As I have previously observed, with so many events going on at the same time, it is impossible to go to everything that catches my eye. Some of them pop up on the calendar again, though, and so there can be a second chance to go and see the venue that I missed first time round. This is one of those. One of many meets at places that I’d not even heard of, let alone attended, the B.A.D. Abarth South Coast group held a meeting at Athelhampton House, the pictures from which made me declare that if there was to be a return visit, I really rather wanted to go along and this without even factoring in the cars or the people, both of which are great with this friendly Abarth Group. My luck was in when this relatively unknown venue popped up on the calendar in early March, a time of the year when there is less in the way of diary conflict than in peak season. Athelhampton village is located about 5 miles east of Dorchester and has a population of only around 30 people, so it is less wonder that it is not well known. The House is a Grade I listed 15th-century country house retaining much of its original Tudor character including a magnificent Great Hall with fine hammerbeam roof, and a recently restored Elizabethan Kitchen with a magnificent fireplace. It is surrounded by some 20 acres of gardens originally designed by Inigo Thomas in the 1890s, which are Grade I listed on the Register of Historic Parks and Gardens. The house and gardens are privately owned but are open for public visits almost all of the year, and the property is a member of the Historic Houses Association. As early March is relatively low season, it almost felt like we had the site to ourselves, but in fact it was open to the public, and there was quite good business going on in the tea rooms, where, I have to say the cakes were particularly good. We were able to park the cars all together in a grassy area close to the main building, taking care to avoid the crocus that were in bloom and also mindful of all the various rabbit holes in the grass. This was never going to be a massive meet, but there were around 35 Abarths present in the end, which is a good turn out for a rather grey winter’s day.

All but one of these Abarth cars here were 500-based models. These have been on sale now since the end of 2008, following a launch at the Paris Show that year. Since that time there have been a number of detailed changes to the standard cars and a lot of limited editions. Those who really know the marque can spot most of them, but some are so subtle that unless there is a badge you can see, you will not be quite sure which version you are looking at. It used to be relatively easy, when the model was first launched, as there was only one version as shipped ex works called the 500. It had a 135 bhp 1.4 litre turbo-charged engine coupled to a five speed manual gearbox, with 16″ alloys as standard, and the option of 17″ wheels, and a colour palette comprising of two whites (BossaNova White, the standard colour, or the pearlescent Funk White), Red (Pasadoble), Pale Grey (Campovolo) or Black. If you wanted more power – 160 bhp – then you could order an Esseesse kit, which came in a large wooden crate, containing new wheels, springs, an ECU upgrade, the Monza exhaust system and badging. It was dealer fitted and could be applied at any time within the first 12 months or 10,000 miles from registration. Needless to say, it proved popular. As were many of the optional extras, with stickers for the sides, a large scorpion for the bonnet and even a chequered pattern for the roof among the personalisation options offered.

Whilst a sliding glass sunroof (Skydome in Fiat/Abarth parlance) was an option from inception, fans of open air motoring had to wait until Geneva 2010 for the launch of the 500C models.

For the first few months these cars only came with the robotised manual gearbox, which limited the appeal in the eyes of some, but they also introduced us to the “bi-colore“, a series of two tone cars, with upper and lower halves of the body painted in different colours. It took us a while to get used to this, as no other production road cars had been painted like this for some time, but now this is seen as yet another of those marque defining attributes, and (perhaps with the exception of the rarely seen Rally Beige and Officina Red combination that would come for 2014) in the eyes of many this distinctive look enhances the appeal of the cars still further. The bi-colore paint scheme is also available on the fixed roof cars.

Having used the legendary 695 badging from the 1960s on the Tributo cars, at the 2012 Geneva Show, Abarth dusted off the 595 name that had been used on the less powerful of the Nuova 500 based cars of the same generation, and created two new versions which we should think of as Series 2 cars, the 595 Turismo and Competizione, both of which could be bought in either closed or open top C guise, with either the 5 speed manual or robotised automated gearshifts. Both models had the 160 bhp engine as standard. Effectively they were a replacement for the Esseesse kit, and it meant that the cars were produced complete at the factory, rather than needing the dealer to undertake the upgrade (and the associated paperwork), though Abarth did not withdraw the Esseesse kits from the market for some while. Turismo, as the name suggests was aimed slightly less extreme in intent, featuring standard leather upholstery, upgraded dampers and climate control, Xenon headlights and Alutex interior details. The sportier Abarth 595 Competizione replaced the leather seats with Sabelt cloth sport seats and Alutex with aluminium, while adding p-cross-drilled brakes and the Record Monza dual-mode exhaust.

