 2.8i GLS. Today early injection models are particularly rare. The UK only received four door saloons and a commodious estate, but there was a two door saloon as well, offered to those markets who still wanted such a configuration. Although most surviving Granada Mark IIs feature the body-coloured post-facelift (1981) grille, the earlier cars came with a simple black grille regardless of body colour. Both the cars seen here were the facelifted models which came out in late 1981.

The Capri Mk III was referred to internally as “Project Carla”, and although little more than a substantial update of the Capri II, it was often referred to as the Mk III. The first cars were available in March 1978, but failed to halt a terminal decline in sales. The concept of a heavily facelifted Capri II was shown at the 1976 Geneva show: a Capri II with a front very similar to the Escort RS2000 (with four headlamps and black slatted grille), and with a rear spoiler, essentially previewed the model some time before launch. The new styling cues, most notably the black “Aeroflow” grille (first used on the Mk I Fiesta) and the “sawtooth” rear lamp lenses echoed the new design language being introduced at that time by Ford of Europe’s chief stylist Uwe Bahnsen across the entire range. Similar styling elements were subsequently introduced in the 1979 Cortina 80, 1980 Escort Mk III and the 1981 Granada Mk IIb. In addition, the Mk III featured improved aerodynamics, leading to improved performance and economy over the Mk II and the trademark quad headlamps were introduced. At launch the existing engine and transmission combinations of the Capri II were carried over, with the 3.0 S model regarded as the most desirable model although the softer, more luxurious Ghia derivative with automatic, rather than manual transmission, was the bigger seller of the two V6-engined models. Ford began to focus their attention on the UK Capri market as sales declined, realising the car had something of a cult following there. Unlike sales of the contemporary 4-door Cortina, Capri sales in Britain were to private buyers who would demand less discounts than fleet buyers allowing higher margins with the coupé. Ford tried to maintain interest in 1977 with Ford Rallye Sport, Series X, “X Pack” options from the performance oriented RS parts range. Although expensive and slow selling these proved that the press would enthusiastically cover more developed Capris with higher performance. In early 1982, the Essex 3.0 V6 which had been the range topper since September 1969 was dropped, while a new sporty version debuted at the Geneva Motor Show, called the 2.8 Injection. The new model was the first regular model since the RS2600 to use fuel injection. Power rose to a claimed 160 PS, even though tests showed the real figure was closer to 150 PS, giving a top speed of 210 km/h (130 mph), but the car still had a standard four-speed gearbox. The Capri 2.8 Injection breathed new life into the range and kept the car in production 2–3 years longer than Ford had planned. The four-speed gearbox was replaced with a five-speed unit early on – at the same time Ford swapped the dated looking chequered seats for more luxurious looking velour trim. A more substantial upgrade was introduced in 1984 with the Capri Injection Special. This development used half leather seating and included a limited slip differential. Externally the car could be easily distinguished by seven spoke RS wheels (without the customary “RS” logo since this was not an RS vehicle) and colour-coded grille and headlamp surrounds. At the same time the 2.0 Capri was rationalised to one model, the 2.0 S, which simultaneously adopted a mildly modified suspension from the Capri Injection. The 1.6 model was also reduced to a single model, the 1.6 LS. The car was finally deleted at the end of 1986, 1.9 million cars having been made over 18 years, and having been sold only in the UK for the final months of production.

There was an S Model in the Fiesta range from the outset, but this was little more than a trim variant, as mechanically it was the same as the L and Ghia models. It did gain the 1300cc engine in 1978, but it was still more sporting in appearance than execution. In 1980 Ford added a SuperSport model to the range, which had the regular 1.3 litre Kent Crossflow engine under the bonnet, but the appearance was a hint of what was to come. It was well enough received, though, to convince Ford to introduce in October 1981 their second XR-badged model, following the October 1980 launch of the Escort XR3. The XR2 featured a 90 bhp 1.6 litre engine and is easily identified from the black plastic trim which was added to the exterior and interior. The small square headlights were replaced with larger circular ones resulting in the front indicators being moved into the bumper to accommodate the change. With a quoted performance of 0–60 mph in 9.3 seconds and a 105 mph top speed, the XR2 hot hatch became a cult car beloved of boy racers throughout the 1980s meaning that very few have survived.

Ford updated the Fiesta in August 1983 with a revised front end and interior, and a bootlid mirroring the swage lines from the sides of the car. The 1.3 L OHV engine was dropped, being replaced in 1984 by a CVH powerplant of similar capacity, itself superseded by the lean burn 1.4 L two years later. The 957 and 1,117 cc Kent/Valencia engines continued with only slight alterations and for the first time a Fiesta diesel was produced with a 1,600 cc engine adapted from the Escort. The new CTX continuously variable transmission, also fitted in the Fiat Uno, eventually appeared early in 1987 on 1.1 L models only. The second generation Fiesta featured a different dashboard on the lower-series trim levels compared to the more expensive variants. The recently launched XR2 model was thoroughly updated with a larger bodykit. It also featured a 96 bhp 1.6 litre CVH engine as previously seen in the Ford Escort XR3, and five-speed gearbox rather than the four-speed gearbox which had been used on the previous XR2 and on the rest of the Fiesta range. The engine was replaced by a lean-burn variant in 1986 which featured a revised cylinder head and carburettor; it was significantly cleaner from an environmental viewpoint but was slightly less powerful as a result with 95 bhp.

A sporting version of Ford’s front wheel drive Escort was announced at the same time as the “cooking” 1.1, 1.,3 and 1,6 litre cars in October 1980. This was the XR3, and it came initially with a carb fed 1.6 litre engine generating 105 bhp and had a four speed gearbox. Fuel injection finally arrived in October 1982 (creating the XR3i), eight months behind the limited edition (8,659 examples), racetrack-influenced RS 1600i. The Cologne-developed RS received a more powerful engine with 115 PS, thanks to computerised ignition and a modified head as well as the fuel injection. For 1983, the XR3i was upgraded to 115bhp thanks to the use of fuel injection and a five speed transmission had been standardised. Both variants proved very popular, getting a significant percentage of Escort sales and also as a slightly more affordable alternative to a Golf GTi. For those for whom the performance was not quite enough, Ford had an answer, with the RS Turbo. This 132 PS car was shown in October 1984, as a top of the range car, offering more power than the big-selling XR3i and the limited production RS1600i. Going on sale in the spring of 1985, it proved to be somewhat of a disappointment, with the chassis coming in for severe criticism.  The RS Turbo Series 1 was only marketed in a few European nations as production was limited to 5,000 examples, all in white. They were well equipped, with the alloy wheels from the limited production RS 1600i, Recaro seats, and a limited slip differential.  One car only was finished in black; it was built especially for Lady Diana. Ford facelifted the entire Escort range in January 1986, and a few months later, a revised Series 2 RS Turbo emerged, which adopted the styling changes of the less potent models, and the new dashboard, as well as undergoing a mechanical revision and the addition of more equipment including anti-lock brakes. The Series 2 cars were available in a wider range of colours.

The Ford Sierra is a mid-size car or large family car that was built by Ford Europe from 1982 to 1993. It was designed by Uwe Bahnsen, Robert Lutz and Patrick le Quément. The code used during development was “Project Toni”. Its name came from the Spanish word for mountain range. The Ford Sierra was first unveiled on 22 September 1982 at the British International Motor Show hosted at the NEC in Birmingham, shortly followed by the Salon de l’Automobile in Paris on 30 September 1982. Sales started on 15 October 1982, replacing the Ford Taunus TC3 (UK: Ford Cortina Mark V). Its aerodynamic styling was ahead of its time and as such, many conservative buyers (including company car drivers) did not take fondly to the Taunus’s/Cortina’s replacement. This was also due to the fact that the Sierra was not available as a saloon, in contrast to the Taunus/Cortina. A saloon model debuted in 1987 with the introduction of the facelifted Sierra. It was mainly manufactured in Germany, Belgium, and the United Kingdom, although Sierras were also assembled in Ireland, Argentina, Venezuela, South Africa and New Zealand. By 1978, Ford Europe was working on a new mid-range model to replace the Cortina/Taunus during the early 1980s, working under the codename “Project Toni”. Although still popular with buyers, the outgoing Cortina/Taunus was essentially a 12-year old design by the time of the Sierra’s launch; despite the TC2 shape launching in 1976, and the mildly reworked TC3/Mk5 three years later, both were merely a reskinned version of the 1970 TC/Mk3 with few major mechanical changes in that time. Ford’s future model policy and styling direction had already been shown with the Escort III two years earlier, in that its conventionally styled saloons of the 1970s would be replaced by hatchbacks with advanced aerodynamic styling. Ford had confirmed during 1981, a year before the Sierra’s official launch, that its new mid-range car would carry the Sierra name, signalling the end of the Taunus and Cortina nameplates after 43 years and nine generations respectively 20 years and five generations. In September that year, it had unveiled the Probe III concept car at the Frankfurt Motor Show, hinting at what the new car would look like when the final product was unveiled 12 months later. At first, many found the design blob-like and difficult to accept after being used to the sharp-edged, straight-line three-box styling of the Taunus/Cortina, and it was nicknamed “the jellymould”. The shape served a purpose though, producing a drag coefficient of 0.34, a significant improvement over the boxy outgoing Taunus’s/Cortina’s 0.45. This aerodynamic design was key for reducing fuel consumption according to Ford, and was even used as compensation for the V6-engines. The interior was more conventional, although Ford took a page from BMW by angling the centre of the dashboard towards the driver. Sales were slow in the first months – the situation being exacerbated by heavy discounting by Ford dealers of surplus Cortina stock from the autumn of 1982 onwards, with more than 11,000 new Cortinas being registered in 1983. However in 1983, its first full year of sales, the Sierra managed nearly 160,000 sales in Britain, outsold only by the smaller Escort. Ford had also launched the more conservatively designed Escort-based Orion saloon that year, which found favour with buyers who would otherwise have been the Sierra’s target customers. In West Germany, it was proving very popular from an early stage; within months of its launch, it was reportedly achieving treble the number of sales that the Taunus had been attaining – though in West Germany, the Taunus had not been quite as popular or iconic as its Cortina equivalent had been in Britain. It was later in the Sierra’s life that the styling began to pay off; ten years after its introduction, the Sierra’s styling was not nearly as outdated as its contemporaries, even though all major competitors were newer designs, though the Sierra had been tweaked on several occasions and many new engines had been added. The most notable changes came at the autumn of 1987, with a major facelift and the addition of a 4-door saloon (UK: Sapphire). As other manufacturers adopted similar aerodynamic styling, the Sierra looked more normal. At its peak, it was Britain’s second best selling car in 1983, 1988 and 1989, and was still Britain’s fifth best selling car in 1992. Its best year was 1989, when more than 175,000 were sold. However, it was outsold by the Vauxhall Cavalier in MK2 form during 1984 and 1985, and then from 1990 until its demise by the MK3 Cavalier. Nevertheless, it comfortably outsold its second key rival, the Austin Montego, which was launched in April 1984. Between 1985 and 1988, the Sierra faced fresh competition in Europe from the likes of the Renault 21 and Peugeot 405, while Japanese carmaker Nissan was producing its Bluebird model in Britain from 1986. Early versions suffered from crosswind stability problems, which were addressed in 1985 with the addition of “strakes” (small spoilers) on the rear edge of the rubber seals of the rear-most side windows. These shortcomings saw a lot of press attention, and contributed to early slow sales, when it was outsold by its key rival the Vauxhall Cavalier in 1984 and 1985. Other rumours that the car hid major crash damage (in part true, as the new bumper design sprung back after minor impact and couldn’t be “read” to interpret major damage) also harmed the car’s reputation. This reached near-hysterical heights in its early months on sale, with UK press making a report that Ford would reintroduce the previous Cortina model out of desperation. These reports were swiftly denied by Ford. However, sales began to rise during 1983, and it finished as Britain’s second best selling car behind the Escort. After being outsold by the Cavalier for the next two years, it regained its lead of the market sector in Britain during 1986, and a refreshed range (with more engine options as well as the introduction of a saloon) enjoyed a surge in sales from 1987, though the MK3 Cavalier finally outsold it in 1990. Even in 1992, the Sierra was still Britain’s fifth best selling car. It was nicknamed “the salesman’s spaceship” on account of its status as a popular fleet car in Britain. In contrast to the Sierra’s groundbreaking exterior design, its drivetrain was conservatively engineered, retaining rear-wheel drive and the same engines and transmissions as the Cortina/Taunus which were effectively 12 years old as they were first used on the TC1/MkIII generation in 1970. Much of this was done to appease the important fleet market which was wary of complexity. However, there was much modification; for example the engines were fitted with breakerless ignition, improved carburettors and the option of fuel injection, whilst 5-speed transmissions were now available. Most competitors were already switched to front-wheel drive around that time. Ford claimed however this set-up was required to offer V6-engines, which had to contribute to the Sierra’s driving comfort. New for the Sierra was a diesel engine, although the engine itself wasn’t new at all. Similar to the Ford Granada, Ford used an “Indenor”-engine which was designed by Peugeot in the 1950s. While the Granada was offered with 1.9, 2.1 and 2.5 diesels, the Sierra unit had a displacement of 2.3 litre. This engine was replaced only in 1989 by an all-new 1.8 litre turbodiesel, developed by Ford itself. The Sierra had a four-speed manual gearbox as standard, with a five-speed as option but standard on the 2.3D and 2.3 V6. At a time when the rival Vauxhall Cavalier was offered with a five-speed, this led to some critics commenting that the Sierra was somewhat underpowered. In the mid-1980s, many smaller cars (some even two segments smaller) featured five-speed gearboxes as standard. The chassis, however, was more sophisticated than the Cortina/Taunus, with fully independent suspension on both axles. The rear suspension was essentially carried over from the Granada, with trailing arms and coil springs mounted on a tubular sub-frame which also provided location for the final drive/differential housing driving the axle shafts. The front suspension dispensed with the Cortina/Taunus’ double wishbones in favour of a scaled-up version of the Fiesta and Escort/Orion’s layout with MacPherson struts, lower locating arms and anti-roll bars. One of the most striking design features of the Sierra was its closed front panel instead of a grille, which was later also to be found on the 1985 Ford Taurus. The air intake was situated below the front bumper, making the Sierra a so-called ‘bottom breather’. The headlights were integrated in this front panel while the indicators were mounted in the bumper within a combined unit with the foglights. However, this set-up was only present on the top-of-the-line “Ghia”-trim as well on the later introduced XR4i sport model. The other Sierra models had a more traditional front end with a two-bar grille between the headlights, being unpainted on the base model. These models had the indicators in the bumper as well, although being slimmer but wider and without the foglights. Both the Ghia and XR4i had wide headlights with two lenses while the other models had smaller lights with a single lens. For the 1985 model year, all the lower-spec models, except the base model, adopted the Ghia and XR4i’s front grille and headlight treatment. However, the second lens of the lower-spec models had no actual light within it. On the Ghia and XR4i this lens contained additional high beam lamps. The South-African XR8 model’s front end was similar to the XR4i’s but featured a small grille between the headlights. The rear lights of the Ghia, as well as the very early XR4i’s, were the same shape and layout as other models, but featured tiny horizontal black strakes on the lenses to give the impression that they were smoked. The car was replaced by the Mondeo in Europe in April 1993, though stocks lasted for about two years afterwards. The Sierra remained a popular second-hand buy and common sight on British roads until well beyond the year 2000.

The next generation Escort and Orion arrived in September 1990 with an all-new bodyshell and a simplified torsion beam rear suspension (instead of the Mark III’s fully independent layout). Initially the 1.3 L HCS, 1.4 L and 1.6 L CVH petrol and 1.8 L diesel units were carried over from the old model. This model however was poorly received by the motoring press, and was panned by journalists for its mediocre driving dynamics and unremarkable styling. The engines which had been carried over from the previous generation largely unmodified were also heavily criticised for their poor refinement. In early 1992, an all new Zetec 16-valve engine was launched bringing improved driveability, while also marking the return of the XR3i which was available with two versions of the 1.8 L Zetec engine. The 150 PS RS2000 also appeared in the autumn of 1991 with a 16v version of the Sierra’s I4 2.0 L engine and also improved ride and handling meaning that this version of the Escort finally delivered on the road. Specifications, however, were also higher than before. The Escort was now available with items such as power steering, electric windows, central locking, electronic antilock brakes, and air conditioning. Some of these options were even available on some of the entry-level models. The first of many facelifts appeared in the autumn of 1992 and by the time production ended in 1998, Ford had made the car reasonably competitive. The stinging criticism clearly did hit home, as their next all new car, the Mondeo, was everything that this Escort had not been!

The third and final version of the Orion was launched in September 1990, but received the same criticism from the motoring media that the fifth generation Escort endured at the time for its lack of design flair as well as the disappointing refinement of some of its engines — particularly the 1.3 and 1.4-litre CVH petrol units. As with the Escort, the arrival of the 1.6 and 1.8 litre Zetec 16 valve engines and suspension changes in late 1991 and late 1992 improved the Orion’s dynamic qualities. The Mark III was identified at the front by clear indicator lenses and by a chrome bar that ran through the radiator grille. The range topping Orion Ghia Si (sports injection) had 130 bhp out of its 1.8L DOHC Zetec unit, making this the fastest production model Orion that Ford produced through the car’s ten-year production life, with a top speed of 126 mph. A facelift to the Escort and Orion range including side impact bars, front seatbelt pretensioners and a safety cage as well as body colour door handles and the new Zetec engines in September 1992 for the 1993 model year also saw many major improvements. This incarnation of the Orion was considerably less popular than the pre-1990 versions, just missing out on a place in the top 10 best-selling cars in Britain in 1991 and 1992. In September 1993, 10 years after its launch, Ford retired the Orion nameplate, and the Escort nameplate was used on all bodystyles. This was a move that Vauxhall had previously taken with the Belmont name back in September 1991. Sales of the Escort badged saloon were not as strong as those achieved by the Orion, as saloons of this size continued to fall in popularity throughout the 1990s. The slow-selling Escort saloon was eventually discontinued in October 1998, along with the convertible model after the launch of the Focus saloon, although the 5-door hatchback and estate versions lasted until July 2000 and the van lasted until 2002.

The Ford Mondeo I (first generation) is a mid-size car that was produced by Ford, beginning on 23 November 1992, with sales beginning on 22 March 1993. It is also known as the Mk I Mondeo; the 1996 facelift versions are usually designated Mk II. Available as a four-door saloon, a five-door hatchback, and a five-door estate, all models for the European market were produced at Ford’s plant in the Belgian city of Genk. Instigated in 1986 (just before its Sierra predecessor received a major facelift), the design of the car cost Ford US$6 billion. It was one of the most expensive new-car programmes ever. The Mondeo was significant as its design and marketing were shared between Ford USA in Dearborn and Ford of Europe. Its codename while under development reflected thus: CDW27 signified that it straddled the C and D size classes and was a “world car”. The head of the Mondeo project was John Oldfield, headquartered at Ford Dunton in Essex. A large proportion of the high development cost was due to the Mondeo being a completely new design, sharing very little, if anything, with the Ford Sierra. Unlike the Sierra, the Mondeo is front-wheel drive in its most common form, with a rarer four-wheel drive version available on the Mk I car only. Over-optimistically, the floor pan was designed to accept virtually any conceivable drivetrain, from a transverse inline-four engine to a longitudinal V-8. This resulted in a hugely intrusive and mostly disused bellhousing cover and transmission tunnel. Resultingly the front interior, especially the footwells, feels more cramped than would be expected from a vehicle of this size. The Mondeo featured new manual and automatic transmissions and sophisticated suspension design, which give it class-leading handling and ride qualities, and subframes front and rear to give it executive car refinement. The automatic transmission featured electronic control with sport and economy modes plus switchable overdrive. By 1989, Ford had confirmed that it would be launching an all-new front-wheel drive car to replace the Sierra within the next four years, although it had not yet decided whether the Sierra name would continue or be replaced, with some subsequent reports even hinting that the Cortina name could make a comeback, having been axed in 1982 when replaced by the Sierra. Several prototypes were tested that year, but the launch of the Nissan Primera in 1990 prompted Ford to make a number of major alterations to the final product, as it saw the new competitor from Nissan to be the benchmark car in this sector, having previously identified the Honda Accord as the class leader. The car was launched in the midst of turbulent times at Ford of Europe, when the division was haemorrhaging hundreds of millions of dollars,[citation needed] and had gained a reputation in the motoring press for selling products which had been designed by accountants rather than engineers. The fifth-generation Escort and third-generation Orion of 1990 was the zenith of this cost-cutting/high-price philosophy, which was by then beginning to backfire on Ford, with the cars being slated for their substandard ride and handling, though a facelift in 1992 had seen things improve a little. The Sierra had sold well, but not as well as the all-conquering Cortina before it, and in Britain, it had been overtaken in the sales charts by the newer Vauxhall Cavalier. Previously loyal customers were already turning to rival European and Japanese products, and by the time of the Mondeo’s launch, the future of Europe as a Ford manufacturing base was hanging in the balance. The new car had to be good, and it had to sell. It was unveiled to the public on 23 November 1992, although sales would not begin for another four months. At this stage, Ford confirmed that the new car would feature a completely new name and would be called the Mondeo. Safety was a high priority in the Mondeo design, with a driver’s side airbag (it was the first-ever car sold from the beginning with a driver’s airbag in all of its versions, which helped it achieve the European Car of the Year title for 1994), side-impact bars, seat belt pretensioners, and antilock braking systems (higher models) as standard features. Other features for its year included adaptive damping, self-leveling suspension (top estate models), traction control (V6 and 4WD versions), and heated front windscreen, branded Quickclear. The interiors were usually well-appointed, featuring velour trim, an arm rest with CD and tape storage, central locking (frequently remote), power windows (all round on higher models), power mirrors, illuminated entry, flat-folding rear seats, etc. Higher-specification models had leather seats, trip computers, electric sunroof, CD changer, and alloy wheels.Intended as a world car, it replaced the Ford Sierra in Europe, the Ford Telstar in a large portion of Asia and other markets, while the Ford Contour and Mercury Mystique replaced the Ford Tempo and Mercury Topaz in North America. Despite being billed as a world car, the only external items the Mondeo shared initially with the Contour were the windscreen, front windows, front mirrors and door handles. Thus, the CDW27 project turned out not to be a true world car in the sense that the original Ford Focus and newer Fords developed under the “One Ford” policy turned out to be—that being one design per segment for the world. In May 1994, a revised model line up was introduced as part of Ford launching a new 24v V6 engine version in the 24v and Ghia trim levels. Minor changes were made to the estate roof luggage rails design, the fuel flap/boot release handle surround was removed, the drivers under dash glove box lid was removed and black bumper paint details changed to be full body colour on all models, thinner 3 piece side door strips replaced the previous wide mouldings on some models. A revised MTX75 gearbox has hydraulic clutch operation and an electronic speedometer and gearbox sensor, replacing the cable operation of the earlier clutch and speedometer. The security of the cars was improved with the introduction of the PATS system with transponders fitted to each of the 3 car keys issued ( 1 red key is a master) and coded to the ECU immobiliser system. Optional infra-red remote locking is made available on most models and standard on the Ghia. The premium sound system head unit with sub woofer was dropped as an option. The Aspen replaced the “Base” model, but retained the basic features and were the only models to have manual winding front windows. The 24v model was introduced as a budget performance version, with sports seats, 15” steel wheels and trims with 205/55 tyres, red transparent centre rear panel (saloon only) but otherwise only has an LX interior and exterior specification level. The Ghia interior was updated with new fabric and wood effect dashboard and centre console fascias and front door pull inserts, replacing the grey ones of the previous Ghia model. 15” alloy wheels as seen on the Scorpio were fitted with 205/55 tyres replacing the previous 5 spoke 14” alloys with 195/60 tyres. A new Chrome surround front grille is added and a transparent red rear centre panel replaces the dark panel (saloon only), to distinguish the model from the lower spec cars. Headlamp wash is dropped from the standard specification and made an optional extra. Further changes came in September 1995. A Ghia X model is introduced featuring nearly all the options available on the previous Ghia model, including leather seats and centre armrest (but retaining fabric on the interior door cards), headlamp wash, cruise control and fuel computer. The Ghia model is downgraded with 15” steel wheels and multi-spoke wheel trims and some interior comforts are removed and only available as extras. The 24v model was dropped and a Si 24v model added. The 2.0 Si short ratio MTX75 gearbox is quietly replaced by the standard 2.0 unit as customers feedback stated it was too noisy on the motorway. New 2 piece elliptoid side mouldings were introduced in line with other Ford models, replacing the linear 3 piece versions, along with a new front wing with the side indicator located lower down inline with the new door mouldings. The mid-cycle facelift, launched in October 1996, had three of the original Mondeo’s biggest criticisms addressed: its bland styling, the poor headlight performance, the reflectors of which quickly yellowed, and the cramped rear legroom. The lowering of specification levels around that time (e.g. air conditioning and alloy wheels became optional on the UK Ghia models) may have indicated a desire by Ford to cut costs and recoup some of the considerable sums invested in the original design. These specification levels were improved again in 1998 as the Mondeo approached replacement. The facelift left only the doors, the roof, and the rear quarter panels on the estate the same as the original model. Even the extractor vents on the rear doors were replaced by a panel bearing the name Mondeo. The most notable change was the introduction of the grille and larger, wraparound lighting units. The saloon version featured some distinctive rear lights. These incorporated an additional reflector panel that extended around the top and the side of the rear wings. Unlike the iterations seen on the heavily facelifted Scorpio and Mk IV Fiesta during the previous year, this facelift was well received. The interior was also mildly revised, though the basic dashboard architecture was the same as before. Safety specification was improved, with the car gaining a full-sized driver airbag in place of the smaller ‘euro-bag’ fitted in the Mk I Mondeo. The Mk II gained a ‘flagged’ three-star rating in EuroNCAP testing, which was average for rivals of its time (the same as the Vauxhall Vectra, better than the Citroën Xantia and Peugeot 406, and worse than the Nissan Primera). The cars’ structure suffered excessive footwell intrusion in the frontal impact and a disturbing B-pillar displacement in the side test. The Zetec engine was thoroughly revised in 1998. The updated version was far more refined at high revolutions, addressing a common criticism of it. The first generation Mondeo was replaced in 2000, by the larger second generation; in the United States and Canada, the Contour/Mystique were replaced by the Fusion and fourth-generation Taurus and fourth-generation Sable.

Drawing on inspiration from the mid-engined Ford Mustang I concept vehicle, Lee Iacocca ordered development of a new “small car” to vice-president of design at Ford, Eugene Bordinat. Bordinat tasked Ford’s three design studios (Ford, Lincoln-Mercury, and Advanced Design) to create proposals for the new vehicle. The design teams had been given five goals for the design of the Mustang: It would seat four, have bucket seats and a floor mounted shifter, weigh no more than 2,500 pounds (1,100 kg) and be no more than 180 inches (4,572 mm) in length, sell for less than $2,500, and have multiple power, comfort, and luxury options. The Lincoln–Mercury design studio ultimately produced the winning design in the intramural contest, under Project Design Chief Joe Oros and his team of L. David Ash, Gale Halderman, and John Foster. Development of the Mustang was completed in a record 18 months from September 1962 to March 1964. and Iacocca himself championed the project as Ford Division general manager. The styling is often credited to one person, and that is not accurate, as this was very much a team effort, it has been reported by those involved. To decrease developmental costs, the Mustang used chassis, suspension, and drivetrain components derived from the Ford Falcon and Fairlane. It used a unitised platform-type frame from the 1964 Falcon, and welded box-section side rails, including welded crossmembers. Although hardtop Mustangs accounted for the highest sales, durability problems with the new frame led to the engineering of a convertible first, which ensured adequate stiffness. Overall length of the Mustang and Falcon was identical, although the Mustang’s wheelbase was slightly shorter. With an overall width of 68.2 in (1,732 mm), it was 2.4 in (61 mm) narrower, yet the wheel track was nearly identical. Shipping weight, approximately 2,570 lb (1,166 kg) with the straight six-cylinder engine, was also similar to the Falcon. A fully equipped V8 model weighed approximately 3,000 lb (1,361 kg). Although most of the mechanical parts were from the Falcon, the Mustang’s body was completely different; sporting a shorter wheelbase, wider track, lower seating position and lower overall height. An industry first, the “torque box” was an innovative structural system that greatly stiffened the Mustang’s construction and helped contribute to better handling. The car was launched in 17th April 1964, as a hardtop and a convertible, with the fastback version following in August. It was an instant sensation, with demand massively exceeding supply. Since it was introduced four months before the normal start of the 1965 production year and manufactured alongside 1964 Ford Falcons and 1964 Mercury Comets, the earliest Mustangs are widely referred to as the 1964½ model. Nevertheless, all “1964½” cars were given 1965 U.S. standard VINs at the time of production, and – with limited exception to the earliest of promotional materials – were marketed by Ford as 1965 models. The low-end model hardtop used a “U-code” 170 cu in (2.8 litre) straight-6 engine borrowed from the Falcon, as well as a three-speed manual transmission and retailed for US$2,368. Standard equipment for the early 1965 Mustangs included black front seat belts, a glove box light, and a padded dash board. Production began in March 1964 and official introduction following on April 17 at the 1964 World’s Fair. V8 models got a badge on the front fender that spelled out the engine’s cubic inch displacement (“260” or “289”) over a wide “V.” This emblem was identical to the one on the 1964 Fairlane. Several changes to the Mustang occurred at the start of the “normal” 1965 model year in August 1964, about four months after its introduction. These cars are known as “late 65’s”. The engine lineup was changed, with a 200 cu in (3.3 litre) “T-code” engine that produced 120 hp. Production of the Fairlane’s “F-code” 260 cu in (4.3 litre) engine ceased when the 1964 model year ended. It was replaced with a new 200 hp “C-code” 289 cu in (4.7 litre) engine with a two-barrel carburettor as the base V8. An “A-code” 225 hp four-barrel carburettor version was next in line, followed by the unchanged “Hi-Po” “K-code” 271 hp 289. The DC electrical generator was replaced by a new AC alternator on all Fords (a way to distinguish a 1964 from a 1965 is to see if the alternator light on the dash says “GEN” or “ALT”). The Mustang GT version was introduced as the “GT Equipment Package” and included a V8 engine (most often the 225 hp 289), grille-mounted fog lamps, rocker panel stripes, and disc brakes. In the interior the GT option added a different instrument panel that included a speedometer, fuel gauge, temp. gauge, oil pressure gauge and ammeter in five round dials (the gauges were not marked with numbers, however.) A four-barrel carburettor engine was now available with any body style. Additionally, reverse lights were an option added to the car from August 1964 production. In 1965, the Shelby Mustang was born, it was available only in newly introduced fastback body version with its swept-back rear glass and distinctive ventilation louvres. The standard interior features of the 1965 Mustang included adjustable driver and passenger bucket seats, an AM radio, and a floor mounted shifter in a variety of colour options. Ford added additional interior options during the 1965 model year. The Interior Decor Group was popularly known as “Pony Interior” due to the addition of embossed running ponies on the seat fronts, and also included integral armrests, woodgrain appliqué accents, and a round gauge cluster that would replace the standard Falcon instrumentation. Also available were sun visors, a (mechanical) remote-operated mirror, a floor console, and a bench seat. Ford later offered an under-dash air-conditioning unit, and discontinued the vinyl with cloth insert seat option, offered only in early 1965 models. One option designed strictly for fun was the Rally-Pac. Introduced in 1963 after Ford’s success at that year’s Monte Carlo Rally and available on other Ford and Mercury compacts and intermediates, the Rally-Pac was a combination clock and tachometer mounted to the steering column. It was available as a factory ordered item for US$69.30. Installed by a dealer, the Rally-Pac cost US$75.95.A 14″ rim option was available for Rally-pac and GT350R vehicles widening front and rear track to 57.5″. Reproductions are presently available from any number of Mustang restoration parts sources. A compass, rear seat belts, A/C, and back-up lights were also optional. The 1966 Mustang debuted with moderate trim changes including a new grille, side ornamentation, wheel covers and filler cap. Ford’s new C-4 “cruise-o-matic” three-speed auto transmission became available for the 225 hp V8. The 289 “HiPo” K-code engine was also offered with a c4 transmission, but it had stronger internals and can be identified by the outer casing of the servo which is marked with a ‘C’. The long duration solid-lifter camshaft that allowed the high revving 289 to make the horsepower it was known for, was not friendly for a low stall speed automatic torque converter. The “HiPo” could be spotted very easily by the 1-inch-thick vibration damper, (as compared to 1/2 inch on the 225-hp version) and the absence of a vacuum advance unit on the dual point distributor. With the valve covers off, there is a large letter “K” stamped between the valve springs, along with screw in studs (vs. a pressed in stud for other 289s) for the adjustable rocker arms. A large number of new paint and interior color options, an AM/eight-track sound system, and one of the first AM/FM mono automobile radios were also offered. It also removed the Falcon instrument cluster; the previously optional features, including the round gauges and padded sun visors, became standard equipment. The Mustang would be the best-selling convertible in 1966, with 72,119 sold, beating the number two Impala by almost 2:1. The 1965 and 1966 Mustangs are differentiated by variations in the exterior, despite similar design. These variations include the emblem on the quarter-panels behind the doors. From August 1964 production, the emblem was a single vertical piece of chrome, while for 1966 models the emblem was smaller in height and had three horizontal bars extending from the design, resembling an “E”. The front intake grilles and ornaments were also different. The 1965 front grille used a “honeycomb” pattern, while the 1966 version was a “slotted” style. While both model years used the “Horse and Corral” emblem on the grille, the 1965 had four bars extending from each side of the corral, while on the 1966, these bars were removed. The 1966 model year saw introduction of ‘High Country Special’ limited edition, 333 of them were sold in Colorado, Wyoming, and Nebraska. When Ford wanted to introduce the Mustang in Germany, they discovered that Krupp company had already registered the name for a truck. The German company offered to sell the rights for US$10,000. Ford refused and removed Mustang badges from exported units, instead naming the cars as T-5 (a pre-production Mustang project name) for the German market until 1979 when Krupp copyrights expired. In 1965, Harry Ferguson Research purchased 3 Mustang notchbacks and converted them to 4×4 in an attempt to sell potential clients on their FF AWD system.  A similar system was used in the Ferguson P99 Formula One car, and would go on to be featured in the Jensen FF, widely considered the first AWD passenger car. As in the Jensen FF, the AWD Mustangs also featured an ABS braking system, long before such a feature was commonplace. Ford Australia organised the importation and conversion of 1966 Mustang to right-hand-drive for the Australian market. This coincided with the launch of new XR Falcon for 1966, which was marketed as “Mustang-bred Falcon”. To set the official conversion apart from the cottage industry, the RHD Mustangs were called “Ford Australia Delivered Mustang” and had compliance plates similar to XR Falcon. About 209 were imported to Australia with 48 units were converted in 1965 while the further 161 were done in 1966. The 1967 model year Mustang was the first redesign of the original model. Ford’s designers began drawing up a larger version even as the original was achieving sales success, and while “Iacocca later complained about the Mustang’s growth, he did oversee the redesign for 1967 .” The major mechanical feature was to allow the installation of a big-block V8 engine. The overall size, interior and cargo space were increased. Exterior trim changes included concave taillights, side scoop (1967 model) and chrome (1968 model) side ornamentation, square rear-view mirrors, and usual yearly wheel and gas cap changes. The high-performance 289 option was placed behind the newer 335 hp 6.4 litre FE engine from the Ford Thunderbird, which was equipped with a four-barrel carburettor. During the mid-1968 model year, a drag racer for the street could be ordered with the optional 428 cu in (7.0 litre) Cobra Jet engine which was officially rated at 335 hp. All of these Mustangs were issued R codes on their VIN’s. The 1967 Deluxe Interior was revised, discontinuing the embossed running horse motif on the seat backs (the source for the “pony interior” nickname) in favor of a new deluxe interior package, which included special colour options, brushed aluminium (from August 1966 production) or woodgrain dash trim, seat buttons, and special door panels. The hardtop also included upholstered quarter trim panels, a carryover from the 1965-66 deluxe interior. The 1967 hardtop also had the chrome quarter trim caps, carried over from 1965-66, but these were painted to match the interior in 1968 models. The 1967 deluxe interior included stainless steel-trimmed seat back shells, similar to those in the Thunderbird. These were dropped at the end of the 1967 model year, and were not included in the woodgrain-trimmed 1968 interior. The deluxe steering wheel, which had been included in the deluxe interior for the 1965-66, became optional, and could also be ordered with the standard interior. The 1968 models that were produced from January 1968 were also the first model year to incorporate three-point lap and shoulder belts (which had previously been optional, in 1967-68 models) as opposed to the standard lap belts. The air-conditioning option was fully integrated into the dash, the speakers and stereo were upgraded, and unique center and overhead consoles were options. The fastback model offered the option of a rear fold-down seat, and the convertible was available with folding glass windows. Gone was the Rally-Pac, since the new instrument cluster had provisions for an optional tachometer and clock. Its size and shape also precluded the installation of the accessory atop the steering column.  The convenience group with four warning lights for low fuel, seat belt reminder, parking brake not released, and door ajar were added to the instrument panel, or, if one ordered the optional console and A/C, the lights were mounted on the console. Changes for the 1968 model increased safety with a two-spoke energy-absorbing steering wheel, along with newly introduced shoulder belts. Other changes included front and rear side markers, “FORD” lettering removed from hood, rearview mirror moved from frame to windscreen, a 302 cu in (4.9 litre) V8 engine was now available, and C-Stripe graphics were added. The California Special Mustang, or GT/CS, was visually based on the Shelby model and was only sold in Western states. Its sister, the ‘High Country Special’, was sold in Denver, Colorado. While the GT/CS was only available as a coupe, the ‘High Country Special’ model was available in fastback and convertible configurations during the 1966 and 1967 model years, and as a coupe for 1968. The 1968 Ford Mustang GT Fastback reached iconic status after it was featured in the 1968 film Bullitt, starring Steve McQueen. In the film, McQueen drove a modified 1968 Mustang GT 2+2 Fastback chasing a Dodge Charger through the streets of San Francisco. There were further annual updates until the model’s replacement in 1973, but with each the car got steadily bigger and less overtly sporty. Sales reduced, too, suggesting that Ford were losing their way. Mustang II did not fix that, of course, but gradually, the legendary nameplate has returned to delivering the same sort of promise as those early and much loved cars were able to do.

For 1970, the Torino became the primary model and the Fairlane became a sub-series of Torino. Ford moved away from emulating the boxy lines of the full-size Fords to a completely new body for the 1970 Torino/Fairlane line influenced by coke bottle styling. Just as tailfins were influenced by jet aircraft of the 1950s, stylists such as Ford stylist Bill Shenk who designed the 1970 Ford Torino were inspired by supersonic aircraft with narrow waists and bulging forward and rear fuselages needed to reach supersonic speeds . The 1970 Torino had more prominent long hood short deck styling, and was longer, lower and wider than the 1969 models. All models had a lower and less formal roofline compared to previous years. The windshield rake was increased, and the SportsRoof models had an even flatter fastback roofline. The Torino had a pointed front end and overall styling appeared much more aerodynamic than years previous. The grille covered the full width of the front fascia and surrounded the quad headlights. The front fender line extended to front door, sloping downward and gradually disappearing in the quarter panel. Both front and rear bumpers were slim tight fitting chromed units, that followed the body lines. The taillights were situated in the rear panel above the bumper, and were now long rectangular units with rounded outer edges. The model line-up for 1970 initially featured 13 models. The base model “Fairlane 500”, was available in a 2-door hardtop, 4-door sedan, and 4-door wagon. Next the mid-level “Torino” was available as a 2-door and 4-door hardtop, a 4-door sedan and station wagon. The 4-door pillarless hardtop was a new body style for the 1970 model year (Chevrolet introduced this body style for its intermediate Chevelle starting in 1966). The “Torino Brougham,” the top trim level, was available as a 2-door and 4-door hardtop, and a 4-door station wagon. The sporty “Torino GT” was available as a 2-door SportsRoof and convertible. The performance model, the “Torino Cobra” was available as a 2-door SportsRoof only. To add to this extensive line-up, the Falcon name was added mid-year as a new entry-level intermediate. The Ford Falcon compact model continued for the first half of the 1970 model year, but was discontinued as it could not meet new federal standards that came into effect on January 1, 1970. As a result, the Falcon model name was used as the new price leader for the intermediate line. The 1970½ Falcon was available as a 2-door and 4-door sedan, and 4-door station wagon. These were the lowest priced intermediate models with less standard features than the Fairlane 500s. The Falcon was the only intermediate that used a rubber floor instead of carpet, and was the only series that offered a pillared 2-door sedan. Also introduced mid-year was a Torino 2-door SportsRoof model, which was marketed as a low price alternative to the GT. With the above mid-year additions, the Ford intermediate line-up consisted of 17 separate models. The new body for 1970 added inches and pounds to the Torino resulting in stretching the chassis used in 1968–69. All cars grew by about 5 in (127 mm) in length, and now rode on a longer 117 in (2,972 mm) wheelbase (station wagons used a 114 in (2,900 mm) wheelbase). Weight was up for most models by at least 100 lb (45 kg). The wheel track was widened to 60.5 in (1,537 mm) in front and 60 in (1,524 mm) in the rear to help the Torino improve its road holding abilities. The extra width between the spring towers increased the engine compartment size allowing the larger 385 Series V8’s to fit. However, the suspension remained unchanged from the 1969 models. Optional suspension packages included the competition suspension and heavy-duty suspension options. The competition suspension consisted of extra-heavy-duty front and rear springs (500 lb (226.8 kg) per inch front, and 210 lb (95.3 kg) per inch rear), Gabriel shocks (staggered rear shocks on 4-speed cars), and a large 0.95″ front sway bar (0.75″ standard on other suspensions). In a 1970 Motor Trend test of a Torino Cobra, Motor Trend described the competition suspension as “completely different: The car goes through tight turns in a confidence-inspiring controlled slide. It’s all very smooth and unusual.” Interiors on the Torino were all new for 1970. The dashboard used a linear style speedometer centred on the driver and a new “ribbon” style tachometer was an option for V8 models. A temperature gauge was the only available gauge; oil pressure and electrics were monitored with warning lights only. High back bucket seats were available for all 2-door models, as was an optional console. All 2-door hardtop, SportsRoof and convertible models had “DirectAire” ventilation systems as a standard feature, which eliminated the need for side vent windows. The 2-door sedan, 4-doors and station wagons still had vent windows but the “DirectAire” system was an option for these models. The ignition switch was moved from the instrument panel to the steering column, in compliance with Federal regulations. The steering wheel and column-mounted shifter locked when the key was removed. The engine line-up received major changes, and only the 250 CID I-6, 302-2V and the 351W-2V were carried over from 1969. Most models continued used the 250 CID I-6 as the standard engine. Optional engines included the 302-2V (standard on GT and Brougham models), 351W-2V, the new 351 Cleveland available with a 2- or 4-barrel carburetor, and the new 429-4V 385 Series V8 (standard on the Cobra models). Selecting the 351-2V on the option list could have resulted in the buyer receiving either the 351W-2V or the 351C-2V; both shared the same power rating and VIN code. The 429-4V was available in three different versions. The first was the 429 Thunder Jet, the standard engine for the Cobra, rated at 360 hp. Next was the 429 CJ (Cobra Jet), rated at 370 hp which included a 2-bolt main block, hydraulic lifters, a 700 CFM Holley or 715 CFM Rochester Quadrajet carburettor, and was available with or without Ram Air. The top option was the 429 SCJ (Super Cobra Jet), rated at 375 bhp and was part of the “Drag Pack” option. Selecting the “Drag Pack” option turned a 429 CJ into a 429 SCJ. The drag pack required either the 3.91:1 or the 4.30:1 axle ratio, and included a 4-bolt main engine block, forged pistons, 780 CFM Holley carburettor, engine oil cooler, and a solid lifter cam. The “Detroit Locker” rear differential was included when the 4.30:1 axle was ordered while the “Traction-Lock” limited-slip differential was included with the 3.91:1 axle. Ram Air induction was optional on the 351C-4V, 429 CJ and 429 SCJ, but Ram Air did not change the advertised power ratings. The Ram Air option included a “shaker hood” where the scoop was attached to the top of the air cleaner assembly, and protruded through a hole in the hood. A 3-speed transmission was standard on all models except for the Cobra which came with a 4-speed as standard equipment. The Cruise-O-Matic was optional for all engines while the 4-speed transmission was available on all engines except the six and the 302-2V. Torino Brougham models came standard with extra exterior and interior trim, finer upholsteries, wheel covers, unique emblems, extra sound insulation and “Hideaway” headlights. “Hideaway” headlights had headlight covers that were styled to look like the grille of the vehicle extended across the front end. When the lights were turned on, vacuum actuators would flip the covers up and out of the way to expose the quad headlamps. Motor Trend wrote[when?] that “when you get into a Brougham, it’s the same feeling as an LTD, or even, dare we say it, a Continental. But in a more manageable scale.”[16] Motor Trend gave accolades to the 1970 Torino Brougham 2-door for its quiet interior that only allowed “the muffled thump of freeway expansion-joints [to] intrude.” The Torino GT came standard with non-functional hood scoop molded into the hood, GT emblems (including the centre of the grille), dual colour-keyed sport mirrors, full width tail lights with a honeycomb effect (the centre portion was only reflective), black decklid appliques, and hub caps with wheel trim rings. Standard tires for the GT were E70-14 fibreglass belted tires, while convertibles wore F70-14s. Bucket seats and console were not longer standard equipment on the GT, but remained as options. Other new options for the Torino GT were a reflective laser stripe, which ran down the middle of the side of the Torino from the front fender to the door, and Hideaway headlamps. Motor Trend magazine tested a 1970 Torino GT SportsRoof with a 429 CJ, C-6 Automatic, and 3.50:1 gears, and obtained a 0 – 60 mph (97 km/h) time of 6.0 seconds, while the quarter-mile took 14.4 seconds at 100.2 mph (161.3 km/h). The Torino Cobra remained the top performance model, but was a lower level of trim than the Torino GT. The Cobra was only available as a SportsRoof, and came standard with a 4-speed close ratio transmission, Hurst shifter, competition suspension, flat black hood and grille, 7-inch-wide wheels, F70-14 tires with raised white letters, twist style exposed hood latches and “Cobra” emblems. New options included 15 in (380 mm) Magnum 500 wheels with F60-15 tires and flat black “Sport Slats” for the rear window (both also available on the Torino GT). Performance was strong even though the Torino was heavier for 1970. Motor Trend tested a 1970 Torino Cobra equipped with the Ram Air 370 hp (276 kW), 429 CJ, C-6 automatic and 3.50:1 rear axle, and it went from 0 – 60 mph in 6.0 seconds while taking 14.5 seconds at 100 mph (161 km/h) to go through the quarter-mile. Motor Trend wrote “The weight obviously helped traction, as it was fairly easy to accelerate away from a standing start with only a modicum of wheelspin.” Motor Trend also tested a 1970 Cobra with a 429 SCJ, 4-speed and 3.91:1 gears, and resulted in a 5.8-second 0 – 60 mph time, with a 13.99-second quarter-mile at 101.0 mph (162.5 km/h). Super Stock and Drag Illustrated bested that time, in their test of a Torino Cobra equipped with the 375 bhp, 429 SCJ, C-6 automatic, and 3.91:1 rear gears. They were able to run the quarter-mile in 13.63 seconds at 105.95 mph (170.51 km/h), however, this was after the carburetor had been modified (improved power valve, larger primary and secondary jets). Super Stock and Drag Illustrated fitted a pair of slicks to the same Torino and ran a 13.39 seconds at 106.96 mph (172.14 km/h). Station wagon models for 1970 were offered initially in three different levels: the Fairlane 500 wagon, the Torino wagon, and the Torino Squire wagon. Mid-year 1970, the Falcon wagon became base station wagon. The sheetmetal on the station wagons was not changed as drastically as 2-door and 4-door models. The majority of the sheetmetal behind the front doors was carried over from the 1968–69 body style. As a result, the wagons appeared more upright and square than the sedans and coupes. The Torino Squire, the top level wagon, featured simulated woodgrain sides, headlamp covers and a trim level similar to the Torino Brougham sedan. The Squire came standard with a 302-2V V8 engine and power front disc brakes; other wagons had 4-wheel drums and the 250 CID I-6. All wagons used Ford’s “Magic Doorgate” two-way tailgate, but the power rear window, rear-facing third seat and roof rack were options. Ford offered a trailering towing package for all Torinos that would allow Torino to have a Class II tow rating (3,500 lb (1,588 kg)). This package included heavy-duty suspension, heavy-duty battery and alternator, extra cooling package, and power front disc brakes. The 351 cu in (5.8 L) or 429 cu in (7.0 L) engine, power steering and the Cruise-O-Matic transmission were required options. Overall, 1970 was a successful year for Torino. It was a well received car by the automotive press and was selected as the Motor Trend Car of the Year for 1970. Motor Trend said the Torino was “Not really a car line in the old sense, but a system of specialty cars, each for a different use … from luxury to performance.” Ford produced 230,411 Torinos for 1970, along with 110,029 Fairlanes and 67,053 Falcons, for a total production of 407,493 units. For the 1971 model year, Ford limited changes to its intermediate line to minor revisions. The biggest change for 1971 was the decision to drop the Fairlane and Falcon model names. The Torino line-up consisted of 14 models. The base model was the “Torino”, available as a 2-door hardtop, 4-door sedan and 4-door station wagon. Next was the mid-level “Torino 500”, available as a 2-door hardtop and SportsRoof, 4-door sedan and hardtop and a 4-door station wagon. The top-of-the-line Torino remained the “Torino Brougham”, available as a 2-door and 4-door hardtop, while the “Torino Squire” remained the station wagon equivalent to the Brougham. The “Torino GT” was offered as a 2-door SportsRoof and convertible, while the “Torino Cobra” was still only available as a 2-door SportsRoof. The styling was mostly unchanged for the 1971 models, save for minor revisions to trim and the grilles. The grille on the 1971 Torinos was divided by a vertical division in the centre for all models except the Cobra. The Cobra used the same grille as the 1970 model. A revised emblem was located on the vertical grille divider for all Torinos except the Cobra. The Torino 500, Brougham, Squire wagon and GT models had the hideaway headlamp option available, which included a unique grille with a less prominent divider bar. The engine line-up remained almost identical to the 1970 model year, with most models featuring the 250 CID I-6 as standard. Broughams, Squires and GTs continued to have the 302-2V as standard, while the Torino Cobra was downgraded to a 351-4V as its standard engine. All engines, other than the 429s, saw a slight drop in compression, which also resulted in a corresponding drop in power ratings. Other manufacturers were following suit, including Torino’s main competitor Chevrolet’s Chevelle, which had an even larger drop in compression on all of its 1971 engines. Ram Air induction was an option on the 351-4V, 429 CJ, and the 429 SCJ. The Torino Cobra came with a 351-4V rated at 285 hp and it also included a 4-speed manual with a Hurst shifter, F70-14 tires Cobra emblems, competition suspension, hub caps, and a blacked out grille. A new option for Cobra models was the reflective laser stripe, formerly an option for just GT models. Although the high-performance 429 Cobra Jets were still rated at the same power as the 1970 models, Super Stock and Drag Illustrated had disappointing results from its test of a 1971 Torino Cobra. They tested a Cobra equipped with the 370 bhp, 429 CJ, C-6 automatic, 3.50:1 gears, and were only able to turn a best quarter-mile time of about 15 seconds at 97 mph (156 km/h). The article states “this car would really respond to a good ignition system, a better intake manifold, a larger carburettor and a set of headers.” Cars magazine had better luck with their test of a 1971 Torino Cobra equipped with the Ram Air 370 hp, 429 CJ, C-6 automatic, and 3:50:1 gears. They went through the quarter-mile in 14.5 seconds at 102 mph (164 km/h) in the 4,100 lb (1,900 kg) Torino. The former time was obtained after the Cars staff did some “proper tuning.” The GT was the Torino’s sporty/high trim model and included a 302-2V engine, dual colour keyed racing mirrors, GT identification, a non-functional hood scoop, hub caps and trim, rings, chrome trim on the foot pedals, full width taillights with honeycomb effect, and E70-14 tyres (F70-14 on convertibles). Torino GT’s had a shaker scoop when equipped with the Ram Air Induction. The Torino Brougham was Torino’s luxury oriented model. This model included Brougham ornamentation, additional trim, full wheel covers, additional sound proofing, and cloth upholstery. Hideaway headlamps were no longer standard, but remained an option. Motor Trend tested a 1971 Torino Brougham 4-door and stated “The [seat] cushioning and support was excellent. ..[and] the upholstery was magnificent.” Production for 1971 was 326,463 units, slightly lower than 1970 Ford intermediate production. Only 1,613 Torino GT Convertibles and 3,054 Torino Cobras were produced for 1971.

Ford introduced a dramatically new style of pickup in 1961 with the fourth-generation F-Series. Longer and lower than its predecessors, these trucks had increased dimensions and new engine and gearbox choices. Additionally, the 1961–1963 models offered an optional unibody design with the cab and bed integrated. The traditional separate cab/bed was offered concurrently. The unibody proved unpopular, and Ford discontinued the option after the 1963 model year. In 1965, the F-Series was given a significant midcycle redesign. A completely new platform, including the “Twin I-Beam” front suspension, was introduced, and continued to be used until 1996 on the F-150, and still is currently on the F-250 and F-350 4×2. Additionally, the Ranger name made its first appearance in 1965 on a Ford pickup; previously, the Ranger denoted a base model of the Edsel, but starting in 1965, it was used to denote a high-level styling package for F-Series pickups. This one is an F250 and dates from 1965.

The Thames Trader was a range of trucks manufactured by Ford UK built between 1957 and 1965. The distinctive cab design, which sets it apart from other British commercial vehicles, was a forward-control (or semi-forward control) design and the Thames Trader model covered a much wider weight range than the existing normal control ET Thames model or the earlier forward control 7V model. Both these earlier models had been based on Ford of America designs; the new Thames Trader was the first heavy commercial to be designed by Ford of Britain (although looking at the headlight surrounds suggests a family resemblance to the American Ford C series truck of the mid 1950s). The Thames Trader model range covered weights from 2 to 7 tons, powered by either petrol or diesel engines in four- or six-cylinder guises. The lower-weight vehicles were available with 118- and 138-inch wheelbases, the heavy weight vehicle with 138-, 152- and 160-inch wheelbases; there was also a 108-inch tipper wheelbase. In addition there was a low-frame chassis model – typically used for furniture van bodywork. A Mk 2 version was introduced in mid-1962. Externally it is very easy to differentiate between Mk1 and Mk2 versions; the Mk1 has the words THAMES TRADER in red on a chrome strip along the bottom of the bonnet opening and the white painted grill between the headlights has a vertical divider with a red circular badge with 4 stars, whereas the Mk2 has just the word THAMES under the bonnet, and TRADER in white letters spaced out between the headlights replacing the divider and badge. The Mk2 Diesel engined variants had either a 4D or 6D chrome badge on each front wing, on the Mk1 it was a squarish chrome badge with either a red painted 4, 6, 4D or 6D to indicate the engine configuration. The lower edge of the badge had a horizontal chrome strip running the length of the lower part of the wing. Ford commenced production of the Thames Trader NC at the Dagenham factory in England in 1962. It used the cabin developed by Ford Germany for their slow-selling Ford Köln truck. The NC designation indicated “normal control”, as opposed to “forward control”. After the discontinuation of the Thames brand in 1965 the NC was re-designated as the K Series. Ford Europe would not step in again on the normal control heavy-duty van segment until 1973 with the Ford A-Series, which was based on the smaller Ford Transit.

Now rare are examples of the first generation Transit which was introduced in October 1965, taking over directly from the Thames 400E. This generation had the longest production run of any Transit to date, staying largely unaltered for 12 years until the major facelift of 1978, with overall production lasting for over 20 years before finally being replaced by the all-new VE6 platform in 1986. The van was produced initially at Ford’s Langley facility in Berkshire, England (a former Second World War aircraft factory which had produced Hawker Hurricane fighters), but demand outstripped the capability of the plant, and production was moved to Southampton until closure in 2013 in favour of the Turkish factory. Transits were also produced in Ford’s Genk factory in Belgium and also Turkey. Transits were produced in Amsterdam for the local market from the mid-1970s until the end of 1981. This factory had ample capacity, since the Ford Transcontinental produced there had little success (total production 8000 in 6 years). Although the Transit sold well in the Netherlands, it was not enough to save the factory, which closed in December 1981. The Transit was introduced to replace the Ford Thames 400E, a small mid-engined forward control van noted for its narrow track which was in competition with similar-looking but larger vehicles from the BMC J4 and J2 vans and Rootes Group’s Commer PB ranges. In a UK market segment then dominated by the Bedford CA, Ford’s Thames competitor, because of its restricted load area, failed to attract fleet users in sufficient numbers. Ford switched to a front-engined configuration, as did the 1950s by Bedford with their well-regarded CA series vans. Henry Ford II’s revolutionary step was to combine the engineering efforts of Ford of Britain and Ford of Germany to create a prototype for the Ford of Europe of today—previously the two subsidiaries had avoided competing in one another’s domestic markets but had been direct competitors in other European markets. The Transit was a departure from the European commercial vehicles of the day with its American-inspired styling—its broad track gave it a huge advantage in carrying capacity over comparable vehicles of the day. Most of the Transit’s mechanical components were adapted from Ford’s car range of the time. Another key to the Transit’s success was the sheer number of different body styles: panel vans in long and short wheelbase forms, pick-up truck, minibuses, crew-cabs to name but a few. The engines used in the UK were the Essex V4 for the petrol-engined version in 1.7 litre and 2.0 litre capacities. By using relatively short V-4 engines Ford were able to minimise the additional length necessitated to place the engine ahead of the driver. Another popular development under the bonnet was the equipping of the van with an alternator at time when the UK market competitors expected buyers to be content with a dynamo. A 43 bhp diesel engine sourced from Perkins was also offered. As this engine was too long to fit under the Transit’s stubby nose, the diesel version featured a longer bonnet – which became nicknamed as the “pig snout”. The underpowered Perkins proved unpopular, and was replaced by Ford’s own York unit in 1972. For mainland Europe the Transit had the German Ford Taunus V4 engine in Cologne 1.3, 1.5, and 1.7- or Essex 2.0-litre versions. The diesel version’s long nose front was also used to accommodate the Ford 3.0 litre Ford Essex V6 engine (UK) for high performance applications such as vans supplied to police and ambulance services. In Australia, in 1973, to supplement the two Essex V4 engines that were available the Transit was released with the long-nose diesel front used to accommodate an inline 6-cylinder engine derived from the Ford Falcon. The Metropolitan Police reported on this vehicle in 1972 via a Scotland Yard spokesman that ‘Ford Transits are used in 95 per cent of bank raids. With the performance of a car, and space for 1.75 tonnes of loot, the Transit is proving to be the perfect getaway vehicle…’, describing it as ‘Britain’s most wanted van’. The adoption of a front beam axle in place of a system incorporating independent front suspension that had featured on its UK predecessor might have been seen as a backward step by some, but on the road commentators felt that the Transit’s wider track and longer wheelbase more than compensated for the apparent step backwards represented by Ford’s suspension choices. Drivers appreciated the elimination of the excessive noise, smell and cabin heat that resulted from placing the driver above or adjacent to the engine compartment in the Thames 400E and other forward control light vans of the 1950s and early 1960s. The Transit was also assembled in South Africa between 1967 and 1974, the last Transit to be sold in that country until 2013, when a fully imported model was introduced. A facelifted version was introduced in 1977 and would continue until early 1986 when an all-new model was introduced.

The Ford Cargo is a forward control (cab-over-engine) truck model manufactured by Ford since 1981. Designed by Ford of Britain as the successor of the larger Ford Transcontinental, the Cargo entered the North American market as the intended successor of the long-running Ford C-Series. Following the 1986 sale of the commercial vehicle division of Ford of Europe to Iveco, the Ford Cargo was sold in Europe as an Iveco Ford to 1991, when it was updated, becoming the Iveco Eurocargo. Following the sale of the Ford heavy-truck lines in 1997, the Cargo continued under the Freightliner and Sterling brands through 2007. Originally produced by Ford UK at its Langley facility from 1981 to 1993, the Cargo was also produced by Ford Brasil (the source of US-market production from 1986-1990) from 1981 to 2019, with current production sourced from Ford Otosan in Turkey. The 1981 Ford Cargo was styled by Patrick Le Quément, designer of the Ford Sierra and the later Renault Twingo. The styling of the Cargo intentionally followed the family look of Ford of Europe’s car range with the distinctive louvred black “Aeroflow” grille also used on the likes of the Escort III the Cortina 80, both of which Le Quement had worked on under the leadership of Uwe Bahnsen. Another distinguishing feature of the original design was quarter windows that extend down nearly to floor level (also seen in the Volvo FL) for drivers in urban locations, the design was intended to better show pathways and blindspots while parking. With the demise of the Ford Transcontinental heavy truck range in 1983, British Ford introduced a range of heavyweight Cargo tractor units ranging from 28- to 38-tonnes gcw. The 38-tonners were powered by the Cummins L10 while those at 28- and 32-tonnes had Perkins, Cummins, or air-cooled Deutz diesels. The 7.49 tonne Cargos had Dorset and Dover fours or sixes, starting with a 89 bhp unit in the 0809. The Dover six-cylinder engines were mounted at a slant in the Cargo. In 1986, Ford sold its European truck operations to the Italian Iveco group and subsequent vehicles have been badged Iveco Ford. After the recession in the 1990s, Iveco rationalised its production operations, overlooked by Keith Stanley Jones (Production Engineering Manager). Its Langley plant closed in October 1997, bringing British Iveco/Ford truck production to an end. The original lightweight Cargo was replaced in 1993 by the Iveco Eurocargo range, covering the 7.5-ton to 18-ton GVW range. It was originally only built in Ford’s Langley (Slough) plant, from which about a third of the production was exported to continental Europe. Cargos were also exported to Turkey and to Australia, while panels were supplied to Brazil for local assembly (these Brazilian trucks were also exported to the United States). Production has expanded since: the model is still made in Argentina (only the Cargo 1722 between 1999 and 2000) and Venezuelan (also known as the Ford Trader) Ford subsidiaries, Turkey’s Ford Otosan, and India’s Ashok Leyland (as the eComet and as the Stallion).

GILBERN

The Invader was the last car made by the company. Introduced in July 1969, it was based on the Genie but with improved chassis and larger brakes. The front suspension now came from the MGC and the chassis was strengthened. It took the brand further up- market with fittings such as electric windows and walnut-veneered dashboard. The Invader was available as a complete car and from 1970 an estate version was also produced. Automatic or manual transmission with overdrive were available. It was updated to the Mk II version in 1971. In September 1972, a Mk III version was released, which had a Ford Cortina front suspension and was restyled front and rear. The engine was the higher tune unit from the Ford Capri 3000GT. The body was produced using new moulds and was both wider and lower than that of the earlier Invader, with the tack was extended by four inches. The wider axle led to wheel spats being added to the sides of the car. At the back the live rear axle was located by trailing links and a Panhard rod: adjustable shock absorbers were fitted all round. It was only available as a factory-built car and cost £2,693 in 1972, which was a lot of money. That proved to be the car’s ultimate downfall, and production ceased in 1973 after 603 had been made.

HILLMAN

Known internally at Rootes as the “Apex” project, the Imp was to be the group’s first post-Second World War small car. Its main rival on the home market was the BMC Mini, which preceded the Imp by almost four years. Launched in May 1963, much was expected of this promising small car, which was all-new and which was built in a new factory in Linwood in Scotland, far away from the rest of the Rootes Group’s facilities in the Coventry area. Conceived as a direct competitor to the BMC’s Mini, it adopted a different approach to packaging, with a space-saving rear-engine and rear-wheel-drive layout to allow as much luggage and passenger capacity as possible in both the rear and the front of the car. It used a unique opening rear hatch to allow luggage to be put into the back seat rest. In addition to its 875 cc all-aluminium power unit, adapted by Rootes from a Coventry Climax FWMA fire pump engine it was the first mass-produced British car to have an engine in the back and the first car to use a diaphragm spring clutch. The baulk-ring synchromesh unit for the transaxle compensated for the speeds of gear and shaft before engagement, which the Mini had suffered from during its early production years. It incorporated many design features which were uncommon in cars until the late 1970s such as a folding rear bench seat, automatic choke and gauges for temperature, voltage and oil pressure. At launch it was considered advanced for the time, but reliability problems quickly harmed its reputation, which led to the Rootes Group being taken over by Chrysler Europe in 1967. Over the life of the car, Rootes (and later Chrysler UK) produced four body styles. The original saloon was introduced in May 1963 and ran through to the end of production in 1976. It has an opening rear window, making it effectively a hatchback. The opening rear window was intended to make it easier to load the small luggage area behind the fold-down rear seat. The fold-down nature of the rear seat was itself unusual in small car design at the time, being more often associated with larger upmarket estate cars. In 1965 a van badged as the “Commer Imp” was introduced. A coupe, the Imp Californian, was introduced in 1967 at the same time as the van’s pressings were used to create an estate car, badged “Hillman Husky”. Several estate car prototypes using the saloon body with extended rooflines were tried, but never offered to the public. Instead, buyers choosing the estate had to settle for a van-derived car with somewhat unusual styling. Both the van and estate ceased production in 1970. In an attempt to interest a wider public when sales figures fell well short of the intended 100,000 cars per annum, several badge-engineered derivatives, such as the luxury Singer Chamois (launched October 1964), and the Sunbeam Sport (launched October 1966), with a more powerful twin-carburettor engine, were offered with varying degrees of success. For marketing reasons the Singer variants were sold as Sunbeams in many export markets, even before May 1970 when the Singer marque was discontinued altogether by Chrysler UK. In some markets, such as France, the “Sunbeam” name was used on all British Rootes products, including the Imp and the Husky.The coupe bodyshell is similar to the standard body but features a more shallow-raked windscreen and rear window which, unlike that on the standard bodied cars, can not be opened. The attempt at a more sporty design did not translate into better acceleration or top speed figures and the aerodynamics of the standard saloon are actually slightly better. The new body style made its first appearance at the Paris Motor Show in October 1967, with the introduction of the sporting Sunbeam Stiletto. The coupe body had also appeared, with less powerful engines, in the Hillman Imp Californian announced in January 1967 and the more luxurious Singer Chamois coupe. Production continued to 1976, and around 440,00 units were sold, a far cry from the figures achieved by the Mini, which sold at about 10 times that rate.

The Hunter is perhaps the best known of this range of cars that Rootes Group produced under several badge-engineered marques from 1966 to 1979. It is amongst the last Rootes designs, developed with no influence from future owner Chrysler. A substantial number of separate marque and model names applied to this single car platform. Some were given different model names to justify trim differences (Hillman GT, Hillman Estate Car) and to make things more complicated, from time to time all models were sold in some European markets under the Sunbeam marque (Sunbeam Sceptre for instance), and at other times used UK marque/model names. To add complication, Singer Gazelle/Vogue models were also sold in the UK for one season badged as Sunbeams after the Singer brand was withdrawn. The Arrow range was conceived in 1962. Following the Hillman Imp, consideration was given to developing a larger rear-engined car, but this concept was dismissed, and the engineering settled on for the new car was more conventional and closer to the layout of the existing Audax series (which included the previous Hillman Minx). With cash-strapped Rootes struggling amid continuing engine cooling problems with the Imp, which often resulted in warped cylinder heads, the cautious Arrow broke little new engineering ground. New parts were largely based on tried and tested Rootes components, using a new but strong 5-bearing version of the well-proven 1725 cc overhead valve petrol engine as a starting point which varied in output from 66 bhp to 88 bhp. The engine was inclined by a modest 15 degrees, to allow for a lower bonnet line and to enable packaging of the carburettors. This engine was further uprated by specialists Holbay, employing two Weber 40DCOE carburettors to produce 107 bhp for the Sunbeam Rapier H120 and Hillman Hunter GLS. A smaller 1500 cc engine was the standard for manual versions of the Hillman Minx and the Singer Gazelle, and the Hillman Hunter DeLuxe model which succeeded the Minx. Automatic models were all powered by the 1725 cc engine. Particular attention was paid to weight and cost to bring the vehicle in line with its natural competitors, including the Mark 2 Ford Cortina. For the first time in a Rootes car MacPherson strut suspension featured at the front, with a conventional live axle mounted on leaf springs at the rear. Other firsts for Rootes in the new car were curved side glass and flow-through ventilation. Manual transmissions were available in four-speed form with an optional Laycock de Normanville overdrive, or Borg-Warner automatic transmission, again as an option. Initially, the Borg Warner Type 35 3-speed automatic was offered, then the Type 45 four-speed automatic became available in 1973. The handbrake was situated between the driver’s seat and door rather than between the front seats. This followed the practice in the ‘Audax’ cars. The first Arrow model to be launched, the Hillman Hunter, was presented as a replacement for the Hillman Super Minx. The Hunter was lighter than its predecessor and the wheel-base of the new car was actually 2½ inches shorter than that of the old, but the length of the passenger cabin was nonetheless increased by moving the engine and the toe-board forwards. For the first two years there were few changes. However, in May 1968 power assisted brakes were made available as a factory fitted option. Hitherto this possibility had been offered only as a kit for retro-fitting: it was stated that the factory fitted servo-assistance, at a domestic market price slightly below £13, would be cheaper for customers. A mild facelift in 1970 gave new grilles to the various Hunter trim levels, and some derivatives gained a (then) more fashionable dashboard, exchanging wood for plastic, but the car remained fundamentally the same throughout its life. A more detailed facelift for 1972 brought a new all-plastic dashboard with deeply hooded round dials (earlier versions had either a strip speedometer or round dials in a flat dashboard for more expensive models like the Vogue), new steering wheel, plastic instead of metal air cleaner, reshaped squarer headlamps in a new grille and some engine tuning changes. For 1975, bumpers were enlarged and the tail lights were enclosed in a full-width anodised aluminium trim piece. Following the 1967 acquisition of Rootes by Chrysler, the Arrow derivatives were rationalised until only the Hillman Hunter version was left by 1976. From September 1977 it was re-badged as a Chrysler, which it was to be for the remaining 2 years of its life. Hunter production was switched in 1969 to Rootes’ troubled Imp plant in Linwood, from its original home of Ryton. Sales were lower after 1975 following the launch of the Chrysler Alpine, a similar sized car but with front-wheel drive and a hatchback bodystyle, at a time when rear-wheel drive saloons still dominated in this sector. Following the Hillman Avenger’s move to Linwood in 1976, the very last European Hunters were assembled in the Santry plant, Shanowen Road, Ireland from “complete knock down” (CKD) kits until production ended in 1979 – but no evidence exists to suggest that the Talbot badge was applied to any production Hunter following Chrysler Europe’s 1978 takeover by Peugeot, and the application of that badge to other Chrysler models sold on or after 1 August 1979. The final Chrysler Hunter was built in September 1979 in Porirua, New Zealand, and was donated to the Southward Museum. In 2000 the Museum sold the car to a private collector.

Sitting below the Hunter in the Hillman range of the 1970s was the Avenger, a conventionally engineered small saloon that competed with the Ford Escort and Vauxhall Viva. 1250 and 1500cc models from launch were upgraded to 1300 and 1600cc in the autumn of 1973 and these garnered the majority of sales, but they are not the cars that have survived in the greatest numbers. The ones that you most often see now are the Tiger models. Named to evoke memories of the Sunbeam Tiger, the Avenger Tiger concept began as a publicity exercise. Avenger Super (four-door) cars were modified by the Chrysler Competitions Centre under Des O’ Dell and the Tiger model was launched in March 1972. Modifications included the 1500 GT engine with an improved cylinder head with enlarged valves, twin Weber carburettors and a compression ratio of 9.4:1. The engine now developed 92.5 bhp at 6,100 rpm. The suspension was also uprated, whilst brakes, rear axle, and gearbox are directly from the GT. The cars were all painted in a distinctive yellow called Sundance and they featured a bonnet bulge, whilst a rear spoiler and side stripes were standard, set off with “Avenger Tiger” lettering on the rear quarters. They are also distinguished by the fact that have rectangular headlights. Road test figures demonstrated a 0–60 mph time of 8.9 seconds and a top speed of 108 mph, which beat the rival Ford Escort Mexico, but fuel consumption was heavy. All Avenger Tigers were assembled by the Chrysler Competitions Centre and production figures are vague but around 200 of the initial Mark 1 seems likely. In October 1972, Chrysler unveiled the more “productionised” Mark 2 Tiger. The Avenger GL bodyshell with four round headlights was used. Mechanically identical to the earlier cars, the bonnet bulge was lost although the bonnet turned matt black, and there were changes to wheels and seats. These cars went on sale at £1,350. Production was around 400. These were available in a bright red colour called Wardance as well as the earlier Sundance, both with black detailing.

HONDA

The Legend Coupe was introduced February 6, 1987, with a larger displacement 2.7-litre V6 engine featuring a variable intake system for increased torque and a rear double wishbone suspension which wasn’t available on the sedan until 1989 model year. Incidentally, the Japanese coupe was both longer and wider, which increased its tax liability, yet it had a shorter wheelbase by 2.2 in (56 mm). Starting with the introduction of model year 1988, the trim level “Exclusive” was introduced, offering genuine wood trim provided by Tendo Mokko on the dashboard and center console with a very large selection of available wood type and hues to choose from, automatic headlights, headlight washer/wipers, separate rear passenger climate control, and chrome-plated power folding mirrors and door handles with infrared remote keyless entry. October 14, 1988 saw a minor restyle offered for the interior and dashboard, to provide a more luxurious appearance in comparison to the Nissan and Toyota uplevel sedans the Legend was competing with. Due to the success Honda had with the Legend, it served as an inspiration for many vehicles from multiple manufacturers, including the Subaru Legacy with which it shares many visual resemblances and dimensions both inside and out. A second generation Legend was launched in 1990.

HYMER

Hymer AG is a motorhome and caravan manufacturer, located in Bad Waldsee, Germany. One of the largest manufacturers of motorhomes and caravans in Europe, the listed company Hymer AG owns several brands, including; Burstner, Carado, Sunlight, Etrusco, Elddis, Hymer, Laika, LMC, Niesmann + Bischoff, Dethleffs, Eriba, as well as camping equipment wholesale Movera. In February 2017 it acquired The Explorer Group based in Consett, UK adding the Elddis, Buccaneer, Compass and Xplore brands to its portfolio. In 2018, Thor Industries acquired Hymer. Alfons Hymer, the father of Erwin Hymer, had operated a repair shop in Bad Waldsee since 1923. In 1956, Erich Bachem made the first caravan to a customer order, and in 1957 designer Erwin Hymer created the prototype “Eriba” range, the original Trolls. As a result, that same year the two formed the new distribution company Hymer AG, and in 1958 the company began production of the Eriba-Troll range, which is still in production today. The first Hymer motorhome was produced in 1961, the Caravano. During the mid-1960s, Dornier Flugzeugwerke and Hymer developed the Dornier Delta II, a development of the earlier Zündapp Janus. The vehicle could carry up to six passengers and offered two sleeping places for camping, but was never developed beyond the prototype stage. However, from 1971, serial production of motorcaravans started under the Hymer brand. In 1980, the Hymer and Eriba companies formally merged, before also merging with Dethleffs and TEC to form CMC. Since 1990, the company became publicly traded. In 1995, the company became the first caravan manufacturer to become ISO 9001 certified. In 1996, Hymer took over Niesmann + Bischoff GmbH, and in 1998 added Burstner. In the same year the camping accessories wholesaler Movera was founded. In 2000, Hymer AG acquired the Italian motorhome manufacturer Laika. The 100,000th leisure vehicle left the factory in October 2004. In 2005/6 Hymer and Dethleffs established of Capron Ltd., which distributes vehicles under the Carado and Sunlight brands. On 29 October 2011, the €17 million Erwin Hymer Museum opened in Bad Waldsee. In 2016, Hymer acquired esteemed North American Class B RV manufacturer Roadtrek, and created the subsidiary Erwin Hymer NA (North America) to manage the acquisition. In 2018, Thor Industries acquired Erwin Hymer (Europe) without Erwin Hymer NA and Roadtrek because of financial irregularities uncovered at Erwin Hymer NA (during due diligence investigations as required by the sale). Erwin Hymer NA subsequently fired the CEO, and COO, halted work at four factories in Ontario, laid off approximately 850 workers, and went into Canadian receivership. The Explorer Group, a subsidiary of Hymer, is the United Kingdom’s second largest manufacturer of caravans, based in Consett. The Explorer Group produces Elddis, Buccaneer, Compass and Xplore brands. Seen here is a model based on the Bedford CF.

JAGUAR

The Series 1 E Type was introduced, initially for export only, in March 1961. The domestic market launch came four months later in July 1961. The cars at this time used the triple SU carburetted 3.8-litre six-cylinder Jaguar XK6 engine from the XK150S. Earlier built cars utilised external bonnet latches which required a tool to open and had a flat floor design. These cars are rare and more valuable. After that, the floors were dished to provide more leg room and the twin bonnet latches moved to inside the car. The 3.8-litre engine was increased to 4,235 cc in October 1964. The 4.2-litre engine produced the same power as the 3.8-litre (265 bhp) and same top speed (150 mph), but increased torque approximately 10% from 240 to 283 lb/ft. Acceleration remained pretty much the same and 0 to 60 mph times were around 6.4 seconds for both engines, but maximum power was now reached at 5,400 rpm instead of 5,500 rpm on the 3.8-litre. That all meant better throttle response for drivers that did not want to shift down gears. The 4.2-litre’s block was completely redesigned, made longer to accommodate 5 mm (0.20 in) larger bores, and the crankshaft modified to use newer bearings. Other engine upgrades included a new alternator/generator and an electric cooling fan for the radiator. Autocar road tested a UK spec E-Type 4.2 fixed head coupé in May 1965. The maximum speed was 153 mph, the 0–60 mph time was 7.6 seconds and the 1⁄4 mile from a standing start took 15.1 seconds. They summarised it as “In its 4.2 guise the E-Type is a fast car (the fastest we have ever tested) and offers just about the easiest way to travel quickly by road.”. Motor magazine road tested a UK spec E-Type 4.2 fixed head coupé in Oct 1964. The maximum speed was 150 mph, the 0–60 mph time was 7 seconds and the 1⁄4 mile time was 14.9 seconds. They summarised it as “The new 4.2 supersedes the early 3.8 as the fastest car Motor has tested. The absurd ease which 100 mph can be exceeded in a 1⁄4 mile never failed to astonish. 3,000 miles (4,828 km) of testing confirms that this is still one of the world’s outstanding cars”. All E-Types featured independent coil spring rear suspension designed and developed by R J Knight with torsion bar front ends, and four wheel disc brakes, in-board at the rear, all were power-assisted. The Coventry engineers spared nothing with regards to high automotive technology in braking. Like several British car builders of the middle and late 1950s, the four-wheel disc brakes were also used in that era by Austin-Healey, MG,putting the British far ahead of Ferrari, Maserati, Alfa Romeo, Porsche, and Mercedes-Benz. Even Lanchester tried an abortive attempt to use copper disc brakes in 1902. Jaguar was one of the first vehicle manufacturers to equip production cars with 4 wheel disc brakes as standard from the XK150 in 1958. The Series 1 (except for late 1967 models) can be recognised by glass-covered headlights (up to 1967), small “mouth” opening at the front, signal lights and tail-lights above bumpers and exhaust tips under the number plate in the rear. 3.8-litre cars have leather-upholstered bucket seats, an aluminium-trimmed centre instrument panel and console (changed to vinyl and leather in 1963), and a Moss four-speed gearbox that lacks synchromesh for first gear (“Moss box”) on all except very last cars. 4.2-litre cars have more comfortable seats, improved brakes and electrical systems, and,obviously, an all-synchromesh Jaguar designed four-speed gearbox. 4.2-litre cars also have a badge on the boot proclaiming “Jaguar 4.2 Litre E-Type” (3.8 cars have a simple “Jaguar” badge). Optional extras included chrome spoked wheels and a detachable hard top for the OTS. When leaving the factory the car was originally fitted with Dunlop 6.40 × 15-inch RS5 tyres on 15 × 5K wire wheels (with the rear fitting 15 × 5K½ wheels supplied with 6.50 X15 Dunlop Racing R5 tyres in mind of competition). Later Series One cars were fitted with Dunlop 185 – 15 SP41 or 185 VR 15 Pirelli Cinturato as radial ply tyres. A 2+2 version of the fastback coupé was added in 1966. The 2+2 offered the option of an automatic transmission. The body is 9 in (229 mm) longer and the roof angles are different. The roadster and the non 2+2 FHC (Fixed Head Coupé) remained as two-seaters. Less widely known, right at the end of Series 1 production, but prior to the transitional “Series 1½” referred to below, a small number of Series 1 cars were produced with open headlights. These Series 1 cars had their headlights modified by removing the covers and altering the scoops they sit in, but these Series 1 headlights differ in several respects from those later used in the Series 1½ (or 1.5), the main being they are shorter at 143 mm from the Series 1½ at 160 mm. Production dates on these machines vary but in right-hand drive form production has been verified as late as July 1968. They are not “rare” in the sense of the build of the twelve lightweights, but they are certainly uncommon; they were not produced until January 1967 and given the foregoing information that they were produced as late as July 1968, it appears that there must have been an overlap with the Series 1.5 production, which began in August 1967 as model year 1968 models. These calendar year/model year Series 1 E-Types are identical to other 4.2-litre Series 1 examples in every respect except for the open headlights; all other component areas, including the exterior, the interior, and the engine compartment are the same, with the same three SU carburettors, polished aluminium cam covers, center dash toggle switches, etc. Following the Series 1 there was a transitional series of cars built in 1967–68 as model year 1968 cars, unofficially called “Series 1½.” Due to American pressure the new features were not just open headlights, but also different switches (black rocker switches as opposed to the Series 1 toggle switches), de-tuning for emissions (using two Zenith-Stromberg carburettors instead of the original three SUs) for US models, ribbed cam covers painted black except for the top brushed aluminium ribbing, bonnet frames on the OTS that have two bows, and other changes. Series 1½ cars also have twin cooling fans and adjustable seat backs. The biggest change between 1961–1967 Series 1 E-Types and the 1968 Series 1.5 was the reduction in the number of carburettors from 3 to just 2 (North America), resulting in a loss in horsepower. Series 2 features were gradually introduced into the Series 1, creating the unofficial Series 1½ cars, but always with the Series 1 body style. A United States federal safety law affecting 1968 model year cars sold in the US was the reason for the lack of headlight covers and change in dash switch design in the “Series 1.5” of 1968. An often overlooked change, one that is often “modified back” to the older style, is the wheel knock-off “nut.” US safety law for 1968 models also forbade the winged-spinner knockoff, and any 1968 model year sold in the US (or earlier German delivery cars) should have a hexagonal knockoff nut, to be hammered on and off with the assistance of a special “socket” included with the car from the factory. This hexagonal nut carried on into the later Series 2 and 3. The engine configuration of the US Series 1.5s was the same as is found in the Series 2. An open 3.8-litre car, actually the first such production car to be completed, was tested by the British magazine Motor in 1961 and had a top speed of 149.1 mph and could accelerate from 0 to 60 mph in 7.1 seconds. A fuel consumption of 21.3 mpg was recorded. The test car cost £2,097 including taxes.The cars submitted for road test by the motoring journals of the time (1961) such as Motor, Autocar and Autosport magazines were prepared by the Jaguar works. This work entailed engine balancing and subtle tuning work such as gas-flowing checking the cylinder heads but otherwise production built engines. Both of the well-known 1961 road test cars: the E-Type coupé Reg. No. 9600 HP and E-Type Convertible Reg. No. 77 RW, were fitted with Dunlop Racing Tyres on test, which had a larger rolling diameter and lower drag coefficient. This goes some way to explaining the 150 mph (240 km/h) maximum speeds that were obtained under ideal test conditions. The maximum safe rev limit for standard 6-cylinder 3.8-litre E-Type engines is 5,500 rpm. The later 4.2-Litre units had a red marking on the rev counter from just 5,000 rpm. Both 3.8 test cars may have approached 6,000 rpm in top gear when on road test, depending on final drive ratio. Production numbers were as follows:  15,490 of the 3.8s, 17,320 of the 4.2s and 10,930 of the 2+2s. And by body style there were 15,442 of the FHC, 17,378 of the OTS and 5,500 of the 2+2, making a total of 38,419 of the Series 1 car.

The Series 2 E Type introduced a number of design changes, largely due to U.S. National Highway Traffic and Safety Administration mandates. The most distinctive exterior feature is the absence of the glass headlight covers, which affected several other imported cars, such as the Citroën DS, as well. Unlike other cars, this step was applied worldwide for the E-Type. Other hallmarks of Series 2 cars are a wrap-around rear bumper, larger front indicators and tail lights re-positioned below the bumpers, and an enlarged grille and twin electric fans to aid cooling. Additional U.S.-inspired changes included a steering lock which moved the ignition switch to the steering column, replacing the dashboard mounted ignition and push button starter, the symmetrical array of metal toggle switches replaced with plastic rockers, and a collapsible steering column to absorb impact in the event of an accident. New seats allowed the fitment of head restraints, as required by U.S. law beginning in 1969. The engine is easily identified visually by the change from smooth polished cam covers to a more industrial “ribbed” appearance. It was de-tuned in the US with twin two-barrel Strombergs replacing three SUs. Combined with larger valve clearances horsepower was reduced from 265 to 246 and torque from 283 to 263. Air conditioning and power steering were available as factory options. Production totalled 13,490 of all types, with 4885 of the FHC, 5,326 of the 2+2 and 8,628 of the OTS model.