Rumours started to circulate towards the end of 2014 that Abarth were going to upgrade the Competizione model, so as better to bridge the gap between the Turismo and the 190 bhp 695 Biposto that had been added to the range earlier in the year. It was Geneva 2015 when the result was finally shown to an expectant fan base. Most exciting news was that thanks to a bigger Garrett Turbo, the engine had been tweaked to 180 bhp, and with reduced CO2 emissions. A standard spec that included Koni Dampers, Brembo brakes, Xenon lights, Sabelt seats, Climate Control, parking sensors as well as other refinements that had been added like the TFT instrument display all proved very compelling, so not long after the first cars reached the UK  in June of 2015, I found temptation too hard to resist, and as is well documented here, swapped my 2010 car for one of these. At the time I ordered it, Cordolo Red, a tri-coat pearlescent paint which shimmers in bright sunlight looked set to become one of the most popular colours of the lot, even though it is a cost option. Indeed, the Launch Edition models were all offered either in this colour or Scorpion Black, with black wheels. Surprisingly, the colour was not carried over to the Series 4 cars.

Seen by most as the ultimate model, there was the 695 Biposto. First shown at the 2014 Geneva Show, this 2 seater (that’s what Biposto means in Italian) is nothing other than a road legal version of the 695 Assetto Corse Racing car, a vehicle which has its own race series in Europe. Although the car is road legal, it was envisaged that the majority of people who buy one of these cars will use it on the track and quite frequently. So it was conceived accordingly. That means upgrades to all the important bits – engine, brakes, suspension, gearbox – and some fairly drastic measures to save weight which resulted in a car which generates 190 bhp and 199 lb/ft or 250 Nm of torque with a kerb weight of just 997kg. That’s enough to give a 0 – 60 time that is under 6 seconds, and a top speed of 143 mph. Those are supercar figures produced by a city car. There’s more to it than that, though, as the changes that go to make a Biposto are extensive, and they have been well thought through, so this is a long-way from being a hastily conceived or tuned up special. Ignoring the limited edition cars which arrived during 2015, the “regular” Biposto is only offered in Matt Performance Grey paint, and the car is visually distinctive, with a new front bumper, rear diffuser, wider arches, new skirts and bigger roof spoiler. Although the engine is still the same 1.4 T-jet that features in the lesser 500 and 595 cars, it has been reworked here, with a new Garrett turbocharger, larger intercooler, altered fuel rail and an Akrapovic exhaust system. Buyers can choose between the standard five speed gearbox or an optional race-bred dog-ring unit mated to a mechanical limited slip diff. The standard car’s MacPherson strut and torsion beam suspension has been reworked, too, with altered springs, wider tracks adjustable ride height and dampers with more resilient bushings, using Extreme Shox technology shock absorbers. The brakes are upgraded in line with the extra power, featuring  305mm Brembo discs and four pot calipers up front and 240mm discs with single pot calipers at the rear. The wheels are lightened 18″ OZ and attached via a titanium hub, shod with bespoke 215/35 Goodyear tyres. In the interest of weight saving, a number of standard trim items are removed, including the regular door trims, air conditioning, the rear seats and some of the sound deadening material. Even the standard air vents have been changed so they are covered by a simple mesh. In their place is plenty of polished carbon fibre, a titanium strut brace, racing seats and harness, as well as special trim features such as new pedals, tread plates and a race inspired digital display on the dash where the radio usually sits. After the grey coloured cars, Abarth followed up with the Biposto Rrecord Edition, all finished in Modena Yellow. Just 133 were made of which around 30 are believed to have come to the UK. Many of them are hidden away in collections, but a few of them are actually used such as this one belonging to Florian Holliday.