JENSEN

The Jensen S-V8 is the most recent car carrying the name Jensen. After a £10 million investment, including Liverpool City Council and the Department of Trade and Industry, the two-seater convertible was launched at the 1998 British International Motor Show, with an initial production run of 300 deposit paid vehicles planned at a selling price of £40,000 each, but by October 1999 it was confirmed that 110 orders had been placed. The S-V8 is powered by a Ford Mustang sourced 4·6-litre, 32-valve, four-cam, V8 engine producing 325 bhp, with a top speed of 160 mph (260 km/h) and 0-60 mph in less than five seconds. The new Merseyside factory in Speke commenced production in August 2001 but troubles with manufacture meant production ceased with only 20 ever leaving the factory and another 18 cars left partially completed. The company went into administration in July 2002. The Jensen name and partially completed cars were later sold to SV Automotive of Carterton, Oxfordshire, in 2003 who decided to complete the build of 12 of the cars, retaining the others for spares, and finally selling them for £38,070.

LAMBRETTA

This is a Lambretta Willam. The first model, designed by the Italian coachbuilder Scattolini and equipped with the same engine 125 cm3 Innocenti Lambretta , was the initiative of the Italian entrepreneur Carlo Lavezzari and was presented as a prototype at the Paris Motor Show in 1966. It aroused the interest French entrepreneur Henri Willame , Director of Lambretta France who commissioned the production constituting Lavezzari now Lawil , an acronym of the names of the two partners of the firm. The small car began to be marketed in Italy in1971 under the name of Lawil Varzina (named after the town of Varzi ) undergoing profound changes to the mechanics , motor, originally Lambretta 125cc was replaced by a BCB 250 cc , also the wheels replaced the previous 10-inch by 8. At the time, according to Italian law the so-called microcars could not have more than three wheels so the Varzina, with four wheels, was the smallest car for sale in Italy. The same car was marketed in France, where it was considered rather a quadricycle , as Willam Farmer and imported the following year (1972) in England by the coachbuilder Crayford. The cars were very small : the length of the prototype did not exceed 1.78 m, with room for two passengers and with the mechanics of Lambretta engines and two-stroke single-cylinder 125 cc and 175 cc , then the car was lengthened by 27 cm in 1969 and in 1980 , shortly before the cessation of production.

LANCHESTER

The new Lanchester Fourteen was displayed to the press on 9 October 1950, the day before the public announcement. The only familiar feature was the fluid flywheel and pre-selective gearbox. It was planned that, when the factory space destroyed in the Coventry raids was completed, the coachbuilt body would be replaced with an all-steel body which would reduce the car’s weight, enable a price reduction, and permit shipment in a form suitable for assembly overseas. The Times regarded the new car’s only features of technical interest to be the laminated leaves (usually bars) of the front suspension’s springing and the automatic lubrication every time the car was started and warmed up. Aside from the front suspension, the new chassis differed little from its pre-war version. The engine was new, a 1968 cc four replacing the 1809 cc six. The engine was flexibly mounted to isolate torque reactions. It was fitted with a statically and dynamically balanced three bearing crankshaft; big ends fitted with steel-backed white-metal liners; three bearing camshaft with steel-backed white-metal liners; air silencer; and automatic advance and vacuum control of the distributor with over-riding hand adjustment for varying grades of fuel. The usual Daimler transmission with fluid flywheel and pre-selective 4-speed epicyclic gearbox was provided. Hardy Spicer open propeller shaft with needle roller universal joint and hypoid bevel rear axle linked the engine and rear wheels. The frame was of box section and cruciform braced. Suspension was independent in front using laminated torsion bars with a torsional stabilising bar. At the rear there were half-elliptic springs. Girling hydraulic shock absorbers and Girling hydro-mechanical brakes were fitted. Disc type bolt-on wheels were fitted with 6.7″ x 15″ low pressure cushion tyres. The post-war Fourteen had an entirely new coachbuilt body. When supplied for export with the lighter all-steel body, the car was known as the Lanchester Leda. The standard coachbuilt 4-door six-light body cost £895

LANCIA

The Appia was a small car that was made between 1953 and 1963, in three distinct Series. First series Appias were only offered in factory body styles, but this changed with the second and third series Appias, which were also built as a platform chassis intended for coachbuilt bodies. Towards the end of 1955 a first batch of 14 chassis based on the brand new second series Appia were built and handed over to some of the most prominent coachbuilders of the time: Allemano, Boano, Ghia Aigle, Motto, Pininfarina, Vignale and Zagato. Initially all fourteen chassis were coded Tipo 812.00, based on standard saloon mechanicals; five of were upgraded to a more powerful 53 PS engine and floor-mounted gearchange, and given the new type designation 812.01. At the April 1956 Turin Motor Show, a month after the successful introduction of the second series Appia in Geneva, five specially bodied Appias were shown: a coupé and a two-door saloon by Vignale, a coupé each from Pininfarina, Boano and Zagato. Between Spring 1956 and Spring 1957 the coachbuilders presented their one-off interpretations of the Appia at various motor shows. Later more 812.01 chassis were built, bringing the total of unique to thirteen. Of the coachbuilders who had worked on the first fourteen chassis, two were selected by Lancia to produce special Appia body styles: Pininfarina for the coupé, and Vignale for the convertible. Their nearly definitive proposals debuted at the March 1957 Geneva Motor Show, and soon went into limited series production. Built by their respective designers on chassis supplied by Lancia, these were included in Lancia’s own catalogue and regularly sold through Lancia dealerships. In the later years other variants were added to the official portfolio: Vignale’s Lusso, Zagato’s GTE and Sport, and Viotti’s Giardinetta. All of these variants were built on the 812.01 type chassis with the more powerful engine and floor change; when the third series saloon debuted its mechanical upgrades were transferred to the chassis, and the engine gained one horsepower 54 PS. In early 1960 a revised, more powerful engine was adopted  thanks to a new Weber carburettor and an inlet manifold with a duct per each cylinder. In total 5,161 Appia chassis for coachbuilders were made. A small number were delivered as Van versions (Fourgone),

LAND ROVER

The first-generation Range Rover was produced between 1969 and 1996. It was available only in a 2-door body until 1981. (Before then, 4-door models had been produced by specialist firms). Unlike other 4x4s such as the Jeep Wagoneer, the original Range Rover was not designed as a luxury vehicle. It was up-market compared to preceding Land Rover models, but the early Range Rovers had fairly basic, utilitarian, interiors with vinyl seats and plastic dashboards that were designed to be washed down with a hose. Convenience features such as power steering, carpeted floors, air conditioning, cloth/leather seats, and wooden interior trim were fitted later. The Range Rover was a body-on-frame design with a box section ladder type chassis, like the contemporary Series Land Rovers. The Range Rover used coil springs as opposed to leaf springs, permanent four-wheel drive, and four-wheel disc brakes. The Range Rover was originally powered by various Rover V8 engines and diesel engines. Originally, the Range Rover was fitted with a detuned 130 hp version of the Buick-derived Rover V8 engine. In 1984, the engine was fitted with Lucas fuel injection, boosting power to 155 bhp. The 3.5-litre (3,528 cc) engine was bored out to a displacement of 3.9 litres for the 1990 model year, and 4.2-litre in 1992  for the 108-inch Long Wheelbase Vogue LSE (County LWB [long wheelbase] in North America). One of the first significant changes came in 1981, with the introduction of a four-door body. Shortly after twin thermo fan technology was introduced to reduce significant overheating problems 1970s models experienced in Australia. In 1988, LR introduced a 2.4-litre turbodiesel (badged Vogue Turbo D) with 112 bhp, manufactured by Italian VM Motori. The same engine was available in the Rover SD1 passenger car. The diesel project was codenamed project Beaver. During the project, 12 world records were broken, including the fastest diesel off-roader to reach 100 mph (160 km/h), and the furthest a diesel off-roader has travelled in 24 hours. In 1990 project Otter was unveiled. This was a mildly tuned 2.5-litre, 119 bhp version of the ‘Beaver’ 2.4. In 1992, Land Rover finally introduced their own diesel engines in the Range Rover, beginning with the 111 bhp 200TDi, first released in the Land Rover Discovery and following in 1994, the 300 TDi, again with 111 bhp. The first generation was known as the Range Rover until almost the end of its production when Land Rover introduced the name Range Rover Classic to distinguish it from its successors. The original model served as the basis for the 1989 introduced 1st generation Discovery (directly based on the standard (short) wheelbase Range Rover), and for the 2nd generation Range Rover, based on the LWB chassis of the Classic.

LEYLAND

LOTUS

The original Elan was introduced in 1962 as a roadster, although an optional hardtop was offered in 1963 and a coupé version appeared in 1965, and there were examples of all of these here. The two-seat Lotus Elan replaced the elegant, but unreliable and expensive to produce Lotus Elite. It was the first Lotus road car to use a steel backbone chassis with a fibreglass body. At 1,600 lb (726 kg), the Elan embodied the Colin Chapman minimum weight design philosophy. Initial versions of the Elan were also available as a kit to be assembled by the customer. The Elan was technologically advanced with a DOHC 1557 cc engine, 4-wheel disc brakes, rack and pinion steering, and 4-wheel independent suspension. Gordon Murray, who designed the spectacular McLaren F1 supercar, reportedly said that his only disappointment with the McLaren F1 was that he couldn’t give it the perfect steering of the Lotus Elan. This generation of the two-seater Elan was famously driven by the character Emma Peel on the 1960s British television series The Avengers. The “Lotus TwinCam” engine was based on Ford Kent Pre-Crossflow 4-cylinder 1498 cc engine, with a Harry Mundy-designed 2 valve alloy chain-driven twin-cam head. The rights to this design was later purchased by Ford, who renamed it to “Lotus-Ford Twin Cam”. It would go on to be used in a number of Ford and Lotus production and racing models.

The silver Italdesign concept that eventually became the Esprit was unveiled at the Turin Motor Show in 1972 as a concept car, and was a development of a stretched Lotus Europa chassis. It was among the first of designer Giorgetto Giugiaro’s polygonal “folded paper” designs. Originally, the name Kiwi was proposed, but in keeping with the Lotus tradition of having all car model names start with the letter “E”, the name became Esprit. The production Esprit was launched in October 1975 at the Paris Auto Show, and went into production in June 1976, replacing the Europa in the Lotus model lineup. These first cars eventually became known as S1 Esprits. With a steel backbone chassis and a fibreglass body, the Esprit was powered by the Lotus 907 4-cylinder engine, as previously used in the Jensen Healey. This engine displaced 2.0 litre, produced 160 bhp in European trim 140 bhp in US/Federal trim, and was mounted longitudinally behind the passengers, as in its predecessor. The transaxle gearbox was a 5-speed manual unit, previously used in the Citroën SM and Maserati Merak; it featured inboard rear brakes, as was racing practice at the time. The Series 1 embodied Lotus’ performance through light weight mantra, weighing less than 1,000 kg (2,205 lb). The original Esprit was lauded for its handling and is said to have the best steering of any Esprit. However, it was generally regarded as lacking power, especially in markets such as the United States where the engine was down-rated for emissions purposes. Lotus’ claim of 0-60 mph in 6.8 seconds and a top speed of 138 mph may be thought of as optimistic – actual road test times indicated 0-60 mph in 8 seconds and a top speed of around 133 mph. The S1 Esprit can be distinguished from later Esprits by a shovel-style front air dam, Fiat X1/9 tail lights, lack of body-side ducting, and Wolfrace alloy wheels. Inside the car, the most obvious indication of an S1 Esprit is a one-piece instrument cluster with green-faced Veglia gauges. The car gained fame through its appearance in the James Bond film The Spy Who Loved Me (1977) where a fictionally-modified version was featured in a long action sequence. Bond’s Esprit car is first chased on road, by a motorcycle, then by another car, and then a helicopter, then converts into a submarine for an undersea battle. A series of improvements made to the Esprit during its initial run culminated in the S2 Esprit, which was introduced in 1978. The most obvious of these changes are intake and cooling duct “ears” located behind the rear quarter window, tail lights from the Rover SD1, and an integrated front spoiler. S2 Esprits also used 14-inch Speedline alloy wheels designed specifically for Lotus. Other changes included relocating the battery from above the right side fuel tank (under the rear quarter window) to the rear of the car, adding an access door to the engine cover, as well as replacing the instrument cluster made by Veglia with individual gauges made by Smiths and using different style of switches on the dashboard. During this era, a special edition car was released to commemorate Lotus’s racing victories and their victory in the 1978 F1 World Championship. Sharing the black and gold colour scheme of Lotus’ then F1 sponsor, John Player & Sons, these cars are commonly known as the John Player Special (JPS) Esprits. The “JPS” Esprit has the same mechanicals as the regular two-litre S2. According to Lotus themselves a limited series of 300 was built, but most likely the total was considerably lower. Lotus’ records of production figures are notoriously vague, but best estimates suggest that 149 JPS Esprits were produced. The S2.2 was produced as a stop-gap model from May 1980, almost identical to the S2 but with an enlarged (2.2 litre) type 912 engine used.  This kept horsepower the same, but bumped up torque from 140 lb·ft to 160 lb·ft. Importantly, the S2.2 also introduced the use of a galvanised chassis, although it did not benefit from the succeeding S3’s chassis improvements. These cars are extremely rare even among Esprits: according to Lotus themselves, only 88 were produced in its thirteen-month production span. In 1980 the first factory turbocharged Esprit was launched. Initially, this was another special edition model commemorating F1 ties and reflecting current sponsorship, this time in the blue, red and chrome livery of Essex Petroleum, and is therefore known as the Essex Esprit. The new turbocharged dry-sump type 910 engine produced 210 hp and 200 lb·ft of torque. 0-60 mph could be achieved in 6.1 seconds, with a top speed of 150 mph. These performance improvements were coupled to a redesign and strengthening of the chassis and rear suspension, where an upper link was added to alleviate strain on the driveshafts, along with brake improvements. The Essex cars introduced a Giugiaro-designed aerodynamic body kit with a rear lip spoiler, prominent louvered rear hatch, more substantial bumpers, a deeper front airdam, and air ducts in the sills just ahead of the rear wheels, which were 15″ Compomotive three piece items. Internally, scarlet leather, combined with a roof-mounted Panasonic stereo, made for a dramatic environment. 45 Essex Esprits were built, interspersed and followed by a number of non Essex-liveried but otherwise identical specification dry-sump turbo cars. Two Essex-spec Turbo Esprits – one in white and the other in copper – were featured in the James Bond film For Your Eyes Only (1981), although these were scripted as the same vehicle – the white one was destroyed by an anti-burglar explosion system in Spain, while the copper red one was a “rebuild” of the original (actually a joke between Bond and Q in the latter’s laboratory), and was fully functional (the copper exterior paint colour for the replacement car was chosen to make the car stand out more in filming against the snowy background of Cortina, Italy, the only locale in which it appears). By the close of 1980, Lotus was effectively building three different models of Esprit, with distinct chassis designs and body moulds – the Domestic S2.2, the Export S2.2, and the dry-sump Turbo Esprit. Introduced in April 1981, the Turbo Esprit and S3 Esprits marked a necessary consolidation: both new models had a common chassis, inheriting much of the configuration of the Essex cars, whilst body production was based on a single common set of moulds. The S3 continued to use the 2.2 litre type 912 engine of the S2.2, whilst the Turbo Esprit reverted to a less complex wet-sump lubrication system, retaining the power and torque outputs of its dry-sump predecessor. The interior for both cars was revised and featured new trim; combined with changes to the body moulds this resulted in more headroom and an enlarged footwell.  Externally, the Turbo Esprit retained the full aerodynamic body kit of the Essex cars, and featured prominent ‘turbo esprit’ decals on the nose and sides; the S3 gained the more substantial bumpers, yet retained the simpler sill line and glazed rear hatch of the S2.2 body style. Both models were supplied with 15″ BBS alloy wheels. For the 1985 model year, the S3 and Turbo underwent some slight alterations to the bodywork and to the front suspension. In April 1986, the final incarnations of the Giugiaro-styled Esprit were announced, with raised engine compression giving rise to the ‘HC’ moniker. This increased the output of the naturally aspirated engine to 172 hp and 160 lb/ft for the Esprit HC, and to 215 hp and 220 lb/ft for the Turbo Esprit HC, with the increased torque available at a lower rpm. For markets with stringent emissions requirements (mainly the United States), Lotus introduced the HCi variant, teaming the higher compression engine with Bosch KE-Jetronic fuel injection and a catalytic converter- the first fuel-injected Esprits. This engine had the same peak power as the carburettor version, but at a somewhat higher engine speed, and torque dropped to 202 lb/ft.

MAZDA

The MX-5 was unveiled at the Chicago Auto Show on February 10, 1989, with a price tag of US$14,000. The MX-5, with production code NA, was made available for delivery to buyers worldwide in the following dates: May 1989 (as a 1990 model) in the US and Canada; September 1, 1989 in Japan; and 1990 in Europe. An optional hardtop was made available at the same time, in sheet moulding compound (SMC). Demand initially outstripped production, fueled by enthusiastic press reviews. In Japan, the car was not badged as a Mazda, as the company was in the process of launching different marques for deluxe models, similar to Nissan’s Infiniti, Honda’s Acura and Toyota’s Lexus. Instead, the Mazda MX-5 was sold as the Eunos Roadster, and was joined by the MX-3/AZ-3/Eunos Presso (based on Japanese Mazda dealerships). The exterior dimensions and the engine displacement were also in compliance with Japanese Government compact car regulation. The body shell of the NA was all-steel with a lightweight aluminium bonnet. Overall dimensions were 3,970 mm (156 in) in length, 1,675 mm (65.9 in) in width, and 1,235 mm (48.6 in) in height. Without options, the NA weighed only 980 kg (2,160 lb). It had a drag coefficient of Cd=0.38. Suspension was an independent double wishbone on all four wheels, with an anti-roll bar at the front and rear. Four-wheel disc brakes, ventilated at the front, were behind alloy wheels with 185/60HR14 radial tyres. The base model came with stamped steel wheels from the then-current 323/Protege.The original MX-5, with standard manual transmission, came with a 1.6 L DOHC inline four-cylinder engine, producing 115 bhp at 6,500 rpm, and 136 N⋅m (100 lbf⋅ft) of torque at 5,500 rpm. The engine employs an electronic fuel injection system using a vane-type air flow meter and an electronic ignition system with a camshaft angle sensor instead of a distributor. This engine, codenamed B6ZE(RS), was specifically designed for the MX-5 and featured a lightened crankshaft, flywheel, and aluminium sump with cooling fins. An MX-5 with the optional automatic transmission had its 1.6L engine tuned to develop peak torque at lower rpm’s (136 Nm, 100 lb/ft at 4000 rpm) to better mate with the automatic transmission gearing and torque requirements. This tuning resulted in a lower peak power of 105 bhp at 6500 rpm. The standard transmission was a five-speed manual, derived from the one used in the Mazda 929/Luce (also rear-wheel drive) The gear shift was the subject of close attention during development, with engineers told to make it shift in as small a gear pattern as possible and with minimal effort. In Japan and the US, an optional automatic transmission was also offered. The Japanese and American markets also received an optional viscous limited-slip differential, although it was only available for cars with a manual transmission. To achieve the low introductory price, the base model was stripped. It had steel wheels, manual steering, roll-up windows, and no stereo or air-conditioning. Power steering, air-conditioning, and stereo were added as standard equipment in later years. The NA could reach 60 mph in 8.3 seconds and had a top speed of 203 km/h (126 mph) although Japanese market Eunos models were limited to 180 km/h (110 mph). This first generation of Miata (often referred to as the NA) included a special Limited Edition of 2000 examples in 1991, produced in British racing green with the first use of tan interior, to celebrate the highly successful launch of the MX-5 in the UK.[citation needed] These have a numbered brass plaque on the Windshield Frame and on the front of the Owners Book, and are fitted with alloy wheels from MSW (Mazda Sports Workshop) which are often mistaken for BBS, but which are entirely unique to this model. The NA with an automatic transmission reached 60 mph in 9.9 seconds and had a top speed of 181 km/h (112 mph). In 1993, 1,500 LE (Limited Edition) cars were produced. This model featured red leather interior, upgraded stereo, Nardi shift knob, leather-wrapped steering wheel, cruise control, limited-slip differential, power windows, power mirrors, power steering, air conditioning, BBS wheels, Bilstein shocks, front and rear spoilers, ABS brakes, stainless sill plates, and Harley style peanut tank door speaker trim. All 1993 LE cars came in black. For the 1994 model year, the first-generation MX-5 was freshened with the introduction of the more powerful 1,839 cc BP-ZE engine, dual airbags placed in a redesigned dashboard, the addition of a Mazda badge on the front fascia in the US and a limited-slip differential in some markets. The chassis was substantially braced to meet new side-impact standards, most visibly by adding a “track bar” between the seatbelt towers inside the car, but also to the front and rear subframes. Also, 1994 and 1995 were the only years in which Mazda offered a light metallic blue paint (Laguna Blue Mica), making these cars rare collector’s cars to some. 1994 also saw the introduction of the “R” package, a sport-themed package with Bilstein shocks, stiffer sway bars, retuned springs, subtle front and rear underbody spoilers, and a Torsen LSD. Air conditioning was optional, but the “R” package was not available with power steering, leather, or an automatic transmission. It can also be identified by a red Miata badge on the rear instead of the usual black. No body style changes were made, however. Halfway through the 1997 model year the hazard light button was changed to a black button with red symbol as opposed to the earlier red button with white symbol. The new 1,839 cc engine produced 129 bhp at 6,500 rpm and 149 Nm (110 lb/ft) of torque at 5,500 rpm, which was then increased to 133 bhp at 6,500 rpm and 155 Nm (114 lb/ft) of torque at 5,500 rpm for the 1996 model year. The base weight increased to 990 kg (2,180 lb). Performance was thus improved slightly, because the additional weight was more than offset by the extra power. In some markets such as Europe, the 1.6 L engine continued to be available as a lower-cost option, but was detuned to 89 bhp. This lower-powered model did not receive all the additional chassis bracing of the new 1.8 L. Japanese and U.S. models offered an optional Torsen LSD, which was far more durable than the previous viscous differential. There were a number of trim levels and special editions available, determined by local Mazda marketing departments. In the US, the base model was offered for US$13,995 at launch and was very basic, with manual windows, steel wheels, and without air conditioning or power steering. The “A Package” offered power steering, a leather-wrapped steering wheel, aluminium alloy wheels and cassette stereo. The “B Package” added power windows, along with cruise control and headrest speakers, while the “C Package” included a tan interior and top with leather seats. The “R Package” was for racing, and the annual special editions were formalized as “M Editions”. These included all of the luxury options from the “C Package” as well as special paint and, sometimes, special wheels. The first generation MX-5 was phased out after the 1997 model year (with the exception of 400 limited edition Berkeley models sold only in the UK in 1998 to mark the end of the NA), with the final 1,500 NAs produced for the US market being the “STO” (“Special Touring Option”) versions. In the UK, to celebrate Mazda’s 24 hours of Le Mans win, Mazda brought out a special edition of the MX-5, with the winner’s colour scheme (see Mazda 787B) and came equipped with BBR (Brodie Brittain Racing) turbo conversion; the car is one of the most sought after special edition cars of the MX-5s.

In 1991, Mazda launched the second generation MX-6 using the GE platform, shared by the 626 and Ford rebadged cars, the Ford Probe and the Ford Telstar. It was released in three distinct variants worldwide, known as A-spec, E-spec, and J-spec, which relates to their destined markets – U.S., Europe, and Japan, respectively. It was effectively the Coupe version of the 626 range of saloons and hatchbacks. Built from 1991 in Japan, for Australia, New Zealand, and Europe, compared to the A-spec, the E-spec has different headlights (a two-piece projector setup giving far greater lighting) and taillights, different front and rear bumpers, fog lights, wing-mirrors (power and heated), steering wheel, interior trim, and alloys as standard. The side indicator lights were mounted behind the front wheels, and no corner bumper lights were used. It also came with optional air conditioning and leather interior (standard from ’96), and the MX6’s main act – the 4WS system (not available in the UK). The engine was the same as the U.S. version (although not limited by lower-octane fuels) – the KL-DE 2.5 DOHC V6 engine, again making 164 hp and with the higher octane fuels used in Europe as standard, slightly lower mileage, but with greater performance.

MERCEDES-BENZ

Sometimes known as the “New Generation”, to distinguish it from predecessor with the same model names, this is an example of the W114/115 range of cars that Mercedes introduced in 1968, which were produced until 1976 when they were replaced by the W123 range. W114 models featured six-cylinder engines and were marketed as the 230, 250, and 280, while W115 models featured four-cylinder engines and were marketed as the 200, 220, 230, and 240. All were styled by Paul Bracq, featuring a three-box design. At the time, Mercedes marketed saloons in two size classes, with the W114/W115, positioned below the Mercedes-Benz S-Class. The W114/W115 models were the first post-war Mercedes-Benz production car to use a newly engineered chassis, not derived from preceding models. The new chassis format of semi-trailing rear arms and ball-joint front end first displayed in the W114/W115 chassis would be used in all new Mercedes passenger car models until the development of the multi-link rear suspensions of the 1980s. The W108/109 S-Class chassis of the 280S/8, 280SE/8 and 300SEL/8 (and W113 280SL Pagoda) would be the last of the low-pivot swing axle and king pin/double wishbone front ends. The next S-Class -the W116 chassis- having the same engineering of the W114/115. Mercedes introduced a coupé variant of the W114 in 1969, featuring a longer boot and available with either a 2.5 or 2.8 litre six-cylinder engine. While a classic and understated design these generally cost less than the W113-based 280 SL model that ran through 1971, and its successor, the 3.5 or 4.5 litre V8 Mercedes SL R107/C107 (1971–1989) roadster and coupé. While a ‘hard-top’ unlike the fully convertible SL, the pillarless design allowed all the windows to be lowered completely for open air motoring. Only 67,048 coupés were manufactured from 1969 to 1976 (vs. 1.852,008 saloons). Of these 24,669 were 280C and 280CE (top of the range), and 42,379 were the lesser 250C and 250CE (A Mercedes-Benz 220D pickup on the W115 chassis was produced briefly in Argentina in the 1970s.) The W114 received a facelift in 1973 – with a lower bonnet-line, lower and broader grill, a single front bumper to replace the double bumpers, lower placement of the headlamps, A-pillar treatment for keeping the side windows clear, removal of the quarter-windows in the front doors, ribbed tail lights to minimise occlusion of the tail lights with road dirt, and larger side mirrors. The interior received inertia reel belts and a new padded steering wheel with a four-hole design. These cars were known to be extremely durable and tough, so the survival rate is quite great, especially in Germany, where they are popular classics.

With prices of the classic Pagoda model having risen to unaffordable for most people attention has started to switch to it successor, the R107 SL range, which had a long production life, being the second longest single series ever produced by the automaker, after the G-Class. The R107 and C107 took the chassis components of the mid-size Mercedes-Benz W114 model and mated them initially to the M116 and M117 V8 engines used in the W108, W109 and W111 series. The SL variant was a 2-seat convertible/roadster with standard soft top and optional hardtop and optional folding seats for the rear bench. The SLC (C107) derivative was a 2-door hardtop coupe with normal rear seats. The SLC is commonly referred to as an ‘SL coupe’, and this was the first time that Mercedes-Benz had based a coupe on an SL roadster platform rather than on a saloon, replacing the former saloon-based 280/300 SE coupé in Mercedes lineup. The SLC was replaced earlier than the SL, with the model run ending in 1981, with a much larger model, the 380 SEC and 500SEC based on the new S class. Volume production of the first R107 car, the 350 SL, started in April 1971 alongside the last of the W113 cars; the 350 SLC followed in October. The early 1971 350SL are very rare and were available with an optional 4 speed fluid coupling automatic gearbox. In addition, the rare 1971 cars were fitted with Bosch electronic fuel injection. Sales in North America began in 1972, and cars wore the name 350 SL, but had a larger 4.5L V8 with 3 speed auto (and were renamed 450 SL for model year 1973); the big V8 became available on other markets with the official introduction of the 450 SL/SLC on non-North American markets in March 1973. US cars sold from 1972 through 1975 used the Bosch D Jetronic fuel injection system, an early electronic engine management system. From July 1974 both SL and SLC could also be ordered with a fuel-injected 2.8L straight-6 as 280 SL and SLC. US models sold from 1976 through 1979 used the Bosch K Jetronic system, an entirely mechanical fuel injection system. All US models used the 4.5 litre engine, and were called 450 SL/SLC. In September 1977 the 450 SLC 5.0 joined the line. This was a homologation version of the big coupé, featuring a new all-aluminium five-litre V8, aluminium alloy bonnet and boot-lid, and a black rubber rear spoiler, along with a small front-lip spoiler. The 450SLC 5.0 was produced in order to homologate the SLC for the 1978 World Rally Championship. Starting in 1980, the 350, 450 and 450 SLC 5.0 models (like the 350 and 450 SL) were discontinued in 1980 with the introduction of the 380 and 500 SLC in March 1980. At the same time, the cars received a very mild makeover; the 3-speed automatic was replaced by a four-speed unit, returning to where the R107 started in 1971 with the optional 4 speed automatic 350SL. The 280, 380 and 500 SLC were discontinued in 1981 with the introduction of the W126 series 380 and 500 SEC coupes. A total of 62,888 SLCs had been manufactured over a ten-year period of which just 1,636 were the 450 SLC-5.0 and 1,133 were the 500 SLC. Both these models are sought by collectors today. With the exception of the SL65 AMG Black Series, the SLC remains the only fixed roof Mercedes-Benz coupe based on a roadster rather than a sedan. Following the discontinuation of the SLC in September 1981, the 107 series continued initially as the 280, 380 and 500 SL. At this time, the V8 engines were re-tuned for greater efficiency, lost a few hp and consumed less fuel- this largely due to substantially higher (numerically lower) axle ratios that went from 3.27:1 to 2.47:1 for the 380 SL and from 2.72:1 to 2.27:1 for the 500 SL. From September 1985 the 280 SL was replaced by a new 300 SL, and the 380 SL by a 420 SL; the 500 SL continued and a 560 SL was introduced for certain extra-European markets, notably the USA, Australia and Japan. Also in 1985, the Bosch KE Jetronic was fitted. The KE Jetronic system varied from the earlier, all mechanical system by the introduction of a more modern engine management “computer”, which controlled idle speed, fuel rate, and air/fuel mixture. The final car of the 18 years running 107 series was a 500 SL painted Signal red, built on August 4, 1989; it currently resides in the Mercedes-Benz museum in Stuttgart.

This is a top of the range S600 version of the W220 S Class.

MG

The TA Midget replaced the PB in 1936. It was an evolution of the previous car and was 3 inches (76 mm) wider in its track at 45 inches (1,100 mm) and 7 inches (180 mm) longer in its wheelbase at 94 inches (2,400 mm). The previous advanced overhead-cam inline-four engine was by then not in use by any other production car so it was replaced by the MPJG OHV unit from the Wolseley Ten, but with twin SU carburettors, modified camshaft and manifolding. The engine displaced just 1292 cc, with a stroke of 102 mm and a bore of 63.5 mm and power output was 50 hp at 4,500 rpm. The four-speed manual gearbox now had synchromesh on the two top ratios and was connected to the engine by a cork-faced clutch running in oil. Unlike the PB, hydraulic brakes were fitted with 9-inch drums. Like the PB, most were two-seat open cars with a steel body on an ash frame. A bench-type seat was fitted with storage space behind. The T-type was capable of reaching almost 80 mph (130 km/h) in standard tune with a 0–60 mph time of 23.1 seconds. Allan Tomlinson won the 1939 Australian Grand Prix handicap driving an MG TA. 3,003 were made and in 1936 it cost £222 on the home market, the same as the PB. When first introduced the model was known as the T Type and only after the advent of the TB did the TA designation come into use.

The MGA replaced the long running T Series sports cars and presented a complete styling break from MG’s earlier sports cars. Announced on 26 September 1955, the car was officially launched at the Frankfurt Motor Show. A total of 101,081 units were sold through the end of production in July 1962, the vast majority of the 58.750 cars made were exported. Only 5869 cars were sold on the home market, the lowest percentage of any British car. It was replaced by the MGB. The MGA design dates back to 1951, when MG designer Syd Enever created a streamlined body for George Philips’ TD Le Mans car. The problem with this car was the high seating position of the driver because of the limitations of using the TD chassis. A new chassis was designed with the side members further apart and the floor attached to the bottom rather than the top of the frame sections. A prototype was built and shown to the BMC chairman Leonard Lord. He turned down the idea of producing the new car as he had just signed a deal with Donald Healey to produce Austin-Healey cars two weeks before. Falling sales of the traditional MG models caused a change of heart, and the car, initially to be called the UA-series, was brought back. As it was so different from the older MG models it was called the MGA, the “first of a new line” to quote the contemporary advertising. There was also a new engine available, therefore the car did not have the originally intended XPAG unit but was fitted with the BMC corporate B-Series type allowing a lower bonnet line. The MGA convertible had no exterior door handles, however the coupe did. It was a body-on-frame design and used the straight-4 1489cc “B series” engine from the MG Magnette saloon driving the rear wheels through a 4-speed gearbox. Suspension was independent with coil springs and wishbones at the front and a rigid axle with semi-elliptic springs at the rear. Steering was by rack and pinion. The car was available with either wire-spoked or steel-disc road wheels. The 1489 cc engine fitted with twin H4 type SU Carburettors produced 68 hp at first, but was soon uprated to 72 hp. Lockheed hydraulic drum brakes were used on all wheels. A high-performance Twin-Cam model was added for 1958. It used a high-compression (9.9:1 later 8.3:1) DOHC aluminium cylinder head version of the B-Series engine producing 108 hp. Due to detonation problems, a 100 bhp low-compression version was introduced later. Four-wheel disc brakes by Dunlop were fitted, along with Dunlop peg drive knock-off steel wheels similar to wheels used on racing Jaguars, unique to the Twin-Cam and “DeLuxe” MGA 1600 and 1600 MkII roadsters. These wheels and chassis upgrades were used on a small number of the “DeLuxe” models built after Twin-Cam production came to a halt. Aside from the wheels, the only outside identifier was a “Twin-Cam” logo near the vent aside the bonnet. A careful look at the rear wheel vents would also reveal another feature unique to Twin-Cam and DeLuxe: those 4 wheel Dunlop disc brakes . The temperamental engine was notorious for warranty problems during the course of production, and sales dropped quickly. The engine suffered from detonation and burnt oil.  Most of the problems with the Twin-Cam engine were rectified with the low-compression version, but by then the damage had been done. Many restored Twin-Cams are running more reliably today than they ever did during production. The Twin-Cam was dropped in 1960 after 2,111 had been produced. Production ended in April 1960, but had slowed to a trickle long before. In May 1959 the standard cars also received an updated engine, now at 1588 cc producing 79.5 bhp . At the front disc brakes were fitted, but drums remained in the rear. Externally the car was very similar to the 1500 with differences including: amber or white (depending on market) front turn indicators shared with white parking lamps, separate stop/tail and turn lamps in the rear, and 1600 badging on the boot and the cowl. 31,501 of these were produced in less than three years. A number of 1600 De Luxe versions were produced with leftover special wheels and four-wheel disc brakes of the departed Twin-Cam, or using complete modified Twincam chassis left redundant by the discontinuance of that model. Seventy roadsters and 12 coupés were built. The engine size was increased again to 1622 cc by increasing the bore from 75.4 mm to 76.2 mm for the 1961 Mark II MGA. The cylinder head was also revised with larger valves and re-engineered combustion chambers. Horsepower increased to 90 bhp. It also had a higher ratio 4:1 rear axle, which made for more relaxed high-speed driving. An inset grille and Morris Mini tail lamps appearing horizontally below the deck lid were the most obvious visual changes. 8,198 Mark II roadsters and 521 coupés were built. As with the 1600 De Luxe, there were also some Mark II De Luxe versions; 290 roadsters and 23 coupés were produced.

Successor to the Y Series was the Magnette ZA, announced on 15 October 1953 and debuted at the 1953 London Motor Show. Deliveries started in March 1954. Production continued until 1956, when 18,076 had been built. It was the first monocoque car to bear the MG badge. The Magnette was designed by Gerald Palmer, designer of the Jowett Javelin. It was the first appearance of the new four cylinder 1489 cc B-Series engine with twin 1¼ inch SU carburettors delivering 60 bhp driving the rear wheels through BMC’s new four speed manual gearbox with synchromesh on the top three ratios. Suspension was independent at the front using coil springs and had a live axle with half elliptic leaf springs at the rear. The steering was by rack and pinion. Hydraulically operated Lockheed 10 in (254 mm) drum brakes were fitted to front and rear wheels. When leaving the factory the Magnette ZA originally fitted the recently developed belted textile-braced, radial-ply Pirelli Cinturato 165HR14 tyres (CA67). The car had leather trimmed individual front seats and rear bench seat. The dashboard and door cappings were in polished wood. Although the heater was standard, the radio was still an optional extra. Standard body colours were black, maroon, green, and grey. The ZA was replaced by the Magnette ZB that was on announced 12 October 1956. Power was increased to 64 hp by fitting 1½ inch carburettors, increasing the compression ratio from 7.5 to 8.3, and modifying the manifold. The extra power increased the top speed to 86 mph and reduced the 0-60 mph time to 18.5 seconds. A semi-automatic transmission, marketed as Manumatic was fitted as an option on 496 1957 Magnettes. A Varitone model featured larger rear window and optional two tone paintwork, using a standard Pressed Steel body shell, the rear window opening enlarged in the Morris Motors body shop, Cowley, before painting 18,524 ZBs were built.

Launched in October 1962, the MGB was produced for the next 18 years and it went on to become Britain’s best selling sports car.  When first announced, the MGB was an innovative, modern design, with a monocoque structure instead of the traditional body-on-frame construction used on both the MGA and MG T-types and the MGB’s rival, the Triumph TR series, though components such as the brakes and suspension were developments of the earlier 1955 MGA and the B-Series engine had its origins back in 1947. The lightweight design reduced manufacturing costs while adding to overall vehicle strength, and with a 95hp 3-bearing 1798cc engine under the bonnet, performance was quite respectable with a 0–60 mph time of just over 11 seconds. The car was rather more civilised than its predecessor, with wind-up windows now fitted as standard, and a comfortable driver’s compartment offered plenty of legroom. The roadster was the first of the MGB range to be produced. The body was a pure two-seater but a small rear seat was a rare option at one point. By making better use of space the MGB was able to offer more passenger and luggage accommodation than the earlier MGA while being 3 inches shorter overall. The suspension was also softer, giving a smoother ride, and the larger engine gave a slightly higher top speed. The four-speed gearbox was an uprated version of the one used in the MGA with an optional (electrically activated) overdrive transmission. A five-bearing engine was introduced in 1964 and a number of other modifications crept into the specification. In late 1967, sufficient changes were introduced for the factory to define a Mark II model. Alterations included synchromesh on all 4 gears with revised ratios, an optional Borg-Warner automatic gearbox, a new rear axle, and an alternator in place of the dynamo with a change to a negative earth system. To accommodate the new gearboxes there were significant changes to the sheet metal in the floorpan, and a new flat-topped transmission tunnel. US market cars got a new safety padded dashboard, but the steel item continued for the rest of the world. Rostyle wheels were introduced to replace the previous pressed steel versions in 1969 and reclining seats were standardised. 1970 also saw a new front grille, recessed, in black aluminium. The more traditional-looking polished grille returned in 1973 with a black “honeycomb” insert. Further changes in 1972 were to the interior with a new fascia. To meet impact regulations, in late 1974, the chrome bumpers were replaced with new, steel-reinforced black rubber bumpers, the one at the front incorporating the grille area as well, giving a major restyling to the B’s nose, and a matching rear bumper completed the change. New US headlight height regulations also meant that the headlamps were now too low. Rather than redesign the front of the car, British Leyland raised the car’s suspension by 1-inch. This, in combination with the new, far heavier bumpers resulted in significantly poorer handling. For the 1975 model year only, the front anti-roll bar was deleted as a cost-saving measure (though still available as an option). The damage done by the British Leyland response to US legislation was partially alleviated by revisions to the suspension geometry in 1977, when a rear anti-roll bar was made standard equipment on all models. US emissions regulations also reduced horsepower. In March 1979 British Leyland started the production of black painted limited edition MGB roadsters for the US market, meant for a total of 500 examples, but due to a high demand, production ended with 6682 examples. The United Kingdom received bronze painted roadsters and a silver GT model limited editions. The production run of home market limited edition MGBs was split between 421 roadsters and 579 GTs. Meanwhile, the fixed-roof MGB GT had been introduced in October 1965, and production continued until 1980, although export to the US ceased in 1974. The MGB GT sported a ground-breaking greenhouse designed by Pininfarina and launched the sporty “hatchback” style. By combining the sloping rear window with the rear deck lid, the B GT offered the utility of a station wagon while retaining the style and shape of a coupe. This new configuration was a 2+2 design with a right-angled rear bench seat and far more luggage space than in the roadster. Relatively few components differed, although the MGB GT did receive different suspension springs and anti-roll bars and a different windscreen which was more easily and inexpensively serviceable. Although acceleration of the GT was slightly slower than that of the roadster, owing to its increased weight, top speed improved by 5 mph to 105 mph because of better aerodynamics. 523,826 examples of the MGB of all model types were built, and although many of these were initially sold new in North America, a lot have been repatriated here.

The 1961 Midget resurrected the name that was used by MG for their smallest car, the M Type, in the late 20s, was the Midget announced in 1961, and was essentially a slightly more expensive badge-engineered version of the MkII Austin-Healey Sprite. The original ‘Frogeye’ Sprite had been introduced specifically to fill the gap in the market left by the end of production of the MG T-type Midget as its replacement, the MGA had been a significantly larger and more expensive car with greater performance. Many existing MG enthusiast and buyers turned to the Sprite to provide a modern low-cost sports car and so a badge-engineered MG version reusing the Midget name made sense. The new Midget differed from the Sprite only in its grille design, badging, colour options and having both leather seats and more external chrome trim as standard to justify its higher purchase price. Mechanically the car was identical to its Austin-Healey counterpart, retaining the rear suspension using quarter-elliptic leaf springs and trailing arms from the ‘Frogeye’. The engine was initially a 948 cc A-Series with twin SU carburettors producing 46 hp at 5500 rpm and 53 lb/ft at 3000 rpm. Brakes were 7″ drums all round. A hard top, heater, radio and luggage rack were available as factory-fitted extras. In October 1962 the engine was increased to 1098 cc, raising the output to 56 hp at 5500 rpm and 62 lb/ft at 3250 rpm, and disc brakes replaced the drums at the front. Wire spoked wheels became available. The doors had no external handles or locks and the windows were sliding Perspex side-screens. A heater was still an optional extra. The car sold well, with 16,080 of the small-engined version and 9601 of the 1098 being made before the arrival in 1964 of the Mark II. Externally the main changes were to the doors, which gained wind-up windows, swivelling quarter lights, external handles and separate locks. The windscreen also gained a slight curvature and was retained in a more substantial frame. The hood, though modified, continued to have a removable frame that had to be erected before the cover was put on. The rear springs were replaced by more conventional semi-elliptic types which gave a better ride. The engine block was strengthened and larger main bearings were fitted, increasing the power to 59 hp at 5750 rpm and torque to 65 lbf·ft at 3500 rpm. A total of 26,601 were made. 1967 saw the arrival of the Mark III. The engine now grew to 1275 cc using the development seen on the Mini-Cooper ‘S’. Enthusiasts were disappointed that this was a detuned version of the 76-bhp Cooper ‘S’ engine, giving only 65 hp at 6000 rpm and 72 lbf·ft  at 3000 rpm. A reduced compression ratio of 8.8:1 was used instead of the 9.75:1 employed on the Cooper S engine. The Midget used the 12G940 cylinder head casting that was common to other BMC 1300 cars, whereas the Cooper ‘S’ had a special head with not only larger inlet, but also larger exhaust valves; however, these exhaust valves caused many ‘S’ heads to fail through cracking between the valve seats. The detuned engine was used for reasons of model range placement – with the Cooper ‘S’ spec engine, the Midget would have been faster than the more expensive MGB. The hydraulic system gained a separate master cylinder for the clutch. The hood was now permanently attached to the car, with an improved mechanism making it much easier to use. Minor facelift changes were made to the body trim in late 1969 with the sills painted black, a revised recessed black grille, and squared off taillights as on the MGB. The 13″ “Rostyle” wheels were standardised, but wire-spoked ones remained an option. The square-shaped rear wheel arches became rounded in January 1972 and later that year a Triumph steering rack was fitted, giving a gearing that was somewhat lower than earlier Midgets. A second exhaust silencer was also added in 1972. Alternators were fitted instead of dynamos from 1973 onwards. Many consider the round-arch Midgets with chrome bumpers produced for model years 1972 and 1974 to be the most desirable. These round-arch cars started leaving the Abingdon factory in late 1971. Between 1966 and the 1969 face lift, 22,415 were made, and a further 77,831 up to 1974.

In late 1974, to meet US federal regulations, large black plastic bumpers (usually called rubber bumpers, despite not actually being rubber) were added to the front and rear and the ride height was increased. The increased ride height affected handling, and an anti-roll bar was added to help with higher centre of gravity. The A-Series engine was replaced by the 1493 cc unit from the Triumph Spitfire with a modified Morris Marina gearbox with synchromesh on all four gears. The increased displacement of the new engine was better able to cope with the increasing emission regulations. Although the horsepower ratings were similar, at 65 bhp, the 1493 cc engine produced more torque. The increased output combined with taller gear ratios resulted in faster acceleration and  a top speed of just over 100 mph. In the US market British Leyland struggled to keep engine power at acceptable levels, as the engines were loaded with air pumps, EGR valves and catalytic converters to keep up with new US and California exhaust emission control regulations. The home market’s dual SU HS4 carbs were swapped for a single Zenith-Stromberg 150 CD4 unit, and the power fell to 50 bhp at 5000 rpm and 67 lb-ft of torque at 2500 rpm. The round rear-wheel arches were now square again, to increase the body strength.  The last car was made on 7 December 1979, after 73,899 of the 1500 model had been made, with the last 500 home-market cars painted black.

This is a MG1300, one of the second of the Issigonis trio of space efficient front wheel drive ADO16 family of cars, which was first seen in August 1962 as the Morris 1100. A four door saloon, with styling that had been influenced by Pininfarina, this car applied the same principles as had been seen in the Mini of three years earlier, but in a larger package, creating plenty of space for 4 or even 5 adults and with more luggage room. Power came from a 1098cc version of the proven A Series engine, which gave it a lively (for the time!) performance and the combination of a long wheelbase and innovative hydrolastic suspension gave it a particularly comfortable ride. A sporting MG model, with twin carburettors was added to the range before the year was out. In 1963 an Austin model appeared, identical to the Morris in all but grille and tail end treatment, and then Wolseley, Riley and even Vanden Plas models were added to the range in 1965 and 1966, as well as Countryman and Traveller estate versions of the Austin and Morris.  The Vanden Plas Princess model came out in the autumn of 1965, applying the sort of levels of equipment and luxury finish that were usually found on large cars to something much smaller. Despite the lofty price tag, there was a definite market for these cars, many of which had relatively gentle use when new, so there are a few survivors, including this later 1300 model. Mark 2 models were launched in 1967 with the option of a 1300 engine, and a slightly less spartan interior. The car became Britain’s best seller, a position it held until 1972,  The MG models received the 1275cc engine in 1967 and with twin carburettors were quite brisk for their day. Combine that with good handling (this was an era when front wheel drive was good and rear wheel drive was not!), and the cars were popular with enthusiasts, though you do not see many these days. The MG and Riley versions were replaced by the 1300GT. Sold in Austin and Morris versions, these cars had a vinyl roof and rostyle wheels to give them the looks to match the performance delivered by the twin carburettor A Series 1275cc engine, and they were popular for a little while, with few direct rivals in the market.

During 1981, British Leyland confirmed that the Metro range would soon be expanded with more luxurious and high performance versions. The Metro range was expanded in May 1982 to include the luxury Vanden Plas and higher performance MG versions; the MG Metro marked a quick comeback for the marque previously used on sports cars until the Abingdon plant making the MG B closed in 1980. The Vanden Plas featured higher levels of luxury and equipment, while the slightly more powerful MG Metro 1.3 sold as a sports model (0–60 mph in 10.9 seconds, top speed 103 mph). The Vanden Plas variant received the same MG engine from 1984 onwards (with the exception of the VP Automatic, which retained the 63 bhp 1275 cc unit). The luxury fittings marking out the Metro Vanden Plas took the form of a radio-cassette player, electric front windows, an improved instrument panel with tachometer, and a variety of optional extras such as trip computer, leather trim, remote boot release, and front fog lamps.The changes between the MG engine (taken directly from the Mini Cooper) and the standard 1275 included a modified cylinder head, with larger valves and improved porting, altered cam profile and larger carburettor leading to a 20% increase in BHP to 72 bhp. At the October 1982 Birmingham Motor Show the MG Metro Turbo variant was first shown. With a quoted bhp of 93, 0–60 mph in 9.9 seconds, and top speed of 112 mph (180 km/h) this car had few direct competitors at the time, although the growing demand for “hot hatches” meant that it soon had a host of competitors including the Ford Fiesta XR2, Peugeot 205 GTI and Renault 5 GT Turbo. This model had a few addition modifications bolted on over the normally aspirated MG model to give an additional 21 bhp. Aside from the turbocharger and exhaust system itself, and what was (at the time) a relatively sophisticated boost delivery and control system, the MG Turbo variant incorporated stiffer suspension (purportedly with engineering input from Lotus), and an uprated crankshaft of nitrided steel and sodium-cooled exhaust valves. Both MG variants were given a “sporty” interior with red seat belts, red carpets and a sports-style steering wheel. The Turbo also benefitted from an LCD boost pressure gauge. The Turbo also received alloy wheels, black wheel arch extensions, blacked out trim, a rear spoiler surrounding the windshield, and prominent “TURBO” decals. While it retained rear drums, the front disc brakes were changed to ventilated units. The later MG variants were emblazoned with the MG logo both inside and out, which only served to fuel claims of badge engineering from some of the more steadfast MG enthusiasts. Others believed that this sentiment was unfounded, particularly in the case of the turbo variant, due to the undeniably increased performance and handling when compared to the non-MG models. From 1983, the MG badge also found its way onto higher performance versions of the Maestro, and shortly afterwards it was adopted for higher-performance versions of the Montego. Both models proved popular, and sold strongly until they were deleted in 1990 when Rover-badged performance versions took over, but there are surprisingly few survivors.

Rushed into production against engineers’ advice at the launch in March 1983, the original MG Maestro was under-developed. Its 1.6-litre R-series engine ran roughly, was difficult to start when warm, and its Weber twin carburettors could not be tuned by dealership workshops, who were used to SU carburettors. The R-series model was replaced in July 1984 with the short-lived S-series model which was built until October 1984 when the EFi was launched. Despite the reliability issues, more than 15,000 MG Maestro 1600s were built. After a brief interval, the MG Maestro was relaunched in October 1984 with a fuel-injected 2.0-litre O-series engine that gave considerably better performance than its predecessor. Handling and performance were both improved and gave Austin Rover its first serious rival for the Golf GTI and Escort XR3i. It had a claimed output of 115 bhp, a top speed of 115 mph (185 km/h) and a 0-60 mph time of 8.5 seconds. It was also mated with a Honda PG1 gearbox for improved gearchange, in preference to the Volkswagen box as supplied to the rest of the range. With the Rover Group only a few months away, the limited edition (500 + 5 press cars) MG Maestro Turbo (displayed at Birmingham in October 1988 and launched in early 1989) was the final car from ARG. It made use of the 2.0’s already impressive engine, but the combination of carburetor and turbocharger gave it a top speed of 128 mph (206 km/h) and a 0–60 mph time of 6.7 seconds. It was faster than the majority of its competitors, but the high performance, Tickford designed bodykit and alloys did little to disguise the fact that it was very much still a Maestro. Sales were slow, as it appeared six years after the Maestro’s launch. Production of the MG Maestro finished in 1991, as Rover had launched GTi versions of the new 200 and 400 models, though the standard Maestro remained in production until 1994.

Also here was a rather nice Montego Turbo. The MG version of the Montego was part of the initial range announcement in April 1984 but enthusiasts had to wait til June 1985 before the really hot 150 bhp Turbo model arrived. No doubt this was fast, but there was a view that the chassis was not quite up to the power and torque steer was a factor. Even so, I wanted one when it came out and I still rather fancy one now!

Unless you go back to the 1930s. when MG made a few high performance cars which had racing more in mind than road use, the only model to get anywhere supercar status that bears the famous roundel is the SV, and this was also represented here. This car came about after MG-Rover  acquired Qvale of Italy. Taking the Qvale Mangusta as a base, a car which had been designed, but not quite made production, MG Rover allocated the project code X80 and set up a subsidiary company, MG X80 Ltd., to produce their new model. A big factor behind the project was that was seen as having the potential sales in the United States, as the Mangusta had already been homologated for the American market. The MG X80 was originally revealed as a concept car in 2001. However, the styling was considered too sedate, so when the production model, now renamed MG XPower SV, was eventually launched the following year, designer Peter Stevens had made the car’s styling more aggressive. The conversion from a clay model to a production car, including all requirements, was done in just 300 days by the Swedish company Caran. The production process was complex, partly caused by the use of carbon fibre to make the body panels. The basic body parts were made in the UK by SP Systems and then shipped to Belco Avia near Turin for assembly into body panels. These were then assembled into a complete body shell and fitted onto the box frame chassis and running gear and shipped to MG Rover’s  Longbridge factory to be trimmed and finished. Several of the cars’ exterior and interior parts were borrowed from current and past Fiat models. The headlights, for example, were taken from a Punto Mk.2 and the rear lights borrowed from a Fiat Coupe. The goal had been to get a street price of under £100,000, and on launch, the base model came in well under that at  £65,000, and even the uprated XPower SV-R model was priced at £83,000. Those were ambitious prices for a car bearing MG badges, though, so not surprisingly, sales were slow. It is understood that just  82 cars were produced excluding the 4 ‘XP’ pre-production prototypes. This included a few pre-production and show cars which were later dismantled, before production was stopped due to lack of sales. Most were sold to private owners, with the final ones being sold to customers in early 2008.

MINI

There were a number of Issigonis-version Mini models here, with an early car contrasted with the entry level model of the 80s.

The Morris Mini Traveller and Austin Mini Countryman were two-door estate cars with double “barn-style” rear doors. Both were built on a slightly longer chassis of 84 inches (2.1 m) compared to 80.25 inches (2.038 m) for the saloon. The early Morris Mini Traveller and Austin Mini Countryman cars had an internal fuel tank located on the left hand side of the rear load area. This is identifiable by the fuel filler cap being on the left hand side of the car just below the rear window. In October 1961 the fuel tank was relocated to the underneath of the car and the filler cap was moved to low down on the right hand side of the car – the same configuration that was already in use on the Mini Van. From the start of production both models had a decorative, non-structural, ash wood trim on the rear body, in the style of a pre-war shooting-brake. This gave the car a similar appearance to the larger Morris Minor Traveller and gave rise to these cars simply being called a woodie. It is a popular misconception that the difference between the Traveller and the Countryman is the wood trim, or that only wood-fitted models in the Austin and Morris ranges were respectively called Countryman and Traveller, with the plain versions simply being Estates, but neither of these is the case.An all steel version of both the Traveller and the Countryman without the wood trim was launched for export markets in April 1961 and for the home market in October 1962 at a lower cost than the versions with the wood trim. Estate versions of the Mini were then produced in both Austin Countryman and Morris Traveller variants, both available with or without the wooden framing. Some of these models also had front and rear folding seats that folded out flat in order to make a sleeping platform. In October 1967 the Mk2 version was launched with the same changes as the saloon. Approximately 108,000 Austin Mini Countrymans and 99,000 Morris Mini Travellers were built

Issigonis’ friend John Cooper, owner of the Cooper Car Company and designer and builder of Formula One cars, saw the potential of the Mini for competition. Issigonis was initially reluctant to see the Mini in the role of a performance car, but after John Cooper appealed to BMC management, the two men collaborated to create the Mini Cooper. The Austin Mini Cooper and Morris Mini Cooper debuted in September 1961. The 848 cc engine from the Morris Mini-Minor was given a longer stroke to increase capacity to 997 cc increasing power from 34 to 55 bhp. The car featured a race-tuned engine, twin SU carburettors, a closer-ratio gearbox and front disc brakes, uncommon at the time in a small car. One thousand units of this version were commissioned by management, intended for and designed to meet the homologation rules of Group 2 rally racing. The 997 cc engine was replaced by a shorter stroke 998 cc unit in 1964. In 1962, Rhodesian John Love became the first non-British racing driver to win the British Saloon Car Championship driving a Mini Cooper. A more powerful Mini Cooper, dubbed the “S”, was developed in tandem and released in 1963. Featuring a 1071 cc engine with a 70.61 mm bore and nitrided steel crankshaft and strengthened bottom end to allow further tuning; and larger servo-assisted disc brakes, 4,030 Cooper S cars were produced and sold until the model was updated in August 1964. Cooper also produced two S models specifically for circuit racing in the under 1,000 cc and under 1,300 cc classes respectively, rated at 970 cc and a 1,275 cc both had a 70.61 mm bore and both were also offered to the public. The smaller-engine model was not well received, and only 963 had been built when the model was discontinued in 1965. The 1,275 cc Cooper S models continued in production until 1971. Sales of the Mini Cooper were: 64,000 Mark I Coopers with 997 cc or 998 cc engines; 19,000 Mark I Cooper S with 970 cc, 1,071 cc or 1,275 cc engines; 16,000 Mark II Coopers with 998 cc engines; 6,300 Mark II Cooper S with 1,275 cc engines. There were no Mark III Coopers and 1,570 Mark III Cooper S.

The Van version was launched in May 1960, a matter of weeks after the Countryman and Traveller had appeared and on whose extended platform this light commercial was based. The shape was the same as those Estate models, but clearly without the side windows or a rear seat. It proved popular in 1960s Britain as a cheaper alternative to the car:, as it was classed as a commercial vehicle and as such carried no sales tax. A set of simple stamped steel slots served in place of a more costly chrome grille. The Mini Van was renamed as the Mini 95 in 1978, the number representing the gross vehicle weight of 0.95 tons. 521,494 were built, but few survive.

Without doubt, the rarest version of the classic Issigonis-designed Mini is the Pickup, as seen here. Introduced in 1961, at the same time as the Van, whose longer platform this version shared, there was an open-top rear cargo area and a drop down tailgate. The factory specified the weight of the Pick-up as less than 1,500 lb (680 kg) with a full 6 gallon tank of fuel. As with the Van, the Pick-up had stamped metal slots for airflow into the engine compartment. The Pickup was basic, although the factory brochure described a “fully equipped Mini Pick-up is also available which includes a recirculatory heater.” Passenger-side sun visor, seat belts, laminated windscreen, tilt tubes and cover were also available at extra cost. Equipment levels improved gradually over time.  Like the van, the Pick-up was renamed as the Mini 95 in 1978. Production ceased in 1983 by which time 58,179 Mini Pick-up models had been built, barely 10% of the number of Vans made.

In 1969, now under the ownership of British Leyland, the Mini was given a facelift by stylist Roy Haynes, who had previously worked for Ford. The restyled version was called the Mini Clubman, and had a squarer frontal look, using the same indicator/sidelight assembly as the Austin Maxi. The Mini Clubman was intended to replace the upmarket Riley and Wolseley versions, and a new model, dubbed the 1275 GT, was slated as the replacement for the 998 cc Mini Cooper, the 1,275 cc Mini Cooper S continuing alongside the 1275 GT until 1971. The Clubman Estate replaced the Countryman and Traveller. The original “round-front” design remained in production alongside the Clubman and 1275 GT. Production of the Clubman and 1275 GT got off to a slow start because the cars incorporated “lots of production changes” including the relocation of tooling from Cowley to the Longbridge plant: so very few cars were handed over to customers before the early months of 1970. Early domestic market Clubmans were still delivered on cross-ply tyres despite the fact that by 1970 radials had become the norm for the car’s mainstream competitors. By 1973 new Minis were, by default, being shipped with radial tyres, though cross-plies could be specified by special order, giving British buyers a price saving of £8. The most significant update after this came in 1976, when the engine was upgraded to the 110cc A Series unit, cloth seat trim was made standard and the wiper functions were moved to a column stalk. The stick on “wood” trim was replaced by painted coachlines at this time. The Clubman models were deleted in 1980, effectively replaced by the Metro, and they are relatively rare these days. The 1275 GT is often incorrectly described as the “Mini Clubman 1275 GT”. The official name was always just the “Mini 1275 GT”, and it was a separate, distinct model from the Clubman (although it shared the same frontal treatment as the Mini Clubman, and was launched at the same time). It had the 1275cc A Series unit and a 4 speed gearbox, as well as larger wheels. It was also deleted in the autumn of 1980. Although moderately popular when new, it is now seen as something of a poor substitute for the Cooper models, and the survival rate is pretty low, so you don’t see them that often.

The Mini was the model that refused to die, with sales continuing after the launch of the Metro in 1980, and gathering momentum again in the 1990s, thanks in no small part to interest from Japan and because Rover Group decided to produce some more Cooper models. The first series of Cooper cars had been discontinued in 1971, replaced by the cheaper to build 1275GT, but when a limited edition model was produced in 1990, complete with full endorsement from John Cooper, the model was a sell out almost overnight, which prompted the decision to make it a permanent addition to the range. A number of refinements were made during the 90s, with fuel injection adding more power, a front mounted radiator and more sound deadening making the car quieter and new seats adding more comfort and a new dash making the car look less spartan inside.

MITSUBISHI

Following the successful showing of the Mitsubishi HSR and Mitsubishi HSX concept cars at the 1989 Tokyo Motor Show, Mitsubishi developed a production car which they called the 3000 GTO as a technologically advanced 2+2 seater sports coupe to compete with the Honda NSX, Mazda RX-7, Nissan 300ZX, Skyline GT-R, Subaru SVX and the Toyota Supra. They resurrected the GTO name, last used in the mid 1970s and the top spec Galant Coupe model, and the car went on to serve as Mitsubishi’s flagship for the remainder of the decade. However, despite the cachet of the badge at home, it was marketed as the Mitsubishi 3000GT and as the Dodge Stealth outside Japan; the company was concerned that connoisseurs would object to the evocative nameplate from the highly regarded Ferrari 250 GTO and Pontiac GTO being used on a Japanese vehicle. However, regardless of its badge or eventual target market, every car was built on the same production line at Mitsubishi’s plant in Nagoya, Japan. Its introduction in Japan in 1990 was unfortunately timed, as it coincided with the softening of the Japanese economy, known as the “bubble economy” which had an effect on sales. The car was packed with technology and many of Mitsubishi’s contemporary performance-enhancing technologies, such as full-time four-wheel drive, four-wheel steering, active aerodynamics featuring automatically adjusting front and rear spoilers, sport/tour exhaust modes and electronically controlled suspension (ECS). These “Active Aerodynamics” were not used on the Dodge Stealth. Visually, both the GTO/3000GT and Stealth featured pop-up headlights and noticeable “caps” on the bonnet to accommodate the ECS controllers at the top of the strut turrets. However the rest of factory body kit differed in styling with their respective badges. Most notable are the Dodge signature cross-hairs on the Stealth front bumper fascia, Ferrari inspired gills on the 3000GT rocker panels, Crescent shaped spoiler on the Stealth commonly referred to as the “Banana Wing” and front Active Aero air dam on 3000GT VR4. A mildly revised second generation car appeared in 1994. As the price increased, Mitsubishi also steadily removed some of the or costly (and gimmicky) technology features, and towards the end of production the front end was revised to incorporate fixed rather than pop up headlights. The car was phased out in 1999 for all markets apart from Japan, where it ran for another year.

MORRIS

In 1926, the Bullnose radiator of the Morris Cowley and Oxford models  was replaced by a more conventional flat radiator, announced 11 September 1926 on new cars now with doors either side and a longer list of accessories supplied as standard. All steel bodies were coming available. The engines remained the same, but the Cowley unlike the Oxford, retained braking on the rear wheels only as standard, although a front brake system was available at extra cost (featured car has this fitted). The chassis was new and the suspension was updated with semi elliptic leaf springs all round plus Smiths friction type scissor shock absorbers. The brakes are rod and spring operated with cams inside the drums to actuate. Interesting to note that the rear brake drums include two sets of shoes, one of which is connected directly to the handbrake. The chassis was further modified in 1931 to bring it in line with the Morris Major. Wire wheels became an option instead of the solid spoked artillery ones previously fitted. This example dates from 1929.

A van version of the Series E, rated at 5 cwt capacity and designated as the Series Z, was produced from 1940 to 1953. While having the external appearance similar to the Series E, mechanically the vans were more akin to the Series II, still having a three-speed gearbox. More than 51,000 examples were built.

No surprise to see the evergreen Morris Minor here as this is a very popular classic. The Minor was conceived in 1941. Although the Nuffield Organization was heavily involved in war work and there was a governmental ban on civilian car production, Morris Motors’ vice chairman, Miles Thomas, wanted to prepare the ground for new products to be launched as soon as the war was over.  Vic Oak, the company’s chief engineer, had already brought to Thomas’ attention a promising junior engineer, Alec Issigonis, who had been employed at Morris since 1935 and specialised in suspension design but he had frequently impressed Oak with his advanced ideas about car design in general.  Issigonis had come to Oak’s particular attention with his work on the new Morris Ten, which was in development during 1936/7. This was the first Morris to use unitary construction and was conceived with independent front suspension. Issigonis designed a coil-sprung wishbone system which was later dropped on cost grounds. Although the design would later be used on the MG Y-type and many other post-war MGs the Morris Ten entered production with a front beam axle. Despite his brief being to focus on the Ten’s suspension Issigonis had also drawn up a rack and pinion steering system for the car. Like his suspension design this was not adopted but would resurface in the post-war years on the MG Y-type, but these ideas proved that he was the perfect candidate to lead the design work on a new advanced small car. With virtually all resources required for the war effort, Thomas nonetheless approved the development of a new small family car that would replace the Morris Eight. Although Oak (and Morris’ technical director, Sidney Smith) were in overall charge of the project it was Issigonis who was ultimately responsible for the design, working with only two other draughtsmen.  Thomas named the project ‘Mosquito’ and ensured that it remained as secret as possible, both from the Ministry of Supply and from company founder William Morris (now Lord Nuffield), who was still chairman of Morris Motors and, it was widely expected, would not look favourably on Issigonis’ radical ideas. Issigonis’ overall concept was to produce a practical, economical and affordable car for the general public that would equal, if not surpass, the convenience and design quality of a more expensive car. In later years he summed up his approach to the Minor; that he wanted to design an economy car that “the average man would take pleasure in owning, rather than feeling of it as something he’d been sentenced to” and “people who drive small cars are the same size as those who drive large cars and they should not be expected to put up with claustrophobic interiors.” Issigonis wanted the car to be as spacious as possible for its size and comfortable to drive for inexperienced motorists. Just as he would with the Mini ten years later, he designed the Mosquito with excellent roadholding and accurate, quick steering not with any pretence of making a sports car, but to make it safe and easy to drive by all. As work proceeded, there were plenty of battle to overcome, to get Issigonis’ ideas approved, and not all of them were. The production car, called the Minor was launched at the British Motor Show at Earls Court in London on October 27, 1948.  At the same show Morris also launched the new Morris Oxford and Morris Six models, plus Wolseley variants of both cars, which were scaled-up versions of the new Minor, incorporating all the same features and designed with Issigonis’ input under Vic Oak’s supervision. Thus Issigonis’ ideas and design principles underpinned the complete post-war Morris and Wolseley car ranges. The original Minor MM series was produced from 1948 until 1953. It included a pair of four-seat saloons, two-door and (from 1950) a four-door, and a convertible four-seat Tourer. The front torsion bar suspension was shared with the larger Morris Oxford MO, as was the almost-unibody construction. Although the Minor was originally designed to accept a flat-4 engine, late in the development stage it was replaced by a 918 cc side-valve inline-four engine, little changed from that fitted in the 1935 Morris 8, and producing 27.5 hp and 39 lb/ft of torque. This little engine pushed the Minor to just 64 mph but delivered 40 mpg. Brakes were four-wheel drums. Early cars had a painted section in the centre of the bumpers to cover the widening of the production car from the prototypes. This widening of 4 inches is also visible in the creases in the bonnet. Exports to the United States began in 1949 with the headlamps removed from within the grille surround to be mounted higher on the wings to meet local safety requirements. In 1950 a four-door version was released, initially available only for export, and featuring from the start the headlamps faired into the wings rather than set lower down on either side of the grille. The raised headlight position became standard on all Minors in time for 1951. From the start, the Minor had semaphore-type turn indicators, and subsequent Minor versions persisted with these until 1961. An Autocar magazine road test in 1950 reported that these were “not of the usual self-cancelling type, but incorporate[d] a time-basis return mechanism in a switch below the facia, in front of the driver”. It was all too easy for a passenger hurriedly emerging from the front passenger seat to collide with and snap off a tardy indicator “flipper” that was still sticking out of the B-pillar, having not yet been safely returned by the time-basis return mechanism to its folded position. Another innovation towards the end of 1950 was a water pump (replacing a gravity dependent system), which permitted the manufacturer to offer an interior heater “as optional equipment”. When production of the first series ended, just over a quarter of a million had been sold, 30 per cent of them the convertible Tourer model. In 1952, the Minor line was updated with an Austin-designed 803 cc overhead valve A-series engine, replacing the original side-valve unit. The engine had been designed for the Minor’s main competition, the Austin A30, but became available as Austin and Morris were merged into the British Motor Corporation. The new engine felt stronger, though all measurements were smaller than the old. The 52 second drive to 60 mph was still calm, with 63 mph as the top speed. Fuel consumption also rose to 36 mpg. An estate version was introduced in 1952, known as the Traveller (a Morris naming tradition for estates, also seen on the Mini). The Traveller featured an external structural ash (wood) frame for the rear bodywork, with two side-hinged rear doors. The frame was varnished rather than painted and a highly visible feature of the body style. Commercial models, marketed as the Morris Quarter Ton Van and Pick-up were added in May 1953.  Rear bodies of the van versions were all steel. The 4-seat convertible and saloon variants continued as well. The car was again updated in 1956 when the engine was increased in capacity to 948 cc. The two-piece split windscreen was replaced with a curved one-piece one and the rear window was enlarged. In 1961 the semaphore-style trafficators were replaced by the flashing direction indicators, these were US-style red at the rear (using the same bulb filament as the brake lamp) and white at the front (using a second brighter filament in the parking lamp bulb) which was legal in the UK and many export markets at the time (such as New Zealand). An upmarket car based on the Minor floorpan using the larger BMC B-Series engine was sold as the Riley One-Point-Five/Wolseley 1500 beginning in 1957: versions of this Wolseley/Riley variant were also produced by BMC Australia as the Morris Major and the Austin Lancer. In December 1960 the Morris Minor became the first British car to sell more than 1,000,000 units. To commemorate the achievement, a limited edition of 350 two-door Minor saloons (one for each UK Morris dealership) was produced with distinctive lilac paintwork and a white interior. Also the badge name on the side of the bonnet was modified to read “Minor 1,000,000” instead of the standard “Minor 1000”. The millionth Minor was donated to the National Union of Journalists, who planned to use it as a prize in a competition in aid of the union’s Widow and Orphan Fund. The company, at the same time, presented a celebratory Minor to London’s Great Ormond Street Hospital for Sick Children, but this car was constructed of cake. The final major upgrades to the Minor were made in 1962. Although the name Minor 1000 was retained, the changes were sufficient for the new model to be given its own ADO development number. A larger version of the existing A-Series engine had been developed in conjunction with cylinder head specialist Harry Weslake for the then new ADO16 Austin/Morris 1100 range. This new engine used a taller block than did the 948 cc unit, with increased bore and stroke bringing total capacity up to 1,098 cc. Although fuel consumption suffered moderately at 38 mpg, the Minor’s top speed increased to 77 mph with noticeable improvements in low-end torque, giving an altogether more responsive drive. Other changes included a modified dashboard layout with toggle switches, textured steel instrument binnacle, and larger convex glove box covers. A different heater completed the interior upgrade, whilst the larger combined front side/indicator light units, common to many BMC vehicles of the time, were fitted to the front wings. These now included a separate bulb and amber lens for indicators while larger tail lamp units also included amber rear flashers. During the life of the Minor 1000 model, production declined. The last Convertible/Tourer was manufactured on 18 August 1969, and the saloon models were discontinued the following year. Production of the more practical Traveller and commercial versions ceased in 1972, although examples of all models were still theoretically available from dealers with a surplus of unsold cars for a short time afterwards.  1,619,857 Minors of all variants were ultimately sold.

The Marina Sun-Tor. built by Torcars in Devon was based on the 10CWT Marina van with 1275cc “A” series engine. and was the company’s most successful model. Despite the size of the van. these conversions were fully functional campers with an elevating roof and re-designed front seats that folded flat to form part of the double bed.

NISSAN

Although not many of the Datsun 240Z were sold in the UK, or indeed Europe, this car proved phenomenally popular in the US, and was really the beginning of the end for the British sports cars which American buyers had been buying in large quantities throughout the 1960s. Known internally as the Nissan S30, and sold in Japan as the Nissan Fairlady Z, the car we call the the Datsun 240Z, and the later 260Z and 280Z was the first generation of Z GT two-seat coupe, produced by Nissan from 1969 to 1978. It was designed by a team led by Yoshihiko Matsuo, the head of Nissan’s Sports Car Styling Studio. With strong performance from the 2.4 litre engine, and excellent ride and handling from the four-wheel independent suspension, the car was good to drive, In the United States, Datsun priced the 240Z within $200 of the MGB-GT, and dealers soon had long waiting lists for the “Z”. Its modern design, relatively low price, and growing dealer network compared to other imported sports cars of the time (Jaguar, BMW, Porsche, etc.), made it a major success for the Nissan Motor Corporation, which at the time sold cars in North America under the name Datsun. As a “halo” car, the 240Z broadened the image of Japanese car-makers beyond their econobox success. The car was updated to the 260Z in 1975, when a larger 2.6 litre engine was used.

This is a first generation Cube, not a car I had seen before. The Nissan Cube is a mini MPV produced between 1998 and 2019. Initially sold only in Japan, the Cube was sold in North American markets from 2009 to 2014, and in European markets from 2009 to 2011. In Japan, it was exclusive to Nissan Red Stage dealerships. It is a slightly larger load-carrying alternative to the Nissan Micra hatchback. While production for the North American market ended in 2014, the Japanese-market Cube lasted until December 2019. The first-generation Cube was introduced in 1998. It shared the same platform as the Nissan Micra (known as the March in Japan and Southeast Asia), as well as the same 1.3 L inline-four engine. A continuously variable transmission and four-wheel drive were optional. The Cube covered the gap in the Nissan lineup between the March and the Sunny. A second generation model was launched in 2002.

PEERLESS

The Peerless was a British car made by Peerless Cars Ltd. of Slough, Berkshire, between 1957 and 1960, when the company failed. The company was resurrected by one of the original founders, Bernie Rodger, as Bernard Roger Developments BRD Ltd and marketed as the Warwick from a base in Colnbrook, Buckinghamshire, between 1960 and 1962. The prototype of this British-built sports saloon, which was alloy bodied and initially named the Warwick, was designed by Bernie Rodger for company founders John Gordon and James Byrnes. The car had been renamed the Peerless GT by the time series production started in 1957. It featured Triumph TR3 running gear in a tubular space frame with de Dion tube rear suspension clothed in attractive fibreglass 4-seater bodywork. While the car had good performance it was expensive to produce and the overall fit and finish was not as good as that of similarly priced models from mainstream manufacturers. The Phase II version had an improved body largely moulded in one piece. About 325 were made. A works car was entered in the 1958 24 Hours of Le Mans, finishing 16th. Production ceased in 1960 after about 325 examples had been produced. Bernie Rodger restarted production of the car as the Warwick, a much-improved version of the original Peerless GT car with minor cosmetic changes such as a one-piece forward-hinged front end, a stiffer space-frame chassis and a revised dashboard. Although it was produced from 1960–1962, only about 40 cars are thought to have been built. A car was tested by the British magazine The Motor in 1961 and was found to have a top speed of 105.3 mph (169.5 km/h) and could accelerate from 0-60 mph in 12.6 seconds. A fuel consumption of 32 mpg‑. The test car cost £1666 including taxes. Two prototypes of a successor car, the 3.5 Litre or GT350, were made in 1961 and featured the light alloy Buick V8 engine that was later taken up by Rover. John Gordon, together with Jim Keeble (who had previously inserted a Buick V-8 engine into a Peerless), subsequently used the Peerless space-frame as the basis for a Chevrolet-powered car with Giugiaro-designed, Bertone-built bodywork, initially shown in 1960 as the Gordon GT, and which eventually reached production in 1964 as the Gordon-Keeble.

PEUGEOT

Before the 205, Peugeot was considered the most conservative of France’s “big three” car manufacturers, producing large saloons such as the 504 and 505, although it had entered the modern supermini market in 1973 with the Peugeot 104. The genesis of the 205 lay within Peugeot’s takeover in 1978 of Chrysler’s European divisions Simca and the former Rootes Group, which had the necessary expertise in making small cars including the Simca 1100 in France and Hillman Imp in Britain. It was around this time that Peugeot began to work on the development of a new supermini for the 1980s. It was launched on 24 February 1983, and was launched in right-hand drive form for the UK market in September that year. Shortly after its launch, it was narrowly pipped to the European Car of the Year award by the similar sized Fiat Uno, but ultimately (according to the award organizers) it would enjoy a better image and a longer high market demand than its Italian competitor. It was one of five important small cars to be launched onto the European market within a year of each other: the other four were the Uno, the second generation Ford Fiesta, the original Opel Corsa (sold as the Vauxhall Nova on the British market) and the original Nissan Micra. Its launch also closely followed that of the Austin Metro and Volkswagen Polo Mk2. The styling of the 205 is often thought to be a Pininfarina design, although Gerard Welter claims that it is an in-house design; Pininfarina only styled the Cabriolet. It is often credited as the car that turned Peugeot’s fortunes around. The fully independent suspension used the now standard PSA Peugeot Citroën layout that had debuted in the Peugeot 305 estate. A key ingredient of the success of the 205, it had MacPherson struts at the front and trailing arms with torsion bars at the rear. The rear suspension was very compact, designed to minimise suspension intrusion into the boot, giving a wide flat loadspace, while providing excellent ride and handling. Early 205s used the X petrol engine [n 1] from the older Peugeot 104, although these were later (1987–1988) replaced with the newer XU and TU-series engines, which were of PSA design. Engines ranged in displacement from 954 cc to 1905 cc, in carburettor or fuel injected versions. The diesel models employed the PSA XUD engine, lifted from the Citroën BX which was introduced in September 1982. These engines had a capacity of 1769 cc (XUD7) and 1905 cc (XUD9) and are closely related to the XU5 and XU9 petrol engines in the BX16 and BX19 of the time. The diesel engines were world-beating and so petrol-like that many buyers were won over by petrol car performance combined with diesel economy. For instance, the 205 GRD (1.8 Diesel, 59 bhp, 78 lb/ft (105.8 Nm)) was as fast as, yet smoother than, the 205 GR (1.4 Petrol, 59 bhp, 78 lb/ft (105.8 Nm)), due to the engine developing peak torque at much lower rpm, while using much less fuel. There were various versions intended for commercial use, such as the two-seater XA-series. There was also the “205 Multi”, a tall-bodied special version on XA or XE-basis built by independent coachbuilders like Gruau and Durisotti. Gruau called their XA-based two-seater version the “VU”, while the five-seat XE-based version was called the “VP”. Durisotti began building the 205 Multi in 1986; it was called the “205 Multi New Look”. The 205 was an instant hit, and its styling was echoed in every Peugeot model that was to follow. The exterior styling was never facelifted or significantly altered in its 15-year production run. There was a dashboard redesign for the 1988 model year, and in late 1990 the 205 received new door design and cards, clear front indicators, new ‘smoked’ rear light clusters, single point petrol injection and catalytic converters were introduced, to meet the new 1992 pollution limits. These updates came at a crucial time, as 1990 also saw the arrival of a completely new French competitor, the Renault Clio, while the Rover Metro and Volkswagen Polo were also heavily updated, and Ford had already replaced its Fiesta with a third generation model. Still, the 205 was still widely regarded in the motoring press as the benchmark car in this sector by 1990. At the beginning of 1993, Peugeot launched the 306, which officially replaced the 309; the arrival of this car also diminished the 205’s role (and its sales figures) in the Peugeot range, as had the arrival of the smaller 106 in September 1991 – although the final demise of the 205 was still some years away. The engines were continuously updated, with the new TU engines introduced in 1988. In 1991, the 205 dTurbo was launched with a powerful turbocharged version of the 1,769 cc xud diesel engine. After several years of gradually declining sales, the Peugeot 205 was discontinued in the United Kingdom in 1996. The Peugeot 205 was still offered in the “Sacré Numéro” and “Génération” models until the end of the production in 1998. The last models were GLD 1.8 configuration and were sold in Argentina. Most of the later European versions were only sold in France. Due to the pressure from the market, with buyers wanting a Peugeot supermini in the mould of the 205 again, the company finally built a direct replacement in the 206, which was launched in 1998. 5,278,050 Peugeot 205s have been sold, and a significant percentage of them were still in circulation as of 2009. By 2014, there were still as many as 14,000 on the road in the United Kingdom, compared to the peak high of 374,773 in 1994. With potentially as many 400,000 sales in the UK, it became the best selling car ever sold by Peugeot in the UK – although its success was emulated a few years later by the larger 306 and later by the 206. It also helped boost the popularity of the Peugeot brand there, and was at least a factor in Peugeot’s decision to phase out the Talbot brand in the mid 1980s when launching new models to be built at the former Rootes Group plant near Coventry and the former Simca plant at Poissy.

Mindful of the success of the Golf GTi, in the class above, and how a small car with good handling could take more power, as the Mini Cooper had proved, Peugeot came up with the GTi in early 1984. The first models had a 1.6 litre XU5J engine, producing 105 PS, which was uprated in 1987 with a cylinder head with larger valves thus becoming XU5JA, which took the power output up to 115 bhp. Visually the car retained the good looks of the 3 door version of the regular models, but it featured plastic wheel arch extensions and trim, beefier front and rear bumper valances and judicious use of red badging and trim. The shell also underwent some minor changes, including larger wheel arches (to suit the larger wheels, and the suspension was redesigned and sat lower on the GTI with stiffer springs, different wishbones and a drop-linked anti-roll bar. Red was a dominant colour inside. The car was an instant hit. At the end of 1986, Peugeot followed up with a more potent model, the 1.9 GTi, whose XU9JA engine produced 128 PS.  Internally the engine of this car and the 1.6 model are very similar, the main differences on 1.9 litre versions being the longer stroke, oil cooler, and some parts of the fuel injection system. The shorter stroke 1.6 litre engine is famed for being revvy and eager, while the 1.9 litre feels lazier and torquier. Outside the engine bay the main differences between the 1.6 GTi and the 1.9 GTi are half-leather seats on the 1.9 GTi vs. cloth seats and disc brakes all-round (1.9 GTi) vs. discs at the front and drum brakes at the back; as well as the 14-inch Speedline SL201 wheels on the 1.6 GTi  vs. 15 inch Speedline SL299 alloys on the 1.9 GTi. The 205 is still often treated as a benchmark in group car tests of the newest GTI models or equivalent. Peugeot itself has never truly recreated this success in future GTI models, although they came very close with the highly regarded GTI-6 variant of the Peugeot 306.

From 1988 to 1992 Peugeot produced another variant of the 205, the 205 Rallye, which was engineered and produced by Peugeot–Talbot sport. This edition of the 205 was positioned as a cost-effective alternative to the 205 GTI, retaining its sporty character, but being less expensive to buy or maintain. To achieve this, Peugeot used a derivative of the TU-series engine used in the post-1987 205s, which was designated TU24. The engine is essentially the same engine as was in the 1.1-litre 205 with the cylinders bored out to a total engine displacement of 1294 cc, a sports camshaft and twin Weber carburettors. The 1.3-litre engine produced 103 PS at 6,800 rpm. The car got the 1.6 GTI front suspension with ventilated brake discs, and the 1.6 GTI rear axle with drum brakes. The 205 Rallye was completely stripped of almost all soundproofing, electrical systems or other luxury items, bringing down the weight to no more than 794 kg (1,750 lb). Its minimalistic equipment, together with the high revs needed to unleash all of the engine’s horsepower, gives the 205 Rallye a very spartan character and makes it a difficult but rewarding car to drive hard, which is one of the reasons it is now very popular among 205 GTI enthusiasts. Peugeot expected to build around 5000 Rallyes. In the end 30,111 Rallyes were produced, even though they were only sold in certain mainland European markets (including France, Belgium, Portugal, Spain, Italy, Greece and the Netherlands). The distinctive aesthetic features of the 205 Rallye include the squarer wheel arches (which are different from GTI arches), the steel body-coloured wheels and the rainbow-coloured Peugeot-Talbot sport decals on the front grille and the tailgate. They were only available in white. The Rallye was sold with a reduced-weight interior with the Peugeot-Talbot sport logo embroidered in the front seats. From 1990 to 1992 Peugeot also built a 1.9 litre version of the 205 Rallye. Only about 1000 of them were produced and they were only sold in Germany, because the 1.3 litre version did not meet German road regulations. The 1.9 Rallye is just a 105 bhp 1.9 GTI with the Rallye bodyshell and the new-style clear indicators and rear light units. Although they are even rarer than the 1.3 Rallye, they are less popular among Peugeot enthusiasts, because they lack the raw and spartan character of the 1.3 Rallye and are 150 kg (331 lb) heavier. In 1992 Peugeot introduced the Rallye to the UK market, it was available in three colours (500 white, 250 yellow, 80 blue) and was essentially a re-badged XT. It came equipped with black cloth seats embroidered with the Peugeot-Talbot Sport logo, the Peugeot-Talbot sports colours behind the front arches and over the back arches, as well as the same markings on the grill and tailgate of its European brother. It was powered by an iron-blocked 1360 cc TU3.2 engine with the same twin-choke Solex carburettor found on the earlier XS engine. It produced 75 bhp and achieved 107 mph (172 km/h) with a 0–60 mph of 11.7 seconds. After the 205 Rallye, Peugeot again used the ‘Rallye’ designation for some of its 106 and 306 models.