What is known as the Series 4 version of the familiar 595 reached the markets in the middle of 2016. After rumours had circulated all winter following the launch of the facelifted Fiat 500 last year, Abarth finally unveiled the Series 4 at the end of May 2016. Initially, we were told that the cars would not be available in the UK until September, but that came forward somewhat, with dealers all receiving demo cars in June, and the first customers taking delivery in July.  Three regular production versions of both the closed car and the open-topped C were initially available, all badged 595, and called Custom, Turismo and Competizione, as before, though numerous limited edition models have since appeared and in most case disappeared. The most significant changes with the Series 4 are visual, with a couple of new colours, including the much asked for Modena Yellow and a different red, called Abarth Red, which replaces both the non-metallic Officina and – slightly surprisingly – the tri-coat pearlescent Cordolo Red. as well as styling changes front and rear. The jury is still out on these, with many, me included, remaining to be convinced. At the front, the new air intake does apparently allow around 15 – 20 % more air in and out, which will be welcome, as these cars do generate quite a lot of heat under the bonnet. Competizione models for the UK retain the old style headlights, as they have Xenon lights as standard, whereas the Custom and Turismo cars have reshaped units. At the back, there are new light clusters and a new rear bumper and diffuser. Inside, the most notable change is the replacement of the Blue & Me system with a more modern uConnect Audio set up, which brings a new colour screen to the dash. Mechanically, there is an additional 5 bhp on the Custom (now 145) and Turismo (now 165 bhp) and the option of a Limited Slip Diff for the Competizione, which is likely to prove a popular option. Details of the interior trim have changed, with a filled-in glovebox like the US market cars have always had, and electric windows switches that are like the US ones, as well as a part Alcantara trim to the steering wheel in Competizione cars. These cars have now been on offer for over six years and with Abarth sales on the rise, it was no surprise that they constituted the majority of the cars here.

Abarth announced two limited edition models in the autumn of 2020 and one of these was here, the 595 Scorpioneoro. Another model which takes its inspiration from a history which few in the Uk will be familiar with, there will be just 2000 units of this distinctive model available globally. The 595 Scorpioneoro was born to continue the legacy of the famous A112 Abarth “Gold Ring” of 1979, better known as the A112 Abarth “Targa Oro”, of which only 150 models produced and, as with the new Abarth 595 Scorpioneoro, what made it so special were its stylistic details. These details included black livery, gold-coloured decorative line contouring the bodywork and the alloy wheels, also painted in the distinctive gold colour. This car is liveried in the same way, marked out by its black livery, decorative gold bodywork lining and gold-painted alloy wheels. It also boasts a matt black chessboard roof and grey finish on the door handles and mirror caps. And to mirror the ‘Gold Scorpion’ name, the car is adorned with gold scorpions on the bonnet and the wheel centres. Inside the cabin of this new exciting new model, you’ll be greeted with a black dashboard which is home to the new gold finished 500 logo. Leather detailing on the seats introduces the original “scorpionflage”. The seats are further embellished with dedicated stitching and personalised headrests with the word “Scorpioneoro”, the Italian flag and Abarth embroidered on them. An additional touch of exclusivity comes from the numbered, gold coloured plaque, available solely on this model. The Scorpioneoro also comes with Abarth’s top-of-the-range seven-inch touchscreen infotainment system, complete with Apple CarPlay and Android Auto, as well as a Beats Audio sound system. Mechanically, there is nothing new, as the car has the 165 bhp version of the familiar T-Jet engine and the other features you get in the regular production Trofeo cars.

The Abarth Grande Punto debuted at the 2007 Frankfurt IAA Show, going on sale in the UK in late summer of 2008. Offering 155 bhp from its 1.4 litre T-Jet engine, coupled to a six speed gearbox, and riding on 45 profile 17″ alloys, the standard car got rave reviews from the journalists when they first tried it, and they were even more impressed by the changes wrought by the optional Esseesse kit. This increased power to 177 bhp, brought 18″ OZ lower profile wheels, whilst new springs lowered the ride height by 15-20mm, and high-performance front brake pads and cross-drilled front disc brakes helped the car to stop more quickly. The most distinctive feature of the car were the white alloy wheels, though, as owners found, keeping these clean is not a job for the uncommitted, and many have a second set of wheels that they use for grubbier conditions. Despite the positive press at launch, the car entered a very competitive sector of the market, and the combination of being relatively unknown, a limited number of dealers and the existence of established rivals from Renault and others meant that this always remained a left-field choice. The owners loved them, though, and they still do. The oldest cars have now had their 14th birthdays, and some have amassed relatively big mileages, but they are still a car for the cognoscenti.

This proved to be a nice location even on a grey day. I can imagine on a sunny summer’s day, when it would inevitably be much busier, it would be even more appealing, with the grounds proving a particular delight. Perhaps I shall get the chance to return and see that for myself, but meanwhile I have happy memories of a good day out combining cars, friends and some English history and heritage.