PIPER

The GTR was a bespoke racecar prepared for the 1969 Le Mans 24 Hours but didn’t race due to a technicality in the regulations. The extremely low car was completely untested before arriving at Le Mans and a multitude of problems ensured it didn’t race. At the core of the GTR was a fibreglass tub and a 1.3-liter engine from Lotus. Tony Hilder was responsible for the design which only weighed 600 kg. Aerodynamics were a huge part of the design which included an aerofoil that was tested at the Kingston Polytechnic. Unfortunately, the car suffered from multiple problems at Le Mans including the rear hatch coming off down the Mulsanne straight. Once the stewards banned the car from racing it was given to driver Tim Lalonde as reimbursement. The Piper Car Company evolved from the famous Piper Tuning concern, established by George Henrotte and Bob Gayler in 1966. George had been a successful Formula 3 500 driver, eventually running the successful Gemini team, while Bob’s background had been in development with Weslake and Baldyne Engineering. Whilst developing a range of tuning parts and accessories for Ford engines, the pair offered race preparation services from their Kent premises. Enter Tony Hilder – an artist and freelance designer who had been talent-spotted by Bruce McLaren. The great driver turned team owner took Hilder on to help design McLaren’s M1A sports racer. Hilder’s further experience on projects with companies such as Specialised Mouldings and Lola prompted George Henrotte – on a chance meeting – to offer the young designer a position with the emerging Piper concern. That chance meeting was to fast-track Piper into the design of a GT car – a tall order for such a small company in its formative years. But the company was bursting with new ideas and enthusiasm – and appeared unafraid of taking on huge development projects. Thus, in 1967, Piper exhibited its prototype GT car – alongside an innovative new F3 car, built from a folded sheet of Mallite. Customer interest was running high for the new GT car and one of those interested parties was to take a instrumental role in the future of Piper Cars. This was Brian Sherwood – a proven Clubmans formula racer who already owned an earlier Piper racer. As Sherwood began to get more involved with Piper, a seminal decision was taken by Henrotte to split the company into two independent concerns so that he and Gaylor could continue developing the extremely successful tuning accessory concern, while Sherwood took over responsibility for all Piper car production, moving the entire car operation to his workshop premises in Wokingham. Work and sales continued at an unabated pace for the new Piper Cars concern, but frustration was already setting in as Sherwood realised that the development of the existing GT sports racer has reached a plateau. It was time to move on with a new concept – expressly conceived to contest the famous Le Mans 24 Hours event. This new project – designated the ‘GTR’ was to be penned by Hilder, who set about on a closed cockpit, rear engine layout, based around a central monocoque. This advanced concept included rear-mounted water and oil radiators and featured a double-vortex trim on the tail section, designed to divert the cooling air over the radiator to exit under the car – thus not being disturbed by the airflow over the bodywork. A then unique double-nose profile incorporated a revolutionary adjustable aerofoil, designed to help trim the balance of the car at high speed. Further innovative design techniques came in the manufacture of the chassis/body tub, which was constructed in end-grain balsa reinforced with polyester as a core in the floor and bulkheads, laminated between the inner and outer walls of the glass fibre shell with a polyurethane foam filling that produced an immensely strong integral safety cell. Multi-tube front and rear sub-frames carried the suspension and powerplants, which were intended to take all Ford’s twin-cams, BMW’s 2-litre and the Martin and BRM options. The finished car stood barely 30 ins off the ground and was immensely light. As with all the small manufacturers of this era, many well-reasoned ideals were often found to be much harder to put into practise. Sherwood’s original aim of taking two cars to Le Mans turned out to be a compromise. Just one car – the 1300cc twin-cam GTR on offer today – made it with the 2-litre version staying in the U.K. To say that the team of Sherwood and his Team Concorde drivers, John Burton and Tim Lalonde, were underprepared for the enormity of the task is perhaps an understatement in the full British sense. What accompanied them to La Sarthe were copious amounts of enthusiasm tinged perhaps with a hint of nervous anticipation as the GTR was wholly untested. Lalonde however had prior experience of Le Mans, having been with the Mini Marcos team at the event in 1967. It was Lalonde who took the untried Piper GTR out in practice, clocking up an incredible 164 mph between in-laps to replenish water. But circumstances were to curtail such promise. The team had set off for Le Mans without getting the 1300cc twin-cam power-plant stamped as such by the RAC. The French demanded that the cylinder head was removed to check the capacity during scrutineering. Such set-back added to a host of infuriating niggles that go with the territory of racing an unproved car. The French racing fraternity certainly didn’t need to witness the potential success of a car that could beat ‘their’ Alpines by a minute on a standing lap and so finally, the Piper GTR was excluded from taking the start of the race due to Lalonde being the only driver to take official practice. Or that’s how the conspiracy story goes. Would it have lasted the race? Probably not – but the interest caused by the car’s presence was extraordinary. Hollywood legend Steve McQueen came over to check the innovative Piper out, Le Mans personalities Raymond Baxter and Jabby Crombie both declared sympathy and support for the disappointed team. So back to Blighty they went. Lalonde, who owned the Le Mans GTR in lieu of another Piper crashed by the team mechanic during testing at Castle Combe was flat broke and so sold it. Soon after it turned up in the USA and for over a decade was raced extensively before being retired in the late 1990s. The vendor acquired this car some six years ago – re-commissioning the wholly original (apart from a colour change) Le Mans Piper GTR for racing. All sub-frames were taken off the tub and rebuilt. Most importantly, the attachments to the tub were reinforced. The GRP and Balsa wood monocoque was thoroughly checked but found to be completely sound – a testament to Hilder’s design genius. A full repaint, accurately matching the original colour found on the tub was carried out and original design graphics were studiously duplicated and applied. A permanently powered fan was reinstalled to prevent any overheating of the rear radiators. A full crack testing process was applied to all the suspension components (including 2 sets original magnesium wheels) and such certificates authenticating this process are with the car. Power was upgraded with the fitting of a 1600cc twin-cam engine. (The original 1300cc twin-cam engine is with the car and is complete with new pistons but requires full assembly). Since this exacting restoration programme was carried out, the refreshed Piper GTR was debuted at the 2005 Goodwood Festival of Speed followed by an invitation to the Silverstone Classic in the following year. More auspiciously, this original car returned to La Sarthe to contest the 2006 Le Mans Classic, where it was reunited with its original driver, Tim Lalonde, some 37 years after the Piper GTR’s first appearance at Le Mans. The restored car was much quicker than Lelonde thought it would be – and this time it not only started but finished the job that it had originally set out to all those years ago. Its latest outing was in a World Sports Racing Masters event at Donington 2008, beating a Ford GT40 to take a well deserved class win. A return invitation for the 2010 Le Mans Classic has been received for this car to once again return to La Sarthe – indicating that the French attitude towards this incredible car has turned from one of deep suspicion to that of great respect.

PORSCHE

During the 1990s, Porsche was facing financial troubles and rumours of a proposed takeover were being spread. The signature air-cooled flat-6 of the 911 was reaching the limits of its potential as made evident by the 993. Stricter emissions regulations world wide further forced Porsche to think of a replacement of the air-cooled unit. In order to improve manufacturing processes, Porsche took the aid of leading Japanese car manufacturer Toyota whose consultants would assist in the overhaul of the Zuffenhausen manufacturing facility introducing mass production techniques which would allow Porsche to carry out production processes more efficiently. Porsche had realised that in order to keep the 911 in production, it would need radical changes. This led to the development of the 996. The sharing of development between the new 911 and the entry level Boxster model allowed Porsche to save development costs. This move also resulted in interchangeable parts between the two models bringing down maintenance costs. The Porsche 996 was a new design developed by Pinky Lai under Porsche design chief Harm Lagaay from 1992 to 1994; it was the first 911 that was completely redesigned, and carried over little from its predecessor as Porsche wanted the design team to design a 911 for the next millennium. Featuring an all new body work, interior, and the first water-cooled engine, the 996 replaced the 993 from which only the front suspension, rear multi-link suspension, and a 6-speed manual transmission were retained in revised form. The 996 had a drag coefficient of Cd=0.30 resulting from hours spent in the wind tunnel. The 996 is 185 mm (7 in) longer and 40 mm (2 in) wider than its predecessor. It is also 45% stiffer courtesy of a chassis formed from high-strength steel. Additionally, it is 50 kg (110 lb) lighter despite having additional radiators and coolant. All of the M96 engines offered in the 996 (except for the variants fitted to the Turbo and GT2/GT3 models) are susceptible to the Porsche Intermediate Shaft Bearing issue which can potentially cause serious engine failure if not addressed via a retrofit. The 996 was initially available in a coupé or a cabriolet (Convertible) bodystyle with rear-wheel drive, and later with four-wheel drive, utilising a 3.4 litre flat-6 engine generating a maximum power output of 296 bhp. The 996 had the same front end as the entry-level Boxster. After requests from the Carrera owners about their premium cars looking like a “lower priced car that looked just like theirs did”, Porsche redesigned the headlamps of the Carrera in 2002 similar to the high performance Turbo’s headlamps. The design for the initial “fried egg” shaped headlamps could be traced back to the 1997 911 GT1 race car. In 2000, Porsche introduced the 996 Turbo, equipped with a four-wheel-drive system and a 3.6-litre, twin-turbocharged and intercooled flat-six engine generating a maximum power output of 420 bhp, making the car capable of accelerating from 0–60 mph in 4.2 seconds. An X50 option which included larger turbochargers and intercoolers along with revised engine control software became available from the factory in 2002, increasing power output to 451 bhp. In 2005, Porsche introduced the Turbo S, which had the X50 option included as standard equipment, with the formerly optional Carbon fibre-reinforced Silicon Carbide (C/SiC) composite ceramic brakes (PCCB) also included as standard. In 2000, power output on the base Carrera model was increased to 300 bhp. 2001 marked the final year of production for the base Carrera 4 Coupé in narrow body format. In 2002, the standard Carrera models underwent the above-mentioned facelift. In addition, engine capacity was also increased to 3.6-litres across the range, yielding gains of 15 bhp for the naturally aspirated models. 2002 also marked the start of the production of the 996 based Targa model, with a sliding glass “green house” roof system as introduced on its predecessor. It also features a rear glass hatch which gave the driver access to the storage compartment. Also in 2002, the Carrera 4S model was first introduced.

The 924 was originally another joint project of Volkswagen and Porsche created by the Vertriebsgesellschaft (VG), the joint sales and marketing company funded by Porsche and VW to market and sell sports cars, For Volkswagen, it was intended to be that company’s flagship coupé sports car and was dubbed “Project 425” during its development. For Porsche, it was to be its entry-level sports car replacing the 914. At the time, Volkswagen lacked a significant internal research and design division for developing sports cars; further, Porsche had been doing the bulk of the company’s development work anyway, per a deal that went back to the 1940s. In keeping with this history, Porsche was contracted to develop a new sporting vehicle with the caveat that this vehicle must work with an existing VW/Audi inline-four engine. Porsche chose a rear-wheel drive layout and a rear-mounted transaxle for the design to help provide 48/52 front/rear weight distribution; this slight rear weight bias aided both traction and brake balance. The 1973 oil crisis, a series of automobile-related regulatory changes enacted during the 1970s and a change of directors at Volkswagen made the case for a Volkswagen sports car less striking and the 425 project was put on hold. After serious deliberation at VW, the project was scrapped entirely after a decision was made to move forward with the cheaper, more practical, Golf-based Scirocco model instead. Porsche, which needed a model to replace the 914, made a deal with Volkswagen leadership to buy the design back. The deal specified that the car would be built at the ex-NSU factory in Neckarsulm located north of the Porsche headquarters in Stuttgart, Volkswagen becoming the subcontractor. Hence, Volkswagen employees would do the actual production line work (supervised by Porsche’s own production specialists) and that Porsche would own the design. It became one of Porsche’s best-selling models, and the relative cheapness of building the car made it both profitable and fairly easy for Porsche to finance. The original design used an Audi-sourced four-speed manual transmission from a front wheel drive car but now placed and used as a rear transaxle. It was mated to VW’s EA831 2.0 litre 4 cylinder engine, subsequently used in the Audi 100 and the Volkswagen LT van (common belief is that ‘the engine originated in the LT van’, but it first appeared in the Audi car and in 924 form has a Porsche-designed cylinder head). The 924 engine used Bosch K-Jetronic fuel injection, producing 125 bhp in European cars, but a rather paltry 95 bhp for the US market models, though this was improved to 110 hp in mid-1977 with the introduction of a catalytic converter, which reduced the need for power-robbing smog equipment. The four-speed manual was the only transmission available for the initial 1976 model, later this was replaced by a five-speed dog-leg unit. An Audi three-speed automatic was offered starting with the 1977.5 model. In 1980 the five-speed transmission was changed to a conventional H-pattern, with reverse now on the right beneath fifth gear. Porsche made small improvements to the 924 each model year between 1977 and 1985, but nothing major was changed on non-turbo cars. Porsche soon recognised the need for a higher-performance version of the 924 that could bridge the gap between the basic 924s and the 911s. Having already found the benefits of turbochargers on several race cars and the 1975 911 turbo, Porsche chose to use this technology for the 924, eventually introducing the 924 turbo as a 1978 model. Porsche started with the same Audi-sourced VW EA831 2.0 litre engine, designed an all new cylinder head (which was hand assembled at Stuttgart), dropped the compression to 7.5:1 and engineered a KKK K-26 turbocharger for it. With 10 psi boost, output increased to 170 hp. The 924 turbo’s engine assembly weighed about 65 lb more, so front spring rates and anti-roll bars were revised. Weight distribution was now 49/51 compared to the original 924 figure of 48/52 front to rear. In order to help make the car more functional, as well as to distinguish it from the naturally aspirated version, Porsche added an NACA duct in the bonnet and air intakes in the badge panel in the nose, 15-inch spoke-style alloy wheels, four-wheel disc brakes with five-stud hubs and a five-speed transmission. Forged 16-inch flat wheels of the style used on the 928 were optional, but fitment specification was that of the 911 which the 924 shared wheel offsets with. Internally, Porsche called it the “931” (left hand drive) and “932” (right hand drive). The turbocharged VW EA831 engine allowed the 924’s performance to come surprisingly close to that of the 911 SC (180 bhp), thanks in part to a lighter curb weight, but it also brought reliability problems.This was in part due to the fact that the general public did not know how to operate, or care for, what is by today’s standards a primitive turbo setup. A turbocharger cooled only by engine oil led to short component life and turbo-related seal and seat problems. To fix the problems, Porsche released a revised 924 turbo series 2 (although badging still read “924 turbo”) in 1979. By using a smaller turbocharger running at increased boost, slightly higher compression of 8:1 and an improved fuel injection system with DITC ignition triggered by the flywheel, reliability improved and power rose to 177 hp. In 1984, VW decided to stop manufacturing the engine blocks used in the 2.0 litre 924, leaving Porsche with a predicament. The 924 was considerably cheaper than its 944 stablemate, and dropping the model left Porsche without an affordable entry-level option. The decision was made to equip the narrower bodied 924 with a slightly detuned version of the 944’s 163 bhp 2.5 litre straight four, upgrading the suspension but retaining the 924’s early interior. The result was 1986’s 150 bhp 924S.  In 1988, the 924S’ final year of production, power increased to 160 bhp matching that of the previous year’s Le Mans spec cars and the base model 944, itself detuned by 3 bhp. This was achieved using different pistons which raised the S’ compression ratio from 9.7:1 to 10.2:1, the knock-on effect being an increase in the octane rating, up from 91 RON to 95. This made the 924S slightly faster than the base 944 due to its lighter weight and more aerodynamic body. With unfavourable exchange rates in the late 1980s, Porsche decided to focus its efforts on its more upmarket models, dropping the 924S for 1989 and the base 944 later that same year.

The first V8 engined Porsche, the 928  was originally conceived to replace the 911, though as we all know, that did not happen, with the two complementing each other in the range during the 18 year life of the 928. By the late 1960s, Porsche had changed significantly as a company, and executives including owner Ferdinand Porsche were toying with the idea of adding a luxury touring car to the line-up. Managing Director Ernst Fuhrmann was also pressuring Ferdinand to approve development of the new model in light of concerns that the current flagship model at the time, the 911, was quickly reaching the limits of its potential. Slumping sales of the 911 seemed to confirm that the model was approaching the end of its economic life cycle. Fuhrmann envisioned the new range-topping model as being the best possible combination of a sports coupe and a luxury sedan, something well equipped and comfortable enough to be easily driven over long distances that also had the power, poise and handling prowess necessary to be driven like a sports car. This set it apart from the 911, which was intended to be an out-and-out sports car. Ordered by Ferdinand Porsche to come up with a production-feasible concept for his new model, Fuhrmann initiated a design study in 1971, eventually taking from the process the final specification for the 928. Several drivetrain layouts were considered during early development, including rear and mid-engined designs, but most were dismissed because of technical and/or legislative difficulties. Having the engine, transmission, catalytic converter(s) and exhaust all cramped into a small rear engine bay made emission and noise control more difficult, something Porsche was already facing problems with on the 911 and wanted to avoid. After deciding that the mid-engine layout didn’t allow enough room in the passenger compartment, a front engine/rear wheel drive layout was chosen. Porsche also may have feared that the U.S. government would soon ban the sale of rear-engined cars in response to the consumer concern over safety problems with the rear-engined Chevrolet Corvair. Porsche engineers wanted a large-displacement engine to power the 928, and prototype units were built with a 5-litre V8 producing close to 300 hp. Ferdinand Piëch wanted this car to use a 4.6-litre V10  based upon Audi’s five-cylinder engine. Several members of the Porsche board objected, chiefly because they wished for Porsche AG to maintain some separation from Volkswagen.  The first two running prototypes of Porsche’s M28 V8 used one four-barrel carburettor, but this was just for initial testing. The cars were sold with the planned Bosch K-Jetronic fuel injection system. When increasing concern within the company over the pricing and availability of fuel during the oil crisis of the 1970s became an issue of contention, smaller engines were considered in the interest of fuel economy. A push began for the development of a 3.3 litre 180 hp powerplant they had drawn up designs for, but company engineers balked at this suggestion. Both sides finally settled on a 4.5 litre SOHC per bank 16-valve V8 producing 240 PS which they considered to have an acceptable compromise of performance and fuel economy. The finished car debuted at the 1977 Geneva Motor Show, going on sale later that year.  Although it won early acclaim for its comfort and power, sales were slow. Base prices were much higher than that of the 911 model and the 928’s front-engined, water-cooled design put off many Porsche purists, not least because the design marked a major change in direction for Porsche started with the introduction of the Porsche 924 in 1976 which purists found hard to accept. Porsche utilised a transaxle in the 928 to help achieve 50/50 front/rear weight distribution, aiding the car’s balance. Although it weighed more than the difficult-to-handle 911, its more neutral weight balance and higher power output gave it similar performance on the track. The 928 was regarded as the more relaxing car to drive at the time. It came with either a five-speed dog leg manual transmission, or a Mercedes-Benz-derived automatic transmission, originally with three speeds, with four-speed from 1983 in North America and 1984 in other markets. More than 80% had the automatic transmission. Exact percentage of manual gearbox cars for entire production run is not known but it is believed to be between 15 and 20%. The body, styled by Wolfgang Möbius under guidance of Anatole Lapine, was mainly galvanised steel, but the doors, front fenders, and hood were aluminium in order to make the car more lightweight. It had a substantial luggage area accessed via a large hatchback. The new polyurethane elastic bumpers were integrated into the nose and tail and covered in body-coloured plastic; an unusual feature for the time that aided the car visually and reduced its drag. Porsche opted not to offer a convertible variant but several aftermarket modifiers offered convertible conversions, most notably Carelli, based in Orange County, CA. The Carelli conversions were sold as complete cars, with the conversion doubling the price of the car. A reported 12 units were made. The 928 qualified as a 2+2, having two small seats in the rear. Both rear seats could be folded down to enlarge the luggage area, and both the front and rear seats had sun visors for occupants. The rear seats are small (due to the prominent transmission hump) and have very little leg room; they are only suitable for adults on very short trips or children. The 928 was also the first vehicle in which the instrument cluster moved along with the adjustable steering wheel in order to maintain maximum instrument visibility. The 928 included several other innovations such as the “Weissach Axle”, a simple rear-wheel steering system that provides passive rear-wheel steering to increase stability while braking during a turn, and an unsleeved, silicon alloy engine block made of aluminium, which reduced weight and provided a highly durable cylinder bore. Porsche’s design and development efforts paid off during the 1978 European Car of the Year, where the 928 won ahead of the BMW 7 Series, and the Ford Granada. The 928 is the only sports car ever to have won this competition, which is regarded as proof of how advanced the 928 was, compared to its contemporaries.  Porsche introduced a refreshed 928 S into the European market in 1980 model year. Externally, the S wore new front and rear spoilers and sported wider wheels and tyres than the older variant, but the main change for the 928 S was under the bonnet  where a revised 4.7 litre engine was used. European versions debuted with 300 PS, and were upgraded to 310 PS for 1984, though it is rumoured that they typically made around 330 hp. From 1984 to 1986, the S model was called S2 in UK. These cars used Bosch LH-Jetronic fuel injection and purely electronic Bosch ignition, the same systems used on the later 32-valve cars, though without the pollution controls. North American-spec 1983 and 1984 S models used, among other differences, smaller valves, milder camshafts, smaller diameter intake manifolds, and additional pollution equipment in order to meet emissions regulations, and were limited to 234 hp as a result. Due to low grade fuel 16V low compression S engine was made for Australian market in 1985 model year. It had 9.3:1 compression ratio pistons instead of normal 10.4:1 but used same large intake, high lift cams, large valves etc. of other S engines. In 1982, two special models were available for different markets. 202 “Weissach Edition” cars were sold in North America. Unusual features were champagne gold metallic paint, matching brushed gold flat disc wheels, two-tone leather interior, a plaque containing the production number on the dash and the extremely collectible three-piece Porsche luggage set. It’s believed these cars were not made with S spoilers even though these were available in U.S. during this time period as part of the “Competition Group” option. The “Weissach Edition” option was also available for the US market 911 in 1980 model year and 924 in 1981 model year. 141 special “50th Jubilee” 928 S models were available outside the U.S. and Canada to celebrate the company’s 50-year existence as a car manufacturer. This model is also sometimes referred to as the “Ferry Porsche Edition” because his signature was embroidered into the front seats. It was painted meteor metallic and fitted with flat disc wheels, wine red leather and special striped fabric seat centres. Similar 911 and 924 specials were also made for world markets. Porsche updated the North American 928 S for 1985, replacing the 4.7 litre SOHC engine with a new 5.0 litre DOHC unit sporting four valves per cylinder and producing 288 hp. Seats were also updated to a new style, these cars are sometimes unofficially called S3 to distinguish them from 16-valve “S” models. European models kept a 4.7 litre engine, which was somewhat more powerful as standard, though lower 9.3:1 compression 32-valve engine together with catalytic converters became an option in some European countries and Australia for 1986. In 1986, revised suspension settings, larger brakes with 4-piston calipers and modified exhaust was installed on the 928S, marking the final changes to old body style cars. These were straight from the 928S4, which was slated to debut a few months later. These changes came starting from VIN 1001, which means that the first thousand ’86’s had the old brakes, but later cars had the later systems. This later 1986 model is sometimes referred to as a 19861⁄2 or 1986.5 because of these changes. The name is a little misleading as more than 3/4 of the 1986 production had these updates. The 928 S4 variant debuted in the second half of 1986 with an updated version of the 5.0 litre V8 producing 320 PS, sporting a new single-disc clutch in manual gearbox cars, larger torque converter in automatics and fairly significant styling updates which gave the car a cleaner, sleeker look. S4 was much closer to being a truly world car than previous models as only major differences for North American models were instrumentation in either kilometers or miles, lighting, front and rear bumper shocks and the availability of catalytic converters in many other markets. The Australian market version was only one with different horsepower rating at 300 PS due to preparation for possible low grade fuel. Even this was achieved without engine changes. A Club Sport variant which was up to 100 kg (220 lb) lighter became available to continental Europe and U.S. in 1988. This model was watered down version of the 1987 factory prototype which had a lightened body. Also in 1987 the factory made four white lightened manual gearbox S4 models for racecar drivers who were on their payroll at the time. These were close to same as later actual Club Sport models and can also be considered prototypes for it. An SE (sometimes called the S4 Sport due to model designation on rear bumper), a sort of halfway point between a normally equipped S4 and the more race-oriented Club Sport, became available to the UK. It’s generally believed these Porsche Motorsport-engined cars have more hp than the S4. They utilise parts which later became known as GT pistons, cams and engine ECU programs. Some of them had stronger, short geared manual gearbox. The automatic gearbox was not available. For the 1989 model year, a visible change inside was digital trip computer in dashboard. At the same time Australian models received the same 320 PS engine management setup as other markets. Porsche debuted the 928 GT in the late winter 1988/89 after dropping the slowly selling CS and SE. In terms of equipment, the GT was like the 928 SE, having more equipment than a Club Sport model but less than a 928 S4 to keep the weight down somewhat. It had the ZF 40% limited-slip differential as standard like the Club Sport and SE before it. Also like the CS and SE, the GT was only available with a manual gearbox. European 1989 CS and GT wheels had an RDK tyre pressure monitoring system as standard, which was also optional for the same year S4. For 1990 model year Porsche made RDK and a 0-100% variable ratio limited-slip called PSD (Porsche SperrDifferential) standard in both GT and S4 models for all markets. This system is much like the one from the 959 and gives the vehicle even more grip. In 1990 the S4 was no longer available with a manual gearbox. The S4 and GT variants were both cut at the end of 1991 model year, making way for the final version of the 928. The 928 GTS came for sale in late 1991. Changed bodywork, larger front brakes and a new, more powerful 5.4 litre 350 PS engine were the big advertised changes; what Porsche wasn’t advertising was the price. Loaded GTS models could eclipse US$100,000 in 1995, making them among the most expensive cars on the road at the time. This severely hampered sales despite the model’s high competency and long standard equipment list. Porsche discontinued the GTS model that year after shipping only 77 of them to the United States. Total worldwide production of 928s over an 18 year period was a little over 61,000 cars. Second-hand models’ value decreased as a result of generally high maintenance costs due largely to spare parts that are expensive to manufacture, with the result that there are fewer survivors than you might expect, though with values hardening, people are now spending the money required to restore these cars.

RENAULT

The Renault 18 is a large family car produced by French manufacturer Renault between 1978 and 1989, with South American production continuing until 1994. It formed the basis for the closely related Renault Fuego Coupé, with which it shared its floorpan and drivetrain, but with the Fuego initially using the negative offset type front suspension from the larger Renault 20/30, which became standardized across the 18 range from the 1983 model year onwards. The Renault 18 was intended as a replacement for the Renault 12, which, having been in production since 1969, was beginning to show its age by the late 1970s, though the 12 was kept in production alongside the 18 until 1980. Unlike the earlier car, the 18 was designed quickly; the time between its initial conception and its actual launch date was only eighteen months, primarily due to the fact that the 18 was based upon the 12’s underpinnings. Production peaked early: 1979 was the R18’s biggest year, after which sales began a gradual decline. Originally, the 1.4 was the most popular model, but this soon changed to the 1.6. By 1986 the largest, 2-liter engine represented the biggest portion of the production. The Renault 18 went into production at Renault’s Flins factory in France in December 1977. It was presented at the Geneva Salon in March 1978, with marketing and sales starting the following month.  Initially, the R18 was only available as a four-door saloon, in TL, GTL, TS and GTS trim variations. The TL and GTL were powered by the 1397 cc Renault Cléon petrol engine (which was developed from the 1289 cc engine from the Renault 12), which produced 64 PS ( 63 bhp). Both models had a four-speed gearbox. The TS and GTS were powered by the 1647 cc A-Type engine (which was the same as used in the Renault 17 TS) but without the fuel injection, which lowered the output to 79 PS (78 bhp). The TS had a four-speed manual gearbox, while the GTS had a 5-speed manual gearbox, with optional 3-speed electronic automatic transmission available for both models. The automatic versions of the TS and GTS models were called the TS Automatic and GTS Automatic to distinguish them from their manual transmission counterparts. Beginning in 1978, the Renault 18 was also assembled in Romania under the name Dacia 18.[9] Fewer than 100 cars were built by Dacia, mainly for the government. It had been intended as a replacement for the Dacia 1300, a model derived from and based on the Renault 12, but the license and production between Dacia and Renault ended in 1979 and the model was dropped. The 18 was Renault’s first car to use the 1.4 L Cléon engine in the medium-size car sector. The Renault 18 also used three-stud wheels (similar to those of the Citroën 2CV), rather than the four- or five-stud wheels common on most of its contemporaries. In 1980 Turbo and Diesel R18 models came fitted with four-stud wheels (necessitated by using suspension parts and wheels from the larger R20 and Fuego), with all versions using four-stud wheels from the 1983 facelift onwards. Deliveries began early in April 1978 and sales in the United Kingdom began just before Christmas. On the British market, it was designed to compete with the market-leading Ford Cortina, Morris Marina, Vauxhall Cavalier and Chrysler Alpine – with all of these cars except the Alpine featuring rear-wheel drive. It was initially hugely successful on the UK market, peaking in 1980 as the tenth best-selling car there with over 30,000 sales, but sales declined over the next few years in the face of new British-built competitors in the shape of the Ford Sierra, Vauxhall Cavalier, and Austin Montego. The first changes were announced for 1979 at the Paris Motor Show in October 1978. Rear-seat belts were now fitted as standard, and a manual choke replaced the automatic one with which the car had been launched. The station wagon as well as a new basic model, called simply the “Renault 18”, were introduced. Also new for 1979, the 18 Automatic became a separate model (with GTL trim) rather than simply a transmission option. A year later, all production models were outfitted with a new alternator that included a built-in electronic regulator. In July 1980, the 18 Diesel model was added. This model was mechanically similar to the Renault 20 Diesel, and was equipped with a 2068 cc engine (rated at 66 PS), negative offset front suspension, and larger four-stud wheels. The diesel-engined 18s came in two trim levels: TD and GTD. The basic TD (which was available as both a saloon and estate) had a four-speed gearbox and the equipment level of the TS, while the GTD (which was exclusively available as a saloon) had a five-speed gearbox and an equivalent equipment level as the GTS. Power-assisted steering was optional on the GTD, while a five-speed gearbox was optional on the TD. Diesel model sales never reached thirty percent of the overall annual production. The 18 Turbo model was introduced in September 1980, borrowing from other Renault models. The 18 Turbo featured a 1565 cc engine rated at 110 PS, five-speed gearbox, negative offset front suspension, four-stud alloy wheels, rear spoiler, dashboard and interior fittings from the Renault Fuego. A little later yet, a Turbodiesel version arrived; it had an 88 PS version of the 2.1 L inline-four fitted to the TD/GTD and at the time it was the fastest car in its class. However, it soon had to compete with newer and quicker performance versions of the Vauxhall Cavalier (Opel Ascona) and Ford Sierra. Model year 1982 saw the introduction of several changes to the entire lineup of 18 models, shown in late 1981: the negative offset front suspension, previously available only on the Turbo and Diesel models, was made standard. The front indicator lenses were changed from orange to clear, bumpers and door handles were switched from chrome to black polyester, and the seats were restyled to provide more space in the rear seats. Model-specific changes included the available option of a five-speed gearbox on the TL; the GTL received an “economy-tune” 73 PS version of the 1647 cc engine, as well as a five-speed gearbox, higher final drive ratio, electronic ignition and an “economizer” gauge. The TS and GTS version were discontinued. A two-litre model entered production, for export only until late 1983. A special edition, the R18 “American” arrived in 1983. Limited to 5,200 examples (1,500 in the UK), it had a special black over silver two-tone paint and numerous luxury equipment such as alloy road wheels and a plusher interior. It included the 1.6 L engine and sold well. An “American 2” version was introduced in 1984. Included were central locking, radio, and a choice of four colour schemes, with a total of 14,000 units (8,000 for France and 6,000 for the rest of Europe). The “Type 2” was introduced in April 1984. The grille was changed and all models gained a front air dam, while the saloons also received a standard rear spoiler. The three-stud wheel rims were replaced with the larger four-stud wheel rims (with the Base, TL, and TD just having center caps, and the GTL, Automatic, GTS, and GTD all having full wheel trims). The biggest difference was that the dashboard was replaced by that of the Fuego. The 2 L GTX model was introduced in France in the fall of 1983. Subsequent years saw fewer changes to the 18 line, in preparation for the launch of the Renault 21 early in 1986. For 1986, a limited range was sold as the “18 Gala” in France, with the Turbo model discontinued during 1985 (only about 650 Turbos were built that year). July 1986 marked the end for the R18 in France. Production continued in Latin America until 1994, however, and the R18 also continued to be manufactured in France with the 2 L petrol engine until 1989 for export only. By the late 1970s, European production of the Renault 12 was being gradually wound down, followed by the arrival of the estate versions of the Renault 18 on 1 March 1979. The R18 Estate (“Break” in French-speaking countries, Argentina, and some other markets) was only available in TL, LS, and TS model variations, except in Australia where all Australian-assembled Renault 18s, sedans and station wagons, were GTS. 18i The station wagons provided comfortable seating for five, as well as featuring a folding rear bench seat that offered up to 65.5 cubic feet (1.85 m3) of cargo area with a 5.5-foot-long (1.68 m) flat floor and this carrying capacity was assisted by variable rate rear coil springs with long travel shock absorbers. They were otherwise mechanically identical to their saloon counterparts. The estates were identical to the saloons in equipment, except that the TS estate additionally featured shock-absorbent bumpers, door mouldings, and front seat head restraints from the 18 GTL saloon. The estate proved almost as popular as the saloon. In Germany the Break was originally marketed as the “Variable”, after the Type 2 facelift it became the “Combi”. In the Netherlands, it was called the “Stationcar”, while it was sold as the “Familiar” in Spain. In the United States, it was marketed as the “Sportswagon”, later becoming the “Sportwagon” without the “s”. A total of 2,028,964 Renault 18s were built in France alone. The R18 was replaced by the Renault 21 saloon and Nevada/Savana estate starting in 1986.

Also here was an R11, now a rare car in the UK. The Renault 9 and Renault 11 are small family cars produced for model years 1981–1988 in saloon (Renault 9) and hatchback (Renault 11) configurations — both were styled by the French automobile designer, Robert Opron. Variants were manufactured by American Motors Corporation (AMC), as the Renault Alliance and Renault Encore for the North American market. The car was produced in Turkey until 2000. The models use a transverse front-wheel drive engine configuration, and feature four wheel independent suspension. They were chosen as the European Car of the Year in 1982, as well as the Car of the Year by Motor Trend and one of the 10Best by Car and Driver in 1983. There were three facelifts given to the Renault 9, two facelifts to the Renault 11, during its career. The Renault 11 that was released in 1983 was introduced with double headlights, which was different from the Renault 9. In 1985 the Renault 9 was given a facelift, giving it the same front look and double headlights as the Renault 11 but only in GTS, GTD, TSE, TDE, TXE and GTX levels, while C, TC, GTC, TL, GTL and TD retained the phase 1 front. Renault 9 Broadway series, however had the 4 headlight front of the phase 1 Renault 11. The more aerodynamic Phase 2 appeared in 1987 where there was only a difference at the rear of the car, sedan or hatchback. Finally, the Phase 3, which was not sold in most of Europe, was released in Turkey in 1997. This final revision had more rounded head and tail lights, as well as ovoid body cladding around the bumpers and boot lid, which aimed to give the car a more modern look. The front design was originally developed for the 1993 facelift model assembled in Taiwan under the name “Renault Luxmore.” These later Turkish-made cars carried a “Broadway” badge as well as the Renault 9 designation, but note that “Broadway” had already been used on special editions of the earlier phase models. The Renault 9 was launched in October 1981 as a four-door saloon (in right-hand drive form for the UK market in March 1982), while the 11 was launched at the beginning of 1983 (in the UK from June that year) as a three or five door hatchback. Both had been developed under the Renault code name L42, and were designed by Robert Opron. Renault had begun the conception of the Renault 9 in 1977, as a “four metre” model (referring to its length) to fit between the Renault 5 and the Renault 14. Opron conceived a traditional three box design to appeal to the traditional customer and avoid the poor reception that had met the Renault 14’s styling. Exhaustive consumer studies suggested that buyers rejected innovation, resulting in a rather nondescript design, albeit of modest elegance. By the time the models entered production, Renault had assigned more than 500 people to the project, logging 14,500,000 hours of study and testing, constructing 44 prototypes, testing 130 engines, and test driving prototypes more than 2.2 million km. Both cars were also more conservatively engineered, although they retained front wheel drive, Renault abandoned the Douvrin (or “Suitcase”) transmission in sump engine which it had shared with Peugeot-Citroën in the Renault 14, in favour of its in-house power unit – the venerable C-type “Cléon” engine with an end on mounted transmission. This mechanical layout, along with the 9/11’s suspension design, was to become the basis of all small Renaults for the next 15 years or so. The Renault 9 was awarded the 1982 European Car of the Year, while the Alliance appeared on Car and Driver’s Ten Best list for 1983, and was the 1983 Motor Trend Car of the Year. The well-equipped Renault 11 TSE Electronic of 1983 was the first car in its class to have a synthetically voiced trip computer, but only because Renault moved up its launch date by a few days in order to get ahead of Austin’s Maestro Vanden Plas. Although the 9 and 11 cars had different names and body styles, they were identical under the skin, and were intended to jointly replace the older Renault 14. The 11 was also distinguishable from the 9 by its front end, which featured square twin headlights, which had been introduced on the North American Alliance. The 9 also received this new front end in late 1985 for the 1986 model year. The 11 deliberately aped the styling of its larger brother launched almost at the same time – the executive Renault 25 (also styled by Robert Opron) – featuring the signature wraparound rear window and the dramatic hooded dashboard design, which had the option of an ‘Electronique’ trim level which featured a digital instrument cluster and a voice synthesis trip computer – similar to those on the 25. The 9, by contrast had a simpler and more conservative looking dashboard and the digital instruments were never available. Both models were facelifted one more time for the European market (Phase 2) with matching nose and interior upgrades for the model year of 1987. At the Brussels Motor Show in January 1985 Renault showed the 11 Société, a light commercial version of the three-door hatchback with a cargo platform replacing the rear seat. A version of the 9 was manufactured and marketed by American Motors Corporation (AMC) in the United States as the Renault Alliance and bearing a small AMC badge. With 623,573 examples manufactured for model years 1982–1987, AMC offered the Alliance as a four-door sedan, two door sedan (with higher rear wheel arches than the four door) and as a convertible, beginning in 1984. The Renault 11 Turbo was used extensively by Renault Sport for their Group A car in the 1987 World Rally Championship. Frenchman Alain Oreille managed a Group N victory in the 1985 Rallye Monte Carlo, followed by the Group A victory in 1986 (enough for an eighth finish overall). A Renault 11 Turbo was, however, piloted to a second and third-place finishes in the 1987 Portuguese Rally and San Remo Rally respectively with Jean Ragnotti in the driver’s seat. The 11 Turbo also won the national Polish Rally Championship in 1985 and 1988, and both the Swiss and Portuguese rally championships in 1987. Its last result of importance was Oreille’s fourth place overall in the 1988 Rallye Monte Carlo. At launch, both cars used Renault’s ageing Cléon-Fonte engine overhead valve engines in either 1.1  or 1.4 litre format, and a basic suspension design which won few plaudits for the driving experience. The exceptions were the 9 Turbo and the 11 Turbo hot hatch, which used the turbocharged engine from the Renault 5. The C1E 1.1 litres engine was available only in the three doors body of R 11 and on the R9. Renault 11 TC and GTC with 5 doors, where available with the C1G 1.2 litres engine, since 1985. The C1E was phased out from the series since phase 2, making C1G the smallest engine of the series. The 11 Turbo was introduced first, and originally only with three door bodywork. Unlike the 5 Turbo or the 205 GTi, the 11 Turbo had a more comfort oriented focus. Although the cars were heavier than the Renault 5, the increased power in later models was enough to ensure higher performance, thanks to its 115 PS (113 bhp). The rally tuned version was impressively fast, producing about 220 PS (217 bhp). The newer F type engine which had been developed in collaboration with Volvo appeared from the end of 1983 on in twin carburetted 1,721 cc guise (F2N), powering the upmarket GTX, GTE, TXE, and TXE Electronic (Electronique in France) versions. These larger engined versions were specifically developed with American needs in mind, although they also happened to be well suited for a changing European market. The Renault 9 and 11 continued in production in France until 1989, a year after the launch of the Renault 19. However, production continued in other countries, with the end finally coming after nearly twenty years when production in Turkey was discontinued in 2000.

You don’t see one of these very often, the Renault Sport Spider that was made in small quantities between 1996 and 1999. The idea for the Renault Spider was formulated in the early 1990s: in the midst of a revival after a difficult second half of the 1980s, Renault wanted a car to promote it as a sporting brand in much the way the Renault 5 Turbo had done a decade earlier. The Spider was intended to both serve as a racing car, in a one-make series organised by Renault, and as a road car. The first prototypes for Project W94, as it was known at the time, were completed in mid-1994 and a concept version was presented to the public at the Geneva Motor Show a year later. The concept featured several differences to the version that ultimately became the road car, most notably butterfly doors and the absence of a windshield. The car went on sale in early 1996, assembled at the Alpine factory in Dieppe. Designed from the outset as a driver’s car, the chassis was made of aluminium for its combination of low weight and substantial strength, while the actual bodywork is a plastic composite. Unusually, the Spider did not have a roof, either folding or hard-top. The gearbox and the engine were one unit transversally fixed in an oscillating hinge (an arrangement inspired by aeronautical design), which all but eradicated the interference of engine vibration with the chassis, and the pedals of the Spider were adjustable as well as the seat so the driver could achieve a better driving position. Power for the Spider came from a version of the 2-litre F7R engine from the Renault Megane Coupe, producing 148 hp. Either a windscreen or a small wind deflector was fitted, with the driver wearing a helmet in vehicles without a windscreen. Despite the promise of the design, the initial reviews were not particularly effusive and the car was expensive, so it struggled for sales. Around 1800 were made over a three year period.

RILEY

This elegant machine is a 12-4 Kestrel. The Riley 12/4, or from 1936 the Riley 1½-litre, is a range of cars made from 1935 to 1938 by the British Riley company available with saloon, touring, and sports/racing coachwork, The car is powered by a four-cylinder 1,496 cc “12/4 Engine” with one or two Zenith carburettors. Designed by Hugh Rose, it was based on the Riley Nine engine but with some significant changes including the cylinder block and crankcase being cast as one unit. It was advanced for its day with twin camshafts mounted high in the engine block, cross flow head on some versions, and Zenith or twin SU carburettors. The chassis had half-elliptic leaf springs all round and drive was to the rear wheels through either a four-speed preselector or manual gearbox. Girling rod brakes were fitted. Three different wheelbases were made and two track options of 48 in (1,219 mm) on most versions or 51 in (1,295 mm) on the 1936 Adelphi, Continental and Kestrel saloons. At launch three body styles were available: the Kestrel 4 light fastback saloon, the Falcon saloon and the Lynx open tourer. In 1936 the Kestrel became a six light, the Falcon was replaced by the Adelphi six light saloon and the Continental touring saloon was introduced

ROLLS ROYCE

The Rolls-Royce 20/25 was built from 1929 through 1936 with 3,827 examples delivered. It would go on to become the company’s most popular design prior to the Second World War. It was initially built on a 128.7-inch chassis and later offered on a long chassis of 131.9 inches, introduced in 1931. Later examples of the Rolls-Royce 20/25 models featured a four-speed fully-synchronised gearbox and a centralised chassis lubrication system. Powering the 20/25 was a 3.7-litre inline, overhead-valve six-cylinder engine with a cast-iron block. It has a separate aluminium crankcase with a seven-main bearing crankshaft with vibration damper and a detachable cast-iron cylinder head. It was lubricated by a pressurised system that also fed the rocker shaft and timing gears. They had an engine-driven water pump with fan which cooled the engine, and a thermostatically-controlled system open and closed the radiator shutters as required. Ignition was by independent coil, a centrifugal-advance distributor, and a backup magneto. The engine was fed fuel via a single-jet carburettor. The estimated horsepower produced was 65, though the company never publicly advertised such numbers, only stating it was ‘adequate.’ Every engine was run by the company on a dynamometer in order to ensure reliability. The transmission with its single dry-plate clutch was bolted to the rear of the engine block. The floor shift was located to the right of the driver’s seat. The cars were given four-wheel, servo-assisted drum brakes and a full-floating type rear axle. Once the chassis was built and tested by the factory, it was sent to a coach-builder selected by the customer to receive coachwork. A body was either installed from inventory or constructed and finished to the buyer’s specific wishes.

First introduced in 1955, it was, with its later iterations the Cloud II and III, to prove the core of Rolls-Royce production until the arrival of the monocoque Silver Shadow in 1966. Construction of all Cloud models was body-on-frame, which allowed a number of creative coach-builders to work their magic, but over the course of its eleven years of production the vast majority were built with the standard Pressed Steel shell. The Silver Cloud II was notable for introducing a new engine, the essence of which is still used by Bentley today. The Silver Cloud III was the final version and deliveries to customers commenced in mid 1963. External dimensions were slightly altered with a one and a half inch reduction in grille height and by necessity, a slightly more sloping bonnet, but the most distinctive difference was the grouping of the headlights in a four headlamp unit which was sufficiently attractive to be carried over to the new Shadow. The car’s weight was reduced by over 100kg, and performance was improved by fitting 2″ SU carburettors and increasing the compression ratio to 9:1. One of the respected coach-builders who created something different on the Cloud III chassis was H.J.Mulliner (later Mulliner Park Ward), who offered a supremely elegant two door Drophead Coupe. These cars are now very sought after and are few and far between.

When new, the Silver Shadow was considered a big car, but looking at this one, it does not seem quite so massive any more.The Silver Shadow was produced from 1965 to 1976, and the Silver Shadow II from 1977 to 1980. Initially, the model was planned to be called “Silver Mist”, a natural progression from its predecessor Silver Cloud. The name was changed to “Silver Shadow” after realising that “Mist” is the German word for manure, rubbish, or dirt. The design was a major departure from its predecessor, the Silver Cloud; although several styling cues from the Silver Cloud were modified and preserved, as the automobile had sold well. The John Polwhele Blatchley design was the firm’s first single bow model. The original Shadow was 3 1⁄2 inches narrower and 7 inches shorter than the car it replaced, but nevertheless managed to offer increased passenger and luggage space thanks to more efficient packaging made possible by unitary construction. Aside from a more modern appearance and construction, the Silver Shadow introduced many new features such as disc rather than drum brakes, and independent rear suspension, rather than the outdated live axle design of previous cars. The Shadow featured a 172 hp 6.2 litre V8 from 1965 to 1969, and a 189 hp  6.75 ltire V8 from 1970 to 1980. Both powerplants were coupled to a General Motors-sourced Turbo Hydramatic 400 automatic gearbox, except on pre-1970 right-hand-drive models, which used the same 4-speed automatic gearbox as the Silver Cloud (also sourced from General Motors, the Hydramatic). The car’s most innovative feature was a high-pressure hydropneumatic suspension system licensed from Citroën, with dual-circuit braking and hydraulic self-levelling suspension. At first, both the front and rear of the car were controlled by the levelling system; the front levelling was deleted in 1969 as it had been determined that the rear levelling did almost all the work. Rolls-Royce achieved a high degree of ride quality with this arrangement. In 1977, the model was renamed the Silver Shadow II in recognition of several major changes, most notably rack and pinion steering; modifications to the front suspension improved handling markedly. Externally, the bumpers were changed from chrome to alloy and rubber starting with the late 1976 Silver Shadows. These new energy absorbing bumpers had been used in the United States since 1974, as a response to tightening safety standards there. Nonetheless, the bumpers on cars sold outside of North America were still solidly mounted and protruded 2 in less. Also now made standard across the board was the deletion of the small grilles mounted beneath the headlamps. Outside of North America, where tall kerbs and the like demanded more ground clearance, a front skirt was also fitted to the Silver Shadow II and its sister cars. In 1979 75 Silver Shadow II cars were specially fitted to commemorate the 75th anniversary of the company with the original red “RR” badges front and rear, pewter/silver paint, grey leather with red piping, scarlet red carpets, and a silver commemorative placard on the inside of the glove box door. 33 75th anniversary cars were designated for and shipped to the North American market. 8425 examples of the Shadow II were made, which, when added to the total of over 16,000 of the first generation cars made this the biggest selling Rolls Royce of all time.

Follow on to the Silver Shadow was the Rolls-Royce Silver Spirit, produced from 1980 to 1997. It was the first model in the SZ series. The Silver Spur is a long-wheelbase version of the Silver Spirit, produced from 1980 to 2000. It was the first car to feature a retractable Spirit of Ecstasy. The spring-loaded mascot sank into the radiator shell if dislodged from its position. The Silver Spirit was introduced by Rolls-Royce in 1980 as the first of a new generation of company models. It formed the basis for the Flying Spur, Silver Dawn, Touring Limousine, Park Ward, and Bentley Mulsanne/Eight series. The Spirit/Spur carried over the basic design of the Silver Shadow, its 6.75 L L410 V8 engine and GM-sourced THM400 3-speed automatic gearbox, and similarly styled unitary bodywork manufactured at Pressed Steel. The Spur/Spirit continued the Silver Shadow’s emphasis on ride quality by utilising its hydropneumatic self-levelling suspension, modified with Girling automatic hydraulic ride height control system and gas-charged shock absorbers. The Silver Spirit II and Silver Spur II were refinements of the original models, introduced at the 1989 Frankfurt Motor Show. Suspension design saw the most change, with “Automatic Ride Control” introduced, a fully automatic system that adjusted dampers at all four wheels in real time. Other updates included the adoption of ABS and fuel injection as standard for all models and markets. The last Mark I Silver Spirit/Spur was chassis no KCH27798, with Mark II cars starting with 29001. The fuel injection system was now Bosch’s MK-Motronic. Originally retaining the three-speed Turbo Hydramatic GM400 transmission from earlier Spirits/Spurs, a four-speed unit (the GM 4L80E) was introduced in the winter of 1991. The size of the petrol tank was also increased, up to 107 L (24 imp gal), meaning that the car’s range was now up to well over 500 km (311 mi). Exterior and interior changes were minimal, with a considerably smaller steering wheel and two additional ventilation outlets added to the fascia mildly modernising the look up front. The Silver Spirit III and Silver Spur III were introduced in 1993, featuring engine improvements and some cosmetic updates. A new design of intake manifold and cylinder heads increased power output. The parameters of the semi-active suspension system were modified so that shock absorbers would default into “soft” ride mode when they wore out (rather than “hard” in the previous Mark II, noticeably impacting ride quality). Dual airbags were introduced inside, along with independent adjustment of the rear seats. The 1994–1995 Flying Spur was a turbocharged, higher performance version of the Silver Spur III. 134 cars were produced. The Silver Dawn is a special edition of the Silver Spur III with several additional options, such as Electronic Traction Assistance System and rear seat heaters. The radiator height is reduced by 51 mm (2 in) and the size of the Spirit of Ecstasy was reduced by 20 percent. The new front was later inherited by the Mark IV series. Silver Dawn appeared one year earlier on the American market.  Designed in the autumn of 1992, the New Silver Spirit/New Silver Spur was the final revision of the Silver Spirit and Silver Spur, introduced late in 1995 as a 1996-year model. A marketing decision had been made that the cars should not get a “series IV” designation because the number four is a homonym for death in some Far Eastern languages. Major changes included the introduction of a Garrett turbocharger on all models and the replacement of the previous Bosch engine management systems with one by Zytec. Also new were updated integrated front and rear bumpers and sixteen-inch wheels. As of 1997, the long wheelbase became standard, with limousine models offered in extra-long only. Inside, a wooden column running down the centre of the dashboard was added. Silver Spirit production closed with the model year 1997, although vehicles continued to be produced through 2000 to use up Silver Spirit bodies and parts remaining in stock.

ROVER

The first new car that Rover announced after the war was the P4 model, known as the 75. It was launched at the Earls Court Motor Show in September 1949, to replace all previous models and then continued in production until 1964, though the car underwent lots of change under the skin in those 15 years. Designed by Gordon Bashford, the car went into production in 1949 as the 6-cylinder 2.1-litre Rover 75.  It featured unusual modern styling in stark contrast with the outdated Rover P3 model 75 which it replaced. Gone were the traditional radiator, separate headlamps and external running boards. In their place were a chromium grille, recessed headlamps and a streamlined body the whole width of the chassis. The car’s styling was derived from the then controversial 1947 Studebakers. The Rover executives purchased two such vehicles and fitted the body from one of them to a prototype P4 chassis to create a development mule. In James Taylor’s highly regarded book ‘Rover P4 – The Complete Story’ he advised that this vehicle was affectionately known as the ‘Roverbaker’ hybrid. Another, at the time minor, distinctive feature but this one did not catch-on was the centrally mounted light in the grille where most other manufacturers of good quality cars provided a pair, one fog and one driving light often separately mounted behind the bumper. Known, unkindly, as the “Cyclops eye” it was discontinued in the new grille announced 23 October 1952. The earliest cars used a more powerful version of the Rover engine from the 1948 Rover P3 75, a 2103 cc straight-6 engine now with chromium plated cylinder bores, an aluminium cylinder head with built-in induction manifold and a pair of horizontal instead of downdraught carburetters. A four-speed manual transmission was used with a column-mounted gear lever which was replaced by a floor-mounted mechanism in September 1953.  At first the gearbox only had synchromesh on third and top but it was added to second gear as well in 1953. A freewheel clutch, a traditional Rover feature, was fitted to cars without overdrive until mid-1959, when it was removed from the specifications, shortly before the London Motor Show in October that year. The cars had a separate chassis with independent suspension by coil springs at the front and a live axle with half-elliptical leaf springs at the rear. The brakes on early cars were operated by a hybrid hydro-mechanical system but became fully hydraulic in 1950. Girling disc brakes replaced drums at the front from October 1959. The complete body shells were made by the Pressed Steel company and featured aluminium/magnesium alloy (Birmabright) doors, boot lid and bonnets until the final 95/110 models, which were all steel to reduce costs. The P4 series was one of the last UK cars to incorporate rear-hinged “suicide” doors. After four years of the one model policy Rover returned to a range of the one car but three different sized engines when in September 1953 they announced a four-cylinder Rover 60 and a 2.6-litre Rover 90. A year later, an enlarged 2230cc engine was installed in the 75, and an updated body was shown with a larger boot and a bigger rear window and the end of the flapping trafficators, with redesigned light clusters. Further detailed changes would follow. Announced 16 October 1956, the 105R and 105S used a high-output, 8.5:1 compression version of the 2.6 litres engine used in the 90. The higher compression was to take advantage of the higher octane fuel that had become widely available. This twin-SU carburettor engine produced 108 hp. Both 105 models also featured the exterior changes of the rest of the range announced a month earlier. The 105S featured separate front seats, a cigar lighter, chromed wheel trim rings and twin Lucas SFT 576 spotlamps. To minimise the cost of the 105R, these additional items were not standard, however they were provided on the (higher priced) 105R De Luxe. The 105R featured a “Roverdrive” automatic transmission. This unit was designed and built by Rover and at the time was the only British-built automatic transmission. Others had bought in units from American manufacturers such as Borg-Warner. This unit was actually a two-speed automatic (Emergency Low which can be selected manually and Drive) with an overdrive unit for a total of three forward gears. The 105S made do with a manual transmission and Laycock de Normanville overdrive incorporating a kick-down control. The 105S could reach a top speed of 101 mph. Production of the 105 line ended in 1958 for the 105R and 1959 for the manual transmission 105S, 10,781 had been produced, two-thirds with the manual transmission option. For 1959 the manual model was described simply as a 105 and the trim and accessory level was reduced to match the other models. In 1959, the engines were upgraded again, with the 80 replacing the 60 and the 100 replacing the 90 and the 105. The four cylinder cars were not particularly popular, though and in September they were replaced by the six cylinder 95. Final model was the 110, which took its place at the top of the range until production ceased, a few months after the very different P6 model 2000 had come along. These cars are popular classics these days.

Whilst the 3 litre P5 model may have been thought of as a replacement for the top end of the long running P4 Rovers, it was really this car, the P6 model, first seen in October 1963 which was its true successor. Very different from the long-running 60/75/80/90/95/100/105/110 models, this car took some of its inspiration, it is claimed, from the Citroen DS as well as lessons learned from Rover’s Jet Turbine program of the 1950s and early 60s. It was a “clean sheet” design, carrying nothing over, and was  advanced for the time with a de Dion tube suspension at the rear, four-wheel disc brakes (inboard on the rear), and a fully synchromesh transmission. The unibody design featured non-stressed panels bolted to a unit frame. The de Dion set-up was unique in that the “tube” was in two parts that could telescope, thereby avoiding the need for sliding splines in the drive shafts, with consequent stiction under drive or braking torque, while still keeping the wheels vertical and parallel in relation to the body. The Rover 2000 won industry awards for safety when it was introduced and included a carefully designed “safety” interior. One innovative feature was the prism of glass on the top of the front side lights. This allowed the driver to see the front corner of the car in low light conditions, and also confirmed that they were operative. One unique feature of the Rover 2000 was the design of the front suspension system, in which a bell crank (an L-shaped rotating bracket trailing the upper hub carrier joint) conveyed the vertical motion of the wheel to a fore-and-aft-horizontally mounted spring fastened to the rear wall of the engine compartment. A single hydraulically damped arm was mounted on the firewall for the steering. The front suspension was designed to allow as much width for the engine compartment as possible so that Rover’s Gas Turbine engine could be fitted. In the event, the engine was never used for the production vehicle, but the engine compartment width helped the accommodation of the V8 engine adopted years after the car’s initial launch for the 2000. The luggage compartment was limited in terms of usable space, because of the “base unit” construction, complex rear suspension and, in series II vehicles, the battery location. Lack of luggage space (and hence the need to re-locate the spare tyre) led to innovative options for spare tyre provision including boot lid mountings and optional Dunlop Denovo run-flat technology. The car’s primary competitor on the domestic UK market was the Triumph 2000, also released in October 1963, just one week after the Rover, and in continental Europe, it contended in the same sector as the Citroen DS which, like the initial Rover offering, was offered only with a four-cylinder engine – a deficiency which in the Rover was resolved, four years after its launch, when Rover’s compact V8 was engineered to fit into the engine bay. The Rover 2000 interior was not as spacious as those of its Triumph and Citroen rivals, especially in the back, where its sculpted two-person rear seat implied that Rover customers wishing to accommodate three in the back of a Rover should opt for the larger and older Rover 3 Litre. The first P6 used a 1,978 cc engine designed specifically for the car, which put out around 104 bhp. That was not enough to live up to the sports saloon ambitions, so Rover later developed a twin SU carburettor version with a re-designed top end and marketed the revised specification vehicles as the 2000 TC. The 2000 TC was launched in March 1966 for export markets in North America and continental Europe, relenting and making it available to UK buyers later that year. This engine generated  around 124 bhp. The standard specification engines continued in production in vehicles designated as 2000 SC models. These featured the original single SU. More performance was to come. Rover saw Buick’s compact 3528 cc V8 unit that they had been looking at developing as the means of differentiating the P6 from its chief rival, the Triumph 2000. They purchased the rights to the innovative aluminium engine, and, once improved for production by Rover’s own engineers, it became an instant hit. The Rover V8 engine, as it became known, outlived its original host, the P5B, by more than thirty years. The 3500 was introduced in April 1968, one year after the Rover company was purchased by Triumph’s owner, Leyland and continued to be offered until 1977. The light metal V8 engine weighed the same as the four-cylinder unit of the Rover 2000, and the more powerful car’s maximum speed of 114 mph as well as its 10.5-second acceleration time from 0–60 mph were considered impressive, and usefully faster than most of the cars with which, on the UK market, the car competed on price and specifications. It was necessary to modify the under-bonnet space to squeeze the V8 engine into the P6 engine bay: the front suspension cross-member had to be relocated forward, while a more visible change was an extra air intake beneath the front bumper to accommodate the larger radiator. There was no longer space under the bonnet for the car’s battery, which in the 3500 retreated to a position on the right side of the boot. Nevertheless, the overall length and width of the body were unchanged when compared with the smaller-engined original P6. Having invested heavily in the car’s engine and running gear, the manufacturer left most other aspects of the car unchanged. However, the new Rover 3500 could be readily distinguished from the 2000 thanks to various prominent V8 badges on the outside and beneath the radio. The 3500 was also delivered with a black vinyl covering on the C-pillar, although this decoration later appeared also on four-cylinder cars. A 3-speed Borg Warner 35 automatic was the only transmission until the 1971 addition of a four-speed manual 3500S model, fitted with a modified version of the gearbox used in the 2000/2200. The letter “S” did not denote “Sport”, it was chosen because it stood for something specific on those cars: “Synchromesh”. However it is important to note that the 3500S was noticeably quicker than the automatic version of this car with a 0-60mph time of 9 seconds, compared with 10.1 for the standard car. Moreover, due to the fuel-guzzling nature of automatic gearboxes of this era, the manual car’s official cycle was 24mpg compared to the automatic’s 22mpg. The Series II, or Mark II as it was actually named by Rover, was launched in 1970. All variants carried the battery in the boot and had new exterior fixtures such as a plastic front air intake (to replace the alloy version), new bonnet pressings (with V8 blips even for the 4-cylinder-engined cars) and new rear lights. The interior of the 3500 and 2000TC versions was updated with new instrumentation with circular gauges and rotary switches. The old-style instrumentation with a linear speedometer and toggle switches continued on the 2000SC versions. The final changes to the P6 came in the autumn of 1973 when the 2200 SC and 2200 TC replaced the 2000 SC and TC. These cars used an enlarged 2,205 cc version of the 2000 engine, which increased power outputs to 98 and 115 bhp respectively as well as offering improved torque. The P6 was replaced by the SD1 Rover, a completely different sort of car indeed, after 322,302 cars had been built. Seen here was an late model 3500S, a very aspirational car in its day..

When news of Project YY, a new mid-sized car started to filter out, another joint Honda-Rover development, it was assumed that once again each would adopt their own body style. Honda was first to market, by some months, with their Concerto, and when the Rover 200 Series as the new 5 door hatch models were called, were then revealed in the autumn of 1989, there was much disappointment expressed that it seemed that Rover had merely changed the details of lights, bumpers and grille, as well putting their own touches to the interior. They had also put their brand new K Series 1.4 litre engine under the bonnet, though, and once the press and then the public got to drive the new car, any thoughts that this might be another dull Japanese car were dispelled, as it was evident that this was a cracking new car in every respect. Only high prices counted against it, but look past that, and the choice between a Rover 214 with a 92 bhp engine and sweet five speed gearbox and a quality interior, or a Ford Escort 1.4 saddled with the rough and crude 75 1.4 litre CVH engine and a decidedly mass-market feeling interior pointed in the Rover’s favour every time. The 216 model retained a Honda engine, but with 125 bhp, this was unbelievably rapid for the class. The 4 door saloon version, the 400, followed a few months later, and then Rover added their own unique 3 door body style, as well as the option of a 2 litre model for a hot hatch to rival the Golf GTi and 309 GTi. Coupe, Cabrio and 400 Tourer versions followed soon after, giving a comprehensive range which was a clear class leader. I had a 414 Si from January 1992 for three years, during which time I put over 100,000 miles on the clock, the highest mileage I had covered to date, and I thought the car was absolutely brilliant. It would have been even better with power steering, probably, but this was an era when you needed to go up a size or two to find this feature as standard. Rover changed the front end of the cars with a false grille not long after the October 1992 launch of the Coupe, the car that was codenamed TomCat, so you don’t see many with the simple front end, but there was one here, along with a large number of cars with the grille. With a choice of 1.6 and 2,0 injected engines or a 2.0 Turbo that was astonishingly fast for its day and the money charged, these were popular cars which sold well, with only really the Calibra as a true market rival.

In December 1994 the revised R6 model appeared. In the United Kingdom, Rover finally scrapped the Metro nameplate, replacing it with a new name, Rover 100, which had been adopted on continental Europe on the Rover Metro’s launch in 1990, due to the weakness of the Austin marque in Europe. The mechanics of the car remained much the same with 1.1 and 1.4 petrol engines and Hydragas suspension, but there was now the option of a Peugeot-sourced 1.5 diesel rather than the previous 1.4. The exterior was altered in an attempt to disguise the car’s age, meet the increased cooling requirements of the Peugeot motor and offer a reduced-format Rover family grille. This was achieved through fitment of new front and rear bumpers, sill covers, rear boot handle and headlamps, bonnet and grille. A variety of bolder paint colours and the use of chrome trim helped give a more upmarket appearance. The interior trim was revised to give a greater impression of quality and luxury, but since the basic architecture had remained unchanged since the original 1980 car it was considered by many as being short on space and outdated in comparison to its most modern rivals (most of which had been replaced with all-new models since the launch of the Rover Metro, and in the cases of the Ford Fiesta and Vauxhall Nova/Corsa, replaced with all-new models twice) It was criticised by the press for its lack of equipment, with front electric windows only available on the range-topping 114 GSi. Rear electric windows were never an option on the 100. Neither were Anti-Lock Brakes, Power Steering or a rev-counter (except the GTa and later manual 114 GSi models) One saving grace for the 100 was the option of full leather trim, a rarity in a small car and coupled with the standard wood veneer dashboard inserts, a tinted glass sunroof and the optional wood veneer door cappings, the 114 GSi made for traditional luxury motoring; an image Rover was trying to retain. The only safety efforts came in the form of an optional drivers airbag, an alarm, a passive engine immobiliser, a removable radio keypad, central locking and side intrusion beams. Overall, the 100 series was considered a rather typical facelift of a car which had been a class leader on launch some years earlier, only to be overtaken by newer cars including the Renault Clio, Fiat Punto and Volkswagen Polo. It was launched only a year before a heavily revised Ford Fiesta. A ‘warm’ version of the 100 called the 114 GTa was available from launch. The main differences over the 114 SLi three-door – which has the same engine – were sports seats, red seatbelts, a rev-counter, sports suspension, a slightly higher top speed, faster acceleration, GSi alloy wheels and GTa badging. It was only available as a three-door. In 1997, the Rover 100 gave a poor performance in Euro NCAP crash tests[16] (despite the improved safety features, including side impact bars in the doors and an optional driver’s airbag, the 1970s design was showing its age) – it was at the time the only car tested to receive a one-star Adult Occupant Rating. Other small cars tested at the same time received 2 or 3 stars out of five. The passenger compartment was subjected to severe structural damage in the frontal-offset test and results showed a high risk of injury to all body regions for the driver. Meanwhile, the side impact test also showed high injury risks. The Rover 100’s dismal safety showing was not its only problem by 1997. It was fast falling behind the best cars in its sector when it came to design, build quality, refinement and specification, although it remained strong in terms of fuel economy and affordability. Unlike the Ford Fiesta, Volkswagen Polo and Vauxhall Corsa, the Rover 100 could still provide sub-£7,000 motoring. Facing a complete collapse of sales, Rover withdrew the 100 from production – marking the end of nearly 18 years of production. There was no direct replacement for the Metro/100, although the 1995 Rover 200 had been developed inside Rover Cars to serve as a replacement for the 100 as well as the previous 200 model, which was slightly larger. The 100 and 200 were sold concurrently until 1998, when the 100 was withdrawn. When the Rover 200 was facelifted in late 1999 and rebadged as the Rover 25, Rover marketed this as a supermini reflecting the continued, steady, growth of all car classes. The plan was for both the 100 and the 25 to be on the market until the launch of the true replacement for the Metro in the shape of the MINI. However, BMW’s sale of Rover put an end to those plans. BMW kept the MINI design and MG Rover’s notional successor to the Metro was the Rover 25 and its MG ZR relative. The gap left by the Metro as a true Rover city car was not filled until late 2003, when the Rover CityRover was launched – it was a 1.4 engined city car built in India alongside the Tata Indica. This model was nowhere near as popular as the Metro or even the Rover 100, and was not included in the revived product range by Nanjing Automobile following MG Rover’s bankruptcy in 2005.

The Rover Streetwise is a compact British car made by MG Rover. It was based on the Rover 25, but had an increased ride height and chunkier bumpers. The car was marketed by Rover as an ‘urban on-roader’. The Rover Streetwise was an attempt by Rover to appeal to younger drivers. Rover had modernised the existing models in 1999 with a facelift for the 25, 45 and the Rover designed 75 models but Rover was suffering falling sales and a tarnished brand after the sale of Rover to the consortium of Phoenix in March 2000 by BMW. Although new models were in the planning stages, the 25 and 45 models would be at least ten years old before the new models were launched. Phoenix owned the rights to the MG brand, and had marketed the ZR, ZS and ZT with some success, restyling the existing 25, 45 and 75 models. This included tweaked suspension, new wheels, altered dashboard inserts, different seats and bodykits. With the MG brand proving popular, MG Rover Group turned their attention to the Rover brand. The cars badged as Rover had a rather staid image, and were commonly associated with elderly motorists. Thus, MG Rover attempted to appeal to a younger market. MG Rover decided to design a car for a niche market, and chose the ‘urban on roader’ look, similar to the Audi A6 Allroad, Škoda Octavia Scout, Volvo XC70 and the Volkswagen Polo Fun/CrossPolo. The tough looking Streetwise was designed as a two-wheel drive urban car with 4×4 looks. The Streetwise had a 10mm higher ride height than the basic 25, and although it shared many of the common characteristics of the 25, it was visually different with large impact absorbing grey or black plastic bumpers. Unlike the rest of the Rover and MG range, the Streetwise bumpers were not colour coded. The front indicators were redesigned to complement the circular headlamps, and most models came with chunky sixteen inch wheels as standard. To extend the load space, the Streetwise was fitted with multi purpose roof bars, which also served to distinguish the Streetwise from the ZR and the 25, in addition to the standard 60/40 split rear seats. The Streetwise offered a choice of sporty interiors, available in four or five seats (optional). The standard four seats had two separate rear seats and a separating centre console, and body hugging front sports seats on all models, trimmed in half leather on SE and later GSi models. All models came with a driver’s airbag, PAS, remote central locking with perimetric alarm and ABS. The S added electric front windows, body coloured door mirrors, 16″ Alloy wheels with security wheel nuts, CD Tuner with rear speakers and steering wheel remote audio controls. Top spec SE models further added air conditioning, electric door mirrors, leather steering wheel and gearknob, part leather seats with rear headrests, choice of seat facing colourway, front fog lamps, and body coloured bumper inserts. Other subtle changes included a revised centre console and a restyled blue instrument dials. All Streetwises came with Trafficmaster Alert, an early warning device to warn the drivers of congested routes. The Streetwise also came with rear parking sensors, as an option or as standard on higher models. The Streetwise engines were available as 1.4, 1.6, 1.8 stepspeed (Automatic), and a 2.0 TD. The 1.6 and the 1.8 were less common. Production ended in April 2005, due to the bankruptcy of MG Rover, but reappeared in March 2008 in China as the MG 3 SW, following the purchase of MG Rover’s assets by Nanjing Automobile Group.

SCANIA

SKODA

The Škoda Felicia, (Typ 791) was a B-segment car produced by the Czech carmaker Škoda Auto from 1994 to 2001. It was the last model on Škoda’s own platform, but was one of the first models to benefit from Škoda Auto’s takeover by the German company Volkswagen Group. The Felicia was a reworked version of the Favorit, but had a fresh, more modern appearance, with a redesigned front end and a wider range of engines. It was premiered in October 1994, on the Charles Bridge in Prague. Serial production of the hatchback began in October 1994, the combi in June 1995, the pick up in August 1995, and it ended in June 2001. The name Felicia was not used for the first time, resurrecting a nameplate originally used by Škoda in the 1960s for a range of two seater sports cars. As the Felicia benefited from Volkswagen input, it helped to elevate Škoda’s image in Western Europe. It heralded the first ever diesel powered Škoda, and became their first car to feature major safety and convenience features. Some SLXi models featured air conditioning and velour upholstery. Anti-lock Braking System (ABS), drivers airbag, and seat belt tensioners were also available. The Felicia made headlines in April 1998, after its high satisfaction score gave Škoda the “Best Manufacturer” accolade in that year’s J.D. Power Car Survey. Production of the Felicia ceased at the end of June 2001, one year after the launch of the Fabia. A total of 1,420,489 cars had been made (the pick up and estate models were available for sale throughout 2001), including 19,000 rebranded pick up sold as Volkswagen. The Felicia came in a variety of body styles, both for personal and professional use. The base model was a five door hatchback, and from June 1995, was accompanied by an estate, replacing the Favorit based Forman, now redubbed as the Felicia Combi (Typ 795). There was also a coupe utility version, the Felicia Pickup, (Typ 797) and a panel van called a Felicia VanPlus. Pickup featured redesigned rear axle to increase space in cargo area. The pickup version was also imported to some countries re branded as the Volkswagen Caddy Pickup. The pick up model also had a lifestyle edition named the Felicia Fun, (Typ 796) conceived mostly for the market in Western Europe. The rear screen section hinges out into the loadbay, allowing two extra seats to be folded out, giving comfortable seating for four adults. A tonneau cover is available to cover the rear seats, which are otherwise open to the elements. A Truckman top is also available which encloses the rear seats and loadbay, making for a more practical bad weather conversion. Luggage capacity in the hatchback was 272 litres with the rear seats in the upright position, and this increased to 976 litres with the rear seats folded. For the Combi (estate version), this was 447 and 1,366 litres respectively. The Felicia and Felicia Combi received a minor facelift in In January 1998. The most obvious visual change was a redesigned radiator grille and larger bumpers, but changes also included minor upgrades to the chassis and bodyshell to improve crash safety. Three years after its launch in the United Kingdom, in April 1998, the Felicia made the headlines with an excellent rating in a Top Gear customer satisfaction survey for N registered cars (sold from August 1995 to July 1996), resulting in the Škoda brand making headlines as the most satisfying brand of car to own, which helped end Skoda’s previous reputation in Britain for producing crude, and supposedly unreliable and unfashionable cars. The Felicia received high ratings for reliability, build quality and dealer service. These strong showings in motoring surveys have continued with the newer generations of Skoda models. The Felicia’s successor, the Fabia, went on sale in the United Kingdom in the beginning of 2000, but the Felicia continued to be imported there until the end of the year, by which time more than 76,000 had been sold, and by August 2011, almost 30,000 examples were still registered on the road

SMART

The Smart Roadster and Roadster Coupé were introduced in 2003, based on a stretched platform of the Fortwo with a full length of 3427 mm. The two variants are meant to be reminiscent of the British roadster of yore, such as the Triumph Spitfire or the MG B. Both the Roadster and Roadster Coupé are available with a removable Targa roof or an electrical softtop. The Roadster is powered by 61 or 82 PS versions of the turbocharged 698cc 3-cylinder Suprex engine in the rear, which is engineered by Mercedes-Benz. The Roadster Coupé has only the more powerful 80 bhp engine. A steering wheel with Formula 1-style paddle-shifters, to control the single-clutch automated manual transmission, is optional. Weighing as little as 790 kg (1,742 lb), the Roadster is intended to provide the emotion of driving a sports car at an affordable cost. Both the Roadster and Roadster Coupé are available in Brabus-tuned versions with power increased to 99 bhp. The Brabus versions have a different twin sports exhaust, lower suspension, polished six-spoke aluminium alloy Monoblock VI 17″ wheels (205/40 ZR17 at the front and 225/35 ZR17 at the rear), front spoiler, side skirts and radiator grille. Exclusive Brabus (Xclusive) interior includes a leather-trimmed dashboard, alloy-effect accent parts, instrument graphics, leather/aluminium gearshift with Brabus labelled starter button, aluminium handbrake handle (which fouls the central armrest), aluminium pedals and Brabus labelled floor mats. The Brabus version also features stronger clamping of the clutch plates and a faster gearchange. The Monoblock wheels are known to be very soft and as a result, are very easy to buckle. The lacquer on these wheels is also very poor, and corrosion can occur very early in the life of the wheel. Despite a projected break-even of only 8-10,000 units per year, first-year sales almost doubled this estimate. However, some Smart Roadsters leaked and production ceased due to the warranty work and other costs reaching an average of €3000 per vehicle. While a critical success, the Smart Roadster was, due to these costs, an economic failure for the company. Influential British motoring television show and magazine Top Gear praised the Roadster, awarding it Fun Car Of The Year for 2005. 43,091 Roadsters were built and put on the shop fronts, with chassis numbers ranging from 00,001 to around 43,400.

STANDARD

The Vanguard Phase III, released to the market for the mid-October 1955 British International Motor Show, was a radical change with the elimination of the separate chassis. There was an overlap in availability of the old model with the Phase II estate continuing into 1956. UK fuel was no longer restricted to the 72 octane “Pool petrol” of the 1940s and early 1950s, and with the modest increases in available octane levels, the Vanguard’s compression ratio was increased to 7.0:1. The 2,088 cc engine with its single Solex downdraught carburettor now produced 68 bhp. The front suspension was independent, using coil springs, and was bolted to a substantial sub-frame which also carried the recirculating ball steering gear. Semi-elliptic leaf springs were used on the rear axle. Lockheed hydraulic brakes with 9 in (229 mm) drums were fitted front and rear. The three-speed gearbox had a column change and the optional overdrive was operated by a switch on the steering column. A four-speed floor change became an option. The new body was lower and had an increased glass area, making it look much more modern, and the old two-piece flat windscreen gave way to a one-piece curved design. The wheelbase increased by 8 in (203 mm), giving much better passenger accommodation. A heater was now a standard fitting. Bench seats were fitted in front and rear with folding centre arm rests. They were covered in Vynide, with leather available as an option. The car was lighter than the superseded model, and the gearing was changed to deliver better economy with performance virtually unchanged. A car with overdrive was tested by the British magazine The Motor in 1956. It had a top speed of 83.7 mph (134.7 km/h), could accelerate from 0–60 mph (97 km/h) in 21.7 seconds and had a fuel consumption of 25.9 miles per imperial gallon (10.9 L/100 km; 21.6 mpg‑US). The test car cost £998 including taxes. For 1957, the Australian-produced Phase III was given a facelift with a new mesh grille. In addition the sedan now sported fins on the rear guards. A performance model, the Vanguard Sportsman, intended to be badged as the Triumph Renown until shortly before launch, was announced in August 1956 with a tuned 90 bhp engine having similar features to the Triumph TR3 sports car. These included an increased compression ratio to 8.0:1, twin SU carburettors, and improved pistons. However, the Sportsman’s inlet manifold and carburettors sat at a different angle from those of the TR3,[citation needed] and its engine had the same 85 mm bore as the Vanguard’s, not the 83 mm bore of the TR3. The final-drive ratio was lowered to 4.55:1 to give better acceleration, and larger 10 in (254 mm) drums fitted to the brakes. The standard version had a bench front seat but separate seats were an option. Although sharing the same basic body shell with the other Vanguard variations, the Sportsman had design variations, including a squarer front grille, which gave the car a slightly higher, squarer appearance than the regular models. Just 901 examples of the Sportsman model were made up to 1958. Sportsmans then became available to special order, and around another fifty (mostly estate cars) were built between 1958 and 1960. A small number were built before the Vignale makeover in 1958. Popular Classics magazine’s test of a Sportsman in 1994 stated that a total of 962 were built. A Sportsman with overdrive was tested by the British magazine The Motor in 1956 and it recorded a top speed of 90.7 mph (146.0 km/h), acceleration from 0–60 mph in 19.2 seconds and a fuel consumption of 25.6 mpg imperial (11.0 L/100 km; 21.3 mpg‑US). The test car cost £1231 including taxes. A face-lift of the Phase III was designed by Italian stylist Giovanni Michelotti and coach-builders Vignale in 1958, and was introduced at the October 1958 Earls Court Motor Show. The windscreen and rear window were deeper, and there was a revised grill and trim. A floor change four-speed manual gearbox was now fitted, and the provision of a three-speed gear box with column change offered as an option. An overdrive was also offered an option, as was an automatic. One automatic car is known to have survived – there may be others. The car had front and rear bench seats, which were covered, as standard, in Vynide. Leather was an option on the home market and cloth for exported models. A heater and (unusual for the time) electric windscreen washers were factory fitted, although a radio remained an option. The car was replaced by the Triumph 2000 in late 1963.

SUBARU

On May 23, 2003, Fuji Heavy Industries debuted the redesigned Legacy, known as the BL for sedan models and BP for wagons. It was released worldwide in 2004, with Subaru Indiana Automotive commencing production in February 2004 for the North American markets for 2005 model year. The Legacy was presented the 2003–2004 Japan Car of the Year, Subaru’s first win for the award after fighting off stiff competition from Toyota Prius and Mazda RX-8. When sales began in the US market, the Lafayette Factory built Legacy won 2005 International Car of the Year for Most Dependable/Sedan from Road & Travel Magazine, 2005 Automobile All-Stars for All-Star Family Car from Automobile Magazine and The 2006 International Engine of the Year Award in the 2.0-litre to 2.5-litre category for EJ255 engine. Lance Armstrong was used as a spokesman for both the sedan and wagon, and Sheryl Crow sang her 1996 hit “Everyday Is a Winding Road” in US market commercials. The chassis was redesigned and made stiffer, and it marked the return of a turbocharged engine to North American Legacy, featuring a 2.5-liter unit derived from that of the North American Impreza WRX STI. Due to advancements in turbocharger technology and tightening emission standards, the twin-turbo setup was dropped from the lineup. Turbocharged models and the H6 offered Subaru’s first 5-speed automatic transmission, featuring SportShift technology licensed from Prodrive, Ltd. The 2005 model year Legacy for the US market was offered in 2.5i, 2.5i Limited, 2.5GT, and 2.5GT Limited. All trim levels were available as Sedan and Wagon. For 2006, the regular GT was dropped, and the 2.5i Special Edition was added into the line up. The Japanese market Legacy GT featured 2 litre turbocharged EJ20X and EJ20Y engines developing power and torque figures of 276 bhp (280 PS/206 kW) at 6400 rpm and 343 Nm (253 lb/ft) at 2400 rpm respectively. The GT Spec B had an optional 6 speed transmission. Both models featured Bilstein suspension as standard. Both wagon and sedan received a facelift in 2006 receiving new bumpers and trim, the IHI VF38 twin scroll turbo was replaced with later models receiving a VF44 (auto) or VF45 (manual) turbo. On May 10, 2008, the Japanese-spec Legacy can be fitted with a new collision avoidance feature, called EyeSight. It consists of twin CCD cameras, one on each side of the rear view mirror, that use human-like stereoscopic vision to judge distances and generally keep tabs on the driver. The system can help maintain a safe distance on the highway, a lane departure warning system, a driver alert warning for various safety situations, and even keeps an eye out for pedestrians. SI-Cruise has been integrated into the EyeSight feature as a driver safety aid. The Subaru EE flat-4 diesel engine, the world’s first to be fitted to a passenger car, is offered in both the Legacy and Outback sedans and wagons, identified as the Subaru Legacy 2.0D. The vehicle was released in the European Union starting March 2008, and is offered with a 5-speed manual transmission only. The official introduction of the Legacy and Outback diesel was at the Geneva Motor Show in March 2008

SUNBEAM

The first Sunbeam to bear the Alpine name was an open-topped version of the Sunbeam-Talbot 90 sports saloon, named after the model’s success in rallying, especially the Monte Carlo rally, launched in 1953. Kenneth Howes and Jeff Crompton were tasked with doing a complete redesign in 1956, with the goal of producing a dedicated sports car aimed principally at the US market to compete with the MGs and Triumphs that were very popular.  Ken Howes contributed some 80 per cent of the overall design work, which bears more than incidental resemblance to the early Ford Thunderbird, hardly a surprise, as Howe had worked at Ford before joining Rootes. The Alpine was produced in four subsequent revisions until 1968. Total production numbered around 70,000. Production stopped shortly after the Chrysler takeover of the Rootes Group. Styled by the Loewy Studios for the Rootes Group, the “Series” Alpine started production in late 1959. One of the original prototypes still survives and was raced by British Touring car champion Bernard Unett. The car made extensive use of components from other Rootes Group vehicles and was built on a modified floorpan from the Hillman Husky estate car. The Series I used a 1,494 cc engine with dual downdraft carburettors, a soft top that could be hidden by special integral covers and the first available wind-up side windows offered in a British sports car of that time. The running gear came mainly from the Sunbeam Rapier, but with front disc brakes replacing the saloon car’s drums. An overdrive unit and wire wheels were optional. The suspension was independent at the front using coil springs and at the rear had a live axle and semi-elliptic springing. The Girling-manufactured brakes used 9.5 in discs at the front and 9 in drums at the rear.  An open car with overdrive was tested by The Motor in 1959. It had a top speed of 99.5 mph and could accelerate from 0–60 mph in 13.6 seconds. A fuel consumption of 31.4 mpg was recorded. The test car cost £1031 including taxes. 11,904 examples of the series I were produced. The Series II of 1962 featured an enlarged 1,592 cc engine producing 80 bhp and revised rear suspension, but there were few other changes. When it was replaced in 1963, 19,956 had been made. The Series III was produced in open and removable hardtop versions. On the hardtop version the top could be removed and the soft-top was stored behind the small rear seat; also the 1592 cc engine was less powerful. To provide more room in the boot, twin fuel tanks in the rear wings were fitted. Quarter light were fitted to the windows. Between 1963 and 1964, 5863 were made. For the Series IV, made in 1964 and 1965, there was no longer a lower-output engine option; the convertible and hardtop versions shared the same 82 bhp engine with single Solex carburettor. A new rear styling was introduced with the fins largely removed. Automatic transmission with floor-mounted control became an option, but was unpopular. From autumn 1964 a new manual gearbox with synchromesh on first gear was adopted in line with its use in other Rootes cars. A total of 12,406 were made. The final version was the Series V, produced between 1965–68 which had the new five-bearing 1,725 cc engine with twin Zenith-Stromberg semi-downdraught carburettors producing 93 bhp. There was no longer an automatic transmission option. 19,122 were made.

TOYOTA

In 1986, Toyota produced a completely different duo of sports coupes. The Celica changed to front-wheel drive, while the Supra kept its rear-wheel-drive platform. The engine was updated to a more powerful 3.0 200 hp in-line 6. Although only available in naturally aspirated trim in 1986, a turbocharged version of the engine was introduced in the 1987 model year. The Supra was now related mechanically to the Toyota Soarer for the Japanese market. The third-generation Supra introduced a great deal of new technology. In 1986, options available for the Supra included 3-channel ABS and TEMS which gave the driver 2 settings which affected the damper rates; a third was automatically activated at WOT, hard braking, and high speed manoeuvering. HKS also made a “TEMS Controller” to hack the system and activate it on the fly, though the controllers are now nearly impossible to find. ACIS (Acoustic Control Induction System), a method of controlling air compression pulses inside the intake piping to increase power, was also a part of the 7M-GE’s technological arsenal. All models were fitted with double wishbone suspension front and rear. A targa top was offered in all years along with a metal power sliding sunroof. The car sold well, and it is estimated that around 241,500 examples were produced.

Needing little introduction, perhaps, is this car, a 2nd generation MR2. Toyota proved that the market for small affordable sports cars was far from dead when they launched the first generation MR2 in 1984. As was the trend at the time among Japanese manufacturers, models were replaced on quite a regular 4/5 year cycle, so it was little surprise when a second generation car appeared in 1989. However, this one would go on to be produced for 10 years, The overall design changed little in that time, but there were lots of small details that were refined during that time. The car was generally well received, with its “mini Ferrari” looks proving quite an attraction, as were the willing engines and the entertaining handling. There are not that many nice clean examples left now, though.

This Supra is from the fourth generation of the model, known as the A80. Design work began in February 1989 under various teams for design, product planning, and engineering. By the middle of 1990, a final A80 design concept from Toyota Technical Centre Aichi was approved and frozen for production in late 1990. The first test mules were hand-built in A70 bodies during late 1990, followed by the first A80 prototypes being hand-assembled in 1991. Again using subframe, suspension, and drivetrain assemblies from the Z30 Soarer (Lexus SC300/400), test model pre-production started in December 1992 with 20 models, and official mass production began in April 1993.  This redesign saw Toyota placing great emphasis on a more serious high-performance car. The new Supra was completely redesigned, with rounded body styling and featured two new engines: a naturally aspirated Toyota 2JZ-GE producing 220 hp at 5800 rpm and 210 lb/ft at 4800 rpm of torque and a twin turbocharged Toyota 2JZ-GTE making 276 hp and 318 lb·ft of torque for the Japanese version. The styling, while modern, does seem to borrow some elements from Toyota’s first grand touring sports car, the Toyota 2000GT. For the export model (America/Europe) Toyota upgraded the Supra turbo’s engine which increased the power output to 320 hp at 5600 rpm and 315 lb/ft at 4000 rpm. The turbocharged variant could achieve 0–60 mph in as low as 4.6 seconds and 1/4-mile in 13.1 seconds at 109 mph. The turbo version was tested to reach over 285 km/h (177 mph), but the cars were restricted to just 180 km/h (112 mph) in Japan and 250 km/h (155 mph) elsewhere. The twin turbos operated in sequential mode, not parallel. Initially, all of the exhaust is routed to the first turbine for reduced lag. This resulted in boost and enhanced torque as early as 1800 rpm, where it already produced 300 lb/ft (410 Nm) of torque. At 3500 rpm, some of the exhaust is routed to the second turbine for a “pre-boost” mode, although none of the compressor output is used by the engine at this point. At 4000 rpm, the second turbo’s output is used to augment the first turbo’s output. Compared to the parallel mode, sequential mode turbos provide quicker low RPM response and increased high RPM boost. This high RPM boost was also aided with technology originally present in the 7M-GE in the form of the Acoustic Control Induction System (ACIS) which is a way of managing the air compression pulses within the intake piping as to increase power. For this generation, the Supra received a new 6-speed Getrag/Toyota V160 gearbox on the turbo models while the naturally aspirated models made do with a 5-speed manual W58, revised from the previous version. Each model was offered with a 4-speed automatic with manual shifting mode. All vehicles were equipped with 5-spoke aluminium alloy wheels, the naturally aspirated model had 16″ rims and the turbo models were 17″. The difference in wheel size was to accommodate the larger brakes equipped as standard onto the turbo model, but in Japan were optional extras. Both models had a space saver spare tire on a steel rim to save both space and weight. Toyota took measures to reduce the weight of this new model. Aluminium was used for the hood, targa top (when fitted), front crossmember, oil and transmission pans, and the suspension upper A-arms. Other measures included hollow carpet fibres, magnesium-alloy steering wheel, plastic gas tank and lid, gas injected rear spoiler, and a single pipe exhaust. Despite having more features such as dual airbags, traction control, larger brakes, wheels, tyres, and an additional turbo, the car was at least 200 lb lighter than its predecessor. The base model with a manual transmission had a curb weight of 3,210 lb (1,460 kg). The Sport Roof added 40 lb while the automatic transmission added 55 lb. It had a 51:49 (front:rear) weight distribution. The turbo model weighed 3,450 lb (1,560 kg) for the manual, automatic added another 10 lb (4.5 kg). Weight distribution was 53% front/47% rear. The Supra was heavier than the spartan Mazda RX-7 and all aluminium bodied Acura/Honda NSX, but it was lighter than the Mitsubishi 3000GT VR-4. The Supra soon became something of a legend, establishing itself as an effective platform for drifting in Japan, and for roadracing, with several top 20 and top 10 One Lap of America finishes in the SSGT1 class. Despite its curb weight, in 1994 the A80 managed remarkable skidpad ratings of 0.95 lateral g’s (200 ft) and 0.98 lateral g’s (300 ft), and the car has proved popular even as it ages in the UK, with several “grey market” cars having been brought here over the years.

TRIUMPH

The 1800 Roadster, model number 18TR, was designed in the closing days of World War II. Triumph had been bought by the Standard Motor Company in 1944, and the managing director of Standard, Sir John Black, wanted a sports car to take on Jaguar, who had used Standard engines in the pre-war period. Frank Callaby was selected to style the new car. After getting Black’s approval for the general shape, Callaby worked with Arthur Ballard to design the details of the body. Design of the rolling chassis was by Ray Turner. Walter Belgrove, who had styled the pre-war Triumphs and was employed as Chief Body Engineer, had no part in the design. Early post-war steel shortages meant that the body was built from aluminium, using rubber press tools that had been used making panels for the largely wooden bodied Mosquito bomber that had been built by Standard during the war. The frame was hand welded up from steel tube. The engine was a version of Standard’s 1.5-litre, four-cylinder side-valve design that had been converted to overhead valves by Harry Weslake and built by Standard exclusively for SS-Jaguar before World War II. The Triumph version differed from the Jaguar version in having a 6.7:1 compression ratio instead of the Jaguar’s 7.6:1 and a downdraught Solex carburettor instead of the Jaguar’s side-draught SU. A four-speed gearbox with synchromesh on the top three ratios was used. The tubular steel chassis was a short-wheelbase version of the 1800 saloon, featuring transverse leaf sprung independent suspension at the front and a live axle with semi-elliptic springs at the rear. The rear track was wider than the front by some 4 inches. Brakes were hydraulic. The body design was anachronistic. A journalist old enough to remember the pre-war Dolomite Roadster that had inspired the car felt that the elegant proportions of the earlier model had been abandoned in favour of a committee-based compromise, “a plump Christmas turkey to set against that dainty peacock … [more] Toadster [than Roadster]”. The front had large separate headlamps and the radiator was well back from the front between large “coal scuttle” wings. Passenger accommodation was on a bench seat that was claimed to seat three: the car’s 64 inch width helped make a reality of the three-abreast seating, and the approach meant a column gear change was required. The car’s unusual width also made it necessary to fit three screen wipers in a row, an example followed by early shallow windscreen Jaguar E Types. Additional room for two was provided at the rear in a dickey seat with its own folding windscreen: this was outside the hood that could be erected to cover the front seat. Entry and exit to the dickey seat was never easy and a step was provided on the rear bumper. The Roadster was the last production car with a dickey seat. The actor, John Nettles, drove a red 1947 Triumph Roadster 1800 in the 1980s television series, Bergerac. Two cars were actually used over the duration of the series production. This was made evident by the colour difference of the front mudguards and body without hood ornament on one car used in the earlier series and the same colour front mudguards and body with the hood ornament on the other car used in later series. The same number plate J 1610 was used on both cars in the series. In some episodes both cars appeared purporting to be the same car. The only significant update in the Roadster’s production came in September 1948 for the 1949 models, when the 2088 cc Vanguard engine, transmission, and rear axle were fitted. A retrograde step was the fitting of a three-speed gearbox even though it now had synchromesh on bottom gear. Apart from minor modifications to the mounting points, the chassis, suspension and steering were unaltered. This later version of the Roadster was given the model designation TRA. The car was never made in large numbers and was mainly hand built. 2501 examples of the 1800 and 2000 of the larger-engined version were made. Production ended in October 1949.

Successor to the TR3a, and code named “Zest” during development, the TR4 was based on the chassis and drivetrain of the previous TR sports cars, but with a modern Michelotti styled body. The TR 4 engine was carried over from the earlier TR2/3 models, but the displacement was increased from 1991cc to 2138 cc by increasing the bore size. Gradual improvements in the manifolds and cylinder head allowed for some improvements culminating in the TR4A model. The 1991 cc engine became a no-cost option for those cars destined to race in the under-two-litre classes of the day. Some cars were fitted with vane-type superchargers, as the three main bearing engine was liable to crankshaft failure if revved beyond 6,500 rpm; superchargers allowed a TR4 to produce much more horse-power and torque at relatively modest revolutions. The standard engine produced 105 bhp but, supercharged and otherwise performance-tuned, a 2.2-litre I4 version could produce in excess of 200 bhp at the flywheel. The TR4, in common with its predecessors, was fitted with a wet-sleeve engine, so that for competition use the engine’s cubic capacity could be changed by swapping the cylinder liners and pistons, allowing a competitor to race under different capacity rules (i.e. below or above 2 litres for example). Other key improvements over the TR3 included a wider track front and rear, slightly larger standard engine displacement, full synchromesh on all forward gears, and rack and pinion steering. In addition, the optional Laycock de Normanville electrically operated overdrive Laycock Overdrive could now be selected for 2nd and 3rd gear as well as 4th, effectively providing the TR4 with a seven-speed manual close ratio gearbox. The TR4 was originally fitted with 15×4.5″ disc wheels. Optional 48-lace wire wheels could be ordered painted the same colour as the car’s bodywork (rare), stove-enamelled (matte silver with chrome spinners, most common) or in matte or polished chrome finishes (originally rare, but now more commonly fitted). The most typical tyre originally fitted was 590-15 bias ply or optional radial tires. In the US at one point, American Racing alloy (magnesium and aluminium) wheels were offered as an option, in 15×5.5″ or 15×6″ size. Tyres were a problem for original owners who opted for 60-spoke wire wheels, as the correct size radial-ply tyre for the factory rims was 155-15, an odd-sized tyre at the time only available from Michelin at considerable expense. Some original TR4 sales literature says the original radial size was 165-15. The much more common 185-15 radials were too wide to be fitted safely. As a result, many owners had new and wider rims fitted and their wheels re-laced. The new TR4 body style did away with the classical cutaway door design of the previous TRs to allow for wind-down windows (in place of less convenient side-curtains), and the angular rear allowed a boot with considerable capacity for a sports car. Advanced features included the use of adjustable fascia ventilation, and the option of a unique hard top that consisted of a fixed glass rear window (called a backlight) with an integral rollbar and a detachable, steel centre panel (aluminium for the first 500 units). This was the first such roof system on a production car and preceded by 5 years the Porsche 911/912 Targa, which has since become a generic name for this style of top. On the TR4 the rigid roof panel was replaceable with an easily folded and stowed vinyl insert and supporting frame called a Surrey Top. The entire hard top assembly is often mistakenly referred to as a Surrey Top. In original factory parts catalogues the rigid top and backlight assembly is listed as the Hard Top kit. The vinyl insert and frame are offered separately as a Surrey Top. Features such as wind-down windows were seen as a necessary step forward to meet competition and achieve good sales in the important US market, where the vast majority of TR4s were eventually sold. Dealers had concerns that buyers might not fully appreciate the new amenities, therefore a special short run of TR3As (commonly called TR3Bs) was produced in 1961 and ’62. The TR4 proved very successful and continued the rugged, “hairy-chested” image that the previous TRs had enjoyed.  40,253 cars were built during production years. Most were sold new to the US, but plenty have returned, and it is estimated that there are not far short of 900 examples of the model in the UK at present.

By the mid 1960s, money was tight, so when it came to replacing the TR4 and TR5 models, Triumph were forced into trying to minimise the costs of the redesign, which meant that they kept the central section of the old car, but came up with new bodywork with the front and back ends were squared off, reportedly based on a consultancy contract involving Karmann. The resulting design, which did look modern when it was unveiled in January 1969 has what is referred to as a Kamm tail, which was very common during 1970s era of cars and a feature on most Triumphs of the era. All TR6 models featured inline six-cylinder engines. For the US market the engine was carburetted, as had been the case for the US-only TR250 engine. Like the TR5, the TR6 was fuel-injected for other world markets including the United Kingdom, hence the TR6PI (petrol-injection) designation. The Lucas mechanical fuel injection system helped the home-market TR6 produce 150 bhp at model introduction. Later, the non-US TR6 variant was detuned to 125 bhp for it to be easier to drive, while the US variant continued to be carburetted with a mere 104 hp. Sadly, the Lucas injection system proved somewhat troublesome, somewhat denting the appeal of the car. The TR6 featured a four-speed manual transmission. An optional overdrive unit was a desirable feature because it gave drivers close gearing for aggressive driving with an electrically switched overdrive which could operate on second, third, and fourth gears on early models and third and fourth on later models because of constant gearbox failures in second at high revs. Both provided “long legs” for open motorways. TR6 also featured semi-trailing arm independent rear suspension, rack and pinion steering, 15-inch wheels and tyres, pile carpet on floors and trunk/boot, bucket seats, and a full complement of instrumentation. Braking was accomplished by disc brakes at the front and drum brakes at the rear. A factory steel hardtop was optional, requiring two people to fit it. TR6 construction was fundamentally old-fashioned: the body was bolted onto a frame instead of the two being integrated into a unibody structure; the TR6 dashboard was wooden (plywood with veneer). Other factory options included a rear anti-roll bar and a limited-slip differential. Some say that the car is one of Leyland’s best achievements, but a number of issues were present and remain because of poor design. As well as the fuel injection problems, other issues include a low level radiator top-up bottle and a poor hand-brake. As is the case with other cars of the era, the TR6 can suffer from rust issues, although surviving examples tend to be well-cared for. The TR6 can be prone to overheating. Many owners fit an aftermarket electric radiator fan to supplement or replace the original engine-driven fan. Also the Leyland factory option of an oil cooler existed. Despite the reliability woes, the car proved popular, selling in greater quantity than any previous TR, with 94,619 of them produced before production ended in mid 1976. Of these, 86,249 were exported and only 8,370 were sold in the UK. A significant number have since been re-imported, as there are nearly 3000 of these much loved classics on the road and a further 1300 on SORN, helped by the fact that parts and services to support ownership of a TR6 are readily available and a number of classic car owners’ clubs cater for the model.

What turned out to be the final TR model was launched in January 1975, and this time it really was all new. A dramatic Harris Mann wedge shaped was shock enough for the purists, but the fact that at launch it only came as a Fixed Head Coupe was almost too much for some to bear. In the end, though. more TR7s were sold than any other TR model, so it really cannot have been all that bad even if the car had a somewhat bumpy existence, moving production plant  from Speke, Liverpool where the early cars were made, to Canley, Coventry in 1978 and then finally to the Rover Solihull plant in 1980. An open topped model did join the range in 1980 and small numbers of factory built TR8s with the 135 bhp Rover V8 engine under the bonnet were made, but the proposed 2+2 Lynx model, and a version with the 16 valve Dolomite Sprint engine and the 2 litre O Series unit never made production. The car was launched in the United States in January 1975, with its UK home market debut in May 1976. The UK launch was delayed at least twice because of high demand for the vehicle in the US, with final sales of new TR7s continuing into 1982. The TR7 was characterised by its “wedge” shape, which was commonly advertised as: “The Shape of Things to Come”, and by a swage line sweeping down from the rear wing to just behind the front wheel. It had an overall length of 160 inches, width of 66 inches, wheelbase of 85 inches and height of 49.5 inches, and a kerbside weight of 2205 pounds, exactly 1000 kg. During development, the TR7 was referred to by the code name “Bullet”.The original full size model wore MG logos because it was styled at Longbridge, which was not a Triumph factory. Power was provided by a 105 bhp 1,998 cc eight-valve four-cylinder engine that shared the same basic design as the Triumph Dolomite Sprint engine, mounted in-line at the front of the car. Drive was to the rear wheels via a four-speed gearbox initially with optional five-speed manual gearbox, or three-speed automatic from 1976. The front independent suspension used coil spring and damper struts and lower single link at the front, and at the rear was a four-link system, again with coil springs. There were front and rear anti roll bars, with disc brakes at the front and drums at the rear. The interior trim was revised in March 1977, with the broadcord seat covers being replaced with red or green “tartan” check inserts with black leather effect vinyl edging, which looks so very period. now The tartan trim was also reflected in the door cards in padded matching red or green tartan cloth inserts in the black leather effect vinyl. A number of other detailed changes were made, partly to ensure commonality of parts in future models, such as the Convertible and the TR8, and also based on what else was available from the corporate parts bin. Badging changed a number of times, but there were no other significant alterations before the end of production in 1981. In total approximately 115,000 TR7 models were built which includes 28,864 soft top/convertibles, and approximately 2,800 TR8 models

Towards the end of the 1950s Standard-Triumph offered a range of two-seater Triumph sports cars alongside its Standard saloons, the Standard 8 and 10, powered by a small (803 cc or 948 cc) 4-cylinder engine, which by the late 1950s were due for an update. Standard-Triumph therefore started work on the Herald. The choice of the Herald name suggests that the car was originally intended to be marketed as a Standard, as it fits the model-naming scheme of the time (Ensign, Pennant and Standard itself). But by 1959 it was felt that the Triumph name had more brand equity, and the Standard name was phased out in Britain after 1963. Giovanni Michelotti was commissioned to style the car by the Standard-Triumph board, encouraged by chief engineer Harry Webster, and quickly produced designs for a two-door saloon with a large glass area that gave 93 per cent all-round visibility in the saloon variant and the “razor-edge” looks to which many makers were turning. As Fisher & Ludlow, Standard-Triumph’s body suppliers became part of an uncooperative BMC, it was decided that the car should have a separate chassis rather than adopting the newer monocoque construction. The main body tub was bolted to the chassis and the whole front end hinged forward to allow access to the engine. Every panel – including the sills and roof – could be unbolted from the car so that different body styles could be easily built on the same chassis. As an addition to the original coupé and saloon models, a convertible was introduced in 1960. The Standard Pennant’s 4-cylinder 948 cc OHV engine and 4 speed manual gearbox was used with synchromesh on the top three gears and remote gear shift and driving the rear wheels. Most of the engine parts were previously used in the Standard 8/10. The rack and pinion steering afforded the Herald a tight 25-foot turning circle. Coil and double-wishbone front suspension was fitted, while the rear suspension, a new departure for Triumph, offered “limited” independent springing via a single transverse leaf-spring bolted to the top of the final drive unit and swing axles. Instruments were confined to a single large speedometer with fuel gauge in the saloon (a temperature gauge was available as an option) on a dashboard of grey pressed fibreboard. The coupé dashboard was equipped with speedometer, fuel and temperature gauges, together with a lockable glovebox. The car had loop-pile carpeting and heater as standard. A number of extras were available including twin SU carburettors, leather seats, a wood-veneered dashboard, Telaflo shock absorbers and paint options. In late 1958, prototype cars embarked on a test run from Cape Town to Tangiers. An account of the journey was embellished by PR at the time. However only minor changes were deemed necessary between the prototype and production cars. The new car was launched at the Royal Albert Hall in London on 22 April 1959 but was not an immediate sales success, partly owing to its relatively high cost, approaching £700 (including 45 per cent Purchase Tax). In standard single-carburettor form the 34.5 bhp car was no better than average in terms of performance. A saloon tested by The Motor magazine in 1959 was found to have a top speed of 70.9 mph and could accelerate from 0–60 mph in 31.1 seconds. A fuel consumption of 34.5 mpg was recorded. The rear suspension was criticised as yielding poor handling at the extremes of performance though the model was considered easy to drive with its good vision, light steering (smallest turning circle of any production car) and controls, and ease of repair. A Herald S variant was introduced in 1961 with a lower equipment level and less chromium than the Herald, offered in saloon form only. The 948cc Herald Coupe and Convertible models were discontinued in 1961, the 948cc Herald Saloon in 1962 and the Herald S in 1964. Standard-Triumph experienced financial difficulties at the beginning of the 1960s and was taken over by Leyland Motors Ltd in 1961. This released new resources to develop the Herald and the car was re-launched in April 1961 with an 1147 cc engine as the Herald 1200. The new model featured rubber-covered bumpers, a wooden laminate dashboard and improved seating. Quality control was also tightened up. Twin carburettors were no longer fitted to any of the range as standard although they remained an option, the standard being a single down-draught Solex carburettor. Claimed maximum power of the Herald 1200 was 39 bhp, as against the 34.5 bhp claimed for the 948 cc model. One month after the release of the Herald 1200, a 2-door estate was added to the range. Disc brakes became an option from 1962. Sales picked up despite growing competition from the BMC Mini and the Ford Anglia, with the car proving particularly popular to women drivers. The coupé was dropped from the range in late 1964 as it was by then in direct competition with the Triumph Spitfire. The Triumph Courier van, a Herald estate with side panels in place of rear side windows, was produced from 1962 until 1966, but was dropped following poor sales. Production in England ceased in mid-1964. CKD assembly by MCA in Malta continued till late 1965, at least. The Courier was powered by the 1147 cc engine. An upmarket version, the Herald 12/50, was offered from 1963 to 1967. It featured a tuned engine with a claimed output of 51 bhp in place of the previous 39, along with a sliding (Webasto) vinyl-fabric sunroof and front disc brakes as standard. The 12/50, which was offered only as a 2-door saloon, was fitted with a fine-barred aluminium grille. The power output of the 1200, which remained in production alongside the 12/50, was subsequently boosted to 48 bhp. In October 1967 the range was updated with the introduction at the London Motor Show of the Herald 13/60, which was offered in saloon, convertible and estate-bodied versions. The sun-roof remained available for the saloon as an optional extra rather than a standard feature. The front end was restyled using a bonnet similar to the Triumph Vitesse’s and the interior substantially revised though still featuring the wooden dashboard. Interior space was improved by recessing a rear armrest in each side panel. The engine was enlarged to 1296 cc, essentially the unit employed since 1965 in the Triumph 1300, fitted with a Stromberg CD150 carburettor, offering 61 bhp and much improved performance. In this form (though the 1200 saloon was sold alongside it until the end of 1970) the Herald Saloon lasted until December 1970 and the Convertible and Estate until May 1971, by which time, severely outdated in style if not performance, it had already outlived the introduction of the Triumph 1300 Saloon, the car designed to replace it and was still selling reasonably well but, because of its labour-intensive method of construction, selling at a loss.

The Triumph Vitesse was introduced on 25 May 1962, reusing a name previously used by the pre-Second World War Triumph Motor Company from 1936–38, and was an in-line 6-cylinder performance version of the Triumph Herald small saloon. The Herald had been introduced on 22 April 1959 and was a 2-door car styled by the Italian designer Giovanni Michelotti. Within two years, Triumph began to give thought to a sports saloon based on the Herald and using their 6-cylinder engine. Michelotti was again approached for styling, and he came up with a car that used almost all body panels from the Herald, combined with a new front end with a slanted 4-headlamp design. Standard-Triumph fitted a 1596 cc version of their traditional straight-6 derived from the engine used in the Standard Vanguard Six, but with a smaller bore diameter of 66.75 mm, compared with the 74.7 mm bore on the Vanguard, equipped with twin Solex B32PIH semi-downdraught carburettors. These were soon replaced by B321H carburettors, as the accelerator pumps proved a problem. The curious observer will notice a “seam” on the cylinder block between the third & fourth cylinders revealing the design beginnings from the 803 cc Standard SC engine block, first used in the Standard Eight of 1953. The gearbox was strengthened and upgraded to closer (more sporting) gear ratios, and also offered with optional Laycock De Normanville ‘D-type’ overdrive with a 20% higher ratio for the top gear (the equivalent change from 3rd to 4th in a standard transmission), giving more relaxed and economical cruising at the expense of slight oil drag from the pump in the overdrive unit. Models fitted with overdrive had a chrome badge with “Overdrive” in italic text on the left side of the boot opposite the Vitesse 6 chrome script badge on the right. Synchromesh was present on 2nd, 3rd and 4th gears. The rear axle was changed to a slightly uprated differential, but retaining the same 4.11:1 ratio and flange sizes as the Herald. Front disc brakes were standard as were larger rear brake drums, and the Herald fuel tank was enlarged, retaining the reserve feature (essentially a curved pickup pipe that could be rotated to dip into the last few centimetres of fuel) of the smaller Herald tank. The front suspension featured uprated springs to cope with the extra weight of the new engine, but the rear suspension was almost the same as on the Herald—a swing-axle transverse-leaf system which quickly proved inadequate for the relatively powerful Vitesse. The chassis looked outwardly similar to the early Heralds but in fact was substantially re-designed and strengthened, especially around the differential mountings, improvements which were immediately passed through to Herald production. The dash and instrument panel of the earliest Vitesse was the same as the Herald, with a single speedo dial featuring fuel and temperature gauge insets. The Vitesse was available in convertible and saloon forms; a coupé never got beyond the prototype stage. The separate chassis construction of the car meant that no additional strengthening to chassis or body was considered necessary for the convertible model, the only concession being additional door catches to prevent the doors opening during hard cornering. The gearboxes of all the Vitesse and GT6 models were a weak point being derived from the earlier Heralds. The increased power caused accelerated wear on the bearing and forward end of the main shaft which would eventually wear through the hardened surface, leading to large amounts of play between the input and main shafts. This was characterised by growling gear noise on acceleration and deceleration in 1st, 2nd and 3rd getting high in each gear as the torque transmission from the lay shaft moved further from the rear of the box where the bearing support was intact. Repair involved either a new mainshaft or metal spraying/stellite repair. Some engineers suggested repairs were more long lived than a new shaft as the technology 10-20 and more years after manufacture meant that the repaired mainshaft had better specifications that new old stock. The remote lever construction suffered from the same regular bushing wear as the herald spitfire etc where sloppy gearchange and rattling can be cured (easy diy job) with a kit of new parts. A handful of Vitesse estates also were assembled to special order at Standard-Triumph’s Service Depot at Park Royal in West London. The interior was much improved over the Herald; wooden door cappings were added to match the wooden dashboard and the car featured slightly better seats and door trims. Optional extras included a vinyl/fabric, (Britax Weathershield), sunroof on saloon models. Exterior trim was also improved with an elongated stainless steel trim piece which extended further down the body than the Herald, including a Vitesse specific piece of trim rearward of the petrol filler cap and satin-silver anodised alloy bumper cappings replacing the white rubber Herald items. In September 1963 the Vitesse received its first facelift, when the dashboard was revised with a full range of Smith instruments instead of the large single dial from the Herald (large speedometer and cable driven tachometer flanked by smaller 2 inch fuel and temperature gauges). From September 1965, at commission number HB27986, the twin Solex carburettors were replaced by twin Stromberg CD 150 carburettors. Power output increased from the original 70 bhp at 5,000 rpm and torque of 92.5 lb/ft (125 Nm), enough to provide a useful performance boost and making the car a more flexible performer. There was a claimed, although somewhat optimistic increase of 13–14 bhp, and the motoring magazine tested top speed rose to 91 mph (146 km/h), with the 0–80 mph (0–129 km/h) time decreasing from 46.6 seconds to just 33.6 seconds. The Vitesse 6 sold extremely well for Triumph, and was by some way the most popular Vitesse sold during the model’s lifetime. The car was well liked for its performance and reasonable fuel economy, and the well-appointed interior. The exceptionally small turning circle was also liked by users. With its ability to perform as well as many sports cars, but with room for a family, the Vitesse had few rivals for the price. The convertible in particular was virtually unique in the marketplace; another genuine four-seater sporting convertible would not reappear from a British manufacturer until the Triumph Stag several years later. In September 1966 Triumph upgraded the engine to 1998 cc, in line with the new Triumph GT6 coupé, and relaunched the Vitesse as the Vitesse 2-Litre. Power was increased to 95 bhp, endowing the new car with a claimed 0–60 mph time of just under 12 seconds, and lifting top speed to 104 mph (167 km/h). (The 2-Litre was advertised by Triumph as “The Two Seater Beater”). The performance increase was welcome, but it highlighted the deficiencies of the rear suspension. Other detail modifications for the 2-litre, included a stronger clutch, all synchromesh gearbox, larger front brakes (still without a servo), and a stronger differential with a slightly higher 3.89:1 ratio. Wider & stronger 4.5-inch wheel rims were fitted, but radial-ply tyres were still optional, at extra cost. There was a satin silver anodised aluminium-alloy cowling above the new reversing light, and badges on the side of the bonnet and in the centre of the grille read 2 litre. The Vitesse boot badge was retained as italic script but lost the 6 of the earlier model – replacing that with the rectangular 2 litre badge and with a chrome strip underlining the Vitesse badge. Cars with overdrive had a separate badge on the cowling above the number plate/reversing light. Inside the car, the seats were greatly improved, with softer (more plush) covering and a better back-rest shape which slightly improved rear-seat knee-room. A new leather-covered three-spoke steering wheel was also added. The Vitesse Mk I was sold until 1968. The Vitesse Mark 2 was launched in October 1968 as the final update to the Vitesse range. Essentially intended to be Triumph’s answer to growing criticism of the rear suspension, the Mark 2 was fitted with a redesigned layout using new lower wishbones and Rotoflex half-shaft couplings. This system, also shared with the new GT6 MKII (GT6+ in the US market), and the first GT6 MkIIIs, tamed the wayward handling and endowed the Vitesse with more firm, progressive roadholding. The solid swing axles of the Herald and earlier Vitesses had camber changes of some 15 degrees from the limits of travel. By adding the lower wishbone and the divided drive shaft whilst retaining the transverse leaf spring as the top link, this camber change was reduced to about 5 degrees. While this was a considerable improvement, it was still a system that struggled to keep up with a really good link-located live axle (such as Triumph would introduce on the Toledo, 1500TC and later Dolomite saloons). There were other improvements: the engine was tweaked once more to provide 104 bhp, cutting the 0–60 mph time to just over 11 seconds and providing a top speed of over 100 mph (160 km/h). The main changes were to the valve timing, to give earlier opening and later closing of the inlet valves compared with the earlier 2-litre engine. (38/78 btdc/atdc for the Mk2 vs 30/60 for the 2 litre). Design changes to the cylinder head allowed for increased inlet valve diameters and better porting. Another major difference in the cylinder head removed the “step” in earlier 1600 and 2 litre incarnations. This meant that in the earlier cars the head studs on the right (manifold) side were short and ended under the manifolds, necessitating unbolting the (hot) manifolds and dropping them back to retorque the studs after a head gasket replacement. The MKII head was full width so all the studs were accessible. The inlet manifolds of the mkII were shorter than the 2 litre to keep inlet tract length the same. The Stromberg carburetors were also changed from 150 CD to 150 CDS, the S referring to the use of a spring between the dashpot cover and piston. The exterior featured a new grille with 3 sets of horizontal elements that were also used (in longer form) in the herald 13/60, Rostyle wheel trims and silver painted steel rear panel, (described by Triumph as “ceramic”), and the interior was upgraded once more in order to share parts with the new Herald 13/60, although there were significant differences between the two models; the inclusion of a tachometer being an obvious one, the provision of a larger ash tray in the Vitesse not quite so obvious. A new colour range was offered for the Mark 2 models. The aluminium cowling above the reversing light gained an oblong chromed VITESSE badge, and the separate chromed Mazak TRIUMPH letters on the bonnet and the boot lid were also deleted. The badges on the bonnet sides were changed to read Mk2 instead of 2 litre. Cars with overdrive had a small badge that fitted below the new rectangular Triumph boot badge. This was the ultimate Vitesse, a saloon or convertible with performance superior to the MGB and the Sunbeam Alpine sports car (in both acceleration and top speed) but with four seats and a large boot. Contemporary testing in the UK press listed the Vitesse’s 0-70 mph[clarification needed] time as 15.0 seconds against 17.9 for both the MGBGT and the Sunbeam Alpine Series IV, and standing-quarter-mile times were 18.1, 19.5, and 19.0 respectively. The Vitesse sold well until its withdrawal in July 1971, seven months before the new Triumph Dolomite saloon entered the performance luxury sector for Triumph. Although the Vitesse was an older model, it proved to be more reliable than its replacement, due to its simpler and more proven engine design

Based on the chassis and mechanicals of the Triumph Herald, the Spitfire was conceived as a rival to the Austin-Healey Sprite and MG Midget, which were launched a year earlier. The Triumph soon found a strong following, with many preferring it to the BMC cars which in time would become in-house stablemates. Mark II models arrived in 1965 and a more comprehensive facelift in 1967 with the distinctive “bone in mouth” front grille necessitated by US bumper height regulations also brought changes, but it was with the Mark IV that the greatest number of alterations would come about. The Mark IV featured a completely re-designed cut-off rear end, giving a strong family resemblance to the Triumph Stag and Triumph 2000 models, both of which were also Michelotti-designed. The front end was also cleaned up, with a new bonnet pressing losing the weld lines on top of the wings from the older models, and the doors were given recessed handles and squared-off glass in the top rear corner. The interior was much improved: a proper full-width dashboard was provided, putting the instruments ahead of the driver rather than over the centre console. This was initially black plastic however was replaced with wood in 1973. An all-new hardtop was also available, with rear quarter-lights and a flatter rear screen. By far the most significant change, however, was to the rear suspension, which was de-cambered and redesigned to eliminate the unfortunate tendencies of the original swing-axle design. The Triumph GT6 and Triumph Vitesse had already been modified, and the result on all these cars was safe and progressive handling even at the limit. The 75 hp engine was now rated at 63 hp (for UK market employing the 9:1 compression ratio and twin SU HS2 carburettors; the less powerful North American version still used a single Zenith Stromberg carburettor and an 8.5:1 compression ratio) due to the German DIN system; the actual output was the same for the early Mark IV. However, it was slightly slower than the previous Mark III due to carrying more weight, and employing a taller 3.89:1 final drive as opposed to the earlier 4.11:1. The engine continued at 1296 cc, but in 1973 was modified with larger big-end bearings to rationalise production with the TR6 2.5 litre engines, which somewhat decreased its “revvy” nature; there was some detuning, to meet new emissions laws, which resulted in the new car being a little tamer. With the overall weight also increasing to 1,717 lb (779 kg) the performance dropped as a consequence, 0 to 60 mph now being achieved in 15.8 seconds and the top speed reducing to 90 mph. The overall fuel economy also dipped to 32mpg. The gearbox gained synchromesh on its bottom gear. The Mark IV went on sale in the UK at the end of 1970 with a base price of £735. In 1973 in the United States and Canada, and 1975 in the rest of the world, the 1500 engine was used to make the Spitfire 1500. Although in this final incarnation the engine was rather rougher and more prone to failure than the earlier units, torque was greatly increased by increasing the cylinder stroke to 87.5 mm (3.44 in), which made it much more drivable in traffic. While the rest of the world saw 1500s with the compression ratio reduced to 8.0:1, the American market model was fitted with a single Zenith-Stromberg carburettor and a compression ratio reduced to 7.5:1 to allow it to run on lower octane unleaded fuel, and after adding a catalytic converter and exhaust gas recirculating system, the engine only delivered 53 bhp with a slower 0–60 time of 16.3 seconds. The notable exception to this was the 1976 model year, where the compression ratio was raised to 9.1:1. This improvement was short-lived, however, as the ratio was again reduced to 7.5:1 for the remaining years of production. In the UK the 9:1 compression ratio, less restrictive emissions control equipment, and the Type HS2 SU carburettors now being replaced with larger Type HS4 models, led to the most powerful variant to date. The 1500 Spitfire now produced 71hp (DIN) at 5500 rpm, and produced 82 lb/ft of torque at 3000 rpm. Top speed was now at the magical 100 mph mark, and 0 to 60 mph was reached in 13.2 seconds. Fuel economy was reduced to 29mpg. Further improvements to the suspension followed with the 1500 included longer swing axles and a lowered spring mounting point for more negative camber and a wider rear track. The wider, lower stance gave an impressive skid pad result of 0.87g average. This put the Spitfire head and shoulders over its competition in handling. The American market Spitfire 1500 is easily identified by the big plastic over-riders and wing mounted reflectors on the front and back wings. The US specification models up to 1978 still had chrome bumpers, but on the 1979 and 1980 models these were replaced by black rubber bumpers with built-in over-riders. Chassis extensions were also fitted under the boot to support the bumpers. Detail improvements continued to be made throughout the life of the Mark IV, and included reclining seats with “chequered brushed nylon centre panels” and head restraints, introduced for domestic market cars early in 1977 along with a new set of column stalk operated minor controls (as fitted already in the TR7) replacing the old dashboard mounted knobs and switches. Also added for the model’s final years were a wood dash, hazard flashers and an electric screen washer, in place of the previous manual pump operated ones.  Options such as the hard top, tonneau cover, map light and overdrive continued to be popular, but wire wheels ceased to be available. The 1980 model was the last and the heaviest of the entire run, weighing 1,875 lb (850.5 kg). Base prices for the 1980 model year was £3,631 in the UK. The last Spitfire, an Inca Yellow UK-market model with hardtop and overdrive, rolled off the assembly line at Canley in August 1980, shortly before the factory closed. It was never sold and is now displayed at the museum at Gaydon.

Contemporary Triumph marketing advertised the GT6 as being developed from the “race winning Le Mans Spitfires” to capitalise on their aesthetic similarities, whereas the Le Mans Spitfires and the GT6 were actually two entirely separate development programmes (the GT programme pre-dating the racing programme). However, the marketing spin was so successful that many people erroneously believed the Le Mans Spitfires to actually be GT6s. The production car was introduced in 1966 and called the Triumph GT6. The new body was a sleek fastback design with an opening rear hatch which gave the GT6 the nickname “Poor man’s E-Type”.  It was really a 2-seater, but a small extra rear seat could be ordered if required and was large enough for small children. The family resemblance to the Spitfire Mk II was strong, the longer 6-cylinder engine necessitated a new bonnet top with a power bulge and the doors were provided with opening quarter light windows and squared-off glass in the top rear corner. The 6-cylinder engine was tuned to develop 95 bhp at 5000 rpm, and produced 117 lb·ft of torque at 3000 rpm. The increased power necessitated certain changes to the Spitfire mechanics; the radiator was new and mounted further forward in the car and the gearbox was the stronger unit from the Vitesse, with optional overdrive. Front springs were uprated to cope with the extra weight of the new engine. The overall vehicle weight unladed was 1,904 lb (864 kg). The interior of the GT6 was well equipped; a wooden dashboard housed a full complement of instruments, with carpets and heater included as standard. The new car had some very strong selling points. The new engine provided a 106 mph top speed and 0–60 mph in 12 seconds, a little better than the MGB GT. Moreover, the unit was comparatively smooth and tractable, in marked contrast to the MG’s rather harsh 4-cylinder engine. Fuel economy was very reasonable for the period at 20mpg, and the interior well up to the competition. The only major criticism was of its rear suspension; the GT6 inherited the swing-axle system from the Spitfire, which in turn was copied from the Herald small saloon. In the saloon it was tolerated, in the little Spitfire it was not liked and in the powerful GT6 it was heavily criticised. Triumph had done nothing to improve the system for the GT6 and the tendency to break away if the driver lifted off the power mid-corner was not helped at all by the increased weight at the front of the car. The handling was most bitterly criticised in the USA, an important export market for Triumph, where they were traditionally very strong. Similar criticism was being levelled at the Vitesse saloon, which shared the GT6’s engine and its handling problems. Triumph realised that they needed to find an answer to the handling problem, if only to maintain their reputation in the USA. Their response came with the 1969 model year, with the introduction of the GT6 Mk II, known in the States as the GT6+. The rear suspension was significantly re-engineered using reversed lower wishbones and Rotoflex driveshaft couplings, taming the handling and turning the Triumph into an MGB beater. The Vitesse was also modified, but the Spitfire had to wait until 1970 for any improvements to be made. There were other changes for the Mk II; the front bumper was raised (in common with the Spitfire Mk.3) to conform to new crash regulations, necessitating a revised front end, and side vents were added to the front wings and rear pillars. Under the bonnet, the engine was uprated to develop 104 bhp with a new cylinder head, camshaft, and manifolds. Performance improved to 107 mph but perhaps more noteworthy the 0–60 mph time dropped to 10 seconds.  The fuel economy was also improved to 25 mpg. The interior was updated with a new dashboard and better ventilation, a two-speed heater fan and a black headlining. Overdrive remained a popular option for the manual transmission. A further update to the Series 3 came in the autumn of 1970, at the same time as the Spitfire Mark IV was launched, but sales remained low and the car was deleted in the autumn of 1973 with production having reached 40,926 examples.

Launched at the same time as the Rover 2000 was Triumph’s large saloon car, also called 2000. A replacement for the long running Standard Vanguard, this was the more sporting of the duo, with a subtly different appeal from the Rover. Between them, the cars defined a new market sector in the UK, promising levels of comfort and luxury hitherto associated with larger Rover and Jaguar models, but with usefully lower running costs and purchase prices, all in a modern package. Both added more powerful models to their range, with Rover going down the twin carburettor route, whilst in 1967, Triumph installed a larger 2.5 litre engine and the then relatively new fuel injection system, creating the 2.5PI, which is what was to be seen here. This Lucas system was not renowned for its reliability in the early days, but it did make the car rapid and refined. A facelift in 1969 brought new styling front and rear, which turned out to be a taster for a new grand tourer model which would emerge a few months later, and in this Mark 2 guise, the car was sold until 1977, in both saloon and estate guises. A mid range model, with twin carburettors but the larger engine, the 2500TC was introduced in 1974 and the 2500S arrived in 1975 with more power but also carb fed, to replace the troublesome and thirsty PI. These are the most sought after models now.

The Dolomite really was the 3 Series of its day, a family sized saloon that offered a combination of luxury and sportiness that made it a cut above the average Cortina and Marina. Designed as the successor for the upmarket variants of Triumph’s front-wheel drive designs, and also to replace a sporting relative of the Herald, the 6-cylinder Triumph Vitesse, the Triumph Dolomite was unveiled at the London Motor Show in October 1971. However, due to a number of strikes and other industrial upsets, the car was not reported to be in full production until October 1972. The Dolomite used the longer bodyshell of the front wheel drive Triumph 1500, but with the majority of the running gear carried over from the rear-wheel drive Triumph Toledo. Initially, the only version available used the new slant-four 1854 cc engine, which mated an alloy OHC head to an iron block, providing 91 bhp which offered sprightly performance. This was a version of the engine that the company was already providing to Saab for use in their 99 model. The car was aimed at the then-new compact performance-luxury sector, vying for sales against cars such as the BMW 2002 and Ford Cortina GXL, and was offered with a high level of standard equipment, including twin headlamps, a clock, full instrumentation, luxury seats and carpets, a heated rear window, and a cigar lighter. Styling was similar to the Triumph 1500, with some updates such as a black painted rear panel, vinyl D-posts, and new wheel trims. The car was capable of 100 mph with 60 mph coming up in just over 11 seconds. An overdrive gearbox was soon made available as an option, offering relaxed motorway cruising and improved fuel economy, and there was also an optional automatic transmission.  Although the Dolomite proved to be refined and rapid, competitors such as the BMW 2002 had a performance advantage which was costing Triumph dearly, both in terms of sales and prestige. To remedy this, Triumph unveiled the Dolomite Sprint in June 1973, although the launch had been delayed by a year; it had been due to go on sale in 1972. A team of engineers led by Spen King developed a 16-valve cylinder head with all of the valves being actuated using a single camshaft rather than the more conventional DOHC arrangement. The capacity was also increased to 1,998 cc and combined with bigger carburettors the output was upped to 127 bhp. This represented a significant power increase over the smaller 1850cc variant, however it fell short of the original target of 135 bhp Despite BL engineers being able to extract a reliable 150 bhp from test engines, the production line was unable to build the engines to the same level of quality, with production outputs being in the region of 125 bhp to 130 bhp. This led to the original model designation, the Dolomite 135, being replaced at short notice with the Sprint name. As a result of the use of this engine, the Dolomite Sprint has been claimed to be “the world’s first mass-produced multi-valve car”. While other multi-valve engines (notably the Lotus 907) were produced in volume, they were not used in mass production vehicles until after the introduction of the Dolomite Sprint. The design of the cylinder head won a British Design Council award in 1974. Performance was excellent, with 0–60 mph taking around 8.4 seconds, with a maximum speed of 119 mph. Trim was similar to the 1850, with the addition of standard alloy wheels (another first for a British production car), a vinyl roof, front spoiler, twin exhausts and lowered suspension. By now seats were cloth on the 1850, and these were also fitted to the Sprint. Due to the increase in power brought by the new engine, the rest of the driveline was upgraded to be able to withstand the extra torque. The gearbox and differential were replaced by a version of those fitted to the TR and 2000 series cars, albeit with a close ratio gearset in the gearbox. The brakes were upgraded with new pad materials at the front, and the fitment of larger drums and a load sensing valve at the rear. Other changes over the standard Dolomite included the option of a limited slip differential. The optional overdrive and automatic transmission from the 1850 model were also offered as options on the Sprint. Initial models were only offered in Mimosa Yellow, although further colours were available from 1974 on. At launch the Sprint was priced at £1740, which compared extremely well to similar cars from other manufacturers. Prospective buyers would have been hard pressed to justify the extra £1000 cost of the BMW 2002 Tii, which offered similar performance. The four-door practicality of the Sprint also made it a very attractive proposition for the young executive choosing his first company car. The press gave the Dolomite Sprint an enthusiastic reception. Motor summarised its road test (subtitled “Britain leads the way”) with glowing praise: ”    …the Sprint must be the answer to many people’s prayer. It is well appointed, compact, yet deceptively roomy. Performance is there in plenty, yet economy is good and the model’s manners quite impeccable … Most important of all, it is a tremendously satisfying car to drive”. Sadly, it proved not quite so satisfying to own, as the legendary BL lack of reliability was a feature on some, but by no means all Sprints. In 1976, Triumph rationalised their range, calling all their small models, Dolomite, and using the same body shell, so the Toledo (which had maintained its stubby tail until this point) and 1500TC became the Dolomite 1300, 1500 and 1500HL respectively. With minor changes to trim and equipment, the cars continued in production until 1980.

VAUXHALL

Launched in 1963, as a competitor to the Morris 1100 and Ford Anglia, the Viva was utterly conventional in design and was Vauxhall’s first serious step into the compact car market after the Second World War, and the marque’s first new small car since 1936. Offered only as a two door saloon, the new car was powered by a 1,057 cc overhead valve, four cylinder, front-mounted engine driving the rear wheels, it was comparable in size and mechanical specifications with the new Opel Kadett released a year earlier in continental Europe. The Viva and Kadett were sold alongside each other in many markets. The HA set new standards in its day for lightweight, easy to operate controls, a slick short gearchange, lightweight steering and clutch pedal, good all-round visibility and relatively nippy performance. It was one of the first cars to be actively marketed towards women, perhaps as a result of these perceived benefits for them. The Viva was initially launched in Standard and Deluxe versions, identifiable by their simple horizontal slatted metal grilles. Minor changes in September 1964 included improved seats and more highly geared steering. A more luxurious SL variant appeared in June 1965. Engines were available in two states of tune: entry level models came with a power output of 44 bhp, while the Viva 90, introduced in October 1965, had a higher 9:1 compression ratio and produced 54 bhp. 90 models came with front disc brakes, while SLs featured contrasting bodyside flashes, a criss-cross chrome plated front grille, full wheel covers, three-element round tail lights and better interior trim. During its first ten months, over 100,000 HA Vivas were made, and by 1966 the HA had chalked up over 306,000 sales, proving that Vauxhall had made a successful return to the small-car market, which they had abandoned following the Second World War. In common with other Vauxhall models of the period, the HA, suffered severely from corrosion problems. One of the main problem areas being the cappings along the top side edges of the luggage compartment badly corroding and allowing water to enter, consequently leading to severe structural corrosion in the luggage-compartment floor area. As with a lot of other British cars of that period, many Vivas failed to survive long term, so it was good to see one.

The front-wheel drive Opel Corsa was first launched in September 1982. It went on sale first in France, Italy, and Spain – markets where small cars represented from 34 to 43 percent of sales. Built-in Zaragoza, Spain, the first Corsas were three-door hatchback and two-door saloon models, with four-door and five-door versions arriving in 1984. In certain markets, commercial “van” models were also sold, with or without rear windows depending on local requirements. In mainland Europe, the saloon versions were known as the “Corsa TR” until May 1985 and received an egg-crate grille rather than the four slits used on hatchbacks. The saloons were intended to appeal to customers of the Opel Kadett C and its sister the Vauxhall Chevette who still desired a traditional 3-box sedan shape – but it did not sell particularly well in most of Europe but were popular in Spain and Portugal, among other markets. While only taking ten percent of French Corsa sales during the car’s first half-year, the TR represented half of all Corsas sold in Spain. The basic trim level was called just the Corsa, which was followed by the Corsa Luxus, Corsa Berlina, and the sporty Corsa SR. The SR receives a spoiler which surrounds the rear window, alloy wheels, checkered sport seats, and a somewhat more powerful 70 PS engine. Six years later, the Corsa received a facelift, which included a new front fascia and some other minor changes. The models were called LS, GL, GLS, and GT. The Corsa A was known in the United Kingdom market as the Vauxhall Nova (as it was considered that Corsa sounded too much like “coarser”), where it was launched in April 1983, following a seven-month-long union dispute due to British workers being angry about the car not being built there, in contrast to the rival Ford Fiesta, Austin Metro and Talbot Samba. In addition, there was also a dispute about the disparity of import tariffs, as while cars exported from Spain to the European Community were subject to tariffs of only 4.4 per cent, those exported in the other direction were subject to tariffs as high as 36.7 per cent. Power first came from 1.0 L 45 hp, 1.2 L 55 hp, and 1.3 L 70 hp petrol engines. (The first engines were all equipped with carburettors; fuel injection came later, but never for the 1.0.) The engines were based on the well proven Family II design, except for the 1.0 L and early 1.2 L engines, which were based on the OHV unit from the Kadett C. There was also an Isuzu-built, 67 PS  1.5 L turbo diesel engine available, which was also used in the Isuzu Gemini at around the same time. The diesel joined the line up in May 1987, at the Frankfurt Motor Show, along with the sporty GSi. The engines and most of the mechanical componentry were derived from those used in the Astra/Kadett. In September 1987 the Corsa received a light facelift, with a new grille that was now the same on hatchbacks and sedans, an updated interior, and other slight changes. For the 1989 model year, the 1.3 was bored out to 1.4 liters. Power remained the same, although torque increased. A rare “Sport” model was produced in 1985 to homologate for the sub 1,300 cc class of Group A for the British Rally Championship. These Sport models were white and came with unique vinyl decals, a 13SB engine with twin Weber 40 DCOE carburettors, an optional bespoke camshaft, a replacement rear silencer, and few luxuries. This gave 93 hp and a top speed of 112 mph (180 km/h) with a 0–60 mph time of 8.9 seconds. These are by far the rarest models (500 produced) and thus acquire a high market price if one does become available. A 1.6 L multi point fuel-injected engine with 101 PS at 5600 rpm (98 PS in the catalysed version) and capable of 186 km/h (116 mph) was added to the Corsa/Nova at the 1987 Frankfurt Motor Show, giving decent performance and being badged as a GSi (“Nova GTE” in pre-facelift models in the United Kingdom, later models were all called GSi). The GSi’s engine mapping had been carried out by Opel tuning specialists Irmscher. A model with the 82 PS 1.4 L multi-point fuel-injected engine, which was otherwise mechanically identical to the GSi, also became available as the Nova SRi in the United Kingdom. In January 1988, a turbocharged version of the Isuzu diesel engine was introduced, with power increased to 67 PS. The design was freshened in September 1990, with new bumpers, headlights, grille, and interior, but it was clearly recognisable as a gentle makeover of an early 1980s design when it had to compete with the latest two all-new superminis in Europe – the Peugeot 106 and the Renault Clio. The car was finally replaced in the spring of 1993.  Nearly 500,000 Novas were sold in Britain over its ten years on sale. In its best year, 1989, it was Britain’s seventh best selling car with more than 70,000 sales, but by February 2016, only 1,757 were still on the road.

By the mid-1980s, General Motors had started developing a new model to replace the J-Car models in Europe (its American, Australian and Japanese divisions would instead be replaced by different designs in due course) by the end of the decade. The new model would retain the Cavalier nameplate for the Vauxhall version on the UK market, but elsewhere in Europe the car would be sold as the Opel Vectra – spelling the end for the long-running Ascona nameplate. Soon afterwards, development also began on a new coupe which would share the same underpinnings as the hatchbacks and saloons, but would use a different nameplate and feature completely different styling. The final generation Cavalier went on sale on 14 October 1988, being Vauxhall’s version of the Opel Vectra “A”, again available as a saloon and hatchback. There was no estate version in the Opel line-up, and as this design was not going to be sold in Australia, there was no prospect of Vauxhall turning to Holden for a replacement. Early plans for an estate model exclusive to Europe to be developed never materialised. During 1989, however, the Cavalier’s floorpan did spawn a new coupe – the Calibra, the first Vauxhall coupe since the original Cavalier coupe was discontinued in 1981. The Calibra was the official replacement for the Opel Manta, which had been discontinued in 1988, and was also sold on continental Europe under the Opel Brand. Plans for the Calibra to be imported to the USA under the Saab brand never materialised. The Vectra name was not adopted at this model change as Vauxhall feared reviving memories of the much-maligned Vauxhall Victor, whereas the Cavalier was a generally well received product and had helped boost Vauxhall’s sales and reputation. Early Victors had been viewed in some quarters as excessively corrosion prone, but the Victor was becoming a very distant memory by this stage: the Vectra name would eventually appear on a Vauxhall in 1995, when the Cavalier was finally replaced. In place of the Mark II Cavalier’s angular exterior was a more rounded appearance, reflecting the change in styling tastes throughout Europe at this time. There was also a new economical 1.4 L petrol engine. The biggest changes to the range were the addition of 2.0 L sixteen valve engines, better known as the “red top” or XE. This was fitted to the GSi 2000 and later SRis. Also made available was a four-wheel drive system, fitted to a 2.0iL model (8 valve SRi spec) and on a version of the GSi 2000. There were two diesels available: a 1.7 L, 60 hp from launch, and an 82 hp 1.7-litre Isuzu-engined lightly blown turbodiesel from 1992. The early SRis were fitted with the 2.0-liter eight-valve engine from the previous Cavalier model, which produced 130 hp. Despite the lack of an estate body style, the Cavalier topped the large medium family car sales charts in Britain in 1990, narrowly outselling the Ford Sierra, while Rover was beginning to phase out its Montego in favour of the new Rover 400 Series and later the more upmarket 600 Series. Other strong contenders in this sector included the long-running Citroën BX and Peugeot’s highly regarded 405. Having first outsold the Sierra in Britain in 1990, it was Britain’s second best selling car behind the Ford Escort in 1992. It did not lose top spot in its sector until it was overtaken by the Sierra’s successor, the Mondeo, in 1994. The Calibra, launched in 1989, was well received, notably for its sporty although cramped interior (largely based on the interior of the Cavalier) and its streamlined styling which in turn enabled the Calibra to have the lowest drag coefficient of the period at 0.26 for the 8v model (0.29 for the rest) – a record it held for the next 10 years. A few variants were made: the 2.0 litre eight valve, 2.0 L sixteen valve (the same engine found in the proven Cavalier GSi 2000), the turbo version (again, the same engine used in the very successful Cavalier Turbo), the 2.5 L V6 (with a top speed of around 145 mph) and finally the 2.0 L 16-valve “Ecotec”. A facelift in the autumn of 1992 for the 1993 model year saw the Cavalier’s 1.4 L engine dropped and the 167 bhp 2.5 L V6 added to the range. At this time the GSi 2000 was replaced by a new four wheel drive version badged simply “Cavalier Turbo”, with a turbocharged version of the sixteen valve engine producing over 200 bhp. The Vauxhall logo was added to the centre of the boot. Most of the range now had airbags and anti-lock brakes as standard (the first car in its class to do so) and all models were fitted with a toughened safety cage, side impact beams (providing additional longitudinal load paths) and front seatbelt pretensioners. This version of the Cavalier was the first Vauxhall to feature a drivers airbag, with a passenger one being optional; this feature soon became available across the rest of the company’s range. The exterior design was also freshened up, with a new look grille, headlights, rear lights and bumper mouldings and an increase in sound insulation, especially in GLS and higher models making the Cavalier a quiet place to travel in. In late 1994, the new 2.0L Ecotec engine was launched replacing both the popular eight valve C20NE and high performance sixteen valve “redtop” engine. The new engine had improved fuel economy and low end torque at the cost of maximum power output, 136 hp compared to 150 hp for the “redtop” that it replaced. After twenty years and three generations, the Cavalier came to an end in October 1995 when it was replaced by the Vectra, though sales continued for about a year afterwards and several P registered versions (August 1996 to July 1997 period) were sold. The third and final incarnation of the Cavalier was a big improvement over its predecessors (and most earlier Vauxhalls) in terms of durability, with the rust problems that had plagued Vauxhall for years finally being conquered. This was reflected by the fact that Mark III Cavaliers were a common sight on British roads for well over a decade after the end of production. The demise of the Cavalier name marked a significant moment for the Luton-based company, as it would be the last of its main models with a distinct name from its Opel counterparts until the rebadging of the Opel Speedster as the Vauxhall VX220 and the Opel Karl as the Vauxhall Viva. All future Vauxhall models would share their names with those of Opel, or in the case of the 2004 Vauxhall Monaro, with Holden. However, the Astra nameplate was chosen by Vauxhall at the beginning of 1980 for its version of the first front-wheel drive Opel Kadett, and from 1991 General Motors decided to sell the Opel version of the car as the Astra. This version of the Cavalier shared its chassis with the Saab 900 that was produced from 1993 until 1998, and continued until 2002 as the Saab 9-3, due to Saab also being within the General Motors combine at the time.

The second generation of the Vectra was introduced at the 1995 Frankfurt Auto Show, replacing the Vauxhall Cavalier in the UK (first generation sold as Vauxhall Cavalier (UK) Opel Vectra (European mainland) in Europe it sold as an Opel and Australia and New Zealand as a Holden. The range consisted of a 5 door Hatch, 4 door Saloon and 5 door Estate introduced in 1996. Petrol and Diesel engines started with a 8 valve 1.6 litre (later updated to 16v), a 2.0 L Family II engine and a 2.5 L V6, Diesel engines were an Isuza 1.7 litre and Ecotec engines of 2 and 2.2 litre. The Irmscher Vectra was a limited production of the i500, Super Touring and GSi by tuning and body specialist Irsmcher who run the Opel arm of the Super Touring assault

This is an Astra VXR Nurburgring Edition. Launched in 2008, this car cost over £1500 more than the standard – and already excellent – VXR. The changes seem limited to some new wheels and tyres, another 15bhp and endless Nurburgring badging that reflects the obsession that carmakers – and some car magazines – have with the lengthy, lethal German racetrack. It is readily identifiable from the distinctive graphics, in the form of a chequered flag that runs from nose to tail. Otherwise, Nurburgring branding abounds; it’s on the fake carbon kickplates as you get in, it’s stitched into the headrests of the excellent (and all-leather in this case) Recaros, it’s on the fascia and on the numbered plaque that reminds you that your car is one of a limited run of 835. Might have been useful if one of the circuit graphics had included pace notes and the location of medical help for novices. But it was more than a sticker-job. There was a new Remus exhaust tuned by Vauxhall’s touring-car team Triple Eight which releases another 15bhp, but as it’s essentially an aftermarket conversion Vauxhall can’t quote official new performance or torque figures. There’s a slightly wider track and new white wheels and Dunlop tyres, which cut unsprung weight by an impressive 3kg per corner, which ought to aid ride and handling.

VOLKSWAGEN

Needing no introduction, even so long after production ceased, is the example of the legendary Beetle

Most stylish of the VWs here was, in my opinion, a splendidly presented Type 1 Karmann Ghia Coupe. This model debuted at the October 1953 Paris Auto Show as a styling concept created for Ghia by Luigi Segre. In the early 1950s, Volkswagen was producing its economy car, the Type 1 (Beetle), but with an increase in post-war standards of living, executives at Volkswagen proposed adding a halo car to its model range, contracting with German coachbuilder Karmann for its manufacture. Karmann in turn contracted the Italian firm Ghia, who adapted styling themes previously explored for Chrysler and Studebaker to a Beetle floorpan widened by 12 in. Virgil Exner claimed that the design was his, based on the 1953 Chrysler D’Elegance. In contrast to the Beetle’s machine-welded body with bolt-on wings, the Karmann Ghia’s body panels were butt-welded, hand-shaped, and smoothed with English pewter in a time-consuming process commensurate with higher-end manufacturers, resulting in the Karmann Ghia’s higher price. The design and prototype were well received by Volkswagen executives, and in August 1955 the first Type 14 was manufactured in Osnabrück, Germany. Public reaction to the Type 14 exceeded expectations, and more than 10,000 were sold in the first year. The Type 14 was marketed as a practical and stylish 2+2 rather than as a true sports car. As they shared engines, the Type 14’s engine displacement grew concurrently with the Type 1 (Beetle), ultimately arriving at a displacement of 1584 cc, producing 60 hp. In August 1957, Volkswagen introduced a convertible version of the Karmann Ghia. Exterior changes in 1961 included wider and finned front grilles, taller and more rounded rear taillights and headlights relocated to a higher position – with previous models and their lower headlight placement called lowlights. The Italian designer Sergio Sartorelli, designer of the larger Type 34 model, oversaw the various restylings of the Type 14. In 1970, larger taillights integrated the reversing lights and larger wrap-around indicators. Still larger and wider taillights increased side visibility. In 1972, large square-section bumpers replaced the smooth round originals. For the USA model only, 1973 modifications mandated by the National Highway Traffic Safety Administration (NHTSA) included energy-absorbing bumpers. A carpeted package shelf replaced the rear seat. In late 1974 the car was superceded by the Porsche 914 and the Golf based Scirocco.

The first generation of the Volkswagen Type 2 with the split windshield, informally called the Microbus, Splitscreen, or Splittie among modern fans, was produced from 8 March 1950 through the end of the 1967 model year. From 1950 to 1956, the T1 (not called that at the time) was built in Wolfsburg; from 1956, it was built at the completely new Transporter factory in Hanover. Like the Beetle, the first Transporters used the 1100 Volkswagen air-cooled engine, an 1,131 cc 24 bhp, air-cooled flat-four-cylinder ‘boxer’ engine mounted in the rear. This was upgraded to the 1200 – an 1,192 cc 30 bhp in 1953. A higher compression ratio became standard in 1955; while an unusual early version of the 40 bhp engine debuted exclusively on the Type 2 in 1959. Any 1959 models that retain that early engine today are true survivors. Since the engine was totally discontinued at the outset, no parts were ever made available. The early versions of the T1 until 1955 were often called the “Barndoor” (retrospectively called T1a since the 1990s), owing to the enormous rear engine cover, while the later versions with a slightly modified body (the roofline above the windshield is extended), smaller engine bay, and 15″ roadwheels instead of the original 16″ ones are nowadays called the T1b (again, only called this since the 1990s, based on VW’s retrospective T1,2,3,4 etc. naming system.). From the 1964 model year, when the rear door was made wider (same as on the bay-window or T2), the vehicle could be referred to as the T1c. 1964 also saw the introduction of an optional sliding door for the passenger/cargo area instead of the outwardly hinged doors typical of cargo vans. In 1962, a heavy-duty Transporter was introduced as a factory option. It featured a cargo capacity of 1,000 kg (2,205 lb) instead of the previous 750 kg (1,653 lb), smaller but wider 14″ roadwheels, and a 1.5 litre 42 bhp DIN engine. This was so successful that only a year later, the 750 kg, 1.2 L Transporter was discontinued. The 1963 model year introduced the 1500 engine – 1,493 cc as standard equipment to the US market at 51 bhp DIN with an 83 mm bore, 69 mm stroke, and 7.8:1 compression ratio. When the Beetle received the 1.5 litre engine for the 1967 model year, its power was increased to 54 bhp DIN. German production stopped after the 1967 model year; however, the T1 still was made in Brazil until 1975, when it was modified with a 1968–79 T2-style front end, and big 1972-vintage taillights into the so-called “T1.5” and produced until 1996. The Brazilian T1s were not identical to the last German models (the T1.5 was locally produced in Brazil using the 1950s and 1960s-era stamping dies to cut down on retooling, alongside the Beetle/Fusca, where the pre-1965 body style was retained), though they sported some characteristic features of the T1a, such as the cargo doors and five-stud 205 mm (8.1 in) Pitch Circle Diameter rims. Wheel tracks varied between German and Brazilian production and with 14-inch, 15-inch and 16-inch wheel variants but commonly front track varied from 1290 mm to 1310 mm and rear track from 1370 mm to 1390 mm. Among American enthusiasts, it is common to refer to the different models by the number of their windows. The basic Kombi or Bus is the 11-window (a.k.a. three-window bus because of three side windows) with a split windshield, two front cabin door windows, six rear side windows, and one rear window. The DeLuxe model featured eight rear side windows and two rear corner windows, making it the 15-window (not available in Europe). Meanwhile, the sunroof DeLuxe with its additional eight small skylight windows is, accordingly, the 23-window. From the 1964 model year, with its wider rear door, the rear corner windows were discontinued, making the latter two the 13-window and 21-window respectively. The 23- and later 21-window variants each carry the nickname “Samba” or in Australia, officially “Alpine”. The Volkswagen Samba, in the United States also known as Sunroof Deluxe, was the most luxurious version of the T1. Volkswagen started producing Sambas in 1951. In the USA Volkswagen vans were informally classified according to the number of windows they had. This particular model had 23 and later 21 windows including eight panoramic windows in the roof (the 23 window version had additional curved windows in the rear corners). To distinguish it from the normal Volkswagen van the name Samba was coined. Instead of a sliding door at the side the Samba had two pivot doors. In addition the Samba had a fabric sunroof. At that time Volkswagen advertised with the idea of using the Samba to make tourist trips through the Alps. Sambas were painted standard in two colours. Usually, the upper part was coloured white. The two colored sections were separated by a decorative strip. Further the bus had a so-called “hat”: at the front of the van the roof was just a little longer than the car itself to block the sun for the driver. The windows had chrome tables and the van had a more comprehensive dashboard than the normal T1. When Volkswagen started producing the successor of the T1 (the T2) the company also stopped producing the Samba so there are no Sambas in later versions of the Transporter.

The Volkswagen Polo Mk2 was produced from late 1981 until 1994. It received a major facelift in 1990 and was available in three different body styles, including a distinctive “kammback”-styled hatchback. The sedan version received the name of Volkswagen Derby. A revised Polo model (known as the Mark 2 or Mark II, internally designated Typ 86C) was introduced in October 1981, with the major change being the introduction of a new body style with a steep (almost vertical) rear window, as well a version with a diagonal rear window and a similar profile to the previous model. These two body styles were called the Hatchback and Coupé respectively, although in fact both were three-door hatchbacks. The latter was added to the range in 1983 as the radical styling of the original design was not welcomed by all. The Coupé was originally only available with the more powerful engines (55 and 75 PS), but after a mild facelift in August 1984 the base 40 PS unit was also made available. The sedan version was no longer called the Derby in all countries, and was changed to the Polo Classic on all markets from 1984. Production was expanded to Spain following Volkswagen’s takeover of SEAT in 1986. The hatchback was the lightest bodystyle, 5 kg (11 lb) lighter than the coupé and 15 kg (33 lb) lighter than the three-box sedan. 1093 cc or 1272 cc engines were available at launch. In 1986, the Polo received numerous technical improvements; amongst many other minor updates, the engines were changed to lower maintenance hydraulic tappets, new camshafts and valve gear and an automatic choke; the 1043 cc engine replaced the 1093 cc, and in some markets the 1.3-litre engine was available with fuel injection and equipped with a catalytic converter. In 1984 an all-new 1.3-litre engine was introduced, which was used in various generations of Polo until 1996. The Polo received some changes in August 1984, including a new dashboard, a bigger fuel tank, and more standard equipment. The GL was discontinued with the CL essentially taking its place. All models now received round rather than the earlier square headlights. These changes helped keep the Polo remain competitive in an increasingly competitive market, which had seen the arrival of the Opel Corsa (Vauxhall Nova in the UK) during 1982, and of three more all-new competitors – the Fiat Uno, Nissan Micra and Peugeot 205 – in 1983, as well as an updated Ford Fiesta in the same year and the new Renault 5 a year later. By the time an all-new Fiesta was launched in early 1989, the Polo was the only popular European supermini to lack a four- or five-door version, and had also gained a new competitor, the Citroen AX, which was also available with five doors by the end of the decade. Available with the 1093 cc engine the Coupé featured additions such as sporting seats trim, wheel arch extensions, rear spoiler, low profile tyres and a rev counter, as well as the round headlights which were later fitted across the range. The GL featured a 60 PS engine. In August 1982, for the 1983 model year, the first sporty Polo was introduced. The Polo Coupé GT received a 75 PS version of the 1.3-litre engine, as well as servo assisted brakes, twin headlights, a digital clock, sports seats, and a rev counter. The extra power (up by 25 percent) was the result of dished pistons containing the compression chambers, allowing for a flat cylinder head, providing higher and more even compression. While commonly referred to as a Heron head, Volkswagen called the design “HCS”, for High Compression and Squish. The carburettor remained a twin-barrel one, and the only transmission at the time of introduction was a very long-geared four-speed manual. Other special models were introduced over the rest of the period of the Mark 2 production run including models such as the Twist, Parade and Country. The UK market only ever received the 1.0, 1.1 and 1.3 versions of the Polo, but it was still one of the most popular imported cars there, frequently managing over 30,000 sales per year and peaking as the 11th best selling car there in 1983.

A heavily redesigned “Type 2” variant (internally designated Typ 53B) went on sale in 1981, although it remained on the A1 platform. The second generation Scirocco, still assembled on behalf of Volkswagen by Karmann of Osnabrück (in the same factory as the first generation Scirocco), was first shown at the 1981 Geneva Motor Show in March that year. Designed by Volkswagen’s own internal design team, the new car featured increased front and rear headroom, increased luggage space and a reduction in the coefficient of drag. One feature of the Type 2 was the location of the rear spoiler midway up the glass on the rear hatch. A mid-cycle update occurred in 1984, which included minor changes over the 1982 model: removal of the outlined “SCIROCCO” script from the rear hatch (below the spoiler), a redesigned air conditioning compressor, and a different brake master cylinder with in-line proportioning valves and a brake light switch mounted to the pedal instead of on the master cylinder. Halfway through the 1984 model year, a new space-saver spare wheel was added, that provided room for a larger fuel tank (with a second “transfer” fuel pump). Leather interior, power windows and mirrors, air conditioning, and a manual sunroof were options for all years. The 1984 model year saw the return of two windshield wipers (vs the large single wiper), absent since the 1976 models. Eleven different engines were offered in the Type 2 Scirocco over the production run, although not all engines were available in all markets. These engines included both carburettor and fuel injection engines. Initially all models had eight-valve engines. A 16-valve head was developed by tuner Oettinger in 1981, with the modification adopted by Volkswagen when they showed a multi-valve Scirocco at the 1983 Frankfurt Motor Show. It went on sale in Germany and a few other markets in July 1985, with a catalysed model arriving in 1986. Displacements ranged from 1.3 litres up to 1.8 litres. Power ranged from 60 PS to 112 PS for the 8 valve engines and either 129 PS or 139 PS for the 16 valve engines. Numerous trim levels existed, depending on the model year and market, and included the L, CL, GL, LS, GLS, GLI, GT, GTI, GTL, GTS, GTX, GT II, Scala, GT 16V and GTX 16V. Special limited edition models including the White Cat (Europe), Tropic (Europe), Storm (UK), Slegato (Canada), and Wolfsburg Edition (USA and Canada) were also produced. These special models typically featured unique interior/exterior color combinations, special alloy wheels and had special combinations of options such as leather, multi-function trip computer and/or power windows as standard. Scirocco sales continued until 1992 in Germany, the UK, and some other European markets. The Scirocco was briefly joined but effectively replaced by the Corrado in the VW line-up.

VOLVO

There was a single example of the “Amazon” Volvo here. Although costly when new, thanks to the UK’s Import Duty which applied to foreign car imports at the time, the Volvo of this era was surprisingly popular with UK buyers. The cars were tough, as strong success in rallying evidenced, but not that many have survived. There’s a complex history to this model, with lots of different numbers applied to the car during a 13 year production run. When introduced, the car was named the Amason (with an ‘s’), deriving from the fierce female warriors of Greek mythology, the Amazons. German motorcycle manufacturer Kreidler had already registered the name, and the two companies finally agreed that Volvo could only use the name domestically (i.e., within Sweden), modifying the spelling to Amazon. Subsequently, Volvo began its tri-digit nomenclature and the line became known as the 120 Series. Under prototype designation 1200, following the PV444’s internal designation as the 1100, the Amazon was released in the press in February 1956, with production initially set to begin in July of the same year, and deliveries commenced in August 1956 — under the now modified internal designation 120 series. The Amazon sedan’s ponton genre, three-box styling was inspired by US cars of the early 1950s, strongly resembling the Chrysler New Yorker sedan and the Chrysler 300C hardtop Coupe. According to designer Jan Wilsgaard, the Amazon’s styling was inspired by a Kaiser he saw at the Gothenburg harbour. The Amazon featured strong articulation front to rear, pronounced “shoulders”, and slight but visible tailfins. These features became inspiration for Peter Horbury when reconceiving Volvo’s design direction with the V70 after decades of rectilinear, slab-sided, boxy designs. The Amazon’s bodywork was constructed of phosphate-treated steel (to improve paint adhesion) and with heavy use of undercoating and anti-corrosive oil treatment. The Amazon shared the wheelbase, tall posture and high H-point seating of its predecessor, the PV.  In 1959 Volvo became the world’s first manufacturer to provide front seat belts as standard equipment — by providing them on all Amazon models, including the export models — and later becoming the first car featuring three-point seat belts as standard equipment. The Amazon’s handbrake location, outboard of the driver’s seat, was intended to accommodate subsequent bench seat models with column shift transmissions — which never materialised. Buyers began to receive the first cars in February 1957, and initial models were two-tone red and black with light grey roof, light grey with a black roof, followed by a dark blue with grey roof in 1958. Further iterations included the 121, the base model with a single carburettor 66 bhp engine, the 122S introduced in 1958 as a performance model equipped with a dual carburettor 85 bhp engine. The estate version was introduced at the 1962 Stockholm Auto Show, and Volvo manufactured 73,000 examples between 1962 and 1969.  The Amazon estate featured a two-piece tailgate, with the lower section folding down to provide a load surface and the upper section that hinged overhead. The vehicle’s rear licence plate, attached to the lower tailgate, could fold “up” such that when the tailgate was lowered and the vehicle in use, the plate was still visible. This idea was used by the original 1959 Mini. In recent years a similar arrangement was used on the tailgate of the Subaru Baja. In 1966 the Volvo PV ended production, replaced by the Amazon Favorit, a less expensive version of the Amazon, without exterior chrome trim, a passenger-side sun visor or cigarette lighter, and with a three-speed rather than four-speed transmission — available in black with red interior and later white or black with red interior.  The newer Volvo 140 was becoming the company’s mainstream model, and the last of the four-door 120 saloons were produced in 1967, the year which saw the launch of the 123GT, which was a Model 130 with high-compression four-cylinder B18B engine (from the Volvo P1800), M41 gearbox, fully reclining seats, front fog and driving lights (on some markets), alternator, fender mounted mirrors, special steering wheel, dash with a shelf and tachometer, and other cosmetic upgrades. In 1969 the displacement of the old B18 engine was increased and the engine was called the B20. The last Amazon was manufactured on 3 July 1970. By the end of production, 234,653 four-door models, 359,917 two-door models and 73,220 station wagons had been produced, of which 60% were exported; a total of 667,791 vehicles.

WOLSELEY

The Wolseley Hornet is a six-cylinder twelve fiscal horsepower lightweight automobile which was offered as a saloon car, coupé and open two-seater as well as the usual rolling chassis for bespoke coachwork. Produced by Wolseley Motors Limited from 1930 until 1936, the Hornet was unveiled to the public at the end of April 1930. Wolseley had been bought from the receivers by William Morris in 1927. This car’s tiny six-cylinder engine, Motor Sport magazine described it as a miniature six, reflected the brief vogue for less vibratory 6, 8, 12 and 16 cylinder engines soon superseded by greatly improved flexible engine mountings. Their overhead camshaft engines were so good that cars built on their Hornet Special chassis developed an outstanding reputation on the road and in club competition. The initial offering was something of a quart in a pint pot, tiny but powerful for its size. Furthermore, four passengers might be fitted into the very lightly constructed car. However the market soon required more room and more comfort and the car’s nature changed. This was countered by making and selling the Special with a more highly tuned engine. The last Hornet was replaced, following acquisition of Wolseley by Morris Motors, with Morris’s badge-engineered Wolseley 12/48, announced 24 April 1936

The Wolseley 15/50 was an updated version of the Wolseley 4/44. The main change was the engine; the 4/44 used a pre BMC Morris XPA unit and after the MG TF stopped production it was the only car still fitted with it. To rationalise production the 15/50 was launched with the BMC B-series engine fitted. Much of the design was shared with the MG Magnette, although some of the panels of the MG Magnette ZA/ZB (e.g. the boot and rear wings) are not interchangeable with those of the Wolseley 15/50, as stated in Practical Classics. Unlike the MG, the 15/50 engine had only a single SU carburettor so the power output was slightly less at 55 bhp at 4400 rpm. Unlike the 4/44, the 15/50 had a floor gear change. From 1956 a “Manumatic” two pedal (centrifugal clutch) transmission was an option. This was controlled by a micro switch hidden in the gear lever operating a vacuum servo. Having no synchromesh on bottom gear could make changes into the lowest ratio, which would normally require double declutching, difficult. The construction was monocoque with independent suspension at the front by coil springs and a live rear axle with semi elliptic leaf springs. The steering was rack and pinion and Lockheed brakes were fitted with 9 in drums all round In keeping with the up-market positioning of the Wolseley brand the car had upmarket trim with polished walnut dashboard and door cappings and leather seats and a traditional Wolseley radiator grille with illuminated badge. The individual front seats were placed very closely together to allow the car to be used as a six-seater albeit marginal but it was usually sold as a four seater. The handbrake lever was under the dash. A heater was fitted as standard. An example with Manumatic transmission tested by the British The Motor magazine in 1957 had a top speed of 77.9 mph and could accelerate from 0-60 mph in 26.7 seconds. A fuel consumption of 28.7 mpg was recorded. The test car cost £1011 including taxes of £338. 12.352 were built and it was replaced in 1958 by the Farina styled Wolseley 15/60.

The Wolseley 1500 is one of a pair of medium sized saloon cars, the Riley One Point Five being the other, which was launched in 1957. Conceived as a potential replacement for the Morris Minor, because that car was still selling well, the model ended up only ever being offered with the more costly marques’ badges attached (though Australians did get variants called the Austin Lancer and Morris Major). The Riley and similar Wolseley were based on the Morris Minor floorpan, suspension and steering but fitted with the larger 1489 cc B-Series engine and MG Magnette gearbox. As well as trim and badging, the twins were differentiated by nearly 20 hp, the more sporting Riley having twin SU carburettors giving it the most power at 68 hp. The Wolseley was released first, in April, while the Riley appeared in November, directly after the 1957 London Motor Show. A Series II model came out in May 1960. The most notable external difference was the hidden boot and bonnet hinges. Interior storage was improved with the fitting of a full width parcel shelf directly beneath the fascia. The Series III launched in October 1961, featuring revisions to the grille and rear lights. In October 1962 the car received the more robust crank, bearing and other details of the larger 1,622 cc unit now being fitted in the Austin Cambridge and its “Farina” styled clones. Unlike the Farina models, however, the Wolseley 1500 and Riley One-Point-Five retained the 1,489 cc engine size with which they had been launched back in 1957. Production ended in 1965 with 39,568 Rileys and 103,394 Wolseleys made.

Released in 1961 as more luxurious versions of the Mini, both the Wolseley Hornet and the Riley Elf had longer, slightly finned rear wings and larger boots that gave the cars a more conventional three-box design. The wheelbase of the Elf and Hornet remained at 2,036 mm (80.2 in), whereas the overall length was increased to 3.27 m (10.7 ft). This resulted in a dry weight of 638 kg (1,407 lb)/642.3 kg (1,416 lb) (rubber/hydrolastic suspension) for the Elf and 618 kg (1,362 lb)/636.4 kg (1,403 lb) for the Hornet. Front-end treatment, which incorporated each marque’s traditional upright grille design (the Hornet’s grille with a lit “Wolseley” badge), also contributed to a less utilitarian appearance. The cars had larger-diameter chrome hubcaps than the Austin and Morris Minis, and additional chrome accents, bumper overriders and wood-veneer dashboards. The Riley was the more expensive of the two cars. The name “Wolseley Hornet” was first used on 1930s saloon, coupé, sports and racing cars, while the name “Elf” recalled the Riley Sprite and Imp sports cars, also of the 1930s (Riley’s first choice of name “Imp” could not be used as Hillman had registered it). The full-width dashboard was a differentiator between the Elf and Hornet. This dashboard was the idea of Christopher Milner the Sales Manager for Riley. Both the Riley Elf’s and Wolseley Hornet’s bodies were built at Fisher & Ludlow under their “Fisholow” brandname. Plates in the engine compartment on the right side fitch plate bear evidence of this speciality. Very early Mark I versions of both cars (e.g. press photo of 445MWL) had no overriders on the bumpers and a single piece front wing (A-panel and wing in one piece, no outside seam below scuttle panel) that was soon given up again, allegedly due to cost. The Elf’s and Hornet’s special bumper overriders first appeared in 1962. Early production Mark I’s also had a combination of leather and cloth seats (Elf R-A2S1-101 to FR2333, Hornet W-A2S1-101 to FW2105) whereas all later models had full leather seats. Mark I models were equipped with single leading shoe brakes on the front. In 1966 the Heinz food company commissioned, from Crayford Convertibles (Crayford Engineering), 57 convertible Hornets to be given as prizes in a UK competition. Many are still on the road as of 2020. Both the Elf and the Hornet went through three engine versions. Initially, they used the 848 cc 34 bhp engine (engine type 8WR) with a single HS2 carburettor, changing to a single HS2 carburettor 38 bhp version of the Cooper’s 998 cc power unit (engine type 9WR) in the Mark II in 1963. This increased the car’s top speed from 71 to 77 mph (114 to 124 km/h). Therefore, Mark II cars also came with increased braking power in the form of front drum brakes with twin leading shoes to cope with the increased power output. Both Mark I and Mark II featured four-speed gearboxes (three synchromesh gears) with the original, long gear lever, a.k.a. “magic wand” type. Automatic gearboxes became available on the Mark II in 1965 as an option. The Mark III facelift of 1966 brought wind-up windows and fresh-air fascia vents. Concealed door hinges were introduced two years before these were seen on the mainstream Mini. The gear selecting mechanism was updated to the “Cooper” type, (which also gave a welcome increase in engine location due to the remote housing extension being directly bolted onto the back of the differential housing) as seen on Mini 1000 cars of the time. The 850s retained the “magic wand”. Automatic gearboxes were available to the Mark III in 1967 again. Full-four synchromesh gearing was eventually introduced during 1968. 30,912 Riley Elfs and 28,455 Wolseley Hornets were built. Production of both models ceased in late 1969.

AND FINALLY……

And so, I headed out to the now rather depleted main car park. My eyes were initially caught (”attracted” would be quite the wrong word) by yet another BMW with an over-sized grille, which I did not immediately recognise. This turned out to be the new X1, yet another car where the styling has gone in a direction which few will find appealing.

Rather nicer to behold was this car from the fifth generation of the Celica, which was introduced in September 1989. The Celica received new Super Round organic styling, upgraded wheels and tyres, more powerful GT-Four (All-Trac Turbo in the US) with better cooling system, and for the Japanese market only, the four-wheel steering (4WS) models. Toyota engineers claimed that the round styling and lack of straight edges increased strength without adding weight. The styling was later copied by other manufacturers. Japanese market models were now S-R, Z-R, GT-R, Active Sports (first Toyota with Toyota Active Control Suspension), and GT-Four. The S-R and Z-R were powered by a 3S-FE engine, while the GT-R and Active Sports came with a 3S-GE. The 3S-GTE in the GT-Four features an air-to-air intercooler and CT26 twin entry turbo to eliminate exhaust gas interference. The Japanese market GT-Four has (221 bhp and 304 N⋅m (224 lb⋅ft) of torque, a result of more aggressive ignition advance and ceramic turbine. The Full-time 4WD system in the GT-Four has viscous coupling limited slip centre differential and Torsen rear differential. Trim levels for the European Celica were 1.6 ST-i, 2.0 GT-i 16, and GT-Four. The 2.0 GT-i 16 cabriolet was offered only in certain European countries. Only the 2.0 GT-i 16 liftback and GT-Four were officially sold in the UK.  The model was superceded by a sixth generation car in 1993.

Last photo stop of the day was of my own car.

No question this was a great event, helped out by that autumn sunshine. I shall certainly be looking out to see if it features in the 2023 schedule and if so, will add it to mine as well.